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DTSTART;TZID=Australia/Adelaide:20230507T160000
DTEND;TZID=Australia/Adelaide:20230507T180000
DTSTAMP:20260422T183526
CREATED:20230411T222824Z
LAST-MODIFIED:20230411T222824Z
UID:10019067-1683475200-1683482400@tasaonline.org.au
SUMMARY:The Wonderful World of Dissocia
DESCRIPTION:“I’ve got a life too and it’s out of balance. I’ve got people that I care about – that I love and that love me – and I’m letting them down…” \nThe Wonderful World of Dissocia is an off-the-wall\, at times hilarious\, at times disturbing\, ultimately thought-provoking play\, featuring unique and unforgettable characters and wondrous settings which contrast to a degree rarely seen in the theatre. \nAside from being laugh-out-loud funny\, this play also has an important message to convey regarding mental health. It forces us to confront questions as to the status attributed to people suffering from mental health issues and diagnosed mental illnesses. \nIt tells the story of Lisa\, a young woman battling with a dissociative disorder. In order to regain ‘balance’ in her life\, Lisa must successfully navigate her way through Dissocia\, a fantastic wonderland full of surprises and weird\, wonderful\, and frightening inhabitants\, avoiding misleading double-talkers\, traumatising encounters\, and The Black Dog King who looms like a dark cloud over the otherwise beautiful country. \nAway from Dissocia\, life is very different. Lisa’s boyfriend\, her sister\, and a team of doctors and nurses struggle to keep Lisa away from Dissocia. In Dissocia\, Lisa is the decider of her own fate. Back at home\, she’s not. \nDissocia is a riotous\, wonderful\, wild-ride of a play. It is fun\, funny\, provocative and oftentimes totally strange. As playwright Anthony Neilson said\, ‘If you like Alice in Wonderland but there’s not enough sex and violence in it\, then Dissocia is the show for you.” \n“Have you ever seen a penis bird? Frightful things…” \nCONTENT WARNING:\nThis play is intended for adult audiences. It features some confronting and disturbing themes and strong coarse language.
URL:https://tasaonline.org.au/events/the-wonderful-world-of-dissocia/2023-05-07/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/04/Dissocia_Review.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230506T193000
DTEND;TZID=Australia/Adelaide:20230506T213000
DTSTAMP:20260422T183526
CREATED:20230411T222824Z
LAST-MODIFIED:20230411T222824Z
UID:10019063-1683401400-1683408600@tasaonline.org.au
SUMMARY:The Wonderful World of Dissocia
DESCRIPTION:“I’ve got a life too and it’s out of balance. I’ve got people that I care about – that I love and that love me – and I’m letting them down…” \nThe Wonderful World of Dissocia is an off-the-wall\, at times hilarious\, at times disturbing\, ultimately thought-provoking play\, featuring unique and unforgettable characters and wondrous settings which contrast to a degree rarely seen in the theatre. \nAside from being laugh-out-loud funny\, this play also has an important message to convey regarding mental health. It forces us to confront questions as to the status attributed to people suffering from mental health issues and diagnosed mental illnesses. \nIt tells the story of Lisa\, a young woman battling with a dissociative disorder. In order to regain ‘balance’ in her life\, Lisa must successfully navigate her way through Dissocia\, a fantastic wonderland full of surprises and weird\, wonderful\, and frightening inhabitants\, avoiding misleading double-talkers\, traumatising encounters\, and The Black Dog King who looms like a dark cloud over the otherwise beautiful country. \nAway from Dissocia\, life is very different. Lisa’s boyfriend\, her sister\, and a team of doctors and nurses struggle to keep Lisa away from Dissocia. In Dissocia\, Lisa is the decider of her own fate. Back at home\, she’s not. \nDissocia is a riotous\, wonderful\, wild-ride of a play. It is fun\, funny\, provocative and oftentimes totally strange. As playwright Anthony Neilson said\, ‘If you like Alice in Wonderland but there’s not enough sex and violence in it\, then Dissocia is the show for you.” \n“Have you ever seen a penis bird? Frightful things…” \nCONTENT WARNING:\nThis play is intended for adult audiences. It features some confronting and disturbing themes and strong coarse language.
URL:https://tasaonline.org.au/events/the-wonderful-world-of-dissocia/2023-05-06/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/04/Dissocia_Review.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230505T193000
DTEND;TZID=Australia/Adelaide:20230505T213000
DTSTAMP:20260422T183526
CREATED:20230411T222824Z
LAST-MODIFIED:20230411T222824Z
UID:10019062-1683315000-1683322200@tasaonline.org.au
SUMMARY:The Wonderful World of Dissocia
DESCRIPTION:“I’ve got a life too and it’s out of balance. I’ve got people that I care about – that I love and that love me – and I’m letting them down…” \nThe Wonderful World of Dissocia is an off-the-wall\, at times hilarious\, at times disturbing\, ultimately thought-provoking play\, featuring unique and unforgettable characters and wondrous settings which contrast to a degree rarely seen in the theatre. \nAside from being laugh-out-loud funny\, this play also has an important message to convey regarding mental health. It forces us to confront questions as to the status attributed to people suffering from mental health issues and diagnosed mental illnesses. \nIt tells the story of Lisa\, a young woman battling with a dissociative disorder. In order to regain ‘balance’ in her life\, Lisa must successfully navigate her way through Dissocia\, a fantastic wonderland full of surprises and weird\, wonderful\, and frightening inhabitants\, avoiding misleading double-talkers\, traumatising encounters\, and The Black Dog King who looms like a dark cloud over the otherwise beautiful country. \nAway from Dissocia\, life is very different. Lisa’s boyfriend\, her sister\, and a team of doctors and nurses struggle to keep Lisa away from Dissocia. In Dissocia\, Lisa is the decider of her own fate. Back at home\, she’s not. \nDissocia is a riotous\, wonderful\, wild-ride of a play. It is fun\, funny\, provocative and oftentimes totally strange. As playwright Anthony Neilson said\, ‘If you like Alice in Wonderland but there’s not enough sex and violence in it\, then Dissocia is the show for you.” \n“Have you ever seen a penis bird? Frightful things…” \nCONTENT WARNING:\nThis play is intended for adult audiences. It features some confronting and disturbing themes and strong coarse language.
URL:https://tasaonline.org.au/events/the-wonderful-world-of-dissocia/2023-05-05/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/04/Dissocia_Review.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230504T193000
DTEND;TZID=Australia/Adelaide:20230504T213000
DTSTAMP:20260422T183526
CREATED:20230411T222824Z
LAST-MODIFIED:20230411T222824Z
UID:10019061-1683228600-1683235800@tasaonline.org.au
SUMMARY:The Wonderful World of Dissocia
DESCRIPTION:“I’ve got a life too and it’s out of balance. I’ve got people that I care about – that I love and that love me – and I’m letting them down…” \nThe Wonderful World of Dissocia is an off-the-wall\, at times hilarious\, at times disturbing\, ultimately thought-provoking play\, featuring unique and unforgettable characters and wondrous settings which contrast to a degree rarely seen in the theatre. \nAside from being laugh-out-loud funny\, this play also has an important message to convey regarding mental health. It forces us to confront questions as to the status attributed to people suffering from mental health issues and diagnosed mental illnesses. \nIt tells the story of Lisa\, a young woman battling with a dissociative disorder. In order to regain ‘balance’ in her life\, Lisa must successfully navigate her way through Dissocia\, a fantastic wonderland full of surprises and weird\, wonderful\, and frightening inhabitants\, avoiding misleading double-talkers\, traumatising encounters\, and The Black Dog King who looms like a dark cloud over the otherwise beautiful country. \nAway from Dissocia\, life is very different. Lisa’s boyfriend\, her sister\, and a team of doctors and nurses struggle to keep Lisa away from Dissocia. In Dissocia\, Lisa is the decider of her own fate. Back at home\, she’s not. \nDissocia is a riotous\, wonderful\, wild-ride of a play. It is fun\, funny\, provocative and oftentimes totally strange. As playwright Anthony Neilson said\, ‘If you like Alice in Wonderland but there’s not enough sex and violence in it\, then Dissocia is the show for you.” \n“Have you ever seen a penis bird? Frightful things…” \nCONTENT WARNING:\nThis play is intended for adult audiences. It features some confronting and disturbing themes and strong coarse language.
URL:https://tasaonline.org.au/events/the-wonderful-world-of-dissocia/2023-05-04/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/04/Dissocia_Review.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230415T193000
DTEND;TZID=Australia/Adelaide:20230415T220000
DTSTAMP:20260422T183526
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018638-1681587000-1681596000@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-04-15/2/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230415T140000
DTEND;TZID=Australia/Adelaide:20230415T163000
DTSTAMP:20260422T183526
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018637-1681567200-1681576200@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-04-15/1/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230413T193000
DTEND;TZID=Australia/Adelaide:20230413T220000
DTSTAMP:20260422T183526
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018636-1681414200-1681423200@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-04-13/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230412T193000
DTEND;TZID=Australia/Adelaide:20230412T220000
DTSTAMP:20260422T183526
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018635-1681327800-1681336800@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-04-12/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230411T183000
DTEND;TZID=Australia/Adelaide:20230411T210000
DTSTAMP:20260422T183526
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018634-1681237800-1681246800@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-04-11/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230410T183000
DTEND;TZID=Australia/Adelaide:20230410T210000
DTSTAMP:20260422T183526
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018633-1681151400-1681160400@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-04-10/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230409T160000
DTEND;TZID=Australia/Adelaide:20230409T183000
DTSTAMP:20260422T183526
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018632-1681056000-1681065000@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-04-09/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230408T193000
DTEND;TZID=Australia/Adelaide:20230408T220000
DTSTAMP:20260422T183526
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018631-1680982200-1680991200@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-04-08/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230401T193000
DTEND;TZID=Australia/Adelaide:20230401T220000
DTSTAMP:20260422T183526
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018650-1680377400-1680386400@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-04-01/2/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230401T140000
DTEND;TZID=Australia/Adelaide:20230401T163000
DTSTAMP:20260422T183526
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018649-1680357600-1680366600@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-04-01/1/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230331T193000
DTEND;TZID=Australia/Adelaide:20230331T220000
DTSTAMP:20260422T183526
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018648-1680291000-1680300000@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-03-31/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230330T193000
DTEND;TZID=Australia/Adelaide:20230330T220000
DTSTAMP:20260422T183526
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018647-1680204600-1680213600@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-03-30/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230329T190000
DTEND;TZID=Australia/Adelaide:20230329T213000
DTSTAMP:20260422T183526
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018646-1680116400-1680125400@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-03-29/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230326T160000
DTEND;TZID=Australia/Adelaide:20230326T183000
DTSTAMP:20260422T183526
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018645-1679846400-1679855400@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-03-26/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230325T193000
DTEND;TZID=Australia/Adelaide:20230325T220000
DTSTAMP:20260422T183526
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018644-1679772600-1679781600@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-03-25/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230324T193000
DTEND;TZID=Australia/Adelaide:20230324T220000
DTSTAMP:20260422T183526
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018643-1679686200-1679695200@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-03-24/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230314T193000
DTEND;TZID=Australia/Adelaide:20230314T220000
DTSTAMP:20260422T183526
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018630-1678822200-1678831200@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-03-14/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221203T090000
DTEND;TZID=Australia/Adelaide:20221203T170000
DTSTAMP:20260422T183526
CREATED:20221110T011711Z
LAST-MODIFIED:20221110T011711Z
UID:10016251-1670058000-1670086800@tasaonline.org.au
SUMMARY:INK by James Graham
DESCRIPTION:Directed by Robert Bell\n\nSeason: 12 October to 22 October 2023\nVenue: Little Theatre\, The University of Adelaide\nRehearsals: Starting 1 Aug 2023. Typically Tuesday & Thursday evenings\, 7pm-10pm & Sunday afternoons\, depending on availability. Rehearsals will take place in various locations on the North Terrace Campus which will be indicated on the rehearsal schedule.\nAudition Venue: Little Theatre\, The Cloisters\, University of Adelaide. Gate 10 from Victoria Drive.\nDirections: The Cloisters is the name given to the courtyard in front of the Union Building (Union House) facing Victoria Drive and the river. The entrance to the theatre is in the south-west corner of the courtyard\, next to the Unibar.\n\nSYNOPSIS\n“I want to tell you a story. And it’s true. That’s what makes it a good fucking story\, right\, ’cause all the best stories are true.”\nFleet Street. 1969. The Sun rises.\nJames Graham’s ruthless\, red-topped play leads with the birth of this country’s most influential newspaper – when a young and rebellious Rupert Murdoch asked the impossible and launched its first editor’s quest\, against all odds\, to give the people what they want.\nBefore ‘Fox News’\, there was ‘The Sun’. Prior to Murdoch’s purchase in 1969\, The Sun was a struggling\, left leaning Broadsheet destined for failure. Enter a brash young Rupert Murdoch ready to disrupt Fleet Street\, rogue editor Larry Lamb and an unlikely team of underdog reporters and you’ve got yourself a story good enough for the front page.\nThis ensemble driven comedy is hilarious and jam-packed with gripping dramatic moments that tell one hell of a story! Ink centres around an unlikely matchup of David and Goliath proportions between Murdoch’s newly purchased The Sun and the bestselling newspaper in the world\, The Mirror. It may even have you rooting for Australia’s own Media Mogul himself.\nInk does not shy from the controversial\, sexy and debaucherous. It’s bound to be a fun time.\n\nWarning: Adult themes\, strong language\, and partial nudity apply. Auditionees must be 18+.\nTwelve cast members will play a number of roles\, doubling required. Listed below are the key characters.\nPlease note: the roles of Rupert Murdoch and Larry Lamb have already been cast.\n\nKEY ROLES AVAILABLE\n(Age and ethnicity are a guide only)\nHUGH CUDLIPP – (Male 50s-60s\, Welsh) Editor of The Mirror\, a force to be reckoned with and determined to keep The Sun from succeeding.\nSTEPHANIE RAHN – (Female 20s-30s\, script references character being part Indian\, but this can be updated accordingly) An up-and-coming model driven for success. *Must be comfortable wearing underwear on stage*\nBRIAN McCONNELL – (Male 40s -50s) Described as a heroic drinker. This journalist can’t bring himself to say no to his old friend. *Must be comfortable being shirtless on stage*\nBERNARD SHRIMSLEY – (Male 40s-50s) Deputy editor. Lean and smart with exacting standards. Not well liked.\nJOYCE HOPKIRK – (Female 40s) Strong minded\, with killer instinct. A saucy soul tapped to become woman’s editor.\nRAY MILLS – (Male 40s-50s) Sub-editor. A thuggish\, frightening brute. Straight talker.\nFRANK NICKLIN – (Male any age) Sports journalist\, not the brightest\, but the most enthusiastic.\nBEVERLEY GOODWAY – (Male 20s-30s) A free spirited photographer with a passion for photographing attractive women.\nSIR ALICK MCKAY – (Male 60+) Deputy Chairman. Ever so loyal and the most empathetic of the group.\nDIANA – (Female 20s-30s) Horoscope writer. Loves gossip almost as much as reading the stars.\nLEE HOWARD – (Male any age) Editor of the Mirror. Never too far from Hugh Cudlipp.\nSIR PERCY ROBERTS – (Male any age) a Mirror Board member. Looking after his best interests.\n\nAUDITION BOOKED BY ONLINE APPOINTMENT ONLY\nAuditions are booked via http://www.trybooking.com/CDIQG\nEach individual audition will last 15 minutes between 9am – 5pm Saturday 3 December 2022.\n\nAfter booking an audition\, you will be emailed audition scenes. These are not compulsory to learn but please familiarise yourself with them. You will be asked to read additional scenes to gauge your suitability for the above characters and any roles that will be doubled. An audition form will also be provided.\nOn booking an audition slot\, please ensure you advise your correct phone number and email address. Please arrive 10 minutes early to allow yourself time to prepare for your audition and to complete an audition form. We recommend you wear comfortable clothing and shoes\, and bring water.\nAny questions about audition bookings\, please email theatreguild@adelaide.edu.au\nAny questions about the play/production (and NOT for booking auditions)\, the director can be contacted at robertsjbell@gmail.com.\n\nUATG is committed to equity\, diversity and inclusion. We encourage performers 18+ of all races and ethnicities\, gender identities\, abilities to audition. However\, please be aware that the Little Theatre is not fully equipped for those with a physical disability. The foyer and auditorium are accessible via ground floor entrance\, but the stage and backstage areas are unfortunately not equipped for wheelchair access.\nMembership: Please be aware that everyone involved in a Theatre Guild show is required to be a member of the Theatre Guild. Memberships for 2023 are available via www.trybooking.com/CBXOD
URL:https://tasaonline.org.au/events/ink-by-james-graham/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221127T160000
DTEND;TZID=Australia/Adelaide:20221127T180000
DTSTAMP:20260422T183526
CREATED:20221122T044428Z
LAST-MODIFIED:20221122T044428Z
UID:10017837-1669564800-1669572000@tasaonline.org.au
SUMMARY:Hand To God
DESCRIPTION:“When I have acted badly\, all I have to do is say… The devil made me do it.” \nDescribed as “Sesame Street meets The Exorcist”\, the funniest and filthiest Broadway show in years finally makes its South Australian premiere in University of Adelaide’s iconic Little Theatre. \nAfter premiering Off-Broadway in 2011\, Robert Askins’ Hand To God opened on Broadway in 2015 playing to critical and audience acclaim and received five Tony awards nominations\, including Best Play. \nAfter the death of his father\, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry\, in the devoutly religious\, relatively quiet small town of Cypress\, Texas. Jason’s complicated relationships with the town pastor\, the school bully\, the girl next door\, and – most especially – his mother are thrown into upheaval when Jason’s puppet\, Tyrone\, takes on a shocking and dangerously irreverent personality all its own. \nDirected by Nick Fagan and featuring a cast of local favourites including Matt Houston\, Emily Branford\, Laura Antoniazzi\, Brendan Cooney and Tom Tassone\, Hand To God explores the startlingly fragile nature of faith\, morality\, and the ties that bind us. \n“The freshest and funniest Broadway comedy in years\, Hand to God is to plays as The Book of Mormon is to musicals: a welcome breath of foul air.” – Time Out (New York) \nThis play contains very explicit language\, adult themes\, sexual situations and some very rude puppets.
URL:https://tasaonline.org.au/events/hand-to-god/2022-11-27/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221126T193000
DTEND;TZID=Australia/Adelaide:20221126T213000
DTSTAMP:20260422T183526
CREATED:20221005T033629Z
LAST-MODIFIED:20221005T033629Z
UID:10017835-1669491000-1669498200@tasaonline.org.au
SUMMARY:Hand To God
DESCRIPTION:“When I have acted badly\, all I have to do is say… The devil made me do it.” \nDescribed as “Sesame Street meets The Exorcist”\, the funniest and filthiest Broadway show in years finally makes its South Australian premiere in University of Adelaide’s iconic Little Theatre. \nAfter premiering Off-Broadway in 2011\, Robert Askins’ Hand To God opened on Broadway in 2015 playing to critical and audience acclaim and received five Tony awards nominations\, including Best Play. \nAfter the death of his father\, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry\, in the devoutly religious\, relatively quiet small town of Cypress\, Texas. Jason’s complicated relationships with the town pastor\, the school bully\, the girl next door\, and – most especially – his mother are thrown into upheaval when Jason’s puppet\, Tyrone\, takes on a shocking and dangerously irreverent personality all its own. \nDirected by Nick Fagan and featuring a cast of local favourites including Matt Houston\, Emily Branford\, Laura Antoniazzi\, Brendan Cooney and Tom Tassone\, Hand To God explores the startlingly fragile nature of faith\, morality\, and the ties that bind us. \n“The freshest and funniest Broadway comedy in years\, Hand to God is to plays as The Book of Mormon is to musicals: a welcome breath of foul air.” – Time Out (New York) \nThis play contains very explicit language\, adult themes\, sexual situations and some very rude puppets.
URL:https://tasaonline.org.au/events/hand-to-god/2022-11-26/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221125T193000
DTEND;TZID=Australia/Adelaide:20221125T213000
DTSTAMP:20260422T183526
CREATED:20221005T033629Z
LAST-MODIFIED:20221005T033629Z
UID:10017834-1669404600-1669411800@tasaonline.org.au
SUMMARY:Hand To God
DESCRIPTION:“When I have acted badly\, all I have to do is say… The devil made me do it.” \nDescribed as “Sesame Street meets The Exorcist”\, the funniest and filthiest Broadway show in years finally makes its South Australian premiere in University of Adelaide’s iconic Little Theatre. \nAfter premiering Off-Broadway in 2011\, Robert Askins’ Hand To God opened on Broadway in 2015 playing to critical and audience acclaim and received five Tony awards nominations\, including Best Play. \nAfter the death of his father\, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry\, in the devoutly religious\, relatively quiet small town of Cypress\, Texas. Jason’s complicated relationships with the town pastor\, the school bully\, the girl next door\, and – most especially – his mother are thrown into upheaval when Jason’s puppet\, Tyrone\, takes on a shocking and dangerously irreverent personality all its own. \nDirected by Nick Fagan and featuring a cast of local favourites including Matt Houston\, Emily Branford\, Laura Antoniazzi\, Brendan Cooney and Tom Tassone\, Hand To God explores the startlingly fragile nature of faith\, morality\, and the ties that bind us. \n“The freshest and funniest Broadway comedy in years\, Hand to God is to plays as The Book of Mormon is to musicals: a welcome breath of foul air.” – Time Out (New York) \nThis play contains very explicit language\, adult themes\, sexual situations and some very rude puppets.
URL:https://tasaonline.org.au/events/hand-to-god/2022-11-25/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221124T193000
DTEND;TZID=Australia/Adelaide:20221124T213000
DTSTAMP:20260422T183526
CREATED:20221005T033629Z
LAST-MODIFIED:20221005T033629Z
UID:10017833-1669318200-1669325400@tasaonline.org.au
SUMMARY:Hand To God
DESCRIPTION:“When I have acted badly\, all I have to do is say… The devil made me do it.” \nDescribed as “Sesame Street meets The Exorcist”\, the funniest and filthiest Broadway show in years finally makes its South Australian premiere in University of Adelaide’s iconic Little Theatre. \nAfter premiering Off-Broadway in 2011\, Robert Askins’ Hand To God opened on Broadway in 2015 playing to critical and audience acclaim and received five Tony awards nominations\, including Best Play. \nAfter the death of his father\, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry\, in the devoutly religious\, relatively quiet small town of Cypress\, Texas. Jason’s complicated relationships with the town pastor\, the school bully\, the girl next door\, and – most especially – his mother are thrown into upheaval when Jason’s puppet\, Tyrone\, takes on a shocking and dangerously irreverent personality all its own. \nDirected by Nick Fagan and featuring a cast of local favourites including Matt Houston\, Emily Branford\, Laura Antoniazzi\, Brendan Cooney and Tom Tassone\, Hand To God explores the startlingly fragile nature of faith\, morality\, and the ties that bind us. \n“The freshest and funniest Broadway comedy in years\, Hand to God is to plays as The Book of Mormon is to musicals: a welcome breath of foul air.” – Time Out (New York) \nThis play contains very explicit language\, adult themes\, sexual situations and some very rude puppets.
URL:https://tasaonline.org.au/events/hand-to-god/2022-11-24/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221120T160000
DTEND;TZID=Australia/Adelaide:20221120T180000
DTSTAMP:20260422T183526
CREATED:20221122T044428Z
LAST-MODIFIED:20221122T044428Z
UID:10017836-1668960000-1668967200@tasaonline.org.au
SUMMARY:Hand To God
DESCRIPTION:“When I have acted badly\, all I have to do is say… The devil made me do it.” \nDescribed as “Sesame Street meets The Exorcist”\, the funniest and filthiest Broadway show in years finally makes its South Australian premiere in University of Adelaide’s iconic Little Theatre. \nAfter premiering Off-Broadway in 2011\, Robert Askins’ Hand To God opened on Broadway in 2015 playing to critical and audience acclaim and received five Tony awards nominations\, including Best Play. \nAfter the death of his father\, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry\, in the devoutly religious\, relatively quiet small town of Cypress\, Texas. Jason’s complicated relationships with the town pastor\, the school bully\, the girl next door\, and – most especially – his mother are thrown into upheaval when Jason’s puppet\, Tyrone\, takes on a shocking and dangerously irreverent personality all its own. \nDirected by Nick Fagan and featuring a cast of local favourites including Matt Houston\, Emily Branford\, Laura Antoniazzi\, Brendan Cooney and Tom Tassone\, Hand To God explores the startlingly fragile nature of faith\, morality\, and the ties that bind us. \n“The freshest and funniest Broadway comedy in years\, Hand to God is to plays as The Book of Mormon is to musicals: a welcome breath of foul air.” – Time Out (New York) \nThis play contains very explicit language\, adult themes\, sexual situations and some very rude puppets.
URL:https://tasaonline.org.au/events/hand-to-god/2022-11-20/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221119T193000
DTEND;TZID=Australia/Adelaide:20221119T213000
DTSTAMP:20260422T183526
CREATED:20221005T033629Z
LAST-MODIFIED:20221005T033629Z
UID:10017832-1668886200-1668893400@tasaonline.org.au
SUMMARY:Hand To God
DESCRIPTION:“When I have acted badly\, all I have to do is say… The devil made me do it.” \nDescribed as “Sesame Street meets The Exorcist”\, the funniest and filthiest Broadway show in years finally makes its South Australian premiere in University of Adelaide’s iconic Little Theatre. \nAfter premiering Off-Broadway in 2011\, Robert Askins’ Hand To God opened on Broadway in 2015 playing to critical and audience acclaim and received five Tony awards nominations\, including Best Play. \nAfter the death of his father\, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry\, in the devoutly religious\, relatively quiet small town of Cypress\, Texas. Jason’s complicated relationships with the town pastor\, the school bully\, the girl next door\, and – most especially – his mother are thrown into upheaval when Jason’s puppet\, Tyrone\, takes on a shocking and dangerously irreverent personality all its own. \nDirected by Nick Fagan and featuring a cast of local favourites including Matt Houston\, Emily Branford\, Laura Antoniazzi\, Brendan Cooney and Tom Tassone\, Hand To God explores the startlingly fragile nature of faith\, morality\, and the ties that bind us. \n“The freshest and funniest Broadway comedy in years\, Hand to God is to plays as The Book of Mormon is to musicals: a welcome breath of foul air.” – Time Out (New York) \nThis play contains very explicit language\, adult themes\, sexual situations and some very rude puppets.
URL:https://tasaonline.org.au/events/hand-to-god/2022-11-19/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221118T193000
DTEND;TZID=Australia/Adelaide:20221118T213000
DTSTAMP:20260422T183526
CREATED:20221005T033629Z
LAST-MODIFIED:20221005T033629Z
UID:10017831-1668799800-1668807000@tasaonline.org.au
SUMMARY:Hand To God
DESCRIPTION:“When I have acted badly\, all I have to do is say… The devil made me do it.” \nDescribed as “Sesame Street meets The Exorcist”\, the funniest and filthiest Broadway show in years finally makes its South Australian premiere in University of Adelaide’s iconic Little Theatre. \nAfter premiering Off-Broadway in 2011\, Robert Askins’ Hand To God opened on Broadway in 2015 playing to critical and audience acclaim and received five Tony awards nominations\, including Best Play. \nAfter the death of his father\, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry\, in the devoutly religious\, relatively quiet small town of Cypress\, Texas. Jason’s complicated relationships with the town pastor\, the school bully\, the girl next door\, and – most especially – his mother are thrown into upheaval when Jason’s puppet\, Tyrone\, takes on a shocking and dangerously irreverent personality all its own. \nDirected by Nick Fagan and featuring a cast of local favourites including Matt Houston\, Emily Branford\, Laura Antoniazzi\, Brendan Cooney and Tom Tassone\, Hand To God explores the startlingly fragile nature of faith\, morality\, and the ties that bind us. \n“The freshest and funniest Broadway comedy in years\, Hand to God is to plays as The Book of Mormon is to musicals: a welcome breath of foul air.” – Time Out (New York) \nThis play contains very explicit language\, adult themes\, sexual situations and some very rude puppets.
URL:https://tasaonline.org.au/events/hand-to-god/2022-11-18/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221117T193000
DTEND;TZID=Australia/Adelaide:20221117T213000
DTSTAMP:20260422T183526
CREATED:20221005T033629Z
LAST-MODIFIED:20221005T033629Z
UID:10017830-1668713400-1668720600@tasaonline.org.au
SUMMARY:Hand To God
DESCRIPTION:“When I have acted badly\, all I have to do is say… The devil made me do it.” \nDescribed as “Sesame Street meets The Exorcist”\, the funniest and filthiest Broadway show in years finally makes its South Australian premiere in University of Adelaide’s iconic Little Theatre. \nAfter premiering Off-Broadway in 2011\, Robert Askins’ Hand To God opened on Broadway in 2015 playing to critical and audience acclaim and received five Tony awards nominations\, including Best Play. \nAfter the death of his father\, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry\, in the devoutly religious\, relatively quiet small town of Cypress\, Texas. Jason’s complicated relationships with the town pastor\, the school bully\, the girl next door\, and – most especially – his mother are thrown into upheaval when Jason’s puppet\, Tyrone\, takes on a shocking and dangerously irreverent personality all its own. \nDirected by Nick Fagan and featuring a cast of local favourites including Matt Houston\, Emily Branford\, Laura Antoniazzi\, Brendan Cooney and Tom Tassone\, Hand To God explores the startlingly fragile nature of faith\, morality\, and the ties that bind us. \n“The freshest and funniest Broadway comedy in years\, Hand to God is to plays as The Book of Mormon is to musicals: a welcome breath of foul air.” – Time Out (New York) \nThis play contains very explicit language\, adult themes\, sexual situations and some very rude puppets.
URL:https://tasaonline.org.au/events/hand-to-god/2022-11-17/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
END:VCALENDAR