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DTSTART;TZID=Australia/Adelaide:20240817T193000
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DTSTAMP:20260422T092940
CREATED:20240812T024639Z
LAST-MODIFIED:20240812T024639Z
UID:10023052-1723923000-1723933800@tasaonline.org.au
SUMMARY:King Lear
DESCRIPTION:by William Shakespeare \nDirected by: Brant Eustice \nReimagined in a post-apocalyptic setting\, this Shakespeare epic unfolds amidst the madness of a world in ruins.\nThe sting of betrayal\, the tragic downfall of a kingdom… as the King descends into insanity and his daughters’ ambitions spiral out of control\, Adelaide’s finest explore the desperation of  power\, excessive pride\, and the collapse of civilisation. \nDirector Brant Eustice says\, “There is enormous joy to be found in Shakespeare’s universal themes and a brilliance in his writing which not only allows\, but also encourages theatregoers to continue exploring the depth\, complexity and beauty of his stories in new styles.  Due to a global calamity\, civilisation as we view it has collapsed and has returned to the ways of a distant past. We find ourselves in a world which is slowly trying to rebuild itself.”
URL:https://tasaonline.org.au/events/king-lear-2/2024-08-17/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/08/King-Lear.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240816T193000
DTEND;TZID=Australia/Adelaide:20240816T223000
DTSTAMP:20260422T092940
CREATED:20240812T024639Z
LAST-MODIFIED:20240812T024639Z
UID:10023051-1723836600-1723847400@tasaonline.org.au
SUMMARY:King Lear
DESCRIPTION:by William Shakespeare \nDirected by: Brant Eustice \nReimagined in a post-apocalyptic setting\, this Shakespeare epic unfolds amidst the madness of a world in ruins.\nThe sting of betrayal\, the tragic downfall of a kingdom… as the King descends into insanity and his daughters’ ambitions spiral out of control\, Adelaide’s finest explore the desperation of  power\, excessive pride\, and the collapse of civilisation. \nDirector Brant Eustice says\, “There is enormous joy to be found in Shakespeare’s universal themes and a brilliance in his writing which not only allows\, but also encourages theatregoers to continue exploring the depth\, complexity and beauty of his stories in new styles.  Due to a global calamity\, civilisation as we view it has collapsed and has returned to the ways of a distant past. We find ourselves in a world which is slowly trying to rebuild itself.”
URL:https://tasaonline.org.au/events/king-lear-2/2024-08-16/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/08/King-Lear.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240623T130000
DTEND;TZID=Australia/Adelaide:20240623T170000
DTSTAMP:20260422T092940
CREATED:20240611T013227Z
LAST-MODIFIED:20240611T013227Z
UID:10022969-1719147600-1719162000@tasaonline.org.au
SUMMARY:The Penelopiad
DESCRIPTION:Written by: Margaret Atwood \nDirected by: Kristen Telfer \nSynopsis:   “The Penelopiad” by Margaret Atwood is an adaptation of Homer’s “Iliad” and “Odyssey”\, told from the perspective of Odysseus’ wife Penelope.\nLong after the events of the story are over\, Penelope tells the audience her story from the afterlife\, from her miraculous birth and childhood as the daughter of a king and a water nymph to her marriage to the renowned and wily Odysseus. The complacent idyll of Penelope’s life as a married noblewoman is shattered when news arrives that her sister Helen has absconded from her own marriage and run off with a young prince from an enemy state. Odysseus leaves his wife and young son to do his duty\, and Penelope’s ordeal begins. \nAfter Troy is sacked\, Odysseus fails to return home. As the years pass\, Penelope finds herself surrounded by a crowd of would-be suitors\, eager to lay claim to the widow and her considerable wealth\, whose encroachments on her hospitality becomepushier by the day. Greatly restricted in her means to deal with this threat\, Penelope relies on the support of her loyal maids in her bid to ward off the unwanted attentions until her husband returns. But these same Maids are also with Penelope in the afterlife\, to observe and participate in her narration of the events of her life… and remind her of the role she played in the tragic\nending to theirs. \nCharacter Descriptions: \nRoles: Penelope\, Telemachus\, Odysseus\, and twelve Maids \nGender: Undefined       Stage Age: 18+ \n\n\n\nGenders given are of the characters. Non-binary identifying people are invited to audition for all roles. \nPENELOPE (F\, 40+)\nThe daughter of a king and a water nymph\, wife of Odysseus. Knows how to present as the model noblewoman and wife. Intelligent\, articulate and observant. An eternity in the afterlife has given her the benefit of hindsight. The actor will play Penelope from her teens through to the end of her long life. \nODYSSEUS (M\, 30s-40s)\nA Greek warrior and petty king. Ambitious and savvy\, renowned for his cunning and charisma. The actor will play Odysseus from his early 30s through to the end of his life. \nTELEMACHUS (M\, 18-early 20s)\nThe beloved only child of Penelope and Odysseus. The actor will play Telemachus as a precocious five-year-old in one scene\, and as a moody youth frustrated at being left at home while his father goes to war for the rest of the play. \nTHE MAIDS\nThe backbone of the play\, Penelope’s twelve Maids act as a Greek Chorus as they observe Penelope telling her side of the story from the afterlife and remind her of the role she played in their fate. Every actor cast will play a Maid as well as other characters (see below)\, and will have both individual and collectively spoken dialogue. There will also be some chanting and unaccompanied singing to simple melodies. \nMELANTHO (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor and possibly other roles.\nTANIS (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor and possibly other roles.\nKERTHIA (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor and possibly other roles.\nKLYTIE (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor\, an Oracle\, and Penelope’s mother-in-law Anticleia.\nIOLE (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor and possibly other roles.\nCELANDINE (F)\nOne of Penelope’s maids. The actor will also play a Suitor\, Sailor\, and Penelope’s Naiad mother.\nSELENE (F)\nOne of Penelope’s maids. The actor will also play an Ithacan maid\, Suitor\, and Odysseus’ loyal housekeeper Eurycleia.\nZOE (F)\nOne of Penelope’s maids. The actor will also play a Sailor and Antinous\, the ringleader of Penelope’s bullying swaggering Suitors\, and Penelope’s father Icarius.\nALECTO (F)\nOne of Penelope’s maids. The actor will also play a Suitor and Penelope’s sister Helen (the future Of Troy).\nCHLORIS (F)\nOne of Penelope’s maids. The actor will also play a Sailor\, Suitor\, Ithacan maid\, and Penelope’s father-in-law Laertes.\nPHASIANA (F)\nOne of Penelope’s maids. The actor will also play a Sailor\, Suitor and Ithacan maid.\nNARCISSA (F)\nOne of Penelope’s maids. The actor will also play a Sailor\, Suitor\, and Ithacan maid. \nAuditions are booked via https://www.trybooking.com/CSLKH \nActors auditioning for Penelope who also wish to audition for the Maids ensemble must also attend one of the group auditions. \nActors auditioning for Penelope\, Telemachus and Odysseus are requested to prepare a short (no more than 3 minutes) monologue of their choosing they feel relates well to the character. \nScenes from the play are provided to familiarise yourself with ahead of time. You may be asked to read from any or all of them\, or possibly other scenes. You do NOT need to learn these scenes by heart. \nAbility to work well as an ensemble is integral to the roles of the Maids. These auditions will therefore be held in groups. As well as reading scenes from the play\, there will be some improvisation exercises. We want to see not just your abilities as individual performers\, but ability to collaborate\, support and play with others in a scene. \nAuditions for the Maids will be in 45-minute blocks and individual auditions (15 minutes) can be booked close to these group sessions.\n\n\n\n 
URL:https://tasaonline.org.au/events/the-penelopiad/2024-06-23/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240622T100000
DTEND;TZID=Australia/Adelaide:20240622T170000
DTSTAMP:20260422T092940
CREATED:20240611T013227Z
LAST-MODIFIED:20240611T013227Z
UID:10022968-1719050400-1719075600@tasaonline.org.au
SUMMARY:The Penelopiad
DESCRIPTION:Written by: Margaret Atwood \nDirected by: Kristen Telfer \nSynopsis:   “The Penelopiad” by Margaret Atwood is an adaptation of Homer’s “Iliad” and “Odyssey”\, told from the perspective of Odysseus’ wife Penelope.\nLong after the events of the story are over\, Penelope tells the audience her story from the afterlife\, from her miraculous birth and childhood as the daughter of a king and a water nymph to her marriage to the renowned and wily Odysseus. The complacent idyll of Penelope’s life as a married noblewoman is shattered when news arrives that her sister Helen has absconded from her own marriage and run off with a young prince from an enemy state. Odysseus leaves his wife and young son to do his duty\, and Penelope’s ordeal begins. \nAfter Troy is sacked\, Odysseus fails to return home. As the years pass\, Penelope finds herself surrounded by a crowd of would-be suitors\, eager to lay claim to the widow and her considerable wealth\, whose encroachments on her hospitality becomepushier by the day. Greatly restricted in her means to deal with this threat\, Penelope relies on the support of her loyal maids in her bid to ward off the unwanted attentions until her husband returns. But these same Maids are also with Penelope in the afterlife\, to observe and participate in her narration of the events of her life… and remind her of the role she played in the tragic\nending to theirs. \nCharacter Descriptions: \nRoles: Penelope\, Telemachus\, Odysseus\, and twelve Maids \nGender: Undefined       Stage Age: 18+ \n\n\n\nGenders given are of the characters. Non-binary identifying people are invited to audition for all roles. \nPENELOPE (F\, 40+)\nThe daughter of a king and a water nymph\, wife of Odysseus. Knows how to present as the model noblewoman and wife. Intelligent\, articulate and observant. An eternity in the afterlife has given her the benefit of hindsight. The actor will play Penelope from her teens through to the end of her long life. \nODYSSEUS (M\, 30s-40s)\nA Greek warrior and petty king. Ambitious and savvy\, renowned for his cunning and charisma. The actor will play Odysseus from his early 30s through to the end of his life. \nTELEMACHUS (M\, 18-early 20s)\nThe beloved only child of Penelope and Odysseus. The actor will play Telemachus as a precocious five-year-old in one scene\, and as a moody youth frustrated at being left at home while his father goes to war for the rest of the play. \nTHE MAIDS\nThe backbone of the play\, Penelope’s twelve Maids act as a Greek Chorus as they observe Penelope telling her side of the story from the afterlife and remind her of the role she played in their fate. Every actor cast will play a Maid as well as other characters (see below)\, and will have both individual and collectively spoken dialogue. There will also be some chanting and unaccompanied singing to simple melodies. \nMELANTHO (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor and possibly other roles.\nTANIS (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor and possibly other roles.\nKERTHIA (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor and possibly other roles.\nKLYTIE (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor\, an Oracle\, and Penelope’s mother-in-law Anticleia.\nIOLE (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor and possibly other roles.\nCELANDINE (F)\nOne of Penelope’s maids. The actor will also play a Suitor\, Sailor\, and Penelope’s Naiad mother.\nSELENE (F)\nOne of Penelope’s maids. The actor will also play an Ithacan maid\, Suitor\, and Odysseus’ loyal housekeeper Eurycleia.\nZOE (F)\nOne of Penelope’s maids. The actor will also play a Sailor and Antinous\, the ringleader of Penelope’s bullying swaggering Suitors\, and Penelope’s father Icarius.\nALECTO (F)\nOne of Penelope’s maids. The actor will also play a Suitor and Penelope’s sister Helen (the future Of Troy).\nCHLORIS (F)\nOne of Penelope’s maids. The actor will also play a Sailor\, Suitor\, Ithacan maid\, and Penelope’s father-in-law Laertes.\nPHASIANA (F)\nOne of Penelope’s maids. The actor will also play a Sailor\, Suitor and Ithacan maid.\nNARCISSA (F)\nOne of Penelope’s maids. The actor will also play a Sailor\, Suitor\, and Ithacan maid. \nAuditions are booked via https://www.trybooking.com/CSLKH \nActors auditioning for Penelope who also wish to audition for the Maids ensemble must also attend one of the group auditions. \nActors auditioning for Penelope\, Telemachus and Odysseus are requested to prepare a short (no more than 3 minutes) monologue of their choosing they feel relates well to the character. \nScenes from the play are provided to familiarise yourself with ahead of time. You may be asked to read from any or all of them\, or possibly other scenes. You do NOT need to learn these scenes by heart. \nAbility to work well as an ensemble is integral to the roles of the Maids. These auditions will therefore be held in groups. As well as reading scenes from the play\, there will be some improvisation exercises. We want to see not just your abilities as individual performers\, but ability to collaborate\, support and play with others in a scene. \nAuditions for the Maids will be in 45-minute blocks and individual auditions (15 minutes) can be booked close to these group sessions.\n\n\n\n 
URL:https://tasaonline.org.au/events/the-penelopiad/2024-06-22/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240525T190000
DTEND;TZID=Australia/Adelaide:20240525T230000
DTSTAMP:20260422T092940
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021840-1716663600-1716678000@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-25/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240524T190000
DTEND;TZID=Australia/Adelaide:20240524T230000
DTSTAMP:20260422T092940
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021839-1716577200-1716591600@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-24/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240523T190000
DTEND;TZID=Australia/Adelaide:20240523T230000
DTSTAMP:20260422T092940
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021838-1716490800-1716505200@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-23/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240519T190000
DTEND;TZID=Australia/Adelaide:20240519T230000
DTSTAMP:20260422T092940
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021837-1716145200-1716159600@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-19/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240518T190000
DTEND;TZID=Australia/Adelaide:20240518T230000
DTSTAMP:20260422T092940
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021836-1716058800-1716073200@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-18/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240517T190000
DTEND;TZID=Australia/Adelaide:20240517T230000
DTSTAMP:20260422T092940
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021835-1715972400-1715986800@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-17/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240516T190000
DTEND;TZID=Australia/Adelaide:20240516T230000
DTSTAMP:20260422T092940
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021834-1715886000-1715900400@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-16/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240512T190000
DTEND;TZID=Australia/Adelaide:20240512T230000
DTSTAMP:20260422T092940
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021833-1715540400-1715554800@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-12/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240511T190000
DTEND;TZID=Australia/Adelaide:20240511T230000
DTSTAMP:20260422T092940
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021832-1715454000-1715468400@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-11/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240510T190000
DTEND;TZID=Australia/Adelaide:20240510T230000
DTSTAMP:20260422T092940
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021831-1715367600-1715382000@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-10/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240509T190000
DTEND;TZID=Australia/Adelaide:20240509T230000
DTSTAMP:20260422T092940
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021830-1715281200-1715295600@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-09/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240505T190000
DTEND;TZID=Australia/Adelaide:20240505T230000
DTSTAMP:20260422T092940
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021829-1714935600-1714950000@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-05/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240504T190000
DTEND;TZID=Australia/Adelaide:20240504T230000
DTSTAMP:20260422T092940
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021828-1714849200-1714863600@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-04/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240503T190000
DTEND;TZID=Australia/Adelaide:20240503T230000
DTSTAMP:20260422T092940
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021827-1714762800-1714777200@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-03/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240502T190000
DTEND;TZID=Australia/Adelaide:20240502T230000
DTSTAMP:20260422T092940
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021826-1714676400-1714690800@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-02/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240410T193000
DTEND;TZID=Australia/Adelaide:20240410T220000
DTSTAMP:20260422T092940
CREATED:20240327T045320Z
LAST-MODIFIED:20240410T021558Z
UID:10022123-1712777400-1712786400@tasaonline.org.au
SUMMARY:Cloud 9
DESCRIPTION:A play by Caryl Churchill\nDirected by Rajiv Paranavithana \nCaryl Churchill’s Cloud 9 is a two-act play about modern constructions of identity. Act 1 is set in British colonial Africa during the Victorian era\, and introduces characters who are repressed – both internally and by the world around them. The play explores the damaging nature of rigid identity categorisation and sees their world turn to chaos. Act 2 shifts forward 100 years to London in 1979\, while the same characters only age 25 years. The audience observes how the shackles of oppression linger even in contemporary society. Cloud 9 challenges traditional notions of gender\, race\, and sexuality\, adopting elements of surrealism and epic theatre and using a non-traditional casting approach. \nStarring: Ashi Mashoof\, Charlie Milne\, Eryn Kralj\, Lelum Rathnayake\, Mary McAuliffe\, Oswin Kwan\, Regan Holmes. \nCONTENT WARNING: Child abuse\, sexual references\, mentions to domestic violence\, racism\, sexism\, and creepy dolls. \nTICKETS\nGeneral admission: $15.00\nConcession: $10.00 \nPERFORMANCES\nWednesday 3 April\, 7:30pm\nThursday 4 April\, 7:30pm\nFriday 5 April\, 7:30pm\nSaturday 6 April\, 7:30pm
URL:https://tasaonline.org.au/events/cloud-9/2024-04-10/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/03/cloud9.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guilde%3A Student Society":MAILTO:uatgstudentsociety@clubs.auu.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240409T193000
DTEND;TZID=Australia/Adelaide:20240409T220000
DTSTAMP:20260422T092940
CREATED:20240327T045320Z
LAST-MODIFIED:20240410T021558Z
UID:10022122-1712691000-1712700000@tasaonline.org.au
SUMMARY:Cloud 9
DESCRIPTION:A play by Caryl Churchill\nDirected by Rajiv Paranavithana \nCaryl Churchill’s Cloud 9 is a two-act play about modern constructions of identity. Act 1 is set in British colonial Africa during the Victorian era\, and introduces characters who are repressed – both internally and by the world around them. The play explores the damaging nature of rigid identity categorisation and sees their world turn to chaos. Act 2 shifts forward 100 years to London in 1979\, while the same characters only age 25 years. The audience observes how the shackles of oppression linger even in contemporary society. Cloud 9 challenges traditional notions of gender\, race\, and sexuality\, adopting elements of surrealism and epic theatre and using a non-traditional casting approach. \nStarring: Ashi Mashoof\, Charlie Milne\, Eryn Kralj\, Lelum Rathnayake\, Mary McAuliffe\, Oswin Kwan\, Regan Holmes. \nCONTENT WARNING: Child abuse\, sexual references\, mentions to domestic violence\, racism\, sexism\, and creepy dolls. \nTICKETS\nGeneral admission: $15.00\nConcession: $10.00 \nPERFORMANCES\nWednesday 3 April\, 7:30pm\nThursday 4 April\, 7:30pm\nFriday 5 April\, 7:30pm\nSaturday 6 April\, 7:30pm
URL:https://tasaonline.org.au/events/cloud-9/2024-04-09/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/03/cloud9.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guilde%3A Student Society":MAILTO:uatgstudentsociety@clubs.auu.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240408T193000
DTEND;TZID=Australia/Adelaide:20240408T220000
DTSTAMP:20260422T092940
CREATED:20240327T045320Z
LAST-MODIFIED:20240410T021558Z
UID:10022121-1712604600-1712613600@tasaonline.org.au
SUMMARY:Cloud 9
DESCRIPTION:A play by Caryl Churchill\nDirected by Rajiv Paranavithana \nCaryl Churchill’s Cloud 9 is a two-act play about modern constructions of identity. Act 1 is set in British colonial Africa during the Victorian era\, and introduces characters who are repressed – both internally and by the world around them. The play explores the damaging nature of rigid identity categorisation and sees their world turn to chaos. Act 2 shifts forward 100 years to London in 1979\, while the same characters only age 25 years. The audience observes how the shackles of oppression linger even in contemporary society. Cloud 9 challenges traditional notions of gender\, race\, and sexuality\, adopting elements of surrealism and epic theatre and using a non-traditional casting approach. \nStarring: Ashi Mashoof\, Charlie Milne\, Eryn Kralj\, Lelum Rathnayake\, Mary McAuliffe\, Oswin Kwan\, Regan Holmes. \nCONTENT WARNING: Child abuse\, sexual references\, mentions to domestic violence\, racism\, sexism\, and creepy dolls. \nTICKETS\nGeneral admission: $15.00\nConcession: $10.00 \nPERFORMANCES\nWednesday 3 April\, 7:30pm\nThursday 4 April\, 7:30pm\nFriday 5 April\, 7:30pm\nSaturday 6 April\, 7:30pm
URL:https://tasaonline.org.au/events/cloud-9/2024-04-08/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/03/cloud9.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guilde%3A Student Society":MAILTO:uatgstudentsociety@clubs.auu.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240407T193000
DTEND;TZID=Australia/Adelaide:20240407T220000
DTSTAMP:20260422T092940
CREATED:20240327T045320Z
LAST-MODIFIED:20240410T021558Z
UID:10022120-1712518200-1712527200@tasaonline.org.au
SUMMARY:Cloud 9
DESCRIPTION:A play by Caryl Churchill\nDirected by Rajiv Paranavithana \nCaryl Churchill’s Cloud 9 is a two-act play about modern constructions of identity. Act 1 is set in British colonial Africa during the Victorian era\, and introduces characters who are repressed – both internally and by the world around them. The play explores the damaging nature of rigid identity categorisation and sees their world turn to chaos. Act 2 shifts forward 100 years to London in 1979\, while the same characters only age 25 years. The audience observes how the shackles of oppression linger even in contemporary society. Cloud 9 challenges traditional notions of gender\, race\, and sexuality\, adopting elements of surrealism and epic theatre and using a non-traditional casting approach. \nStarring: Ashi Mashoof\, Charlie Milne\, Eryn Kralj\, Lelum Rathnayake\, Mary McAuliffe\, Oswin Kwan\, Regan Holmes. \nCONTENT WARNING: Child abuse\, sexual references\, mentions to domestic violence\, racism\, sexism\, and creepy dolls. \nTICKETS\nGeneral admission: $15.00\nConcession: $10.00 \nPERFORMANCES\nWednesday 3 April\, 7:30pm\nThursday 4 April\, 7:30pm\nFriday 5 April\, 7:30pm\nSaturday 6 April\, 7:30pm
URL:https://tasaonline.org.au/events/cloud-9/2024-04-07/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/03/cloud9.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guilde%3A Student Society":MAILTO:uatgstudentsociety@clubs.auu.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240406T193000
DTEND;TZID=Australia/Adelaide:20240406T220000
DTSTAMP:20260422T092940
CREATED:20240327T045320Z
LAST-MODIFIED:20240410T021558Z
UID:10022119-1712431800-1712440800@tasaonline.org.au
SUMMARY:Cloud 9
DESCRIPTION:A play by Caryl Churchill\nDirected by Rajiv Paranavithana \nCaryl Churchill’s Cloud 9 is a two-act play about modern constructions of identity. Act 1 is set in British colonial Africa during the Victorian era\, and introduces characters who are repressed – both internally and by the world around them. The play explores the damaging nature of rigid identity categorisation and sees their world turn to chaos. Act 2 shifts forward 100 years to London in 1979\, while the same characters only age 25 years. The audience observes how the shackles of oppression linger even in contemporary society. Cloud 9 challenges traditional notions of gender\, race\, and sexuality\, adopting elements of surrealism and epic theatre and using a non-traditional casting approach. \nStarring: Ashi Mashoof\, Charlie Milne\, Eryn Kralj\, Lelum Rathnayake\, Mary McAuliffe\, Oswin Kwan\, Regan Holmes. \nCONTENT WARNING: Child abuse\, sexual references\, mentions to domestic violence\, racism\, sexism\, and creepy dolls. \nTICKETS\nGeneral admission: $15.00\nConcession: $10.00 \nPERFORMANCES\nWednesday 3 April\, 7:30pm\nThursday 4 April\, 7:30pm\nFriday 5 April\, 7:30pm\nSaturday 6 April\, 7:30pm
URL:https://tasaonline.org.au/events/cloud-9/2024-04-06/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/03/cloud9.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guilde%3A Student Society":MAILTO:uatgstudentsociety@clubs.auu.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240405T193000
DTEND;TZID=Australia/Adelaide:20240405T220000
DTSTAMP:20260422T092940
CREATED:20240327T045320Z
LAST-MODIFIED:20240410T021558Z
UID:10022118-1712345400-1712354400@tasaonline.org.au
SUMMARY:Cloud 9
DESCRIPTION:A play by Caryl Churchill\nDirected by Rajiv Paranavithana \nCaryl Churchill’s Cloud 9 is a two-act play about modern constructions of identity. Act 1 is set in British colonial Africa during the Victorian era\, and introduces characters who are repressed – both internally and by the world around them. The play explores the damaging nature of rigid identity categorisation and sees their world turn to chaos. Act 2 shifts forward 100 years to London in 1979\, while the same characters only age 25 years. The audience observes how the shackles of oppression linger even in contemporary society. Cloud 9 challenges traditional notions of gender\, race\, and sexuality\, adopting elements of surrealism and epic theatre and using a non-traditional casting approach. \nStarring: Ashi Mashoof\, Charlie Milne\, Eryn Kralj\, Lelum Rathnayake\, Mary McAuliffe\, Oswin Kwan\, Regan Holmes. \nCONTENT WARNING: Child abuse\, sexual references\, mentions to domestic violence\, racism\, sexism\, and creepy dolls. \nTICKETS\nGeneral admission: $15.00\nConcession: $10.00 \nPERFORMANCES\nWednesday 3 April\, 7:30pm\nThursday 4 April\, 7:30pm\nFriday 5 April\, 7:30pm\nSaturday 6 April\, 7:30pm
URL:https://tasaonline.org.au/events/cloud-9/2024-04-05/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/03/cloud9.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guilde%3A Student Society":MAILTO:uatgstudentsociety@clubs.auu.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240404T193000
DTEND;TZID=Australia/Adelaide:20240404T220000
DTSTAMP:20260422T092940
CREATED:20240327T045320Z
LAST-MODIFIED:20240410T021558Z
UID:10022117-1712259000-1712268000@tasaonline.org.au
SUMMARY:Cloud 9
DESCRIPTION:A play by Caryl Churchill\nDirected by Rajiv Paranavithana \nCaryl Churchill’s Cloud 9 is a two-act play about modern constructions of identity. Act 1 is set in British colonial Africa during the Victorian era\, and introduces characters who are repressed – both internally and by the world around them. The play explores the damaging nature of rigid identity categorisation and sees their world turn to chaos. Act 2 shifts forward 100 years to London in 1979\, while the same characters only age 25 years. The audience observes how the shackles of oppression linger even in contemporary society. Cloud 9 challenges traditional notions of gender\, race\, and sexuality\, adopting elements of surrealism and epic theatre and using a non-traditional casting approach. \nStarring: Ashi Mashoof\, Charlie Milne\, Eryn Kralj\, Lelum Rathnayake\, Mary McAuliffe\, Oswin Kwan\, Regan Holmes. \nCONTENT WARNING: Child abuse\, sexual references\, mentions to domestic violence\, racism\, sexism\, and creepy dolls. \nTICKETS\nGeneral admission: $15.00\nConcession: $10.00 \nPERFORMANCES\nWednesday 3 April\, 7:30pm\nThursday 4 April\, 7:30pm\nFriday 5 April\, 7:30pm\nSaturday 6 April\, 7:30pm
URL:https://tasaonline.org.au/events/cloud-9/2024-04-04/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/03/cloud9.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guilde%3A Student Society":MAILTO:uatgstudentsociety@clubs.auu.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240403T193000
DTEND;TZID=Australia/Adelaide:20240403T220000
DTSTAMP:20260422T092940
CREATED:20240327T045320Z
LAST-MODIFIED:20240410T021558Z
UID:10022116-1712172600-1712181600@tasaonline.org.au
SUMMARY:Cloud 9
DESCRIPTION:A play by Caryl Churchill\nDirected by Rajiv Paranavithana \nCaryl Churchill’s Cloud 9 is a two-act play about modern constructions of identity. Act 1 is set in British colonial Africa during the Victorian era\, and introduces characters who are repressed – both internally and by the world around them. The play explores the damaging nature of rigid identity categorisation and sees their world turn to chaos. Act 2 shifts forward 100 years to London in 1979\, while the same characters only age 25 years. The audience observes how the shackles of oppression linger even in contemporary society. Cloud 9 challenges traditional notions of gender\, race\, and sexuality\, adopting elements of surrealism and epic theatre and using a non-traditional casting approach. \nStarring: Ashi Mashoof\, Charlie Milne\, Eryn Kralj\, Lelum Rathnayake\, Mary McAuliffe\, Oswin Kwan\, Regan Holmes. \nCONTENT WARNING: Child abuse\, sexual references\, mentions to domestic violence\, racism\, sexism\, and creepy dolls. \nTICKETS\nGeneral admission: $15.00\nConcession: $10.00 \nPERFORMANCES\nWednesday 3 April\, 7:30pm\nThursday 4 April\, 7:30pm\nFriday 5 April\, 7:30pm\nSaturday 6 April\, 7:30pm
URL:https://tasaonline.org.au/events/cloud-9/2024-04-03/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/03/cloud9.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guilde%3A Student Society":MAILTO:uatgstudentsociety@clubs.auu.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20231125T193000
DTEND;TZID=Australia/Adelaide:20231125T213000
DTSTAMP:20260422T092940
CREATED:20231010T211030Z
LAST-MODIFIED:20231010T211030Z
UID:10021691-1700940600-1700947800@tasaonline.org.au
SUMMARY:Uncle Vanya
DESCRIPTION:‘We’ll live through a long\, long row of days and drawn-out evenings; we’ll endure the trails that fate sends us; we’ll work for others; and finally in our old age\, having never known peace\, when our hour comes\, we’ll die.’\n\nAnton Chekhov’s Uncle Vanya is a classic play now with a contemporary and intimate translation from Annie Baker.\n\nSet in a run-down country estate cared for by saddened Uncle Vanya\, his young niece Sonya and members of the home. Respected but retired Professor Serebryakov and his new and tempting wife Yelena arrive abruptly on the estate to stay indefinitely.\nAs the seasons change and time goes by\, the cracks begin to show and unrequited love\, depression\, jealousy and hate starts to tear them all apart in despair.\n\nSTARRING: Alexander Whitrow\, Francesca Zagajewska\, Ellie Schaefer\, Ashi Mashoof\, Leo Chang\, Lily Watkins\, Beatrice Blackwell & Deli Brophy.\n\nCONTENT WARNING: Reference to suicide\, gunshots\, on-stage intimacy.
URL:https://tasaonline.org.au/events/uncle-vanya/2023-11-25/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/10/Uncle-Vanya.jpg
ORGANIZER;CN="Theatre Guild Student Society":MAILTO:tgss@clubs.youx.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20231124T193000
DTEND;TZID=Australia/Adelaide:20231124T213000
DTSTAMP:20260422T092940
CREATED:20231010T211030Z
LAST-MODIFIED:20231010T211030Z
UID:10021690-1700854200-1700861400@tasaonline.org.au
SUMMARY:Uncle Vanya
DESCRIPTION:‘We’ll live through a long\, long row of days and drawn-out evenings; we’ll endure the trails that fate sends us; we’ll work for others; and finally in our old age\, having never known peace\, when our hour comes\, we’ll die.’\n\nAnton Chekhov’s Uncle Vanya is a classic play now with a contemporary and intimate translation from Annie Baker.\n\nSet in a run-down country estate cared for by saddened Uncle Vanya\, his young niece Sonya and members of the home. Respected but retired Professor Serebryakov and his new and tempting wife Yelena arrive abruptly on the estate to stay indefinitely.\nAs the seasons change and time goes by\, the cracks begin to show and unrequited love\, depression\, jealousy and hate starts to tear them all apart in despair.\n\nSTARRING: Alexander Whitrow\, Francesca Zagajewska\, Ellie Schaefer\, Ashi Mashoof\, Leo Chang\, Lily Watkins\, Beatrice Blackwell & Deli Brophy.\n\nCONTENT WARNING: Reference to suicide\, gunshots\, on-stage intimacy.
URL:https://tasaonline.org.au/events/uncle-vanya/2023-11-24/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/10/Uncle-Vanya.jpg
ORGANIZER;CN="Theatre Guild Student Society":MAILTO:tgss@clubs.youx.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20231123T193000
DTEND;TZID=Australia/Adelaide:20231123T213000
DTSTAMP:20260422T092940
CREATED:20231010T211030Z
LAST-MODIFIED:20231010T211030Z
UID:10021689-1700767800-1700775000@tasaonline.org.au
SUMMARY:Uncle Vanya
DESCRIPTION:‘We’ll live through a long\, long row of days and drawn-out evenings; we’ll endure the trails that fate sends us; we’ll work for others; and finally in our old age\, having never known peace\, when our hour comes\, we’ll die.’\n\nAnton Chekhov’s Uncle Vanya is a classic play now with a contemporary and intimate translation from Annie Baker.\n\nSet in a run-down country estate cared for by saddened Uncle Vanya\, his young niece Sonya and members of the home. Respected but retired Professor Serebryakov and his new and tempting wife Yelena arrive abruptly on the estate to stay indefinitely.\nAs the seasons change and time goes by\, the cracks begin to show and unrequited love\, depression\, jealousy and hate starts to tear them all apart in despair.\n\nSTARRING: Alexander Whitrow\, Francesca Zagajewska\, Ellie Schaefer\, Ashi Mashoof\, Leo Chang\, Lily Watkins\, Beatrice Blackwell & Deli Brophy.\n\nCONTENT WARNING: Reference to suicide\, gunshots\, on-stage intimacy.
URL:https://tasaonline.org.au/events/uncle-vanya/2023-11-23/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/10/Uncle-Vanya.jpg
ORGANIZER;CN="Theatre Guild Student Society":MAILTO:tgss@clubs.youx.org.au
END:VEVENT
END:VCALENDAR