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CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018632-1681056000-1681065000@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-04-09/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230408T193000
DTEND;TZID=Australia/Adelaide:20230408T220000
DTSTAMP:20260422T195544
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018631-1680982200-1680991200@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-04-08/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230401T193000
DTEND;TZID=Australia/Adelaide:20230401T220000
DTSTAMP:20260422T195544
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018650-1680377400-1680386400@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-04-01/2/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230401T140000
DTEND;TZID=Australia/Adelaide:20230401T163000
DTSTAMP:20260422T195544
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018649-1680357600-1680366600@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-04-01/1/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230331T193000
DTEND;TZID=Australia/Adelaide:20230331T220000
DTSTAMP:20260422T195544
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018648-1680291000-1680300000@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-03-31/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230330T193000
DTEND;TZID=Australia/Adelaide:20230330T220000
DTSTAMP:20260422T195544
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018647-1680204600-1680213600@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-03-30/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230329T190000
DTEND;TZID=Australia/Adelaide:20230329T213000
DTSTAMP:20260422T195544
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018646-1680116400-1680125400@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-03-29/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230326T160000
DTEND;TZID=Australia/Adelaide:20230326T183000
DTSTAMP:20260422T195544
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018645-1679846400-1679855400@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-03-26/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230325T193000
DTEND;TZID=Australia/Adelaide:20230325T220000
DTSTAMP:20260422T195544
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018644-1679772600-1679781600@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-03-25/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230324T193000
DTEND;TZID=Australia/Adelaide:20230324T220000
DTSTAMP:20260422T195544
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018643-1679686200-1679695200@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-03-24/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230314T193000
DTEND;TZID=Australia/Adelaide:20230314T220000
DTSTAMP:20260422T195544
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018630-1678822200-1678831200@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-03-14/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221203T090000
DTEND;TZID=Australia/Adelaide:20221203T170000
DTSTAMP:20260422T195544
CREATED:20221110T011711Z
LAST-MODIFIED:20221110T011711Z
UID:10016251-1670058000-1670086800@tasaonline.org.au
SUMMARY:INK by James Graham
DESCRIPTION:Directed by Robert Bell\n\nSeason: 12 October to 22 October 2023\nVenue: Little Theatre\, The University of Adelaide\nRehearsals: Starting 1 Aug 2023. Typically Tuesday & Thursday evenings\, 7pm-10pm & Sunday afternoons\, depending on availability. Rehearsals will take place in various locations on the North Terrace Campus which will be indicated on the rehearsal schedule.\nAudition Venue: Little Theatre\, The Cloisters\, University of Adelaide. Gate 10 from Victoria Drive.\nDirections: The Cloisters is the name given to the courtyard in front of the Union Building (Union House) facing Victoria Drive and the river. The entrance to the theatre is in the south-west corner of the courtyard\, next to the Unibar.\n\nSYNOPSIS\n“I want to tell you a story. And it’s true. That’s what makes it a good fucking story\, right\, ’cause all the best stories are true.”\nFleet Street. 1969. The Sun rises.\nJames Graham’s ruthless\, red-topped play leads with the birth of this country’s most influential newspaper – when a young and rebellious Rupert Murdoch asked the impossible and launched its first editor’s quest\, against all odds\, to give the people what they want.\nBefore ‘Fox News’\, there was ‘The Sun’. Prior to Murdoch’s purchase in 1969\, The Sun was a struggling\, left leaning Broadsheet destined for failure. Enter a brash young Rupert Murdoch ready to disrupt Fleet Street\, rogue editor Larry Lamb and an unlikely team of underdog reporters and you’ve got yourself a story good enough for the front page.\nThis ensemble driven comedy is hilarious and jam-packed with gripping dramatic moments that tell one hell of a story! Ink centres around an unlikely matchup of David and Goliath proportions between Murdoch’s newly purchased The Sun and the bestselling newspaper in the world\, The Mirror. It may even have you rooting for Australia’s own Media Mogul himself.\nInk does not shy from the controversial\, sexy and debaucherous. It’s bound to be a fun time.\n\nWarning: Adult themes\, strong language\, and partial nudity apply. Auditionees must be 18+.\nTwelve cast members will play a number of roles\, doubling required. Listed below are the key characters.\nPlease note: the roles of Rupert Murdoch and Larry Lamb have already been cast.\n\nKEY ROLES AVAILABLE\n(Age and ethnicity are a guide only)\nHUGH CUDLIPP – (Male 50s-60s\, Welsh) Editor of The Mirror\, a force to be reckoned with and determined to keep The Sun from succeeding.\nSTEPHANIE RAHN – (Female 20s-30s\, script references character being part Indian\, but this can be updated accordingly) An up-and-coming model driven for success. *Must be comfortable wearing underwear on stage*\nBRIAN McCONNELL – (Male 40s -50s) Described as a heroic drinker. This journalist can’t bring himself to say no to his old friend. *Must be comfortable being shirtless on stage*\nBERNARD SHRIMSLEY – (Male 40s-50s) Deputy editor. Lean and smart with exacting standards. Not well liked.\nJOYCE HOPKIRK – (Female 40s) Strong minded\, with killer instinct. A saucy soul tapped to become woman’s editor.\nRAY MILLS – (Male 40s-50s) Sub-editor. A thuggish\, frightening brute. Straight talker.\nFRANK NICKLIN – (Male any age) Sports journalist\, not the brightest\, but the most enthusiastic.\nBEVERLEY GOODWAY – (Male 20s-30s) A free spirited photographer with a passion for photographing attractive women.\nSIR ALICK MCKAY – (Male 60+) Deputy Chairman. Ever so loyal and the most empathetic of the group.\nDIANA – (Female 20s-30s) Horoscope writer. Loves gossip almost as much as reading the stars.\nLEE HOWARD – (Male any age) Editor of the Mirror. Never too far from Hugh Cudlipp.\nSIR PERCY ROBERTS – (Male any age) a Mirror Board member. Looking after his best interests.\n\nAUDITION BOOKED BY ONLINE APPOINTMENT ONLY\nAuditions are booked via http://www.trybooking.com/CDIQG\nEach individual audition will last 15 minutes between 9am – 5pm Saturday 3 December 2022.\n\nAfter booking an audition\, you will be emailed audition scenes. These are not compulsory to learn but please familiarise yourself with them. You will be asked to read additional scenes to gauge your suitability for the above characters and any roles that will be doubled. An audition form will also be provided.\nOn booking an audition slot\, please ensure you advise your correct phone number and email address. Please arrive 10 minutes early to allow yourself time to prepare for your audition and to complete an audition form. We recommend you wear comfortable clothing and shoes\, and bring water.\nAny questions about audition bookings\, please email theatreguild@adelaide.edu.au\nAny questions about the play/production (and NOT for booking auditions)\, the director can be contacted at robertsjbell@gmail.com.\n\nUATG is committed to equity\, diversity and inclusion. We encourage performers 18+ of all races and ethnicities\, gender identities\, abilities to audition. However\, please be aware that the Little Theatre is not fully equipped for those with a physical disability. The foyer and auditorium are accessible via ground floor entrance\, but the stage and backstage areas are unfortunately not equipped for wheelchair access.\nMembership: Please be aware that everyone involved in a Theatre Guild show is required to be a member of the Theatre Guild. Memberships for 2023 are available via www.trybooking.com/CBXOD
URL:https://tasaonline.org.au/events/ink-by-james-graham/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221127T160000
DTEND;TZID=Australia/Adelaide:20221127T180000
DTSTAMP:20260422T195544
CREATED:20221122T044428Z
LAST-MODIFIED:20221122T044428Z
UID:10017837-1669564800-1669572000@tasaonline.org.au
SUMMARY:Hand To God
DESCRIPTION:“When I have acted badly\, all I have to do is say… The devil made me do it.” \nDescribed as “Sesame Street meets The Exorcist”\, the funniest and filthiest Broadway show in years finally makes its South Australian premiere in University of Adelaide’s iconic Little Theatre. \nAfter premiering Off-Broadway in 2011\, Robert Askins’ Hand To God opened on Broadway in 2015 playing to critical and audience acclaim and received five Tony awards nominations\, including Best Play. \nAfter the death of his father\, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry\, in the devoutly religious\, relatively quiet small town of Cypress\, Texas. Jason’s complicated relationships with the town pastor\, the school bully\, the girl next door\, and – most especially – his mother are thrown into upheaval when Jason’s puppet\, Tyrone\, takes on a shocking and dangerously irreverent personality all its own. \nDirected by Nick Fagan and featuring a cast of local favourites including Matt Houston\, Emily Branford\, Laura Antoniazzi\, Brendan Cooney and Tom Tassone\, Hand To God explores the startlingly fragile nature of faith\, morality\, and the ties that bind us. \n“The freshest and funniest Broadway comedy in years\, Hand to God is to plays as The Book of Mormon is to musicals: a welcome breath of foul air.” – Time Out (New York) \nThis play contains very explicit language\, adult themes\, sexual situations and some very rude puppets.
URL:https://tasaonline.org.au/events/hand-to-god/2022-11-27/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221126T193000
DTEND;TZID=Australia/Adelaide:20221126T213000
DTSTAMP:20260422T195544
CREATED:20221005T033629Z
LAST-MODIFIED:20221005T033629Z
UID:10017835-1669491000-1669498200@tasaonline.org.au
SUMMARY:Hand To God
DESCRIPTION:“When I have acted badly\, all I have to do is say… The devil made me do it.” \nDescribed as “Sesame Street meets The Exorcist”\, the funniest and filthiest Broadway show in years finally makes its South Australian premiere in University of Adelaide’s iconic Little Theatre. \nAfter premiering Off-Broadway in 2011\, Robert Askins’ Hand To God opened on Broadway in 2015 playing to critical and audience acclaim and received five Tony awards nominations\, including Best Play. \nAfter the death of his father\, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry\, in the devoutly religious\, relatively quiet small town of Cypress\, Texas. Jason’s complicated relationships with the town pastor\, the school bully\, the girl next door\, and – most especially – his mother are thrown into upheaval when Jason’s puppet\, Tyrone\, takes on a shocking and dangerously irreverent personality all its own. \nDirected by Nick Fagan and featuring a cast of local favourites including Matt Houston\, Emily Branford\, Laura Antoniazzi\, Brendan Cooney and Tom Tassone\, Hand To God explores the startlingly fragile nature of faith\, morality\, and the ties that bind us. \n“The freshest and funniest Broadway comedy in years\, Hand to God is to plays as The Book of Mormon is to musicals: a welcome breath of foul air.” – Time Out (New York) \nThis play contains very explicit language\, adult themes\, sexual situations and some very rude puppets.
URL:https://tasaonline.org.au/events/hand-to-god/2022-11-26/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221125T193000
DTEND;TZID=Australia/Adelaide:20221125T213000
DTSTAMP:20260422T195544
CREATED:20221005T033629Z
LAST-MODIFIED:20221005T033629Z
UID:10017834-1669404600-1669411800@tasaonline.org.au
SUMMARY:Hand To God
DESCRIPTION:“When I have acted badly\, all I have to do is say… The devil made me do it.” \nDescribed as “Sesame Street meets The Exorcist”\, the funniest and filthiest Broadway show in years finally makes its South Australian premiere in University of Adelaide’s iconic Little Theatre. \nAfter premiering Off-Broadway in 2011\, Robert Askins’ Hand To God opened on Broadway in 2015 playing to critical and audience acclaim and received five Tony awards nominations\, including Best Play. \nAfter the death of his father\, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry\, in the devoutly religious\, relatively quiet small town of Cypress\, Texas. Jason’s complicated relationships with the town pastor\, the school bully\, the girl next door\, and – most especially – his mother are thrown into upheaval when Jason’s puppet\, Tyrone\, takes on a shocking and dangerously irreverent personality all its own. \nDirected by Nick Fagan and featuring a cast of local favourites including Matt Houston\, Emily Branford\, Laura Antoniazzi\, Brendan Cooney and Tom Tassone\, Hand To God explores the startlingly fragile nature of faith\, morality\, and the ties that bind us. \n“The freshest and funniest Broadway comedy in years\, Hand to God is to plays as The Book of Mormon is to musicals: a welcome breath of foul air.” – Time Out (New York) \nThis play contains very explicit language\, adult themes\, sexual situations and some very rude puppets.
URL:https://tasaonline.org.au/events/hand-to-god/2022-11-25/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221124T193000
DTEND;TZID=Australia/Adelaide:20221124T213000
DTSTAMP:20260422T195544
CREATED:20221005T033629Z
LAST-MODIFIED:20221005T033629Z
UID:10017833-1669318200-1669325400@tasaonline.org.au
SUMMARY:Hand To God
DESCRIPTION:“When I have acted badly\, all I have to do is say… The devil made me do it.” \nDescribed as “Sesame Street meets The Exorcist”\, the funniest and filthiest Broadway show in years finally makes its South Australian premiere in University of Adelaide’s iconic Little Theatre. \nAfter premiering Off-Broadway in 2011\, Robert Askins’ Hand To God opened on Broadway in 2015 playing to critical and audience acclaim and received five Tony awards nominations\, including Best Play. \nAfter the death of his father\, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry\, in the devoutly religious\, relatively quiet small town of Cypress\, Texas. Jason’s complicated relationships with the town pastor\, the school bully\, the girl next door\, and – most especially – his mother are thrown into upheaval when Jason’s puppet\, Tyrone\, takes on a shocking and dangerously irreverent personality all its own. \nDirected by Nick Fagan and featuring a cast of local favourites including Matt Houston\, Emily Branford\, Laura Antoniazzi\, Brendan Cooney and Tom Tassone\, Hand To God explores the startlingly fragile nature of faith\, morality\, and the ties that bind us. \n“The freshest and funniest Broadway comedy in years\, Hand to God is to plays as The Book of Mormon is to musicals: a welcome breath of foul air.” – Time Out (New York) \nThis play contains very explicit language\, adult themes\, sexual situations and some very rude puppets.
URL:https://tasaonline.org.au/events/hand-to-god/2022-11-24/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221120T160000
DTEND;TZID=Australia/Adelaide:20221120T180000
DTSTAMP:20260422T195544
CREATED:20221122T044428Z
LAST-MODIFIED:20221122T044428Z
UID:10017836-1668960000-1668967200@tasaonline.org.au
SUMMARY:Hand To God
DESCRIPTION:“When I have acted badly\, all I have to do is say… The devil made me do it.” \nDescribed as “Sesame Street meets The Exorcist”\, the funniest and filthiest Broadway show in years finally makes its South Australian premiere in University of Adelaide’s iconic Little Theatre. \nAfter premiering Off-Broadway in 2011\, Robert Askins’ Hand To God opened on Broadway in 2015 playing to critical and audience acclaim and received five Tony awards nominations\, including Best Play. \nAfter the death of his father\, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry\, in the devoutly religious\, relatively quiet small town of Cypress\, Texas. Jason’s complicated relationships with the town pastor\, the school bully\, the girl next door\, and – most especially – his mother are thrown into upheaval when Jason’s puppet\, Tyrone\, takes on a shocking and dangerously irreverent personality all its own. \nDirected by Nick Fagan and featuring a cast of local favourites including Matt Houston\, Emily Branford\, Laura Antoniazzi\, Brendan Cooney and Tom Tassone\, Hand To God explores the startlingly fragile nature of faith\, morality\, and the ties that bind us. \n“The freshest and funniest Broadway comedy in years\, Hand to God is to plays as The Book of Mormon is to musicals: a welcome breath of foul air.” – Time Out (New York) \nThis play contains very explicit language\, adult themes\, sexual situations and some very rude puppets.
URL:https://tasaonline.org.au/events/hand-to-god/2022-11-20/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221119T193000
DTEND;TZID=Australia/Adelaide:20221119T213000
DTSTAMP:20260422T195544
CREATED:20221005T033629Z
LAST-MODIFIED:20221005T033629Z
UID:10017832-1668886200-1668893400@tasaonline.org.au
SUMMARY:Hand To God
DESCRIPTION:“When I have acted badly\, all I have to do is say… The devil made me do it.” \nDescribed as “Sesame Street meets The Exorcist”\, the funniest and filthiest Broadway show in years finally makes its South Australian premiere in University of Adelaide’s iconic Little Theatre. \nAfter premiering Off-Broadway in 2011\, Robert Askins’ Hand To God opened on Broadway in 2015 playing to critical and audience acclaim and received five Tony awards nominations\, including Best Play. \nAfter the death of his father\, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry\, in the devoutly religious\, relatively quiet small town of Cypress\, Texas. Jason’s complicated relationships with the town pastor\, the school bully\, the girl next door\, and – most especially – his mother are thrown into upheaval when Jason’s puppet\, Tyrone\, takes on a shocking and dangerously irreverent personality all its own. \nDirected by Nick Fagan and featuring a cast of local favourites including Matt Houston\, Emily Branford\, Laura Antoniazzi\, Brendan Cooney and Tom Tassone\, Hand To God explores the startlingly fragile nature of faith\, morality\, and the ties that bind us. \n“The freshest and funniest Broadway comedy in years\, Hand to God is to plays as The Book of Mormon is to musicals: a welcome breath of foul air.” – Time Out (New York) \nThis play contains very explicit language\, adult themes\, sexual situations and some very rude puppets.
URL:https://tasaonline.org.au/events/hand-to-god/2022-11-19/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221118T193000
DTEND;TZID=Australia/Adelaide:20221118T213000
DTSTAMP:20260422T195544
CREATED:20221005T033629Z
LAST-MODIFIED:20221005T033629Z
UID:10017831-1668799800-1668807000@tasaonline.org.au
SUMMARY:Hand To God
DESCRIPTION:“When I have acted badly\, all I have to do is say… The devil made me do it.” \nDescribed as “Sesame Street meets The Exorcist”\, the funniest and filthiest Broadway show in years finally makes its South Australian premiere in University of Adelaide’s iconic Little Theatre. \nAfter premiering Off-Broadway in 2011\, Robert Askins’ Hand To God opened on Broadway in 2015 playing to critical and audience acclaim and received five Tony awards nominations\, including Best Play. \nAfter the death of his father\, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry\, in the devoutly religious\, relatively quiet small town of Cypress\, Texas. Jason’s complicated relationships with the town pastor\, the school bully\, the girl next door\, and – most especially – his mother are thrown into upheaval when Jason’s puppet\, Tyrone\, takes on a shocking and dangerously irreverent personality all its own. \nDirected by Nick Fagan and featuring a cast of local favourites including Matt Houston\, Emily Branford\, Laura Antoniazzi\, Brendan Cooney and Tom Tassone\, Hand To God explores the startlingly fragile nature of faith\, morality\, and the ties that bind us. \n“The freshest and funniest Broadway comedy in years\, Hand to God is to plays as The Book of Mormon is to musicals: a welcome breath of foul air.” – Time Out (New York) \nThis play contains very explicit language\, adult themes\, sexual situations and some very rude puppets.
URL:https://tasaonline.org.au/events/hand-to-god/2022-11-18/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221117T193000
DTEND;TZID=Australia/Adelaide:20221117T213000
DTSTAMP:20260422T195544
CREATED:20221005T033629Z
LAST-MODIFIED:20221005T033629Z
UID:10017830-1668713400-1668720600@tasaonline.org.au
SUMMARY:Hand To God
DESCRIPTION:“When I have acted badly\, all I have to do is say… The devil made me do it.” \nDescribed as “Sesame Street meets The Exorcist”\, the funniest and filthiest Broadway show in years finally makes its South Australian premiere in University of Adelaide’s iconic Little Theatre. \nAfter premiering Off-Broadway in 2011\, Robert Askins’ Hand To God opened on Broadway in 2015 playing to critical and audience acclaim and received five Tony awards nominations\, including Best Play. \nAfter the death of his father\, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry\, in the devoutly religious\, relatively quiet small town of Cypress\, Texas. Jason’s complicated relationships with the town pastor\, the school bully\, the girl next door\, and – most especially – his mother are thrown into upheaval when Jason’s puppet\, Tyrone\, takes on a shocking and dangerously irreverent personality all its own. \nDirected by Nick Fagan and featuring a cast of local favourites including Matt Houston\, Emily Branford\, Laura Antoniazzi\, Brendan Cooney and Tom Tassone\, Hand To God explores the startlingly fragile nature of faith\, morality\, and the ties that bind us. \n“The freshest and funniest Broadway comedy in years\, Hand to God is to plays as The Book of Mormon is to musicals: a welcome breath of foul air.” – Time Out (New York) \nThis play contains very explicit language\, adult themes\, sexual situations and some very rude puppets.
URL:https://tasaonline.org.au/events/hand-to-god/2022-11-17/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221016T090000
DTEND;TZID=Australia/Adelaide:20221016T170000
DTSTAMP:20260422T195544
CREATED:20220916T035848Z
LAST-MODIFIED:20220916T035848Z
UID:10017775-1665910800-1665939600@tasaonline.org.au
SUMMARY:THE TEMPEST
DESCRIPTION:Written By: William Shakespeare \nCreative Team: Directed by Bronwyn Palmer \n\nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board. On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter\, Miranda\, that he has caused the storm with his magical powers.\nProspero had been banished twelve years earlier when Prospero’s brother\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead. Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax.\nOn the island\, castaways from the wreck begin to appear. First is Alonso’s son\, Ferdinand\, who immediately falls in love with Miranda. Other castaways who appear are Trinculo and Stephano\, Alonso’s jester and butler respectively\, who join forces with Caliban to kill Prospero and take over the island. The nobles from the ship search for Ferdinand and are confronted with a spectacle including a Harpy\, who convinces Alonso that Ferdinand’s death is retribution for Prospero’s exile.\nHaving all his enemies under his control\, Prospero decides to forgive them. Alonso\, joyously reunited with his son\, restores Prospero to the dukedom of Milan and welcomes Miranda as Ferdinand’s wife. As all except Caliban and Ariel prepare to leave the island\, Prospero\, who has given up his magic\, bids farewell to the island and the audience. \n\n  \nAudition Information: http://www.trybooking.com/CCKRR \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n15/10/2022\n\n\nTime From – Time to:\n09:00 – 17:00\n\n\nRepeated Fieldset #:1\n\n\nDate:\n16/10/2022\n\n\nTime From – Time to:\n09:00 – 17:00\n\n\n\n  \n\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nmany\n\n\nRepeated Fieldset #:2\n\n\nGender:\nUndefined\n\n\nRepeated Fieldset #:3\n\n\n\n\n\n\nRepeated Fieldset #:4\n\n\nRole Information:\nROLES AVAILABLE:\n(age and gender relevant only where specified)PROSPERO\, the former Duke of Milan\, now a magician on an island. Stage age: 45 – 55.\nMIRANDA\, Prospero’s daughter. Stage age: 18 – 20. Female presenting.\nARIEL\, a spirit\, servant to Prospero. Requires strong movement ability and strong singing ability.\nCALIBAN\, an inhabitant of the island\, servant to Prospero. Male presenting.\nFERDINAND\, Prince of Naples. Stage age: 19 – 25. Male presenting.\nALONSO\, King of Naples. Stage age: 50+\nANTONIO\, Duke of Milan and Prospero’s brother. Stage age: 35 – 50.\nSEBASTIAN\, Alonso’s brother. Stage age: 40 – 50.\nGONZALO\, councillor to Alonso and friend to Prospero. Stage age: 50+\nTRINCULO\, servant to Alonso.\nSTEPHANO\, Alonso’s butler.\nADRIAN\, courtiers in attendance on Alonso\, and MOVEMENT ENSEMBLE\nFRANCISCO\, courtiers in attendance on Alonso\, and MOVEMENT ENSEMBLE\nSHIPMASTER / MOVEMENT ENSEMBLE\nBOATSWAIN / MOVEMENT ENSEMBLE\nMARINERS / MOVEMENT ENSEMBLE\nPlus\nTWO LIVE MUSICIANS – Must be able to improvise. String instruments or piano preferred. Not required to audition. Please email the Director at bronwyn.palmer@gmail.com for further information.\n\n\n\n\nAUDITION BOOKED BY ONLINE APPOINTMENT ONLY\nAuditions are booked via http://www.trybooking.com/CCKRR\nEach group audition (up to 5 people per session) will last 50 minutes between 9am – 5pm Saturday 15 and Sunday 16 October 2022. \n*WHAT TO PREPARE*\nPlease prepare from memory a 2-3 minute Shakespearean monologue from any play and a short (30 seconds max.) unaccompanied song. \nWe recommend you wear comfortable clothing and shoes for physical movement\, and bring water. \nAfter booking an audition\, you will be emailed audition scenes. They are not compulsory to learn but please familiarise yourself with them. An audition form will be provided. On booking an audition slot\, please ensure you advise your correct phone number and email address. Please arrive 10 minutes early to allow yourself time to prepare for your audition and to complete a form if necessary. \nUATG is committed to equity\, diversity and inclusion. We encourage performers 18+ of all races and ethnicities\, gender identities\, and abilities to audition. However\, please be aware that the Little Theatre is not fully equipped for those with a physical disability. The foyer and auditorium are accessible via ground floor entrance\, but the stage and backstage areas are unfortunately not equipped for wheelchair access.\nAny questions about audition bookings\, please email theatreguild@adelaide.edu.au. Any questions about the play/production (and NOT for booking auditions)\, the director can be contacted at bronwyn.palmer@gmail.com. \n\nContact: Bronwyn Palmer\nbronwyn.palmer@gmail.com
URL:https://tasaonline.org.au/events/the-tempest/2022-10-16/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221015T090000
DTEND;TZID=Australia/Adelaide:20221015T170000
DTSTAMP:20260422T195544
CREATED:20220916T035848Z
LAST-MODIFIED:20220916T035848Z
UID:10017774-1665824400-1665853200@tasaonline.org.au
SUMMARY:THE TEMPEST
DESCRIPTION:Written By: William Shakespeare \nCreative Team: Directed by Bronwyn Palmer \n\nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board. On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter\, Miranda\, that he has caused the storm with his magical powers.\nProspero had been banished twelve years earlier when Prospero’s brother\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead. Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax.\nOn the island\, castaways from the wreck begin to appear. First is Alonso’s son\, Ferdinand\, who immediately falls in love with Miranda. Other castaways who appear are Trinculo and Stephano\, Alonso’s jester and butler respectively\, who join forces with Caliban to kill Prospero and take over the island. The nobles from the ship search for Ferdinand and are confronted with a spectacle including a Harpy\, who convinces Alonso that Ferdinand’s death is retribution for Prospero’s exile.\nHaving all his enemies under his control\, Prospero decides to forgive them. Alonso\, joyously reunited with his son\, restores Prospero to the dukedom of Milan and welcomes Miranda as Ferdinand’s wife. As all except Caliban and Ariel prepare to leave the island\, Prospero\, who has given up his magic\, bids farewell to the island and the audience. \n\n  \nAudition Information: http://www.trybooking.com/CCKRR \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n15/10/2022\n\n\nTime From – Time to:\n09:00 – 17:00\n\n\nRepeated Fieldset #:1\n\n\nDate:\n16/10/2022\n\n\nTime From – Time to:\n09:00 – 17:00\n\n\n\n  \n\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nmany\n\n\nRepeated Fieldset #:2\n\n\nGender:\nUndefined\n\n\nRepeated Fieldset #:3\n\n\n\n\n\n\nRepeated Fieldset #:4\n\n\nRole Information:\nROLES AVAILABLE:\n(age and gender relevant only where specified)PROSPERO\, the former Duke of Milan\, now a magician on an island. Stage age: 45 – 55.\nMIRANDA\, Prospero’s daughter. Stage age: 18 – 20. Female presenting.\nARIEL\, a spirit\, servant to Prospero. Requires strong movement ability and strong singing ability.\nCALIBAN\, an inhabitant of the island\, servant to Prospero. Male presenting.\nFERDINAND\, Prince of Naples. Stage age: 19 – 25. Male presenting.\nALONSO\, King of Naples. Stage age: 50+\nANTONIO\, Duke of Milan and Prospero’s brother. Stage age: 35 – 50.\nSEBASTIAN\, Alonso’s brother. Stage age: 40 – 50.\nGONZALO\, councillor to Alonso and friend to Prospero. Stage age: 50+\nTRINCULO\, servant to Alonso.\nSTEPHANO\, Alonso’s butler.\nADRIAN\, courtiers in attendance on Alonso\, and MOVEMENT ENSEMBLE\nFRANCISCO\, courtiers in attendance on Alonso\, and MOVEMENT ENSEMBLE\nSHIPMASTER / MOVEMENT ENSEMBLE\nBOATSWAIN / MOVEMENT ENSEMBLE\nMARINERS / MOVEMENT ENSEMBLE\nPlus\nTWO LIVE MUSICIANS – Must be able to improvise. String instruments or piano preferred. Not required to audition. Please email the Director at bronwyn.palmer@gmail.com for further information.\n\n\n\n\nAUDITION BOOKED BY ONLINE APPOINTMENT ONLY\nAuditions are booked via http://www.trybooking.com/CCKRR\nEach group audition (up to 5 people per session) will last 50 minutes between 9am – 5pm Saturday 15 and Sunday 16 October 2022. \n*WHAT TO PREPARE*\nPlease prepare from memory a 2-3 minute Shakespearean monologue from any play and a short (30 seconds max.) unaccompanied song. \nWe recommend you wear comfortable clothing and shoes for physical movement\, and bring water. \nAfter booking an audition\, you will be emailed audition scenes. They are not compulsory to learn but please familiarise yourself with them. An audition form will be provided. On booking an audition slot\, please ensure you advise your correct phone number and email address. Please arrive 10 minutes early to allow yourself time to prepare for your audition and to complete a form if necessary. \nUATG is committed to equity\, diversity and inclusion. We encourage performers 18+ of all races and ethnicities\, gender identities\, and abilities to audition. However\, please be aware that the Little Theatre is not fully equipped for those with a physical disability. The foyer and auditorium are accessible via ground floor entrance\, but the stage and backstage areas are unfortunately not equipped for wheelchair access.\nAny questions about audition bookings\, please email theatreguild@adelaide.edu.au. Any questions about the play/production (and NOT for booking auditions)\, the director can be contacted at bronwyn.palmer@gmail.com. \n\nContact: Bronwyn Palmer\nbronwyn.palmer@gmail.com
URL:https://tasaonline.org.au/events/the-tempest/2022-10-15/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220926T170000
DTEND;TZID=Australia/Adelaide:20220926T220000
DTSTAMP:20260422T195544
CREATED:20220916T035344Z
LAST-MODIFIED:20220916T035344Z
UID:10017773-1664211600-1664229600@tasaonline.org.au
SUMMARY:Wonderful World of DISSOCIA
DESCRIPTION:Written By: Anthony Neilson \nCreative Team: Directed by Thomas Filsell \n\nThe Wonderful World of Dissocia is an off-the-wall\, at times hilarious\, at times disturbing\, ultimately profoundly thought-provoking play\, featuring vivid\, unique and unforgettable characters\, and wondrous settings which contrast to a degree rarely seen in the theatre. Aside from being laugh-out-loud funny\, the play also has an important message to convey regarding mental health.\nDissocia tells the story of Lisa\, a young woman battling with a dissociative disorder. In order to regain ‘balance’ in her life\, Lisa must successfully navigate her way through Dissocia\, a fantastic wonderland full of surprises and weird\, wonderful\, and frightening inhabitants.\nAway from Dissocia\, life is very different. In Dissocia\, Lisa is the decider of her own fate. Back at home\, she’s not.\nThis is a riotous\, wonderful\, wild-ride of a play. As playwright Anthony Neilson said\, “If you like Alice in Wonderland but there’s not enough sex and violence in it\, then Dissocia is the show for you.” \nAge is not a big factor for casting\, but there are adult themes\, including violence\, implied off-stage sexual assault\, and use of ‘adult’ language\, so audiences and auditionees are advised to consider these potentially disturbing contents before attending auditions or performances. \nAUDITION BOOKED BY ONLINE APPOINTMENT ONLY\nAuditions are booked via https://www.trybooking.com/CBZLO \nEach individual audition will last 15 minutes.\nAfter booking an audition\, you will be emailed audition scenes. They are not compulsory to learn but please familiarise yourself with them. You will be asked to read additional scenes to gauge your suitability for other characters to be doubled. An audition form will also be provided.\nOn booking an audition slot\, please ensure you advise your correct phone number and email address.\nWe recommend you wear comfortable clothing and shoes\, and bring water.\nAny questions about audition bookings\, please email theatreguild@adelaide.edu.au. Any questions about the play/production (and NOT for booking auditions)\, the director can be contacted at fils0010@gmail.com.\nPlease be aware that everyone involved in a Theatre Guild show is required to be a member. Auditions are open to anyone but any roles offered will only be confirmed once you have become a member. Memberships for 2023 can be purchased via www.trybooking.com/CBXOD \n\nInformation Session: \n\nAudition Information: http://www.trybooking.com/CBZLO \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n21/09/2022\n\n\nTime From – Time to:\n17:00 – 22:30\n\n\nRepeated Fieldset #:1\n\n\nDate:\n26/09/2022\n\n\nTime From – Time to:\n17:00 – 22:30\n\n\n\n  \n\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\n7 actors required\n\n\nRepeated Fieldset #:2\n\n\nGender:\nUndefined\n\n\nRepeated Fieldset #:3\n\n\nStage Age:\nAny\n\n\nRepeated Fieldset #:4\n\n\nRole Information:\nThe cast consists of 7 actors\, each playing multiple roles\, besides Lisa who will be played by a single actress.\nThe role of Lisa has already been cast.ROLES AVAILABLE: (in order of appearance)\nAge\, gender\, and ethnicity are not relevant for casting\, except for the roles of Vince and Dot\, who will need to be played by a male and female respectively\, both within the stage age range of 25-35 years. \nVictor: A strange Swiss watchmaker. Swiss or RP English accent required.\nPassengers: There are a few of these to be doubled by actors. Speaking and non-speaking. All weird and funny in their own way.\nGuard 1: Perhaps one of the two funniest characters in the play. Must be able to convey a lack of confidence and indecision.\nGuard 2: Similar to Guard 1. These two must be able to play off and work with one another well. Great comedic timing is needed for both Guards.\nOathtaker: Has two modes – stentorian\, and bored out of their mind. An imposing figure\, but needs great comedic abilities.\nOathtaker attendants: Will double. Musical ability would be great\, but not necessary.\nGoat: Probably the ‘worst’ character in the first act\, if not the entire play. A scary figure\, who also needs to be able to be funny\, before turning toward terrifying.\nJane: Female identifying actor required. Requires good comedic sensibilities.\nBear: Loveable. Wears a costume. Must be able to sing.\nBritney: Essentially a bogan. Funny. Absurd.\nLaughter: Speaking. Comedic timing needed.\nTicket: Speaking. Comedic timing needed.\nArgument: Speaking. Comedic timing needed.\nInhibitions: Speaking. Comedic timing needed.\nBiffer: Non-speaking\, but makes some ‘noises.’ Comedic timing\, again\, is needed.\nViolinist: If you can play the violin\, that’s great. If you have a violin\, that’s even better! Neither of these is necessary\, though.\nNurses x3: There are 3 nurses in the second act. Each will be played by a different actor\, and each have different personality traits. Gender irrelevant.\nDr Clark: A Doctor. Gender irrelevant.\nDr Faraday: A Doctor. Gender irrelevant.\nDot: Lisa’s sister. Empathetic but frustrated. Can come across as heartless\, or despondent. An important character to be suggestively doubled. Stage age 25-35. Female identifying.\nVince: Lisa’s boyfriend. A pivotal role. Like Dot\, Vince is frustrated\, and has difficulty understanding why he’s being ‘mistreated.’ Another character caught between being empathetic and a prick. Must have both an imposing quality\, and a sensitivity to him. Stage age 25-35. Male identifying. \nSinging and other musical abilities are not required by any means\, but do mention if you have them.\n\n\n\n\nMore Information at: https://www.trybooking.com/CBZLO \n\nContact: Thomas Filsell\nfils0010@gmail.com
URL:https://tasaonline.org.au/events/wonderful-world-of-dissocia/2022-09-26/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220921T170000
DTEND;TZID=Australia/Adelaide:20220921T220000
DTSTAMP:20260422T195544
CREATED:20220916T035344Z
LAST-MODIFIED:20220916T035344Z
UID:10017772-1663779600-1663797600@tasaonline.org.au
SUMMARY:Wonderful World of DISSOCIA
DESCRIPTION:Written By: Anthony Neilson \nCreative Team: Directed by Thomas Filsell \n\nThe Wonderful World of Dissocia is an off-the-wall\, at times hilarious\, at times disturbing\, ultimately profoundly thought-provoking play\, featuring vivid\, unique and unforgettable characters\, and wondrous settings which contrast to a degree rarely seen in the theatre. Aside from being laugh-out-loud funny\, the play also has an important message to convey regarding mental health.\nDissocia tells the story of Lisa\, a young woman battling with a dissociative disorder. In order to regain ‘balance’ in her life\, Lisa must successfully navigate her way through Dissocia\, a fantastic wonderland full of surprises and weird\, wonderful\, and frightening inhabitants.\nAway from Dissocia\, life is very different. In Dissocia\, Lisa is the decider of her own fate. Back at home\, she’s not.\nThis is a riotous\, wonderful\, wild-ride of a play. As playwright Anthony Neilson said\, “If you like Alice in Wonderland but there’s not enough sex and violence in it\, then Dissocia is the show for you.” \nAge is not a big factor for casting\, but there are adult themes\, including violence\, implied off-stage sexual assault\, and use of ‘adult’ language\, so audiences and auditionees are advised to consider these potentially disturbing contents before attending auditions or performances. \nAUDITION BOOKED BY ONLINE APPOINTMENT ONLY\nAuditions are booked via https://www.trybooking.com/CBZLO \nEach individual audition will last 15 minutes.\nAfter booking an audition\, you will be emailed audition scenes. They are not compulsory to learn but please familiarise yourself with them. You will be asked to read additional scenes to gauge your suitability for other characters to be doubled. An audition form will also be provided.\nOn booking an audition slot\, please ensure you advise your correct phone number and email address.\nWe recommend you wear comfortable clothing and shoes\, and bring water.\nAny questions about audition bookings\, please email theatreguild@adelaide.edu.au. Any questions about the play/production (and NOT for booking auditions)\, the director can be contacted at fils0010@gmail.com.\nPlease be aware that everyone involved in a Theatre Guild show is required to be a member. Auditions are open to anyone but any roles offered will only be confirmed once you have become a member. Memberships for 2023 can be purchased via www.trybooking.com/CBXOD \n\nInformation Session: \n\nAudition Information: http://www.trybooking.com/CBZLO \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n21/09/2022\n\n\nTime From – Time to:\n17:00 – 22:30\n\n\nRepeated Fieldset #:1\n\n\nDate:\n26/09/2022\n\n\nTime From – Time to:\n17:00 – 22:30\n\n\n\n  \n\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\n7 actors required\n\n\nRepeated Fieldset #:2\n\n\nGender:\nUndefined\n\n\nRepeated Fieldset #:3\n\n\nStage Age:\nAny\n\n\nRepeated Fieldset #:4\n\n\nRole Information:\nThe cast consists of 7 actors\, each playing multiple roles\, besides Lisa who will be played by a single actress.\nThe role of Lisa has already been cast.ROLES AVAILABLE: (in order of appearance)\nAge\, gender\, and ethnicity are not relevant for casting\, except for the roles of Vince and Dot\, who will need to be played by a male and female respectively\, both within the stage age range of 25-35 years. \nVictor: A strange Swiss watchmaker. Swiss or RP English accent required.\nPassengers: There are a few of these to be doubled by actors. Speaking and non-speaking. All weird and funny in their own way.\nGuard 1: Perhaps one of the two funniest characters in the play. Must be able to convey a lack of confidence and indecision.\nGuard 2: Similar to Guard 1. These two must be able to play off and work with one another well. Great comedic timing is needed for both Guards.\nOathtaker: Has two modes – stentorian\, and bored out of their mind. An imposing figure\, but needs great comedic abilities.\nOathtaker attendants: Will double. Musical ability would be great\, but not necessary.\nGoat: Probably the ‘worst’ character in the first act\, if not the entire play. A scary figure\, who also needs to be able to be funny\, before turning toward terrifying.\nJane: Female identifying actor required. Requires good comedic sensibilities.\nBear: Loveable. Wears a costume. Must be able to sing.\nBritney: Essentially a bogan. Funny. Absurd.\nLaughter: Speaking. Comedic timing needed.\nTicket: Speaking. Comedic timing needed.\nArgument: Speaking. Comedic timing needed.\nInhibitions: Speaking. Comedic timing needed.\nBiffer: Non-speaking\, but makes some ‘noises.’ Comedic timing\, again\, is needed.\nViolinist: If you can play the violin\, that’s great. If you have a violin\, that’s even better! Neither of these is necessary\, though.\nNurses x3: There are 3 nurses in the second act. Each will be played by a different actor\, and each have different personality traits. Gender irrelevant.\nDr Clark: A Doctor. Gender irrelevant.\nDr Faraday: A Doctor. Gender irrelevant.\nDot: Lisa’s sister. Empathetic but frustrated. Can come across as heartless\, or despondent. An important character to be suggestively doubled. Stage age 25-35. Female identifying.\nVince: Lisa’s boyfriend. A pivotal role. Like Dot\, Vince is frustrated\, and has difficulty understanding why he’s being ‘mistreated.’ Another character caught between being empathetic and a prick. Must have both an imposing quality\, and a sensitivity to him. Stage age 25-35. Male identifying. \nSinging and other musical abilities are not required by any means\, but do mention if you have them.\n\n\n\n\nMore Information at: https://www.trybooking.com/CBZLO \n\nContact: Thomas Filsell\nfils0010@gmail.com
URL:https://tasaonline.org.au/events/wonderful-world-of-dissocia/2022-09-21/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220820T193000
DTEND;TZID=Australia/Adelaide:20220820T220000
DTSTAMP:20260422T195544
CREATED:20220523T060030Z
LAST-MODIFIED:20220523T060030Z
UID:10017693-1661023800-1661032800@tasaonline.org.au
SUMMARY:Arcadia by Tom Stoppard
DESCRIPTION:ARCADIA\nWritten by Tom Stoppard\nDirected by Matthew Chapman \n11-21 AUGUST 2022\nLittle Theatre \n“You cannot stir things apart.” \nPart detective story\, part rom-com and part scientific fantasy\, Tom Stoppard’s Arcadia frequently tops the list of greatest plays of the twentieth century. \nAt the centre of this play about fate\, mathematics\, feminism\, gardening\, apples and the utter randomness of it all is the story of a group of people who simply can’t get it together when it comes to things that are actually important. \nIt’s 1809 and thirteen year old Thomasina Coverly is a precocious mathematical genius\, making sense of the world around her: her mother is obsessed with gardening\, her tutor is having it off with the wife of a houseguest and the famous Lord Byron is skulking the corridors causing mischief. \nAs battle lines are drawn across the school table\, a demand for satisfaction has terrible consequences. \nMeanwhile in the present day\, writer Hannah Jarvis navigates descendants of the Coverly clan\, a jumped up academic and time itself to investigate Thomasina’s discoveries\, the mysterious events that happened 200 years ago and exactly who the shadowy figure of death is that haunts the garden at Sidley Park… \n***\nTickets: $25 Full / $20 Concession \nTickets also available at the door (subject to availability)\nThursday 11 August\, 7.30pm\nFriday 12 August\, 7:30pm\nSaturday 13 August\, 7:30pm\nSunday 14 August\, 4pm Matinee\nThursday 18 August\, 7:30pm\nFriday 19 August\, 7:30pm\nSaturday 20 August\, 7:30pm\nSunday 21 August\, 4pm Matinee \nLittle Theatre \nVictoria Drive (Gate 10)\, The University of Adelaide \nPlease allow yourself extra time for parking\, especially if there is an event on at Adelaide Oval or Festival Centre. \nCOVID-19 UPDATE\nMASKS REQUIRED\nAs we operate under the umbrella of The University of Adelaide\, we follow their protocols and therefore the Theatre Guild currently does not expect vaccination to be mandatory. The Theatre Guild may implement its own mandate in the near future.\nHowever\, for the best protection possible for our cast\, crew and audiences we ask all patrons to please wear a mask while in the Little Theatre.
URL:https://tasaonline.org.au/events/arcadia-by-tom-stoppard/2022-08-20/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220819T193000
DTEND;TZID=Australia/Adelaide:20220819T220000
DTSTAMP:20260422T195544
CREATED:20220523T060030Z
LAST-MODIFIED:20220523T060030Z
UID:10017692-1660937400-1660946400@tasaonline.org.au
SUMMARY:Arcadia by Tom Stoppard
DESCRIPTION:ARCADIA\nWritten by Tom Stoppard\nDirected by Matthew Chapman \n11-21 AUGUST 2022\nLittle Theatre \n“You cannot stir things apart.” \nPart detective story\, part rom-com and part scientific fantasy\, Tom Stoppard’s Arcadia frequently tops the list of greatest plays of the twentieth century. \nAt the centre of this play about fate\, mathematics\, feminism\, gardening\, apples and the utter randomness of it all is the story of a group of people who simply can’t get it together when it comes to things that are actually important. \nIt’s 1809 and thirteen year old Thomasina Coverly is a precocious mathematical genius\, making sense of the world around her: her mother is obsessed with gardening\, her tutor is having it off with the wife of a houseguest and the famous Lord Byron is skulking the corridors causing mischief. \nAs battle lines are drawn across the school table\, a demand for satisfaction has terrible consequences. \nMeanwhile in the present day\, writer Hannah Jarvis navigates descendants of the Coverly clan\, a jumped up academic and time itself to investigate Thomasina’s discoveries\, the mysterious events that happened 200 years ago and exactly who the shadowy figure of death is that haunts the garden at Sidley Park… \n***\nTickets: $25 Full / $20 Concession \nTickets also available at the door (subject to availability)\nThursday 11 August\, 7.30pm\nFriday 12 August\, 7:30pm\nSaturday 13 August\, 7:30pm\nSunday 14 August\, 4pm Matinee\nThursday 18 August\, 7:30pm\nFriday 19 August\, 7:30pm\nSaturday 20 August\, 7:30pm\nSunday 21 August\, 4pm Matinee \nLittle Theatre \nVictoria Drive (Gate 10)\, The University of Adelaide \nPlease allow yourself extra time for parking\, especially if there is an event on at Adelaide Oval or Festival Centre. \nCOVID-19 UPDATE\nMASKS REQUIRED\nAs we operate under the umbrella of The University of Adelaide\, we follow their protocols and therefore the Theatre Guild currently does not expect vaccination to be mandatory. The Theatre Guild may implement its own mandate in the near future.\nHowever\, for the best protection possible for our cast\, crew and audiences we ask all patrons to please wear a mask while in the Little Theatre.
URL:https://tasaonline.org.au/events/arcadia-by-tom-stoppard/2022-08-19/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220818T193000
DTEND;TZID=Australia/Adelaide:20220818T220000
DTSTAMP:20260422T195544
CREATED:20220523T060030Z
LAST-MODIFIED:20220523T060030Z
UID:10017691-1660851000-1660860000@tasaonline.org.au
SUMMARY:Arcadia by Tom Stoppard
DESCRIPTION:ARCADIA\nWritten by Tom Stoppard\nDirected by Matthew Chapman \n11-21 AUGUST 2022\nLittle Theatre \n“You cannot stir things apart.” \nPart detective story\, part rom-com and part scientific fantasy\, Tom Stoppard’s Arcadia frequently tops the list of greatest plays of the twentieth century. \nAt the centre of this play about fate\, mathematics\, feminism\, gardening\, apples and the utter randomness of it all is the story of a group of people who simply can’t get it together when it comes to things that are actually important. \nIt’s 1809 and thirteen year old Thomasina Coverly is a precocious mathematical genius\, making sense of the world around her: her mother is obsessed with gardening\, her tutor is having it off with the wife of a houseguest and the famous Lord Byron is skulking the corridors causing mischief. \nAs battle lines are drawn across the school table\, a demand for satisfaction has terrible consequences. \nMeanwhile in the present day\, writer Hannah Jarvis navigates descendants of the Coverly clan\, a jumped up academic and time itself to investigate Thomasina’s discoveries\, the mysterious events that happened 200 years ago and exactly who the shadowy figure of death is that haunts the garden at Sidley Park… \n***\nTickets: $25 Full / $20 Concession \nTickets also available at the door (subject to availability)\nThursday 11 August\, 7.30pm\nFriday 12 August\, 7:30pm\nSaturday 13 August\, 7:30pm\nSunday 14 August\, 4pm Matinee\nThursday 18 August\, 7:30pm\nFriday 19 August\, 7:30pm\nSaturday 20 August\, 7:30pm\nSunday 21 August\, 4pm Matinee \nLittle Theatre \nVictoria Drive (Gate 10)\, The University of Adelaide \nPlease allow yourself extra time for parking\, especially if there is an event on at Adelaide Oval or Festival Centre. \nCOVID-19 UPDATE\nMASKS REQUIRED\nAs we operate under the umbrella of The University of Adelaide\, we follow their protocols and therefore the Theatre Guild currently does not expect vaccination to be mandatory. The Theatre Guild may implement its own mandate in the near future.\nHowever\, for the best protection possible for our cast\, crew and audiences we ask all patrons to please wear a mask while in the Little Theatre.
URL:https://tasaonline.org.au/events/arcadia-by-tom-stoppard/2022-08-18/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220813T193000
DTEND;TZID=Australia/Adelaide:20220813T220000
DTSTAMP:20260422T195544
CREATED:20220523T060030Z
LAST-MODIFIED:20220523T060030Z
UID:10017690-1660419000-1660428000@tasaonline.org.au
SUMMARY:Arcadia by Tom Stoppard
DESCRIPTION:ARCADIA\nWritten by Tom Stoppard\nDirected by Matthew Chapman \n11-21 AUGUST 2022\nLittle Theatre \n“You cannot stir things apart.” \nPart detective story\, part rom-com and part scientific fantasy\, Tom Stoppard’s Arcadia frequently tops the list of greatest plays of the twentieth century. \nAt the centre of this play about fate\, mathematics\, feminism\, gardening\, apples and the utter randomness of it all is the story of a group of people who simply can’t get it together when it comes to things that are actually important. \nIt’s 1809 and thirteen year old Thomasina Coverly is a precocious mathematical genius\, making sense of the world around her: her mother is obsessed with gardening\, her tutor is having it off with the wife of a houseguest and the famous Lord Byron is skulking the corridors causing mischief. \nAs battle lines are drawn across the school table\, a demand for satisfaction has terrible consequences. \nMeanwhile in the present day\, writer Hannah Jarvis navigates descendants of the Coverly clan\, a jumped up academic and time itself to investigate Thomasina’s discoveries\, the mysterious events that happened 200 years ago and exactly who the shadowy figure of death is that haunts the garden at Sidley Park… \n***\nTickets: $25 Full / $20 Concession \nTickets also available at the door (subject to availability)\nThursday 11 August\, 7.30pm\nFriday 12 August\, 7:30pm\nSaturday 13 August\, 7:30pm\nSunday 14 August\, 4pm Matinee\nThursday 18 August\, 7:30pm\nFriday 19 August\, 7:30pm\nSaturday 20 August\, 7:30pm\nSunday 21 August\, 4pm Matinee \nLittle Theatre \nVictoria Drive (Gate 10)\, The University of Adelaide \nPlease allow yourself extra time for parking\, especially if there is an event on at Adelaide Oval or Festival Centre. \nCOVID-19 UPDATE\nMASKS REQUIRED\nAs we operate under the umbrella of The University of Adelaide\, we follow their protocols and therefore the Theatre Guild currently does not expect vaccination to be mandatory. The Theatre Guild may implement its own mandate in the near future.\nHowever\, for the best protection possible for our cast\, crew and audiences we ask all patrons to please wear a mask while in the Little Theatre.
URL:https://tasaonline.org.au/events/arcadia-by-tom-stoppard/2022-08-13/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220812T193000
DTEND;TZID=Australia/Adelaide:20220812T220000
DTSTAMP:20260422T195544
CREATED:20220523T060030Z
LAST-MODIFIED:20220523T060030Z
UID:10017689-1660332600-1660341600@tasaonline.org.au
SUMMARY:Arcadia by Tom Stoppard
DESCRIPTION:ARCADIA\nWritten by Tom Stoppard\nDirected by Matthew Chapman \n11-21 AUGUST 2022\nLittle Theatre \n“You cannot stir things apart.” \nPart detective story\, part rom-com and part scientific fantasy\, Tom Stoppard’s Arcadia frequently tops the list of greatest plays of the twentieth century. \nAt the centre of this play about fate\, mathematics\, feminism\, gardening\, apples and the utter randomness of it all is the story of a group of people who simply can’t get it together when it comes to things that are actually important. \nIt’s 1809 and thirteen year old Thomasina Coverly is a precocious mathematical genius\, making sense of the world around her: her mother is obsessed with gardening\, her tutor is having it off with the wife of a houseguest and the famous Lord Byron is skulking the corridors causing mischief. \nAs battle lines are drawn across the school table\, a demand for satisfaction has terrible consequences. \nMeanwhile in the present day\, writer Hannah Jarvis navigates descendants of the Coverly clan\, a jumped up academic and time itself to investigate Thomasina’s discoveries\, the mysterious events that happened 200 years ago and exactly who the shadowy figure of death is that haunts the garden at Sidley Park… \n***\nTickets: $25 Full / $20 Concession \nTickets also available at the door (subject to availability)\nThursday 11 August\, 7.30pm\nFriday 12 August\, 7:30pm\nSaturday 13 August\, 7:30pm\nSunday 14 August\, 4pm Matinee\nThursday 18 August\, 7:30pm\nFriday 19 August\, 7:30pm\nSaturday 20 August\, 7:30pm\nSunday 21 August\, 4pm Matinee \nLittle Theatre \nVictoria Drive (Gate 10)\, The University of Adelaide \nPlease allow yourself extra time for parking\, especially if there is an event on at Adelaide Oval or Festival Centre. \nCOVID-19 UPDATE\nMASKS REQUIRED\nAs we operate under the umbrella of The University of Adelaide\, we follow their protocols and therefore the Theatre Guild currently does not expect vaccination to be mandatory. The Theatre Guild may implement its own mandate in the near future.\nHowever\, for the best protection possible for our cast\, crew and audiences we ask all patrons to please wear a mask while in the Little Theatre.
URL:https://tasaonline.org.au/events/arcadia-by-tom-stoppard/2022-08-12/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220811T193000
DTEND;TZID=Australia/Adelaide:20220811T220000
DTSTAMP:20260422T195544
CREATED:20220523T060030Z
LAST-MODIFIED:20220523T060030Z
UID:10017688-1660246200-1660255200@tasaonline.org.au
SUMMARY:Arcadia by Tom Stoppard
DESCRIPTION:ARCADIA\nWritten by Tom Stoppard\nDirected by Matthew Chapman \n11-21 AUGUST 2022\nLittle Theatre \n“You cannot stir things apart.” \nPart detective story\, part rom-com and part scientific fantasy\, Tom Stoppard’s Arcadia frequently tops the list of greatest plays of the twentieth century. \nAt the centre of this play about fate\, mathematics\, feminism\, gardening\, apples and the utter randomness of it all is the story of a group of people who simply can’t get it together when it comes to things that are actually important. \nIt’s 1809 and thirteen year old Thomasina Coverly is a precocious mathematical genius\, making sense of the world around her: her mother is obsessed with gardening\, her tutor is having it off with the wife of a houseguest and the famous Lord Byron is skulking the corridors causing mischief. \nAs battle lines are drawn across the school table\, a demand for satisfaction has terrible consequences. \nMeanwhile in the present day\, writer Hannah Jarvis navigates descendants of the Coverly clan\, a jumped up academic and time itself to investigate Thomasina’s discoveries\, the mysterious events that happened 200 years ago and exactly who the shadowy figure of death is that haunts the garden at Sidley Park… \n***\nTickets: $25 Full / $20 Concession \nTickets also available at the door (subject to availability)\nThursday 11 August\, 7.30pm\nFriday 12 August\, 7:30pm\nSaturday 13 August\, 7:30pm\nSunday 14 August\, 4pm Matinee\nThursday 18 August\, 7:30pm\nFriday 19 August\, 7:30pm\nSaturday 20 August\, 7:30pm\nSunday 21 August\, 4pm Matinee \nLittle Theatre \nVictoria Drive (Gate 10)\, The University of Adelaide \nPlease allow yourself extra time for parking\, especially if there is an event on at Adelaide Oval or Festival Centre. \nCOVID-19 UPDATE\nMASKS REQUIRED\nAs we operate under the umbrella of The University of Adelaide\, we follow their protocols and therefore the Theatre Guild currently does not expect vaccination to be mandatory. The Theatre Guild may implement its own mandate in the near future.\nHowever\, for the best protection possible for our cast\, crew and audiences we ask all patrons to please wear a mask while in the Little Theatre.
URL:https://tasaonline.org.au/events/arcadia-by-tom-stoppard/2022-08-11/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
END:VCALENDAR