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DTSTART;TZID=Australia/Adelaide:20250424T193000
DTEND;TZID=Australia/Adelaide:20250424T213000
DTSTAMP:20260422T063606
CREATED:20250313T195516Z
LAST-MODIFIED:20250325T032637Z
UID:10023438-1745523000-1745530200@tasaonline.org.au
SUMMARY:MOSQUITOES
DESCRIPTION:Written by Lucy Kirkwood\n\n\nDirected by Bella Wheatland\n\n\n23 – 26 April @ Little Theatre\, University of Adelaide\n\n\n\n‘𝘛𝘩𝘦 𝘪𝘥𝘦𝘢 𝘵𝘩𝘢𝘵 𝘢𝘭𝘭 𝘰𝘧 𝘵𝘩𝘪𝘴 𝘸𝘪𝘭𝘭 𝘦𝘯𝘥 𝘪𝘯 𝘢 𝘤𝘢𝘵𝘢𝘴𝘵𝘳𝘰𝘱𝘩𝘦 𝘰𝘷𝘦𝘳 𝘸𝘩𝘪𝘤𝘩 𝘸𝘦 𝘩𝘢𝘷𝘦 𝘯𝘰 𝘱𝘰𝘸𝘦𝘳\, 𝘵𝘩𝘢𝘵’𝘴 𝘢 𝘨𝘪𝘷𝘦𝘯\, 𝘵𝘩𝘢𝘵 𝘪𝘴 𝘢 𝘧𝘢𝘮𝘪𝘭𝘪𝘢𝘳 𝘢𝘯𝘥 𝘴𝘵𝘳𝘢𝘯𝘨𝘦𝘭𝘺 𝘤𝘰𝘮𝘧𝘰𝘳𝘵𝘪𝘯𝘨 𝘧𝘢𝘤𝘵’\n\n\n\nGeneva\, 2008. Alice is a scientist. She spends her days doing the most exciting scientific work of her life. Jenny is her sister. She spends her days Googling and worrying.\nWhile Alice’s work on the Large Hadron Collider threatens possible destruction of the universe\, her family life is falling apart already. With a grieving Jenny’s sudden arrival back into Alice’s world in Geneva\, both sisters are forced to reckon with their perceptions of what is order and what is chaos\, what is knowable and what is uncertain.\n\n\nMosquitoes is a play about families and particle physics. Personal and cosmic tragedy. Our (lack of) belief in each other and in our universe.\n\n\n\nFrom www.trybooking.com/CZRXN\nor at the door.\n\n\n\nVENUE:\nLittle Theatre\, University of Adelaide\nThe Cloisters\, Gate 10\, Victoria Drive\, Adelaide\nKaurna Yarta
URL:https://tasaonline.org.au/events/mosquitoes/2025-04-24/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2025/03/Mosquitoes.avif
ORGANIZER;CN="Theatre Guild Student Society":MAILTO:tgss@clubs.youx.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20250423T193000
DTEND;TZID=Australia/Adelaide:20250423T213000
DTSTAMP:20260422T063606
CREATED:20250313T195516Z
LAST-MODIFIED:20250325T032637Z
UID:10023437-1745436600-1745443800@tasaonline.org.au
SUMMARY:MOSQUITOES
DESCRIPTION:Written by Lucy Kirkwood\n\n\nDirected by Bella Wheatland\n\n\n23 – 26 April @ Little Theatre\, University of Adelaide\n\n\n\n‘𝘛𝘩𝘦 𝘪𝘥𝘦𝘢 𝘵𝘩𝘢𝘵 𝘢𝘭𝘭 𝘰𝘧 𝘵𝘩𝘪𝘴 𝘸𝘪𝘭𝘭 𝘦𝘯𝘥 𝘪𝘯 𝘢 𝘤𝘢𝘵𝘢𝘴𝘵𝘳𝘰𝘱𝘩𝘦 𝘰𝘷𝘦𝘳 𝘸𝘩𝘪𝘤𝘩 𝘸𝘦 𝘩𝘢𝘷𝘦 𝘯𝘰 𝘱𝘰𝘸𝘦𝘳\, 𝘵𝘩𝘢𝘵’𝘴 𝘢 𝘨𝘪𝘷𝘦𝘯\, 𝘵𝘩𝘢𝘵 𝘪𝘴 𝘢 𝘧𝘢𝘮𝘪𝘭𝘪𝘢𝘳 𝘢𝘯𝘥 𝘴𝘵𝘳𝘢𝘯𝘨𝘦𝘭𝘺 𝘤𝘰𝘮𝘧𝘰𝘳𝘵𝘪𝘯𝘨 𝘧𝘢𝘤𝘵’\n\n\n\nGeneva\, 2008. Alice is a scientist. She spends her days doing the most exciting scientific work of her life. Jenny is her sister. She spends her days Googling and worrying.\nWhile Alice’s work on the Large Hadron Collider threatens possible destruction of the universe\, her family life is falling apart already. With a grieving Jenny’s sudden arrival back into Alice’s world in Geneva\, both sisters are forced to reckon with their perceptions of what is order and what is chaos\, what is knowable and what is uncertain.\n\n\nMosquitoes is a play about families and particle physics. Personal and cosmic tragedy. Our (lack of) belief in each other and in our universe.\n\n\n\nFrom www.trybooking.com/CZRXN\nor at the door.\n\n\n\nVENUE:\nLittle Theatre\, University of Adelaide\nThe Cloisters\, Gate 10\, Victoria Drive\, Adelaide\nKaurna Yarta
URL:https://tasaonline.org.au/events/mosquitoes/2025-04-23/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2025/03/Mosquitoes.avif
ORGANIZER;CN="Theatre Guild Student Society":MAILTO:tgss@clubs.youx.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20241207T193000
DTEND;TZID=Australia/Adelaide:20241207T213000
DTSTAMP:20260422T063606
CREATED:20241112T011040Z
LAST-MODIFIED:20241112T011953Z
UID:10023229-1733599800-1733607000@tasaonline.org.au
SUMMARY:The Glass Menagerie
DESCRIPTION:‘So what are we going to do now\, honey\, the rest of our lives? Just sit down in this house and watch the parades go by? Amuse ourselves with the glass menagerie\, darling? Eternally play those worn-out records your father left us as a painful reminder of him?’ \nA drama of great tenderness\, charm and beauty\, The Glass Menagerie is one of the most famous plays of the modern theatre. \nAmanda Wingfield is a faded\, tragic remnant of Southern gentility who lives in poverty in a dingy St. Louis apartment with her son\, Tom\, and her daughter\, Laura. Amanda strives to give meaning and direction to her life and the lives of her children\, though her methods are ineffective and irritating. Tom is driven nearly to distraction by his mother’s nagging and seeks escape in alcohol and the world of the movies. Laura also lives in her illusions. She is crippled\, and this defect\, intensified by her mother’s anxiety to see her married\, has driven her more and more into herself. \nWhen a gentleman caller arrives for dinner\, the Wingfield family is flooded with hope. However\, it is uncertain if this visitor will change things for the better. \nStarring: Jessica Merrick\, Connor Duncan\, Mia Livingston-Pearce\, Liam Warmeant.
URL:https://tasaonline.org.au/events/the-glass-menagerie/2024-12-07/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/11/Glass-jpeg.avif
ORGANIZER;CN="Theatre Guild Student Society":MAILTO:tgss@clubs.youx.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20241206T193000
DTEND;TZID=Australia/Adelaide:20241206T213000
DTSTAMP:20260422T063606
CREATED:20241112T011040Z
LAST-MODIFIED:20241112T011953Z
UID:10023228-1733513400-1733520600@tasaonline.org.au
SUMMARY:The Glass Menagerie
DESCRIPTION:‘So what are we going to do now\, honey\, the rest of our lives? Just sit down in this house and watch the parades go by? Amuse ourselves with the glass menagerie\, darling? Eternally play those worn-out records your father left us as a painful reminder of him?’ \nA drama of great tenderness\, charm and beauty\, The Glass Menagerie is one of the most famous plays of the modern theatre. \nAmanda Wingfield is a faded\, tragic remnant of Southern gentility who lives in poverty in a dingy St. Louis apartment with her son\, Tom\, and her daughter\, Laura. Amanda strives to give meaning and direction to her life and the lives of her children\, though her methods are ineffective and irritating. Tom is driven nearly to distraction by his mother’s nagging and seeks escape in alcohol and the world of the movies. Laura also lives in her illusions. She is crippled\, and this defect\, intensified by her mother’s anxiety to see her married\, has driven her more and more into herself. \nWhen a gentleman caller arrives for dinner\, the Wingfield family is flooded with hope. However\, it is uncertain if this visitor will change things for the better. \nStarring: Jessica Merrick\, Connor Duncan\, Mia Livingston-Pearce\, Liam Warmeant.
URL:https://tasaonline.org.au/events/the-glass-menagerie/2024-12-06/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/11/Glass-jpeg.avif
ORGANIZER;CN="Theatre Guild Student Society":MAILTO:tgss@clubs.youx.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20241205T193000
DTEND;TZID=Australia/Adelaide:20241205T213000
DTSTAMP:20260422T063606
CREATED:20241112T011040Z
LAST-MODIFIED:20241112T011953Z
UID:10023227-1733427000-1733434200@tasaonline.org.au
SUMMARY:The Glass Menagerie
DESCRIPTION:‘So what are we going to do now\, honey\, the rest of our lives? Just sit down in this house and watch the parades go by? Amuse ourselves with the glass menagerie\, darling? Eternally play those worn-out records your father left us as a painful reminder of him?’ \nA drama of great tenderness\, charm and beauty\, The Glass Menagerie is one of the most famous plays of the modern theatre. \nAmanda Wingfield is a faded\, tragic remnant of Southern gentility who lives in poverty in a dingy St. Louis apartment with her son\, Tom\, and her daughter\, Laura. Amanda strives to give meaning and direction to her life and the lives of her children\, though her methods are ineffective and irritating. Tom is driven nearly to distraction by his mother’s nagging and seeks escape in alcohol and the world of the movies. Laura also lives in her illusions. She is crippled\, and this defect\, intensified by her mother’s anxiety to see her married\, has driven her more and more into herself. \nWhen a gentleman caller arrives for dinner\, the Wingfield family is flooded with hope. However\, it is uncertain if this visitor will change things for the better. \nStarring: Jessica Merrick\, Connor Duncan\, Mia Livingston-Pearce\, Liam Warmeant.
URL:https://tasaonline.org.au/events/the-glass-menagerie/2024-12-05/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/11/Glass-jpeg.avif
ORGANIZER;CN="Theatre Guild Student Society":MAILTO:tgss@clubs.youx.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20241204T193000
DTEND;TZID=Australia/Adelaide:20241204T213000
DTSTAMP:20260422T063606
CREATED:20241112T011040Z
LAST-MODIFIED:20241112T011953Z
UID:10023226-1733340600-1733347800@tasaonline.org.au
SUMMARY:The Glass Menagerie
DESCRIPTION:‘So what are we going to do now\, honey\, the rest of our lives? Just sit down in this house and watch the parades go by? Amuse ourselves with the glass menagerie\, darling? Eternally play those worn-out records your father left us as a painful reminder of him?’ \nA drama of great tenderness\, charm and beauty\, The Glass Menagerie is one of the most famous plays of the modern theatre. \nAmanda Wingfield is a faded\, tragic remnant of Southern gentility who lives in poverty in a dingy St. Louis apartment with her son\, Tom\, and her daughter\, Laura. Amanda strives to give meaning and direction to her life and the lives of her children\, though her methods are ineffective and irritating. Tom is driven nearly to distraction by his mother’s nagging and seeks escape in alcohol and the world of the movies. Laura also lives in her illusions. She is crippled\, and this defect\, intensified by her mother’s anxiety to see her married\, has driven her more and more into herself. \nWhen a gentleman caller arrives for dinner\, the Wingfield family is flooded with hope. However\, it is uncertain if this visitor will change things for the better. \nStarring: Jessica Merrick\, Connor Duncan\, Mia Livingston-Pearce\, Liam Warmeant.
URL:https://tasaonline.org.au/events/the-glass-menagerie/2024-12-04/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/11/Glass-jpeg.avif
ORGANIZER;CN="Theatre Guild Student Society":MAILTO:tgss@clubs.youx.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20241103T160000
DTEND;TZID=Australia/Adelaide:20241103T183000
DTSTAMP:20260422T063606
CREATED:20240909T043314Z
LAST-MODIFIED:20240909T043314Z
UID:10023136-1730649600-1730658600@tasaonline.org.au
SUMMARY:THE 39 STEPS
DESCRIPTION:THE THIRTY-NINE STEPS \nAdapted by Patrick Barlow \nFrom the novel by John Buchan\nFrom the movie by Alfred Hitchcock \nDirected by Mark Wickett \n“Although clearly dangerous\, he is quite good-looking\, actually” \nA whisky\, two stubborn singletons bound by handcuffs\, and a chase from London to the Scottish Highlands\, The 39 Steps takes a Hitchcock masterpiece based on the ground-breaking spy novel by John Buchan and transforms it into a theatrical spectacle of comedy\, action\, romance\, and fresh fish. \n“On the surface\, it’s a classic thriller set in the mid-1930s\, when the world was again frightened of war – terrified of whatever The 39 Steps could be\,” says director Mark Wickett\, “yet when you look beneath that menace\, the two main characters are just lonely individuals caught up in something much bigger than themselves\, trying to deny their mutual attraction.” \nAdapted by Patrick Barlow for the West End and Broadway\, this Olivier and two-timeTony award winning play has dozens of characters – all played by a ridiculously talented cast of four – with sound effects created live by an on-stage foley artist. The play is a pastiche of Hitchcock’s 1935 film (and his other works)\, creating laugh-out-loud comedy from witty dialogue – often unchanged from Hitchcock’s writers – and inventive stagecraft\, on a stripped-back set in the intimate surroundings of Adelaide’s Little Theatre. You’ll almost feel the rush of the Flying Scotsman as it hurtles over the Forth Bridge; brace yourselves for a plane you’re convinced will crash into the front row; and swear there’s more than four people on stage. \nWickett continues: “I want to make audiences laugh\, yet preserve Hitchcock’s message that despite their unfortunate ordeals\, love must prevail.” \nCAST\nThomas Midena\, Imogen Deller-Evans\, Emily Branford\, Maxwell Whigham and Angela Short. \nCONTENT WARNING\nMild violence\, sexual tension\, political ideology.\nThe performance may also contain haze effects\, strobe lighting\, with simulations of gunshots\, whisky drinking\, cigarette smoking\, and fish frying. \nTICKETS\n$25 Full Price\n$20 Concession\nSchool Groups: $15 per student\nSchools/Teachers: please email theatreguild@adelaide.edu.au for invoicing \nPerformance Dates\nFriday 25 October at 7:30pm\nSaturday 26 October at 7:30pm\nSunday 27 October at 4pm\nWednesday 30 October at 6:30pm – *with post-show Q&A*\nThursday 31 October at 7:30pm\nFriday 1 November at 7:30pm\nSaturday 2 November at 7:30pm\nSunday 3 November at 4pm
URL:https://tasaonline.org.au/events/the-39-steps-2/2024-11-03/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/09/39-Steps.FB-Header1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20241102T193000
DTEND;TZID=Australia/Adelaide:20241102T220000
DTSTAMP:20260422T063606
CREATED:20240909T043314Z
LAST-MODIFIED:20240909T043314Z
UID:10023135-1730575800-1730584800@tasaonline.org.au
SUMMARY:THE 39 STEPS
DESCRIPTION:THE THIRTY-NINE STEPS \nAdapted by Patrick Barlow \nFrom the novel by John Buchan\nFrom the movie by Alfred Hitchcock \nDirected by Mark Wickett \n“Although clearly dangerous\, he is quite good-looking\, actually” \nA whisky\, two stubborn singletons bound by handcuffs\, and a chase from London to the Scottish Highlands\, The 39 Steps takes a Hitchcock masterpiece based on the ground-breaking spy novel by John Buchan and transforms it into a theatrical spectacle of comedy\, action\, romance\, and fresh fish. \n“On the surface\, it’s a classic thriller set in the mid-1930s\, when the world was again frightened of war – terrified of whatever The 39 Steps could be\,” says director Mark Wickett\, “yet when you look beneath that menace\, the two main characters are just lonely individuals caught up in something much bigger than themselves\, trying to deny their mutual attraction.” \nAdapted by Patrick Barlow for the West End and Broadway\, this Olivier and two-timeTony award winning play has dozens of characters – all played by a ridiculously talented cast of four – with sound effects created live by an on-stage foley artist. The play is a pastiche of Hitchcock’s 1935 film (and his other works)\, creating laugh-out-loud comedy from witty dialogue – often unchanged from Hitchcock’s writers – and inventive stagecraft\, on a stripped-back set in the intimate surroundings of Adelaide’s Little Theatre. You’ll almost feel the rush of the Flying Scotsman as it hurtles over the Forth Bridge; brace yourselves for a plane you’re convinced will crash into the front row; and swear there’s more than four people on stage. \nWickett continues: “I want to make audiences laugh\, yet preserve Hitchcock’s message that despite their unfortunate ordeals\, love must prevail.” \nCAST\nThomas Midena\, Imogen Deller-Evans\, Emily Branford\, Maxwell Whigham and Angela Short. \nCONTENT WARNING\nMild violence\, sexual tension\, political ideology.\nThe performance may also contain haze effects\, strobe lighting\, with simulations of gunshots\, whisky drinking\, cigarette smoking\, and fish frying. \nTICKETS\n$25 Full Price\n$20 Concession\nSchool Groups: $15 per student\nSchools/Teachers: please email theatreguild@adelaide.edu.au for invoicing \nPerformance Dates\nFriday 25 October at 7:30pm\nSaturday 26 October at 7:30pm\nSunday 27 October at 4pm\nWednesday 30 October at 6:30pm – *with post-show Q&A*\nThursday 31 October at 7:30pm\nFriday 1 November at 7:30pm\nSaturday 2 November at 7:30pm\nSunday 3 November at 4pm
URL:https://tasaonline.org.au/events/the-39-steps-2/2024-11-02/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/09/39-Steps.FB-Header1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20241101T193000
DTEND;TZID=Australia/Adelaide:20241101T220000
DTSTAMP:20260422T063606
CREATED:20240909T043314Z
LAST-MODIFIED:20240909T043314Z
UID:10023134-1730489400-1730498400@tasaonline.org.au
SUMMARY:THE 39 STEPS
DESCRIPTION:THE THIRTY-NINE STEPS \nAdapted by Patrick Barlow \nFrom the novel by John Buchan\nFrom the movie by Alfred Hitchcock \nDirected by Mark Wickett \n“Although clearly dangerous\, he is quite good-looking\, actually” \nA whisky\, two stubborn singletons bound by handcuffs\, and a chase from London to the Scottish Highlands\, The 39 Steps takes a Hitchcock masterpiece based on the ground-breaking spy novel by John Buchan and transforms it into a theatrical spectacle of comedy\, action\, romance\, and fresh fish. \n“On the surface\, it’s a classic thriller set in the mid-1930s\, when the world was again frightened of war – terrified of whatever The 39 Steps could be\,” says director Mark Wickett\, “yet when you look beneath that menace\, the two main characters are just lonely individuals caught up in something much bigger than themselves\, trying to deny their mutual attraction.” \nAdapted by Patrick Barlow for the West End and Broadway\, this Olivier and two-timeTony award winning play has dozens of characters – all played by a ridiculously talented cast of four – with sound effects created live by an on-stage foley artist. The play is a pastiche of Hitchcock’s 1935 film (and his other works)\, creating laugh-out-loud comedy from witty dialogue – often unchanged from Hitchcock’s writers – and inventive stagecraft\, on a stripped-back set in the intimate surroundings of Adelaide’s Little Theatre. You’ll almost feel the rush of the Flying Scotsman as it hurtles over the Forth Bridge; brace yourselves for a plane you’re convinced will crash into the front row; and swear there’s more than four people on stage. \nWickett continues: “I want to make audiences laugh\, yet preserve Hitchcock’s message that despite their unfortunate ordeals\, love must prevail.” \nCAST\nThomas Midena\, Imogen Deller-Evans\, Emily Branford\, Maxwell Whigham and Angela Short. \nCONTENT WARNING\nMild violence\, sexual tension\, political ideology.\nThe performance may also contain haze effects\, strobe lighting\, with simulations of gunshots\, whisky drinking\, cigarette smoking\, and fish frying. \nTICKETS\n$25 Full Price\n$20 Concession\nSchool Groups: $15 per student\nSchools/Teachers: please email theatreguild@adelaide.edu.au for invoicing \nPerformance Dates\nFriday 25 October at 7:30pm\nSaturday 26 October at 7:30pm\nSunday 27 October at 4pm\nWednesday 30 October at 6:30pm – *with post-show Q&A*\nThursday 31 October at 7:30pm\nFriday 1 November at 7:30pm\nSaturday 2 November at 7:30pm\nSunday 3 November at 4pm
URL:https://tasaonline.org.au/events/the-39-steps-2/2024-11-01/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/09/39-Steps.FB-Header1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20241031T193000
DTEND;TZID=Australia/Adelaide:20241031T220000
DTSTAMP:20260422T063606
CREATED:20240909T043314Z
LAST-MODIFIED:20240909T043314Z
UID:10023133-1730403000-1730412000@tasaonline.org.au
SUMMARY:THE 39 STEPS
DESCRIPTION:THE THIRTY-NINE STEPS \nAdapted by Patrick Barlow \nFrom the novel by John Buchan\nFrom the movie by Alfred Hitchcock \nDirected by Mark Wickett \n“Although clearly dangerous\, he is quite good-looking\, actually” \nA whisky\, two stubborn singletons bound by handcuffs\, and a chase from London to the Scottish Highlands\, The 39 Steps takes a Hitchcock masterpiece based on the ground-breaking spy novel by John Buchan and transforms it into a theatrical spectacle of comedy\, action\, romance\, and fresh fish. \n“On the surface\, it’s a classic thriller set in the mid-1930s\, when the world was again frightened of war – terrified of whatever The 39 Steps could be\,” says director Mark Wickett\, “yet when you look beneath that menace\, the two main characters are just lonely individuals caught up in something much bigger than themselves\, trying to deny their mutual attraction.” \nAdapted by Patrick Barlow for the West End and Broadway\, this Olivier and two-timeTony award winning play has dozens of characters – all played by a ridiculously talented cast of four – with sound effects created live by an on-stage foley artist. The play is a pastiche of Hitchcock’s 1935 film (and his other works)\, creating laugh-out-loud comedy from witty dialogue – often unchanged from Hitchcock’s writers – and inventive stagecraft\, on a stripped-back set in the intimate surroundings of Adelaide’s Little Theatre. You’ll almost feel the rush of the Flying Scotsman as it hurtles over the Forth Bridge; brace yourselves for a plane you’re convinced will crash into the front row; and swear there’s more than four people on stage. \nWickett continues: “I want to make audiences laugh\, yet preserve Hitchcock’s message that despite their unfortunate ordeals\, love must prevail.” \nCAST\nThomas Midena\, Imogen Deller-Evans\, Emily Branford\, Maxwell Whigham and Angela Short. \nCONTENT WARNING\nMild violence\, sexual tension\, political ideology.\nThe performance may also contain haze effects\, strobe lighting\, with simulations of gunshots\, whisky drinking\, cigarette smoking\, and fish frying. \nTICKETS\n$25 Full Price\n$20 Concession\nSchool Groups: $15 per student\nSchools/Teachers: please email theatreguild@adelaide.edu.au for invoicing \nPerformance Dates\nFriday 25 October at 7:30pm\nSaturday 26 October at 7:30pm\nSunday 27 October at 4pm\nWednesday 30 October at 6:30pm – *with post-show Q&A*\nThursday 31 October at 7:30pm\nFriday 1 November at 7:30pm\nSaturday 2 November at 7:30pm\nSunday 3 November at 4pm
URL:https://tasaonline.org.au/events/the-39-steps-2/2024-10-31/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/09/39-Steps.FB-Header1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20241030T183000
DTEND;TZID=Australia/Adelaide:20241030T210000
DTSTAMP:20260422T063606
CREATED:20240909T043314Z
LAST-MODIFIED:20240909T043314Z
UID:10023132-1730313000-1730322000@tasaonline.org.au
SUMMARY:THE 39 STEPS
DESCRIPTION:THE THIRTY-NINE STEPS \nAdapted by Patrick Barlow \nFrom the novel by John Buchan\nFrom the movie by Alfred Hitchcock \nDirected by Mark Wickett \n“Although clearly dangerous\, he is quite good-looking\, actually” \nA whisky\, two stubborn singletons bound by handcuffs\, and a chase from London to the Scottish Highlands\, The 39 Steps takes a Hitchcock masterpiece based on the ground-breaking spy novel by John Buchan and transforms it into a theatrical spectacle of comedy\, action\, romance\, and fresh fish. \n“On the surface\, it’s a classic thriller set in the mid-1930s\, when the world was again frightened of war – terrified of whatever The 39 Steps could be\,” says director Mark Wickett\, “yet when you look beneath that menace\, the two main characters are just lonely individuals caught up in something much bigger than themselves\, trying to deny their mutual attraction.” \nAdapted by Patrick Barlow for the West End and Broadway\, this Olivier and two-timeTony award winning play has dozens of characters – all played by a ridiculously talented cast of four – with sound effects created live by an on-stage foley artist. The play is a pastiche of Hitchcock’s 1935 film (and his other works)\, creating laugh-out-loud comedy from witty dialogue – often unchanged from Hitchcock’s writers – and inventive stagecraft\, on a stripped-back set in the intimate surroundings of Adelaide’s Little Theatre. You’ll almost feel the rush of the Flying Scotsman as it hurtles over the Forth Bridge; brace yourselves for a plane you’re convinced will crash into the front row; and swear there’s more than four people on stage. \nWickett continues: “I want to make audiences laugh\, yet preserve Hitchcock’s message that despite their unfortunate ordeals\, love must prevail.” \nCAST\nThomas Midena\, Imogen Deller-Evans\, Emily Branford\, Maxwell Whigham and Angela Short. \nCONTENT WARNING\nMild violence\, sexual tension\, political ideology.\nThe performance may also contain haze effects\, strobe lighting\, with simulations of gunshots\, whisky drinking\, cigarette smoking\, and fish frying. \nTICKETS\n$25 Full Price\n$20 Concession\nSchool Groups: $15 per student\nSchools/Teachers: please email theatreguild@adelaide.edu.au for invoicing \nPerformance Dates\nFriday 25 October at 7:30pm\nSaturday 26 October at 7:30pm\nSunday 27 October at 4pm\nWednesday 30 October at 6:30pm – *with post-show Q&A*\nThursday 31 October at 7:30pm\nFriday 1 November at 7:30pm\nSaturday 2 November at 7:30pm\nSunday 3 November at 4pm
URL:https://tasaonline.org.au/events/the-39-steps-2/2024-10-30/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/09/39-Steps.FB-Header1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20241027T160000
DTEND;TZID=Australia/Adelaide:20241027T183000
DTSTAMP:20260422T063606
CREATED:20240909T043314Z
LAST-MODIFIED:20240909T043314Z
UID:10023131-1730044800-1730053800@tasaonline.org.au
SUMMARY:THE 39 STEPS
DESCRIPTION:THE THIRTY-NINE STEPS \nAdapted by Patrick Barlow \nFrom the novel by John Buchan\nFrom the movie by Alfred Hitchcock \nDirected by Mark Wickett \n“Although clearly dangerous\, he is quite good-looking\, actually” \nA whisky\, two stubborn singletons bound by handcuffs\, and a chase from London to the Scottish Highlands\, The 39 Steps takes a Hitchcock masterpiece based on the ground-breaking spy novel by John Buchan and transforms it into a theatrical spectacle of comedy\, action\, romance\, and fresh fish. \n“On the surface\, it’s a classic thriller set in the mid-1930s\, when the world was again frightened of war – terrified of whatever The 39 Steps could be\,” says director Mark Wickett\, “yet when you look beneath that menace\, the two main characters are just lonely individuals caught up in something much bigger than themselves\, trying to deny their mutual attraction.” \nAdapted by Patrick Barlow for the West End and Broadway\, this Olivier and two-timeTony award winning play has dozens of characters – all played by a ridiculously talented cast of four – with sound effects created live by an on-stage foley artist. The play is a pastiche of Hitchcock’s 1935 film (and his other works)\, creating laugh-out-loud comedy from witty dialogue – often unchanged from Hitchcock’s writers – and inventive stagecraft\, on a stripped-back set in the intimate surroundings of Adelaide’s Little Theatre. You’ll almost feel the rush of the Flying Scotsman as it hurtles over the Forth Bridge; brace yourselves for a plane you’re convinced will crash into the front row; and swear there’s more than four people on stage. \nWickett continues: “I want to make audiences laugh\, yet preserve Hitchcock’s message that despite their unfortunate ordeals\, love must prevail.” \nCAST\nThomas Midena\, Imogen Deller-Evans\, Emily Branford\, Maxwell Whigham and Angela Short. \nCONTENT WARNING\nMild violence\, sexual tension\, political ideology.\nThe performance may also contain haze effects\, strobe lighting\, with simulations of gunshots\, whisky drinking\, cigarette smoking\, and fish frying. \nTICKETS\n$25 Full Price\n$20 Concession\nSchool Groups: $15 per student\nSchools/Teachers: please email theatreguild@adelaide.edu.au for invoicing \nPerformance Dates\nFriday 25 October at 7:30pm\nSaturday 26 October at 7:30pm\nSunday 27 October at 4pm\nWednesday 30 October at 6:30pm – *with post-show Q&A*\nThursday 31 October at 7:30pm\nFriday 1 November at 7:30pm\nSaturday 2 November at 7:30pm\nSunday 3 November at 4pm
URL:https://tasaonline.org.au/events/the-39-steps-2/2024-10-27/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/09/39-Steps.FB-Header1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20241026T193000
DTEND;TZID=Australia/Adelaide:20241026T220000
DTSTAMP:20260422T063606
CREATED:20240909T043314Z
LAST-MODIFIED:20240909T043314Z
UID:10023130-1729971000-1729980000@tasaonline.org.au
SUMMARY:THE 39 STEPS
DESCRIPTION:THE THIRTY-NINE STEPS \nAdapted by Patrick Barlow \nFrom the novel by John Buchan\nFrom the movie by Alfred Hitchcock \nDirected by Mark Wickett \n“Although clearly dangerous\, he is quite good-looking\, actually” \nA whisky\, two stubborn singletons bound by handcuffs\, and a chase from London to the Scottish Highlands\, The 39 Steps takes a Hitchcock masterpiece based on the ground-breaking spy novel by John Buchan and transforms it into a theatrical spectacle of comedy\, action\, romance\, and fresh fish. \n“On the surface\, it’s a classic thriller set in the mid-1930s\, when the world was again frightened of war – terrified of whatever The 39 Steps could be\,” says director Mark Wickett\, “yet when you look beneath that menace\, the two main characters are just lonely individuals caught up in something much bigger than themselves\, trying to deny their mutual attraction.” \nAdapted by Patrick Barlow for the West End and Broadway\, this Olivier and two-timeTony award winning play has dozens of characters – all played by a ridiculously talented cast of four – with sound effects created live by an on-stage foley artist. The play is a pastiche of Hitchcock’s 1935 film (and his other works)\, creating laugh-out-loud comedy from witty dialogue – often unchanged from Hitchcock’s writers – and inventive stagecraft\, on a stripped-back set in the intimate surroundings of Adelaide’s Little Theatre. You’ll almost feel the rush of the Flying Scotsman as it hurtles over the Forth Bridge; brace yourselves for a plane you’re convinced will crash into the front row; and swear there’s more than four people on stage. \nWickett continues: “I want to make audiences laugh\, yet preserve Hitchcock’s message that despite their unfortunate ordeals\, love must prevail.” \nCAST\nThomas Midena\, Imogen Deller-Evans\, Emily Branford\, Maxwell Whigham and Angela Short. \nCONTENT WARNING\nMild violence\, sexual tension\, political ideology.\nThe performance may also contain haze effects\, strobe lighting\, with simulations of gunshots\, whisky drinking\, cigarette smoking\, and fish frying. \nTICKETS\n$25 Full Price\n$20 Concession\nSchool Groups: $15 per student\nSchools/Teachers: please email theatreguild@adelaide.edu.au for invoicing \nPerformance Dates\nFriday 25 October at 7:30pm\nSaturday 26 October at 7:30pm\nSunday 27 October at 4pm\nWednesday 30 October at 6:30pm – *with post-show Q&A*\nThursday 31 October at 7:30pm\nFriday 1 November at 7:30pm\nSaturday 2 November at 7:30pm\nSunday 3 November at 4pm
URL:https://tasaonline.org.au/events/the-39-steps-2/2024-10-26/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/09/39-Steps.FB-Header1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20241025T193000
DTEND;TZID=Australia/Adelaide:20241025T220000
DTSTAMP:20260422T063606
CREATED:20240909T043314Z
LAST-MODIFIED:20240909T043314Z
UID:10023128-1729884600-1729893600@tasaonline.org.au
SUMMARY:THE 39 STEPS
DESCRIPTION:THE THIRTY-NINE STEPS \nAdapted by Patrick Barlow \nFrom the novel by John Buchan\nFrom the movie by Alfred Hitchcock \nDirected by Mark Wickett \n“Although clearly dangerous\, he is quite good-looking\, actually” \nA whisky\, two stubborn singletons bound by handcuffs\, and a chase from London to the Scottish Highlands\, The 39 Steps takes a Hitchcock masterpiece based on the ground-breaking spy novel by John Buchan and transforms it into a theatrical spectacle of comedy\, action\, romance\, and fresh fish. \n“On the surface\, it’s a classic thriller set in the mid-1930s\, when the world was again frightened of war – terrified of whatever The 39 Steps could be\,” says director Mark Wickett\, “yet when you look beneath that menace\, the two main characters are just lonely individuals caught up in something much bigger than themselves\, trying to deny their mutual attraction.” \nAdapted by Patrick Barlow for the West End and Broadway\, this Olivier and two-timeTony award winning play has dozens of characters – all played by a ridiculously talented cast of four – with sound effects created live by an on-stage foley artist. The play is a pastiche of Hitchcock’s 1935 film (and his other works)\, creating laugh-out-loud comedy from witty dialogue – often unchanged from Hitchcock’s writers – and inventive stagecraft\, on a stripped-back set in the intimate surroundings of Adelaide’s Little Theatre. You’ll almost feel the rush of the Flying Scotsman as it hurtles over the Forth Bridge; brace yourselves for a plane you’re convinced will crash into the front row; and swear there’s more than four people on stage. \nWickett continues: “I want to make audiences laugh\, yet preserve Hitchcock’s message that despite their unfortunate ordeals\, love must prevail.” \nCAST\nThomas Midena\, Imogen Deller-Evans\, Emily Branford\, Maxwell Whigham and Angela Short. \nCONTENT WARNING\nMild violence\, sexual tension\, political ideology.\nThe performance may also contain haze effects\, strobe lighting\, with simulations of gunshots\, whisky drinking\, cigarette smoking\, and fish frying. \nTICKETS\n$25 Full Price\n$20 Concession\nSchool Groups: $15 per student\nSchools/Teachers: please email theatreguild@adelaide.edu.au for invoicing \nPerformance Dates\nFriday 25 October at 7:30pm\nSaturday 26 October at 7:30pm\nSunday 27 October at 4pm\nWednesday 30 October at 6:30pm – *with post-show Q&A*\nThursday 31 October at 7:30pm\nFriday 1 November at 7:30pm\nSaturday 2 November at 7:30pm\nSunday 3 November at 4pm
URL:https://tasaonline.org.au/events/the-39-steps-2/2024-10-25/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/09/39-Steps.FB-Header1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240825T160000
DTEND;TZID=Australia/Adelaide:20240825T190000
DTSTAMP:20260422T063606
CREATED:20240812T024639Z
LAST-MODIFIED:20240812T024639Z
UID:10023058-1724601600-1724612400@tasaonline.org.au
SUMMARY:King Lear
DESCRIPTION:by William Shakespeare \nDirected by: Brant Eustice \nReimagined in a post-apocalyptic setting\, this Shakespeare epic unfolds amidst the madness of a world in ruins.\nThe sting of betrayal\, the tragic downfall of a kingdom… as the King descends into insanity and his daughters’ ambitions spiral out of control\, Adelaide’s finest explore the desperation of  power\, excessive pride\, and the collapse of civilisation. \nDirector Brant Eustice says\, “There is enormous joy to be found in Shakespeare’s universal themes and a brilliance in his writing which not only allows\, but also encourages theatregoers to continue exploring the depth\, complexity and beauty of his stories in new styles.  Due to a global calamity\, civilisation as we view it has collapsed and has returned to the ways of a distant past. We find ourselves in a world which is slowly trying to rebuild itself.”
URL:https://tasaonline.org.au/events/king-lear-2/2024-08-25/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/08/King-Lear.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240824T193000
DTEND;TZID=Australia/Adelaide:20240824T223000
DTSTAMP:20260422T063606
CREATED:20240812T024639Z
LAST-MODIFIED:20240812T024639Z
UID:10023057-1724527800-1724538600@tasaonline.org.au
SUMMARY:King Lear
DESCRIPTION:by William Shakespeare \nDirected by: Brant Eustice \nReimagined in a post-apocalyptic setting\, this Shakespeare epic unfolds amidst the madness of a world in ruins.\nThe sting of betrayal\, the tragic downfall of a kingdom… as the King descends into insanity and his daughters’ ambitions spiral out of control\, Adelaide’s finest explore the desperation of  power\, excessive pride\, and the collapse of civilisation. \nDirector Brant Eustice says\, “There is enormous joy to be found in Shakespeare’s universal themes and a brilliance in his writing which not only allows\, but also encourages theatregoers to continue exploring the depth\, complexity and beauty of his stories in new styles.  Due to a global calamity\, civilisation as we view it has collapsed and has returned to the ways of a distant past. We find ourselves in a world which is slowly trying to rebuild itself.”
URL:https://tasaonline.org.au/events/king-lear-2/2024-08-24/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/08/King-Lear.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240823T193000
DTEND;TZID=Australia/Adelaide:20240823T223000
DTSTAMP:20260422T063606
CREATED:20240812T024639Z
LAST-MODIFIED:20240812T024639Z
UID:10023056-1724441400-1724452200@tasaonline.org.au
SUMMARY:King Lear
DESCRIPTION:by William Shakespeare \nDirected by: Brant Eustice \nReimagined in a post-apocalyptic setting\, this Shakespeare epic unfolds amidst the madness of a world in ruins.\nThe sting of betrayal\, the tragic downfall of a kingdom… as the King descends into insanity and his daughters’ ambitions spiral out of control\, Adelaide’s finest explore the desperation of  power\, excessive pride\, and the collapse of civilisation. \nDirector Brant Eustice says\, “There is enormous joy to be found in Shakespeare’s universal themes and a brilliance in his writing which not only allows\, but also encourages theatregoers to continue exploring the depth\, complexity and beauty of his stories in new styles.  Due to a global calamity\, civilisation as we view it has collapsed and has returned to the ways of a distant past. We find ourselves in a world which is slowly trying to rebuild itself.”
URL:https://tasaonline.org.au/events/king-lear-2/2024-08-23/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/08/King-Lear.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240822T193000
DTEND;TZID=Australia/Adelaide:20240822T223000
DTSTAMP:20260422T063606
CREATED:20240812T024639Z
LAST-MODIFIED:20240812T024639Z
UID:10023055-1724355000-1724365800@tasaonline.org.au
SUMMARY:King Lear
DESCRIPTION:by William Shakespeare \nDirected by: Brant Eustice \nReimagined in a post-apocalyptic setting\, this Shakespeare epic unfolds amidst the madness of a world in ruins.\nThe sting of betrayal\, the tragic downfall of a kingdom… as the King descends into insanity and his daughters’ ambitions spiral out of control\, Adelaide’s finest explore the desperation of  power\, excessive pride\, and the collapse of civilisation. \nDirector Brant Eustice says\, “There is enormous joy to be found in Shakespeare’s universal themes and a brilliance in his writing which not only allows\, but also encourages theatregoers to continue exploring the depth\, complexity and beauty of his stories in new styles.  Due to a global calamity\, civilisation as we view it has collapsed and has returned to the ways of a distant past. We find ourselves in a world which is slowly trying to rebuild itself.”
URL:https://tasaonline.org.au/events/king-lear-2/2024-08-22/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/08/King-Lear.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240821T193000
DTEND;TZID=Australia/Adelaide:20240821T223000
DTSTAMP:20260422T063606
CREATED:20240812T024639Z
LAST-MODIFIED:20240812T024639Z
UID:10023054-1724268600-1724279400@tasaonline.org.au
SUMMARY:King Lear
DESCRIPTION:by William Shakespeare \nDirected by: Brant Eustice \nReimagined in a post-apocalyptic setting\, this Shakespeare epic unfolds amidst the madness of a world in ruins.\nThe sting of betrayal\, the tragic downfall of a kingdom… as the King descends into insanity and his daughters’ ambitions spiral out of control\, Adelaide’s finest explore the desperation of  power\, excessive pride\, and the collapse of civilisation. \nDirector Brant Eustice says\, “There is enormous joy to be found in Shakespeare’s universal themes and a brilliance in his writing which not only allows\, but also encourages theatregoers to continue exploring the depth\, complexity and beauty of his stories in new styles.  Due to a global calamity\, civilisation as we view it has collapsed and has returned to the ways of a distant past. We find ourselves in a world which is slowly trying to rebuild itself.”
URL:https://tasaonline.org.au/events/king-lear-2/2024-08-21/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/08/King-Lear.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240818T160000
DTEND;TZID=Australia/Adelaide:20240818T190000
DTSTAMP:20260422T063606
CREATED:20240812T024639Z
LAST-MODIFIED:20240812T024639Z
UID:10023053-1723996800-1724007600@tasaonline.org.au
SUMMARY:King Lear
DESCRIPTION:by William Shakespeare \nDirected by: Brant Eustice \nReimagined in a post-apocalyptic setting\, this Shakespeare epic unfolds amidst the madness of a world in ruins.\nThe sting of betrayal\, the tragic downfall of a kingdom… as the King descends into insanity and his daughters’ ambitions spiral out of control\, Adelaide’s finest explore the desperation of  power\, excessive pride\, and the collapse of civilisation. \nDirector Brant Eustice says\, “There is enormous joy to be found in Shakespeare’s universal themes and a brilliance in his writing which not only allows\, but also encourages theatregoers to continue exploring the depth\, complexity and beauty of his stories in new styles.  Due to a global calamity\, civilisation as we view it has collapsed and has returned to the ways of a distant past. We find ourselves in a world which is slowly trying to rebuild itself.”
URL:https://tasaonline.org.au/events/king-lear-2/2024-08-18/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/08/King-Lear.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240817T193000
DTEND;TZID=Australia/Adelaide:20240817T223000
DTSTAMP:20260422T063606
CREATED:20240812T024639Z
LAST-MODIFIED:20240812T024639Z
UID:10023052-1723923000-1723933800@tasaonline.org.au
SUMMARY:King Lear
DESCRIPTION:by William Shakespeare \nDirected by: Brant Eustice \nReimagined in a post-apocalyptic setting\, this Shakespeare epic unfolds amidst the madness of a world in ruins.\nThe sting of betrayal\, the tragic downfall of a kingdom… as the King descends into insanity and his daughters’ ambitions spiral out of control\, Adelaide’s finest explore the desperation of  power\, excessive pride\, and the collapse of civilisation. \nDirector Brant Eustice says\, “There is enormous joy to be found in Shakespeare’s universal themes and a brilliance in his writing which not only allows\, but also encourages theatregoers to continue exploring the depth\, complexity and beauty of his stories in new styles.  Due to a global calamity\, civilisation as we view it has collapsed and has returned to the ways of a distant past. We find ourselves in a world which is slowly trying to rebuild itself.”
URL:https://tasaonline.org.au/events/king-lear-2/2024-08-17/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/08/King-Lear.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240816T193000
DTEND;TZID=Australia/Adelaide:20240816T223000
DTSTAMP:20260422T063606
CREATED:20240812T024639Z
LAST-MODIFIED:20240812T024639Z
UID:10023051-1723836600-1723847400@tasaonline.org.au
SUMMARY:King Lear
DESCRIPTION:by William Shakespeare \nDirected by: Brant Eustice \nReimagined in a post-apocalyptic setting\, this Shakespeare epic unfolds amidst the madness of a world in ruins.\nThe sting of betrayal\, the tragic downfall of a kingdom… as the King descends into insanity and his daughters’ ambitions spiral out of control\, Adelaide’s finest explore the desperation of  power\, excessive pride\, and the collapse of civilisation. \nDirector Brant Eustice says\, “There is enormous joy to be found in Shakespeare’s universal themes and a brilliance in his writing which not only allows\, but also encourages theatregoers to continue exploring the depth\, complexity and beauty of his stories in new styles.  Due to a global calamity\, civilisation as we view it has collapsed and has returned to the ways of a distant past. We find ourselves in a world which is slowly trying to rebuild itself.”
URL:https://tasaonline.org.au/events/king-lear-2/2024-08-16/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/08/King-Lear.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240623T130000
DTEND;TZID=Australia/Adelaide:20240623T170000
DTSTAMP:20260422T063606
CREATED:20240611T013227Z
LAST-MODIFIED:20240611T013227Z
UID:10022969-1719147600-1719162000@tasaonline.org.au
SUMMARY:The Penelopiad
DESCRIPTION:Written by: Margaret Atwood \nDirected by: Kristen Telfer \nSynopsis:   “The Penelopiad” by Margaret Atwood is an adaptation of Homer’s “Iliad” and “Odyssey”\, told from the perspective of Odysseus’ wife Penelope.\nLong after the events of the story are over\, Penelope tells the audience her story from the afterlife\, from her miraculous birth and childhood as the daughter of a king and a water nymph to her marriage to the renowned and wily Odysseus. The complacent idyll of Penelope’s life as a married noblewoman is shattered when news arrives that her sister Helen has absconded from her own marriage and run off with a young prince from an enemy state. Odysseus leaves his wife and young son to do his duty\, and Penelope’s ordeal begins. \nAfter Troy is sacked\, Odysseus fails to return home. As the years pass\, Penelope finds herself surrounded by a crowd of would-be suitors\, eager to lay claim to the widow and her considerable wealth\, whose encroachments on her hospitality becomepushier by the day. Greatly restricted in her means to deal with this threat\, Penelope relies on the support of her loyal maids in her bid to ward off the unwanted attentions until her husband returns. But these same Maids are also with Penelope in the afterlife\, to observe and participate in her narration of the events of her life… and remind her of the role she played in the tragic\nending to theirs. \nCharacter Descriptions: \nRoles: Penelope\, Telemachus\, Odysseus\, and twelve Maids \nGender: Undefined       Stage Age: 18+ \n\n\n\nGenders given are of the characters. Non-binary identifying people are invited to audition for all roles. \nPENELOPE (F\, 40+)\nThe daughter of a king and a water nymph\, wife of Odysseus. Knows how to present as the model noblewoman and wife. Intelligent\, articulate and observant. An eternity in the afterlife has given her the benefit of hindsight. The actor will play Penelope from her teens through to the end of her long life. \nODYSSEUS (M\, 30s-40s)\nA Greek warrior and petty king. Ambitious and savvy\, renowned for his cunning and charisma. The actor will play Odysseus from his early 30s through to the end of his life. \nTELEMACHUS (M\, 18-early 20s)\nThe beloved only child of Penelope and Odysseus. The actor will play Telemachus as a precocious five-year-old in one scene\, and as a moody youth frustrated at being left at home while his father goes to war for the rest of the play. \nTHE MAIDS\nThe backbone of the play\, Penelope’s twelve Maids act as a Greek Chorus as they observe Penelope telling her side of the story from the afterlife and remind her of the role she played in their fate. Every actor cast will play a Maid as well as other characters (see below)\, and will have both individual and collectively spoken dialogue. There will also be some chanting and unaccompanied singing to simple melodies. \nMELANTHO (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor and possibly other roles.\nTANIS (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor and possibly other roles.\nKERTHIA (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor and possibly other roles.\nKLYTIE (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor\, an Oracle\, and Penelope’s mother-in-law Anticleia.\nIOLE (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor and possibly other roles.\nCELANDINE (F)\nOne of Penelope’s maids. The actor will also play a Suitor\, Sailor\, and Penelope’s Naiad mother.\nSELENE (F)\nOne of Penelope’s maids. The actor will also play an Ithacan maid\, Suitor\, and Odysseus’ loyal housekeeper Eurycleia.\nZOE (F)\nOne of Penelope’s maids. The actor will also play a Sailor and Antinous\, the ringleader of Penelope’s bullying swaggering Suitors\, and Penelope’s father Icarius.\nALECTO (F)\nOne of Penelope’s maids. The actor will also play a Suitor and Penelope’s sister Helen (the future Of Troy).\nCHLORIS (F)\nOne of Penelope’s maids. The actor will also play a Sailor\, Suitor\, Ithacan maid\, and Penelope’s father-in-law Laertes.\nPHASIANA (F)\nOne of Penelope’s maids. The actor will also play a Sailor\, Suitor and Ithacan maid.\nNARCISSA (F)\nOne of Penelope’s maids. The actor will also play a Sailor\, Suitor\, and Ithacan maid. \nAuditions are booked via https://www.trybooking.com/CSLKH \nActors auditioning for Penelope who also wish to audition for the Maids ensemble must also attend one of the group auditions. \nActors auditioning for Penelope\, Telemachus and Odysseus are requested to prepare a short (no more than 3 minutes) monologue of their choosing they feel relates well to the character. \nScenes from the play are provided to familiarise yourself with ahead of time. You may be asked to read from any or all of them\, or possibly other scenes. You do NOT need to learn these scenes by heart. \nAbility to work well as an ensemble is integral to the roles of the Maids. These auditions will therefore be held in groups. As well as reading scenes from the play\, there will be some improvisation exercises. We want to see not just your abilities as individual performers\, but ability to collaborate\, support and play with others in a scene. \nAuditions for the Maids will be in 45-minute blocks and individual auditions (15 minutes) can be booked close to these group sessions.\n\n\n\n 
URL:https://tasaonline.org.au/events/the-penelopiad/2024-06-23/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240622T100000
DTEND;TZID=Australia/Adelaide:20240622T170000
DTSTAMP:20260422T063606
CREATED:20240611T013227Z
LAST-MODIFIED:20240611T013227Z
UID:10022968-1719050400-1719075600@tasaonline.org.au
SUMMARY:The Penelopiad
DESCRIPTION:Written by: Margaret Atwood \nDirected by: Kristen Telfer \nSynopsis:   “The Penelopiad” by Margaret Atwood is an adaptation of Homer’s “Iliad” and “Odyssey”\, told from the perspective of Odysseus’ wife Penelope.\nLong after the events of the story are over\, Penelope tells the audience her story from the afterlife\, from her miraculous birth and childhood as the daughter of a king and a water nymph to her marriage to the renowned and wily Odysseus. The complacent idyll of Penelope’s life as a married noblewoman is shattered when news arrives that her sister Helen has absconded from her own marriage and run off with a young prince from an enemy state. Odysseus leaves his wife and young son to do his duty\, and Penelope’s ordeal begins. \nAfter Troy is sacked\, Odysseus fails to return home. As the years pass\, Penelope finds herself surrounded by a crowd of would-be suitors\, eager to lay claim to the widow and her considerable wealth\, whose encroachments on her hospitality becomepushier by the day. Greatly restricted in her means to deal with this threat\, Penelope relies on the support of her loyal maids in her bid to ward off the unwanted attentions until her husband returns. But these same Maids are also with Penelope in the afterlife\, to observe and participate in her narration of the events of her life… and remind her of the role she played in the tragic\nending to theirs. \nCharacter Descriptions: \nRoles: Penelope\, Telemachus\, Odysseus\, and twelve Maids \nGender: Undefined       Stage Age: 18+ \n\n\n\nGenders given are of the characters. Non-binary identifying people are invited to audition for all roles. \nPENELOPE (F\, 40+)\nThe daughter of a king and a water nymph\, wife of Odysseus. Knows how to present as the model noblewoman and wife. Intelligent\, articulate and observant. An eternity in the afterlife has given her the benefit of hindsight. The actor will play Penelope from her teens through to the end of her long life. \nODYSSEUS (M\, 30s-40s)\nA Greek warrior and petty king. Ambitious and savvy\, renowned for his cunning and charisma. The actor will play Odysseus from his early 30s through to the end of his life. \nTELEMACHUS (M\, 18-early 20s)\nThe beloved only child of Penelope and Odysseus. The actor will play Telemachus as a precocious five-year-old in one scene\, and as a moody youth frustrated at being left at home while his father goes to war for the rest of the play. \nTHE MAIDS\nThe backbone of the play\, Penelope’s twelve Maids act as a Greek Chorus as they observe Penelope telling her side of the story from the afterlife and remind her of the role she played in their fate. Every actor cast will play a Maid as well as other characters (see below)\, and will have both individual and collectively spoken dialogue. There will also be some chanting and unaccompanied singing to simple melodies. \nMELANTHO (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor and possibly other roles.\nTANIS (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor and possibly other roles.\nKERTHIA (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor and possibly other roles.\nKLYTIE (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor\, an Oracle\, and Penelope’s mother-in-law Anticleia.\nIOLE (F)\nOne of Penelope’s younger maids. Naive\, excitable\, loyal. The actor will also play a Suitor\, Sailor and possibly other roles.\nCELANDINE (F)\nOne of Penelope’s maids. The actor will also play a Suitor\, Sailor\, and Penelope’s Naiad mother.\nSELENE (F)\nOne of Penelope’s maids. The actor will also play an Ithacan maid\, Suitor\, and Odysseus’ loyal housekeeper Eurycleia.\nZOE (F)\nOne of Penelope’s maids. The actor will also play a Sailor and Antinous\, the ringleader of Penelope’s bullying swaggering Suitors\, and Penelope’s father Icarius.\nALECTO (F)\nOne of Penelope’s maids. The actor will also play a Suitor and Penelope’s sister Helen (the future Of Troy).\nCHLORIS (F)\nOne of Penelope’s maids. The actor will also play a Sailor\, Suitor\, Ithacan maid\, and Penelope’s father-in-law Laertes.\nPHASIANA (F)\nOne of Penelope’s maids. The actor will also play a Sailor\, Suitor and Ithacan maid.\nNARCISSA (F)\nOne of Penelope’s maids. The actor will also play a Sailor\, Suitor\, and Ithacan maid. \nAuditions are booked via https://www.trybooking.com/CSLKH \nActors auditioning for Penelope who also wish to audition for the Maids ensemble must also attend one of the group auditions. \nActors auditioning for Penelope\, Telemachus and Odysseus are requested to prepare a short (no more than 3 minutes) monologue of their choosing they feel relates well to the character. \nScenes from the play are provided to familiarise yourself with ahead of time. You may be asked to read from any or all of them\, or possibly other scenes. You do NOT need to learn these scenes by heart. \nAbility to work well as an ensemble is integral to the roles of the Maids. These auditions will therefore be held in groups. As well as reading scenes from the play\, there will be some improvisation exercises. We want to see not just your abilities as individual performers\, but ability to collaborate\, support and play with others in a scene. \nAuditions for the Maids will be in 45-minute blocks and individual auditions (15 minutes) can be booked close to these group sessions.\n\n\n\n 
URL:https://tasaonline.org.au/events/the-penelopiad/2024-06-22/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240525T190000
DTEND;TZID=Australia/Adelaide:20240525T230000
DTSTAMP:20260422T063606
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021840-1716663600-1716678000@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-25/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240524T190000
DTEND;TZID=Australia/Adelaide:20240524T230000
DTSTAMP:20260422T063606
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021839-1716577200-1716591600@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-24/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240523T190000
DTEND;TZID=Australia/Adelaide:20240523T230000
DTSTAMP:20260422T063606
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021838-1716490800-1716505200@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-23/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240519T190000
DTEND;TZID=Australia/Adelaide:20240519T230000
DTSTAMP:20260422T063606
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021837-1716145200-1716159600@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-19/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240518T190000
DTEND;TZID=Australia/Adelaide:20240518T230000
DTSTAMP:20260422T063606
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021836-1716058800-1716073200@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-18/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20240517T190000
DTEND;TZID=Australia/Adelaide:20240517T230000
DTSTAMP:20260422T063606
CREATED:20240305T230222Z
LAST-MODIFIED:20240305T230222Z
UID:10021835-1715972400-1715986800@tasaonline.org.au
SUMMARY:Angels In America
DESCRIPTION:ANGELS IN AMERICA:\nA Gay Fantasia on National Themes \nPart One: Millennium Approaches\nAND\nPart Two: Perestroika \nWRITTEN BY TONY KUSHNER \nDirected by Hayley Horton \n2 – 25 May 2024 \nAn exciting\, epic production in two parts\, Angels in America is a complex\, metaphorical and symbolic examination of sexuality in America in the 1980s by Pulitzer Prize and Tony Award winning playwright Tony Kushner (Munich\, Lincoln\, Fences\, The Fablemans). \nThe West End revival production won the Olivier Award for Best Revival in 2018\, and was screened as part of the National Theatre Live cinematic release. Later that year the production transferred to Broadway\, where it received eleven Tony Award nominations\, the most ever received by a play at the time. It won three: Best Revival of a Play; Best Actor in a Leading Role in a Play\, for Andrew Garfield; and Best Actor in a Featured Role in a Play\, for Nathan Lane. \nIn Part 1\, Millennium Approaches\, Prior Walter is HIV positive. His Jewish boyfriend leaves him for a straight Mormon and he gets a hospital visit from an angel who says it is up to him to save humanity. While in Part 2\, Perestroika\, various forces have gathered in New York: the ex-boyfriend and his Mormon lover\, the pill-popping ex-wife\, the conservative mother\, a rabid Republican lawyer\, a drag queen and a dead activist… and Prior has the future of the world in his hands. \nFull of humour and hope\, these diverse characters captivate audiences in its contemplation of humanity and our progress towards a new millennium. It is spectacular\, yet intimate. It is magical\, yet grounded in reality. With Kushner’s erudite writing and some of Adelaide theatre’s most talented performers\, Angels in America is a theatre event not to be missed. \nDirector Hayley Horton says\, “Despite the exploration of humanity and all its flaws\, this is a hilarious script. We laugh more than we cry and it is almost cathartic to see the more upsetting parts of our world through a humorous lens. It just showcases Kushner’s skills as a writer to have 3 hours feel like nothing\, while laughing at how broken the world really can be.\nI love the hopefulness of this piece. While many could just watch Part 1 and live with the cliffhanger\, it is the resolution of Part 2 that gives us hope – where the good survive to see the new millennium born.” \nCAST\nKate Anolak\, Lee Cook\, Rachel Dalton\, Brant Eustice\, Matt Houston\, Casmira Lorien\, Eric McDowell and Lindsay Prodea. \nCONTENT WARNING\nPlease be advised this production contains frequent strong language\, adult themes\, sexual references and nudity. \nDURATION\nAngels in America is a two-part play\, presented in two halves over two separate performances.\nYou can order tickets to both Parts in one booking.\nEach Part will run approximately 3 hours with 2 intervals each. \nVENUE\nLittle Theatre\nUniversity of Adelaide (The Cloisters)
URL:https://tasaonline.org.au/events/angels-in-america/2024-05-17/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2024/02/Angels-In-America-A5-1.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
END:VCALENDAR