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UID:10016045-1731628800-1731715199@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2024-11-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2024-10-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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UID:10016043-1726358400-1726444799@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2024-09-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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UID:10016042-1723680000-1723766399@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2024-08-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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UID:10016041-1721001600-1721087999@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2024-07-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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UID:10016040-1718409600-1718495999@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2024-06-15/
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CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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UID:10016039-1715731200-1715817599@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2024-05-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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UID:10016038-1713139200-1713225599@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2024-04-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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UID:10016037-1710460800-1710547199@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2024-03-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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UID:10016036-1707955200-1708041599@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2024-02-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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UID:10016035-1705276800-1705363199@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2024-01-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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UID:10016034-1702598400-1702684799@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2023-12-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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UID:10016033-1700006400-1700092799@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2023-11-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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UID:10016032-1697328000-1697414399@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2023-10-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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UID:10016031-1694736000-1694822399@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2023-09-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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UID:10016030-1692057600-1692143999@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2023-08-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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UID:10016029-1689379200-1689465599@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2023-07-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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UID:10016028-1686787200-1686873599@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2023-06-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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UID:10016027-1684108800-1684195199@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2023-05-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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CREATED:20200314T055738Z
LAST-MODIFIED:20201003T134208Z
UID:10016026-1681516800-1681603199@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2023-04-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
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DTSTART;VALUE=DATE:20230315
DTEND;VALUE=DATE:20230316
DTSTAMP:20260505T130920
CREATED:20200314T055738Z
LAST-MODIFIED:20201003T134208Z
UID:10016025-1678838400-1678924799@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2023-03-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230312T130000
DTEND;TZID=Australia/Adelaide:20230312T170000
DTSTAMP:20260505T130920
CREATED:20230223T053725Z
LAST-MODIFIED:20230223T053725Z
UID:10018628-1678626000-1678640400@tasaonline.org.au
SUMMARY:A Midsummer Night's Dream
DESCRIPTION:Written By:         William Shakespeare \nDirectors:            Elise Hall & Hope Meffle \nSynopsis:             Shakespeare’s A Midsummer Night’s Dream is a romantic comedy play that takes place in a forest inhabited by fairies. The play has four main plots that revolve around the conflicts between the fairy King and Queen\, the romantic troubles among four young lovers\, the comical performances by a group of amateur actors\, and the transformation of Bottom the weaver into an ass. All these plots are interconnected by the central theme of love and its complexities. The play is known for its memorable characters\, including Puck\, the mischievous fairy\, and the mortal lovers Hermia\, Helena\, Lysander\, and Demetrius. \nPlease note there are no ‘lead’ roles\, as A Midsummer Night’s Dream is a strong ensemble play. Certain roles\, such as Oberon and Titania\, and the Four Lovers require more speaking than roles such as the Mechanicals\, but this will be made clear to auditionees at Info Night. We have also split the characters into two sections—the Human Court and the Fairy Court—and organised those two sections into smaller sub-categories. This is mainly for rehearsal organisation\, as the sub-categories are mostly on-stage at the same time. \nRole Name:  Theseus     Duke of Athens\, set to marry Hippolyta. Male-presenting\, 35-55 years \nRole Name:  Hippolyta   Thesus’ fiancée. Female-presenting\, 35-55 years \nRole Name:  Egeus        Hermia’s father; insistent she marry Demetrius. His persistent and stern demeanour act as a stark contrast to the whimsy of the forest and its folk. Male-presenting\, 35-55 years \nRole Name:  Philostrate   Thesus’ Master of Revels\, in charge of organising entertainment for the wedding. Male-presenting\, 35-55 years \nRole Name:  Hermia       In love with Lysander\, despite her father’s wishes. In an attempt to escape life as a nun\, she and Lysander flee Athens for the forest. Shorter than Helena. Female-presenting\, early 20s \nRole Name:  Lysander     In love with Hermia. Instigates he and Hermia fleeing Athens. Falls briefly in love with Helena when Puck mistakes him for Demetrius in the forest. Marries Hermia at the end of the play. Male-presenting\, early 20s \nRole Name:  Demetrius     Also\, in love with Hermia\, Demetrius follows her and Lysander into the forest after Helena tells him of their flight. Puck uses his magic to make Demetrius fall for Helena. Male-presenting\, early 20s \nRole Name:  Helena          In love with Demetrius\, rather hopelessly\, as they were once betrothed before he fell in love with Hermia. Down-on-her-luck\, full of ennui\, she finds the news of Hermia and Lysander’s parting as her chance of catching Demetrius. Believe the pair of boys are tricking her by acting like they love her when they are under Puck’s spell. She and Demetrius end up married. Female-presenting\, early 20s \nRole Name:  Peter Quince    Carpenter and leader of the craftsmen’s troupe set to perform at the wedding of Thesus and Hippolyta. He is often pushed to the side to make way for Nick Bottom’s self-confidence. Plays the ‘Prologue’ in Pyramus and Thisbe at the wedding. Male-presenting\, 35-55 years \nRole Name:  Nick Bottom      Weaver and member of Quince’s troupe\, Bottom’s arrogance is highlighted at his nonchalance on being turned into a donkey and Titania’s love for him. Plays ‘Pyramus’. Male-presenting\, 35-55 years \nRole Name:  Francis Flute      The bellows-mender\, cast as ‘Thisbe’ due to the high\, squeaky nature of this voice. Male-presenting\, 17-25 years \nRole Name:  Tom Snout     Tinker who plays the role of ‘Wall’. Male-presenting\, 20+ years \nRole Name:  Snug              The joiner\, cast as the Lion. male-presenting\, 20+ years \nRole Name:  Robin Starveling    A tailor\, cast as ‘Moonshine’. male-presenting\, 20+ years \nRole Name:  Oberon        King of the fairies\, in the midst of a disagreement with his wife\, Titania\, that is causing change in both the fairy and mortal worlds. Oberon’s demands for Puck are the catalyst for the mayhem that ensues. Male-presenting\, 35-55 years \nRole Name:  Titania         Queen of the fairies\, Titania is followed by her band of loyal fairies as she argues with her husband\, Oberon\, over the fate of a changeling. Puck’s magic is also used on Titania\, making her fall briefly in love with Nick Bottom. Female-presenting\, 35-55 years \nRole Name:  Robin “Puck” Goodfellow       Puck is Oberon’s jester; he is the closest thing to a protagonist Dream has and acts as a link between the mortal and fairy worlds\, through his use of magic. Either male or female-presenting\, 20-30 years. \nRole Name: Peaseblossom\, Cobweb\, Moth and Mustardseed \nTitania’s band of loyal fairies. Either male or female-presenting\, 10-18 years. \nAudition Contact Name: Elise Hall & Hope Meffle \nAudition Contact Email: midsummer@sccas.org.au
URL:https://tasaonline.org.au/events/a-midsummer-nights-dream-5/2023-03-12/
LOCATION:SA\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The South Coast Choral and Arts Society":MAILTO:info@sccas.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230310T190000
DTEND;TZID=Australia/Adelaide:20230310T210000
DTSTAMP:20260505T130920
CREATED:20230223T053725Z
LAST-MODIFIED:20230223T053725Z
UID:10018627-1678474800-1678482000@tasaonline.org.au
SUMMARY:A Midsummer Night's Dream
DESCRIPTION:Written By:         William Shakespeare \nDirectors:            Elise Hall & Hope Meffle \nSynopsis:             Shakespeare’s A Midsummer Night’s Dream is a romantic comedy play that takes place in a forest inhabited by fairies. The play has four main plots that revolve around the conflicts between the fairy King and Queen\, the romantic troubles among four young lovers\, the comical performances by a group of amateur actors\, and the transformation of Bottom the weaver into an ass. All these plots are interconnected by the central theme of love and its complexities. The play is known for its memorable characters\, including Puck\, the mischievous fairy\, and the mortal lovers Hermia\, Helena\, Lysander\, and Demetrius. \nPlease note there are no ‘lead’ roles\, as A Midsummer Night’s Dream is a strong ensemble play. Certain roles\, such as Oberon and Titania\, and the Four Lovers require more speaking than roles such as the Mechanicals\, but this will be made clear to auditionees at Info Night. We have also split the characters into two sections—the Human Court and the Fairy Court—and organised those two sections into smaller sub-categories. This is mainly for rehearsal organisation\, as the sub-categories are mostly on-stage at the same time. \nRole Name:  Theseus     Duke of Athens\, set to marry Hippolyta. Male-presenting\, 35-55 years \nRole Name:  Hippolyta   Thesus’ fiancée. Female-presenting\, 35-55 years \nRole Name:  Egeus        Hermia’s father; insistent she marry Demetrius. His persistent and stern demeanour act as a stark contrast to the whimsy of the forest and its folk. Male-presenting\, 35-55 years \nRole Name:  Philostrate   Thesus’ Master of Revels\, in charge of organising entertainment for the wedding. Male-presenting\, 35-55 years \nRole Name:  Hermia       In love with Lysander\, despite her father’s wishes. In an attempt to escape life as a nun\, she and Lysander flee Athens for the forest. Shorter than Helena. Female-presenting\, early 20s \nRole Name:  Lysander     In love with Hermia. Instigates he and Hermia fleeing Athens. Falls briefly in love with Helena when Puck mistakes him for Demetrius in the forest. Marries Hermia at the end of the play. Male-presenting\, early 20s \nRole Name:  Demetrius     Also\, in love with Hermia\, Demetrius follows her and Lysander into the forest after Helena tells him of their flight. Puck uses his magic to make Demetrius fall for Helena. Male-presenting\, early 20s \nRole Name:  Helena          In love with Demetrius\, rather hopelessly\, as they were once betrothed before he fell in love with Hermia. Down-on-her-luck\, full of ennui\, she finds the news of Hermia and Lysander’s parting as her chance of catching Demetrius. Believe the pair of boys are tricking her by acting like they love her when they are under Puck’s spell. She and Demetrius end up married. Female-presenting\, early 20s \nRole Name:  Peter Quince    Carpenter and leader of the craftsmen’s troupe set to perform at the wedding of Thesus and Hippolyta. He is often pushed to the side to make way for Nick Bottom’s self-confidence. Plays the ‘Prologue’ in Pyramus and Thisbe at the wedding. Male-presenting\, 35-55 years \nRole Name:  Nick Bottom      Weaver and member of Quince’s troupe\, Bottom’s arrogance is highlighted at his nonchalance on being turned into a donkey and Titania’s love for him. Plays ‘Pyramus’. Male-presenting\, 35-55 years \nRole Name:  Francis Flute      The bellows-mender\, cast as ‘Thisbe’ due to the high\, squeaky nature of this voice. Male-presenting\, 17-25 years \nRole Name:  Tom Snout     Tinker who plays the role of ‘Wall’. Male-presenting\, 20+ years \nRole Name:  Snug              The joiner\, cast as the Lion. male-presenting\, 20+ years \nRole Name:  Robin Starveling    A tailor\, cast as ‘Moonshine’. male-presenting\, 20+ years \nRole Name:  Oberon        King of the fairies\, in the midst of a disagreement with his wife\, Titania\, that is causing change in both the fairy and mortal worlds. Oberon’s demands for Puck are the catalyst for the mayhem that ensues. Male-presenting\, 35-55 years \nRole Name:  Titania         Queen of the fairies\, Titania is followed by her band of loyal fairies as she argues with her husband\, Oberon\, over the fate of a changeling. Puck’s magic is also used on Titania\, making her fall briefly in love with Nick Bottom. Female-presenting\, 35-55 years \nRole Name:  Robin “Puck” Goodfellow       Puck is Oberon’s jester; he is the closest thing to a protagonist Dream has and acts as a link between the mortal and fairy worlds\, through his use of magic. Either male or female-presenting\, 20-30 years. \nRole Name: Peaseblossom\, Cobweb\, Moth and Mustardseed \nTitania’s band of loyal fairies. Either male or female-presenting\, 10-18 years. \nAudition Contact Name: Elise Hall & Hope Meffle \nAudition Contact Email: midsummer@sccas.org.au
URL:https://tasaonline.org.au/events/a-midsummer-nights-dream-5/2023-03-10/
LOCATION:SA\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The South Coast Choral and Arts Society":MAILTO:info@sccas.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230215
DTEND;VALUE=DATE:20230216
DTSTAMP:20260505T130920
CREATED:20200314T055738Z
LAST-MODIFIED:20201003T134208Z
UID:10016024-1676419200-1676505599@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2023-02-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230209T100000
DTEND;TZID=Australia/Adelaide:20230209T170000
DTSTAMP:20260505T130921
CREATED:20230124T053202Z
LAST-MODIFIED:20230124T053202Z
UID:10018530-1675936800-1675962000@tasaonline.org.au
SUMMARY:The Suicide
DESCRIPTION:by Nikolai Erdman\, translated by Peter Tegel \nDirector – Brant Eustice \nThe Suicide is an hilarious\, 1924\, satirical Russian comedy about an unemployed man\, Semyon\, who contemplates suicide. When his thoughts become known\, a variety of zany characters try to persuade him to die in promotion of their cause – including artists\, intellectuals\, lovers and butchers. All plead their case and hope to gain publicity if Semyon dies in their name. Semyon’s frenzied wife and mother run around trying to keep him safe. \nThe Suicide was banned by Stalin and Nikolai Erdman was sent to a Siberian work camp for 20 years. The play was never performed in his lifetime. Today it is regarded as one of the finest plays to have come out of Communist Russia. Britain’s longest serving theatre critic\, Michael Billington\, includes it in his collection of ‘The 101 Greatest Plays’. \n Lead Female Role Available \nMaria\, Semyon’s wife. Stage age 25-35. This is a comic role so excellent comic timing is required. Familiarity with physical theatre would be an advantage. \nSeveral Male Roles Available \nThere are 29 characters in this play. Several roles are available that involve doubling/tripling a variety of crazy characters. All ages are welcome. \nPerformance Dates \n25-27 May and 31 May-3 June at 7.30pm. 28 May at 2.00pm \n Venue: Holden Street Theatres\, 34 Holden Street\, Hindmarsh \nFirst Reading: Monday 20th March at 6.30pm \nRehearsals \nMonday and Wednesdays 6.30-9.45pm and Sundays 12.30-5.00pm. \nA rehearsal on Thursday 6 April replaces Easter Sunday. \nRehearsal Venue: Lower Mitcham \nAuditions: By appointment on Tuesday 7th February and Thursday 9th. Email Michael Eustice at info@redphoenixtheatre.com (Male actors who have previously worked with Red Phoenix do not need to audition – just apply.)
URL:https://tasaonline.org.au/events/the-suicide/2023-02-09/
LOCATION:SA\, Australia
CATEGORIES:Auditions
ATTACH;FMTTYPE=image/png:https://tasaonline.org.au/wp-content/uploads/2023/01/Red-Phoenix.png
ORGANIZER;CN="Red Phoenix Theatre":MAILTO:info@redphoenixtheatre.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230207T100000
DTEND;TZID=Australia/Adelaide:20230207T170000
DTSTAMP:20260505T130921
CREATED:20230124T053202Z
LAST-MODIFIED:20230124T053202Z
UID:10018529-1675764000-1675789200@tasaonline.org.au
SUMMARY:The Suicide
DESCRIPTION:by Nikolai Erdman\, translated by Peter Tegel \nDirector – Brant Eustice \nThe Suicide is an hilarious\, 1924\, satirical Russian comedy about an unemployed man\, Semyon\, who contemplates suicide. When his thoughts become known\, a variety of zany characters try to persuade him to die in promotion of their cause – including artists\, intellectuals\, lovers and butchers. All plead their case and hope to gain publicity if Semyon dies in their name. Semyon’s frenzied wife and mother run around trying to keep him safe. \nThe Suicide was banned by Stalin and Nikolai Erdman was sent to a Siberian work camp for 20 years. The play was never performed in his lifetime. Today it is regarded as one of the finest plays to have come out of Communist Russia. Britain’s longest serving theatre critic\, Michael Billington\, includes it in his collection of ‘The 101 Greatest Plays’. \n Lead Female Role Available \nMaria\, Semyon’s wife. Stage age 25-35. This is a comic role so excellent comic timing is required. Familiarity with physical theatre would be an advantage. \nSeveral Male Roles Available \nThere are 29 characters in this play. Several roles are available that involve doubling/tripling a variety of crazy characters. All ages are welcome. \nPerformance Dates \n25-27 May and 31 May-3 June at 7.30pm. 28 May at 2.00pm \n Venue: Holden Street Theatres\, 34 Holden Street\, Hindmarsh \nFirst Reading: Monday 20th March at 6.30pm \nRehearsals \nMonday and Wednesdays 6.30-9.45pm and Sundays 12.30-5.00pm. \nA rehearsal on Thursday 6 April replaces Easter Sunday. \nRehearsal Venue: Lower Mitcham \nAuditions: By appointment on Tuesday 7th February and Thursday 9th. Email Michael Eustice at info@redphoenixtheatre.com (Male actors who have previously worked with Red Phoenix do not need to audition – just apply.)
URL:https://tasaonline.org.au/events/the-suicide/2023-02-07/
LOCATION:SA\, Australia
CATEGORIES:Auditions
ATTACH;FMTTYPE=image/png:https://tasaonline.org.au/wp-content/uploads/2023/01/Red-Phoenix.png
ORGANIZER;CN="Red Phoenix Theatre":MAILTO:info@redphoenixtheatre.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230115
DTEND;VALUE=DATE:20230116
DTSTAMP:20260505T130921
CREATED:20200314T055738Z
LAST-MODIFIED:20201003T134208Z
UID:10016023-1673740800-1673827199@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2023-01-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221215
DTEND;VALUE=DATE:20221216
DTSTAMP:20260505T130921
CREATED:20200314T055738Z
LAST-MODIFIED:20201003T134208Z
UID:10016022-1671062400-1671148799@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2022-12-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221115
DTEND;VALUE=DATE:20221116
DTSTAMP:20260505T130921
CREATED:20200314T055738Z
LAST-MODIFIED:20201003T134208Z
UID:10016021-1668470400-1668556799@tasaonline.org.au
SUMMARY:Encore Content Call
DESCRIPTION:
URL:https://tasaonline.org.au/events/encore-content-call/2022-11-15/
LOCATION:SA\, Australia
CATEGORIES:Encore Content Call
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2020/03/Magazine-header-Mailing-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221106T100000
DTEND;TZID=Australia/Adelaide:20221106T180000
DTSTAMP:20260505T130921
CREATED:20221006T052741Z
LAST-MODIFIED:20221006T052741Z
UID:10017838-1667728800-1667757600@tasaonline.org.au
SUMMARY:Kissing the Witch
DESCRIPTION:Production Title:\nKissing The Witch\n\n\nWritten By:\nEmma Donoghue\n\n\nProduction Type:\nDrama\n\n\nCreative Team:\nDirected by Imogen Deller-Evans\n\n\nAudition Booking Link:\nhttp://www.trybooking.com/CDBER\n\n\n\n\n\n\nDate:\n06/11/2022\n\n\nTime From – Time to:\n10:00 – 18:00\n\n\nSynopsis:\nA rich tapestry of passion\, ambition\, and transformation\, Kissing The Witch allows women to reclaim the stories and identities that have been used against them for centuries. Five familiar tales – Beauty and the Beast\, Donkeyskin\, The Goose Girl\, The Little Mermaid\, and an enchanting new story – are seamlessly unspun and rewoven in unexpected ways. Women young and old tell their own stories of love\, lies\, and alliances – all with a determination to seize back the narrative. \nKissing The Witch challenges what we think we know of traditional tales of ‘good’ and ‘evil’. It explores the nuance in the fantastical\, and the sensual in the magical; it reclaims the power of the Witch. \nKissing The Witch was written by acclaimed Irish author and playwright Emma Donoghue\, best known for her novel Room. \n(Please be advised that this play contains coarse language and adult themes\, including attempted incest.)\n\n\n\n\n\n\nRole Name:\nFIRST woman\n\n\nGender:\nFemale\n\n\nStage Age:\n20s\n\n\nRole Information:\nPlays the Witch and other women\, sometimes the maidenly characters. Female presenting. (Singing ability is preferred but not essential.)\n\n\n\n\n\n\nRole Name:\nSECOND woman\n\n\nGender:\nFemale\n\n\nStage Age:\n30s\n\n\nRole Information:\n30s/40s. Plays the Witch and other women\, sometimes the motherly characters. Female presenting.\n\n\n\n\n\n\nRole Name:\nTHIRD woman\n\n\nGender:\nFemale\n\n\nStage Age:\n50s\n\n\nRole Information:\nPlays the Witch and other women\, sometimes the matronly characters. Female presenting.\n\n\n\n\n\n\nRole Name:\nMAN\n\n\nGender:\nMale\n\n\nStage Age:\nany\n\n\nRole Information:\nPlays all male characters\, often fathers and husbands. Male presenting.\n\n\nProduction Website/ More Information At:\nhttp://www.trybooking.com/cdber\n\n\nOther Information:\nAuditions are booked via http://www.trybooking.com/CDBER \nYou are asked to prepare a 2–5-minute story. This can be a well-known story\, an original story\, a story from your life\, an improvisation – anything! We ask that you present this story by heart so that we may gauge your ability for natural storytelling. \nLocation: WP Rogers Room\, Level 4\, Union House (West)\, University of Adelaide\n\n\nAudition Contact Name:\nImogen Deller-Evans\n\n\nAudition Contact Email:\nidellerevans@gmail.com\n\n\n\n 
URL:https://tasaonline.org.au/events/kissing-the-witch/
LOCATION:SA\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
END:VCALENDAR