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DTSTART;TZID=Australia/Adelaide:20230813T160000
DTEND;TZID=Australia/Adelaide:20230813T173000
DTSTAMP:20260422T170232
CREATED:20230626T035419Z
LAST-MODIFIED:20230626T042853Z
UID:10019371-1691942400-1691947800@tasaonline.org.au
SUMMARY:Kissing the Witch
DESCRIPTION:“When a boy changes his life\, it’s called an adventure. When a girl does the same\, it’s only a fairy tale.” \nA rich tapestry of passion\, ambition\, and transformation\, ‘Kissing The Witch’ allows women to reclaim the stories and identities that have been used against them for centuries. Five familiar tales – ‘Beauty and the Beast’\, ‘Donkeyskin’\, ‘The Goose Girl’\, ‘The Little Mermaid’\, and an enchanting new story – are seamlessly unspun and rewoven in unexpected ways. Women young and old tell their own stories of love\, lies\, and alliances – all with a determination to seize back the narrative. \n‘Kissing The Witch’ challenges what we think we know of traditional tales of ‘good’ and ‘evil’. It explores the nuance in the fantastical\, and the sensual in the magical; it reclaims the power of the Witch. \n‘Kissing The Witch’ was written by acclaimed Irish author and playwright Emma Donoghue\, best known for her novel ‘Room’.
URL:https://tasaonline.org.au/events/kissing-the-witch-2/2023-08-13/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/06/KTW-jpg-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230812T193000
DTEND;TZID=Australia/Adelaide:20230812T210000
DTSTAMP:20260422T170232
CREATED:20230626T035419Z
LAST-MODIFIED:20230626T042853Z
UID:10019370-1691868600-1691874000@tasaonline.org.au
SUMMARY:Kissing the Witch
DESCRIPTION:“When a boy changes his life\, it’s called an adventure. When a girl does the same\, it’s only a fairy tale.” \nA rich tapestry of passion\, ambition\, and transformation\, ‘Kissing The Witch’ allows women to reclaim the stories and identities that have been used against them for centuries. Five familiar tales – ‘Beauty and the Beast’\, ‘Donkeyskin’\, ‘The Goose Girl’\, ‘The Little Mermaid’\, and an enchanting new story – are seamlessly unspun and rewoven in unexpected ways. Women young and old tell their own stories of love\, lies\, and alliances – all with a determination to seize back the narrative. \n‘Kissing The Witch’ challenges what we think we know of traditional tales of ‘good’ and ‘evil’. It explores the nuance in the fantastical\, and the sensual in the magical; it reclaims the power of the Witch. \n‘Kissing The Witch’ was written by acclaimed Irish author and playwright Emma Donoghue\, best known for her novel ‘Room’.
URL:https://tasaonline.org.au/events/kissing-the-witch-2/2023-08-12/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/06/KTW-jpg-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230811T193000
DTEND;TZID=Australia/Adelaide:20230811T210000
DTSTAMP:20260422T170232
CREATED:20230626T035419Z
LAST-MODIFIED:20230626T042853Z
UID:10019369-1691782200-1691787600@tasaonline.org.au
SUMMARY:Kissing the Witch
DESCRIPTION:“When a boy changes his life\, it’s called an adventure. When a girl does the same\, it’s only a fairy tale.” \nA rich tapestry of passion\, ambition\, and transformation\, ‘Kissing The Witch’ allows women to reclaim the stories and identities that have been used against them for centuries. Five familiar tales – ‘Beauty and the Beast’\, ‘Donkeyskin’\, ‘The Goose Girl’\, ‘The Little Mermaid’\, and an enchanting new story – are seamlessly unspun and rewoven in unexpected ways. Women young and old tell their own stories of love\, lies\, and alliances – all with a determination to seize back the narrative. \n‘Kissing The Witch’ challenges what we think we know of traditional tales of ‘good’ and ‘evil’. It explores the nuance in the fantastical\, and the sensual in the magical; it reclaims the power of the Witch. \n‘Kissing The Witch’ was written by acclaimed Irish author and playwright Emma Donoghue\, best known for her novel ‘Room’.
URL:https://tasaonline.org.au/events/kissing-the-witch-2/2023-08-11/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/06/KTW-jpg-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230810T193000
DTEND;TZID=Australia/Adelaide:20230810T210000
DTSTAMP:20260422T170232
CREATED:20230626T035419Z
LAST-MODIFIED:20230626T042853Z
UID:10019368-1691695800-1691701200@tasaonline.org.au
SUMMARY:Kissing the Witch
DESCRIPTION:“When a boy changes his life\, it’s called an adventure. When a girl does the same\, it’s only a fairy tale.” \nA rich tapestry of passion\, ambition\, and transformation\, ‘Kissing The Witch’ allows women to reclaim the stories and identities that have been used against them for centuries. Five familiar tales – ‘Beauty and the Beast’\, ‘Donkeyskin’\, ‘The Goose Girl’\, ‘The Little Mermaid’\, and an enchanting new story – are seamlessly unspun and rewoven in unexpected ways. Women young and old tell their own stories of love\, lies\, and alliances – all with a determination to seize back the narrative. \n‘Kissing The Witch’ challenges what we think we know of traditional tales of ‘good’ and ‘evil’. It explores the nuance in the fantastical\, and the sensual in the magical; it reclaims the power of the Witch. \n‘Kissing The Witch’ was written by acclaimed Irish author and playwright Emma Donoghue\, best known for her novel ‘Room’.
URL:https://tasaonline.org.au/events/kissing-the-witch-2/2023-08-10/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/06/KTW-jpg-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230716T110000
DTEND;TZID=Australia/Adelaide:20230716T170000
DTSTAMP:20260422T170232
CREATED:20230626T213736Z
LAST-MODIFIED:20230626T215309Z
UID:10019383-1689505200-1689526800@tasaonline.org.au
SUMMARY:King Lear
DESCRIPTION:directed by Brant Eustice \nKing Lear explores themes of power\, betrayal and excessive pride.\nAgeing ruler\, Lear\, decides to divide his realm into three parts to be shared between his daughters\, and then go into retirement. All the daughters need do is declare their love. Unfortunately\, Cordelia does not play along and is banished. His other two daughters do not enjoy his extended stays and he finds himself betrayed and cast aside.\nLear descends into madness and tragedy ensues. \nAge and gender are to be used as a guide only. Due to the intended setting of this production of King Lear\, characters can be of any ethnicity. \nThe Guild encourages actors of all backgrounds and genders to audition. \nGLOUCESTER – (Male presenting\, 40s-60s) Lear’s friend and father to Edgar and Edmond. Is blinded by Regan and Cornwall.\nEDGAR – (Male presenting 20s-early 30s) legitimate son of Gloucester. Poses as Poor Tom.\nEDMOND – (Male presenting 20s-30s) illegitimate son of Gloucester. Schemes against his brother and father.\nCORDELIA – (Female presenting\, 20s) Lear’s youngest daughter\, makes the mistake of honesty.\nREGAN – (Female presenting 30s-40s) Lear’s second daughter. Married to Cornwall.\nGONERIL – (Female presenting 30s-40s) Lear’s first daughter\, married to Albany (note: this is a same sex marriage).\nALBANY – (Female presenting 30s-50s) Married to Goneril (note: this is a same sex marriage).\nCORNWALL – (Male presenting 30s-50s) Married to Regan. \nThere will be a cast of at least 14 actors of whom most will play multiple roles.\nPlease note: the role of Lear has already been cast. \nTo book an audition:  http://www.trybooking.com/CJHWR \n\n\n\nAudition Contact Name:\nAnnabel Whitford\n\n\nAudition Contact Email:\ntheatreguild@adelaide.edu.au
URL:https://tasaonline.org.au/events/king-lear/2023-07-16/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230715T140000
DTEND;TZID=Australia/Adelaide:20230715T180000
DTSTAMP:20260422T170232
CREATED:20230626T213736Z
LAST-MODIFIED:20230626T215309Z
UID:10019382-1689429600-1689444000@tasaonline.org.au
SUMMARY:King Lear
DESCRIPTION:directed by Brant Eustice \nKing Lear explores themes of power\, betrayal and excessive pride.\nAgeing ruler\, Lear\, decides to divide his realm into three parts to be shared between his daughters\, and then go into retirement. All the daughters need do is declare their love. Unfortunately\, Cordelia does not play along and is banished. His other two daughters do not enjoy his extended stays and he finds himself betrayed and cast aside.\nLear descends into madness and tragedy ensues. \nAge and gender are to be used as a guide only. Due to the intended setting of this production of King Lear\, characters can be of any ethnicity. \nThe Guild encourages actors of all backgrounds and genders to audition. \nGLOUCESTER – (Male presenting\, 40s-60s) Lear’s friend and father to Edgar and Edmond. Is blinded by Regan and Cornwall.\nEDGAR – (Male presenting 20s-early 30s) legitimate son of Gloucester. Poses as Poor Tom.\nEDMOND – (Male presenting 20s-30s) illegitimate son of Gloucester. Schemes against his brother and father.\nCORDELIA – (Female presenting\, 20s) Lear’s youngest daughter\, makes the mistake of honesty.\nREGAN – (Female presenting 30s-40s) Lear’s second daughter. Married to Cornwall.\nGONERIL – (Female presenting 30s-40s) Lear’s first daughter\, married to Albany (note: this is a same sex marriage).\nALBANY – (Female presenting 30s-50s) Married to Goneril (note: this is a same sex marriage).\nCORNWALL – (Male presenting 30s-50s) Married to Regan. \nThere will be a cast of at least 14 actors of whom most will play multiple roles.\nPlease note: the role of Lear has already been cast. \nTo book an audition:  http://www.trybooking.com/CJHWR \n\n\n\nAudition Contact Name:\nAnnabel Whitford\n\n\nAudition Contact Email:\ntheatreguild@adelaide.edu.au
URL:https://tasaonline.org.au/events/king-lear/2023-07-15/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230514T160000
DTEND;TZID=Australia/Adelaide:20230514T180000
DTSTAMP:20260422T170232
CREATED:20230411T222824Z
LAST-MODIFIED:20230411T222824Z
UID:10019068-1684080000-1684087200@tasaonline.org.au
SUMMARY:The Wonderful World of Dissocia
DESCRIPTION:“I’ve got a life too and it’s out of balance. I’ve got people that I care about – that I love and that love me – and I’m letting them down…” \nThe Wonderful World of Dissocia is an off-the-wall\, at times hilarious\, at times disturbing\, ultimately thought-provoking play\, featuring unique and unforgettable characters and wondrous settings which contrast to a degree rarely seen in the theatre. \nAside from being laugh-out-loud funny\, this play also has an important message to convey regarding mental health. It forces us to confront questions as to the status attributed to people suffering from mental health issues and diagnosed mental illnesses. \nIt tells the story of Lisa\, a young woman battling with a dissociative disorder. In order to regain ‘balance’ in her life\, Lisa must successfully navigate her way through Dissocia\, a fantastic wonderland full of surprises and weird\, wonderful\, and frightening inhabitants\, avoiding misleading double-talkers\, traumatising encounters\, and The Black Dog King who looms like a dark cloud over the otherwise beautiful country. \nAway from Dissocia\, life is very different. Lisa’s boyfriend\, her sister\, and a team of doctors and nurses struggle to keep Lisa away from Dissocia. In Dissocia\, Lisa is the decider of her own fate. Back at home\, she’s not. \nDissocia is a riotous\, wonderful\, wild-ride of a play. It is fun\, funny\, provocative and oftentimes totally strange. As playwright Anthony Neilson said\, ‘If you like Alice in Wonderland but there’s not enough sex and violence in it\, then Dissocia is the show for you.” \n“Have you ever seen a penis bird? Frightful things…” \nCONTENT WARNING:\nThis play is intended for adult audiences. It features some confronting and disturbing themes and strong coarse language.
URL:https://tasaonline.org.au/events/the-wonderful-world-of-dissocia/2023-05-14/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/04/Dissocia_Review.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230513T193000
DTEND;TZID=Australia/Adelaide:20230513T213000
DTSTAMP:20260422T170232
CREATED:20230411T222824Z
LAST-MODIFIED:20230411T222824Z
UID:10019066-1684006200-1684013400@tasaonline.org.au
SUMMARY:The Wonderful World of Dissocia
DESCRIPTION:“I’ve got a life too and it’s out of balance. I’ve got people that I care about – that I love and that love me – and I’m letting them down…” \nThe Wonderful World of Dissocia is an off-the-wall\, at times hilarious\, at times disturbing\, ultimately thought-provoking play\, featuring unique and unforgettable characters and wondrous settings which contrast to a degree rarely seen in the theatre. \nAside from being laugh-out-loud funny\, this play also has an important message to convey regarding mental health. It forces us to confront questions as to the status attributed to people suffering from mental health issues and diagnosed mental illnesses. \nIt tells the story of Lisa\, a young woman battling with a dissociative disorder. In order to regain ‘balance’ in her life\, Lisa must successfully navigate her way through Dissocia\, a fantastic wonderland full of surprises and weird\, wonderful\, and frightening inhabitants\, avoiding misleading double-talkers\, traumatising encounters\, and The Black Dog King who looms like a dark cloud over the otherwise beautiful country. \nAway from Dissocia\, life is very different. Lisa’s boyfriend\, her sister\, and a team of doctors and nurses struggle to keep Lisa away from Dissocia. In Dissocia\, Lisa is the decider of her own fate. Back at home\, she’s not. \nDissocia is a riotous\, wonderful\, wild-ride of a play. It is fun\, funny\, provocative and oftentimes totally strange. As playwright Anthony Neilson said\, ‘If you like Alice in Wonderland but there’s not enough sex and violence in it\, then Dissocia is the show for you.” \n“Have you ever seen a penis bird? Frightful things…” \nCONTENT WARNING:\nThis play is intended for adult audiences. It features some confronting and disturbing themes and strong coarse language.
URL:https://tasaonline.org.au/events/the-wonderful-world-of-dissocia/2023-05-13/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/04/Dissocia_Review.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230512T193000
DTEND;TZID=Australia/Adelaide:20230512T213000
DTSTAMP:20260422T170232
CREATED:20230411T222824Z
LAST-MODIFIED:20230411T222824Z
UID:10019065-1683919800-1683927000@tasaonline.org.au
SUMMARY:The Wonderful World of Dissocia
DESCRIPTION:“I’ve got a life too and it’s out of balance. I’ve got people that I care about – that I love and that love me – and I’m letting them down…” \nThe Wonderful World of Dissocia is an off-the-wall\, at times hilarious\, at times disturbing\, ultimately thought-provoking play\, featuring unique and unforgettable characters and wondrous settings which contrast to a degree rarely seen in the theatre. \nAside from being laugh-out-loud funny\, this play also has an important message to convey regarding mental health. It forces us to confront questions as to the status attributed to people suffering from mental health issues and diagnosed mental illnesses. \nIt tells the story of Lisa\, a young woman battling with a dissociative disorder. In order to regain ‘balance’ in her life\, Lisa must successfully navigate her way through Dissocia\, a fantastic wonderland full of surprises and weird\, wonderful\, and frightening inhabitants\, avoiding misleading double-talkers\, traumatising encounters\, and The Black Dog King who looms like a dark cloud over the otherwise beautiful country. \nAway from Dissocia\, life is very different. Lisa’s boyfriend\, her sister\, and a team of doctors and nurses struggle to keep Lisa away from Dissocia. In Dissocia\, Lisa is the decider of her own fate. Back at home\, she’s not. \nDissocia is a riotous\, wonderful\, wild-ride of a play. It is fun\, funny\, provocative and oftentimes totally strange. As playwright Anthony Neilson said\, ‘If you like Alice in Wonderland but there’s not enough sex and violence in it\, then Dissocia is the show for you.” \n“Have you ever seen a penis bird? Frightful things…” \nCONTENT WARNING:\nThis play is intended for adult audiences. It features some confronting and disturbing themes and strong coarse language.
URL:https://tasaonline.org.au/events/the-wonderful-world-of-dissocia/2023-05-12/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/04/Dissocia_Review.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230511T193000
DTEND;TZID=Australia/Adelaide:20230511T213000
DTSTAMP:20260422T170232
CREATED:20230411T222824Z
LAST-MODIFIED:20230411T222824Z
UID:10019064-1683833400-1683840600@tasaonline.org.au
SUMMARY:The Wonderful World of Dissocia
DESCRIPTION:“I’ve got a life too and it’s out of balance. I’ve got people that I care about – that I love and that love me – and I’m letting them down…” \nThe Wonderful World of Dissocia is an off-the-wall\, at times hilarious\, at times disturbing\, ultimately thought-provoking play\, featuring unique and unforgettable characters and wondrous settings which contrast to a degree rarely seen in the theatre. \nAside from being laugh-out-loud funny\, this play also has an important message to convey regarding mental health. It forces us to confront questions as to the status attributed to people suffering from mental health issues and diagnosed mental illnesses. \nIt tells the story of Lisa\, a young woman battling with a dissociative disorder. In order to regain ‘balance’ in her life\, Lisa must successfully navigate her way through Dissocia\, a fantastic wonderland full of surprises and weird\, wonderful\, and frightening inhabitants\, avoiding misleading double-talkers\, traumatising encounters\, and The Black Dog King who looms like a dark cloud over the otherwise beautiful country. \nAway from Dissocia\, life is very different. Lisa’s boyfriend\, her sister\, and a team of doctors and nurses struggle to keep Lisa away from Dissocia. In Dissocia\, Lisa is the decider of her own fate. Back at home\, she’s not. \nDissocia is a riotous\, wonderful\, wild-ride of a play. It is fun\, funny\, provocative and oftentimes totally strange. As playwright Anthony Neilson said\, ‘If you like Alice in Wonderland but there’s not enough sex and violence in it\, then Dissocia is the show for you.” \n“Have you ever seen a penis bird? Frightful things…” \nCONTENT WARNING:\nThis play is intended for adult audiences. It features some confronting and disturbing themes and strong coarse language.
URL:https://tasaonline.org.au/events/the-wonderful-world-of-dissocia/2023-05-11/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/04/Dissocia_Review.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230507T160000
DTEND;TZID=Australia/Adelaide:20230507T180000
DTSTAMP:20260422T170232
CREATED:20230411T222824Z
LAST-MODIFIED:20230411T222824Z
UID:10019067-1683475200-1683482400@tasaonline.org.au
SUMMARY:The Wonderful World of Dissocia
DESCRIPTION:“I’ve got a life too and it’s out of balance. I’ve got people that I care about – that I love and that love me – and I’m letting them down…” \nThe Wonderful World of Dissocia is an off-the-wall\, at times hilarious\, at times disturbing\, ultimately thought-provoking play\, featuring unique and unforgettable characters and wondrous settings which contrast to a degree rarely seen in the theatre. \nAside from being laugh-out-loud funny\, this play also has an important message to convey regarding mental health. It forces us to confront questions as to the status attributed to people suffering from mental health issues and diagnosed mental illnesses. \nIt tells the story of Lisa\, a young woman battling with a dissociative disorder. In order to regain ‘balance’ in her life\, Lisa must successfully navigate her way through Dissocia\, a fantastic wonderland full of surprises and weird\, wonderful\, and frightening inhabitants\, avoiding misleading double-talkers\, traumatising encounters\, and The Black Dog King who looms like a dark cloud over the otherwise beautiful country. \nAway from Dissocia\, life is very different. Lisa’s boyfriend\, her sister\, and a team of doctors and nurses struggle to keep Lisa away from Dissocia. In Dissocia\, Lisa is the decider of her own fate. Back at home\, she’s not. \nDissocia is a riotous\, wonderful\, wild-ride of a play. It is fun\, funny\, provocative and oftentimes totally strange. As playwright Anthony Neilson said\, ‘If you like Alice in Wonderland but there’s not enough sex and violence in it\, then Dissocia is the show for you.” \n“Have you ever seen a penis bird? Frightful things…” \nCONTENT WARNING:\nThis play is intended for adult audiences. It features some confronting and disturbing themes and strong coarse language.
URL:https://tasaonline.org.au/events/the-wonderful-world-of-dissocia/2023-05-07/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/04/Dissocia_Review.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230506T193000
DTEND;TZID=Australia/Adelaide:20230506T213000
DTSTAMP:20260422T170232
CREATED:20230411T222824Z
LAST-MODIFIED:20230411T222824Z
UID:10019063-1683401400-1683408600@tasaonline.org.au
SUMMARY:The Wonderful World of Dissocia
DESCRIPTION:“I’ve got a life too and it’s out of balance. I’ve got people that I care about – that I love and that love me – and I’m letting them down…” \nThe Wonderful World of Dissocia is an off-the-wall\, at times hilarious\, at times disturbing\, ultimately thought-provoking play\, featuring unique and unforgettable characters and wondrous settings which contrast to a degree rarely seen in the theatre. \nAside from being laugh-out-loud funny\, this play also has an important message to convey regarding mental health. It forces us to confront questions as to the status attributed to people suffering from mental health issues and diagnosed mental illnesses. \nIt tells the story of Lisa\, a young woman battling with a dissociative disorder. In order to regain ‘balance’ in her life\, Lisa must successfully navigate her way through Dissocia\, a fantastic wonderland full of surprises and weird\, wonderful\, and frightening inhabitants\, avoiding misleading double-talkers\, traumatising encounters\, and The Black Dog King who looms like a dark cloud over the otherwise beautiful country. \nAway from Dissocia\, life is very different. Lisa’s boyfriend\, her sister\, and a team of doctors and nurses struggle to keep Lisa away from Dissocia. In Dissocia\, Lisa is the decider of her own fate. Back at home\, she’s not. \nDissocia is a riotous\, wonderful\, wild-ride of a play. It is fun\, funny\, provocative and oftentimes totally strange. As playwright Anthony Neilson said\, ‘If you like Alice in Wonderland but there’s not enough sex and violence in it\, then Dissocia is the show for you.” \n“Have you ever seen a penis bird? Frightful things…” \nCONTENT WARNING:\nThis play is intended for adult audiences. It features some confronting and disturbing themes and strong coarse language.
URL:https://tasaonline.org.au/events/the-wonderful-world-of-dissocia/2023-05-06/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/04/Dissocia_Review.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230505T193000
DTEND;TZID=Australia/Adelaide:20230505T213000
DTSTAMP:20260422T170232
CREATED:20230411T222824Z
LAST-MODIFIED:20230411T222824Z
UID:10019062-1683315000-1683322200@tasaonline.org.au
SUMMARY:The Wonderful World of Dissocia
DESCRIPTION:“I’ve got a life too and it’s out of balance. I’ve got people that I care about – that I love and that love me – and I’m letting them down…” \nThe Wonderful World of Dissocia is an off-the-wall\, at times hilarious\, at times disturbing\, ultimately thought-provoking play\, featuring unique and unforgettable characters and wondrous settings which contrast to a degree rarely seen in the theatre. \nAside from being laugh-out-loud funny\, this play also has an important message to convey regarding mental health. It forces us to confront questions as to the status attributed to people suffering from mental health issues and diagnosed mental illnesses. \nIt tells the story of Lisa\, a young woman battling with a dissociative disorder. In order to regain ‘balance’ in her life\, Lisa must successfully navigate her way through Dissocia\, a fantastic wonderland full of surprises and weird\, wonderful\, and frightening inhabitants\, avoiding misleading double-talkers\, traumatising encounters\, and The Black Dog King who looms like a dark cloud over the otherwise beautiful country. \nAway from Dissocia\, life is very different. Lisa’s boyfriend\, her sister\, and a team of doctors and nurses struggle to keep Lisa away from Dissocia. In Dissocia\, Lisa is the decider of her own fate. Back at home\, she’s not. \nDissocia is a riotous\, wonderful\, wild-ride of a play. It is fun\, funny\, provocative and oftentimes totally strange. As playwright Anthony Neilson said\, ‘If you like Alice in Wonderland but there’s not enough sex and violence in it\, then Dissocia is the show for you.” \n“Have you ever seen a penis bird? Frightful things…” \nCONTENT WARNING:\nThis play is intended for adult audiences. It features some confronting and disturbing themes and strong coarse language.
URL:https://tasaonline.org.au/events/the-wonderful-world-of-dissocia/2023-05-05/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/04/Dissocia_Review.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230504T193000
DTEND;TZID=Australia/Adelaide:20230504T213000
DTSTAMP:20260422T170232
CREATED:20230411T222824Z
LAST-MODIFIED:20230411T222824Z
UID:10019061-1683228600-1683235800@tasaonline.org.au
SUMMARY:The Wonderful World of Dissocia
DESCRIPTION:“I’ve got a life too and it’s out of balance. I’ve got people that I care about – that I love and that love me – and I’m letting them down…” \nThe Wonderful World of Dissocia is an off-the-wall\, at times hilarious\, at times disturbing\, ultimately thought-provoking play\, featuring unique and unforgettable characters and wondrous settings which contrast to a degree rarely seen in the theatre. \nAside from being laugh-out-loud funny\, this play also has an important message to convey regarding mental health. It forces us to confront questions as to the status attributed to people suffering from mental health issues and diagnosed mental illnesses. \nIt tells the story of Lisa\, a young woman battling with a dissociative disorder. In order to regain ‘balance’ in her life\, Lisa must successfully navigate her way through Dissocia\, a fantastic wonderland full of surprises and weird\, wonderful\, and frightening inhabitants\, avoiding misleading double-talkers\, traumatising encounters\, and The Black Dog King who looms like a dark cloud over the otherwise beautiful country. \nAway from Dissocia\, life is very different. Lisa’s boyfriend\, her sister\, and a team of doctors and nurses struggle to keep Lisa away from Dissocia. In Dissocia\, Lisa is the decider of her own fate. Back at home\, she’s not. \nDissocia is a riotous\, wonderful\, wild-ride of a play. It is fun\, funny\, provocative and oftentimes totally strange. As playwright Anthony Neilson said\, ‘If you like Alice in Wonderland but there’s not enough sex and violence in it\, then Dissocia is the show for you.” \n“Have you ever seen a penis bird? Frightful things…” \nCONTENT WARNING:\nThis play is intended for adult audiences. It features some confronting and disturbing themes and strong coarse language.
URL:https://tasaonline.org.au/events/the-wonderful-world-of-dissocia/2023-05-04/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/04/Dissocia_Review.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230415T193000
DTEND;TZID=Australia/Adelaide:20230415T220000
DTSTAMP:20260422T170232
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018638-1681587000-1681596000@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-04-15/2/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230415T140000
DTEND;TZID=Australia/Adelaide:20230415T163000
DTSTAMP:20260422T170232
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018637-1681567200-1681576200@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-04-15/1/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230413T193000
DTEND;TZID=Australia/Adelaide:20230413T220000
DTSTAMP:20260422T170232
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018636-1681414200-1681423200@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-04-13/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230412T193000
DTEND;TZID=Australia/Adelaide:20230412T220000
DTSTAMP:20260422T170232
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018635-1681327800-1681336800@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-04-12/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230411T183000
DTEND;TZID=Australia/Adelaide:20230411T210000
DTSTAMP:20260422T170232
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018634-1681237800-1681246800@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-04-11/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230410T183000
DTEND;TZID=Australia/Adelaide:20230410T210000
DTSTAMP:20260422T170232
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018633-1681151400-1681160400@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-04-10/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230409T160000
DTEND;TZID=Australia/Adelaide:20230409T183000
DTSTAMP:20260422T170232
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018632-1681056000-1681065000@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-04-09/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230408T193000
DTEND;TZID=Australia/Adelaide:20230408T220000
DTSTAMP:20260422T170232
CREATED:20230307T034640Z
LAST-MODIFIED:20230307T034640Z
UID:10018631-1680982200-1680991200@tasaonline.org.au
SUMMARY:The Corn is Green
DESCRIPTION:by Emlyn Williams \nMiss Moffat\, a determined Englishwoman\, inherits a house in a Welsh mining village\, in 1895.  She decides to set up a school for local children\, to get them out of the mines.  In doing so\, she discovers Morgan Evans – a young man of outstanding promise – and prepares him for a scholarship to Oxford.  Hugely uplifting\, and entertaining\, this 1937 play is a testament to the power of education to liberate disadvantaged children. \nBased on his own life\, Welsh playwright/actor\, Emlyn Williams\, played Morgan Evans to Dame Sybil Thorndike’s Miss Moffat.  Ethel Barrymore was Miss Moffat on Broadway\, Bette Davis in the 1945 film\, and Katharine Hepburn in a 1979 re-make.   It has just been remounted at Britain’s National Theatre\, starring Nicola Walker.
URL:https://tasaonline.org.au/events/the-corn-is-green/2023-04-08/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/The-Corn-is-Green.jpg
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230401T193000
DTEND;TZID=Australia/Adelaide:20230401T220000
DTSTAMP:20260422T170232
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018650-1680377400-1680386400@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-04-01/2/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230401T140000
DTEND;TZID=Australia/Adelaide:20230401T163000
DTSTAMP:20260422T170232
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018649-1680357600-1680366600@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-04-01/1/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230331T193000
DTEND;TZID=Australia/Adelaide:20230331T220000
DTSTAMP:20260422T170232
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018648-1680291000-1680300000@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-03-31/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230330T193000
DTEND;TZID=Australia/Adelaide:20230330T220000
DTSTAMP:20260422T170232
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018647-1680204600-1680213600@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-03-30/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230329T190000
DTEND;TZID=Australia/Adelaide:20230329T213000
DTSTAMP:20260422T170232
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018646-1680116400-1680125400@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-03-29/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230326T160000
DTEND;TZID=Australia/Adelaide:20230326T183000
DTSTAMP:20260422T170232
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018645-1679846400-1679855400@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-03-26/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230325T193000
DTEND;TZID=Australia/Adelaide:20230325T220000
DTSTAMP:20260422T170232
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018644-1679772600-1679781600@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-03-25/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230324T193000
DTEND;TZID=Australia/Adelaide:20230324T220000
DTSTAMP:20260422T170232
CREATED:20230313T012321Z
LAST-MODIFIED:20230313T012508Z
UID:10018643-1679686200-1679695200@tasaonline.org.au
SUMMARY:The Tempest
DESCRIPTION:Directed by Bronwyn Palmer \n‘Be not afeard; the isle is full of noises’ \nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board.  On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter Miranda that he has caused the storm with his magical powers.  Prospero had been banished twelve years earlier when Prospero’s sister\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead.  Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax. \nOn Rubbish Island\, castaways from the wreck begin to appear. First is Alonso’s son Ferdinand\, who immediately falls in love with Miranda. Castaways join forces with Caliban to kill Prospero and take over the island. The nobles from the ship are confronted with spectacles including a Harpy\, who convinces Alonso that death is retribution for Prospero’s exile. \n“Hell is empty and all the devils are here.”
URL:https://tasaonline.org.au/events/the-tempest-2/2023-03-24/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Tempest-scaled.jpg
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
END:VCALENDAR