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DTSTART;TZID=Australia/Adelaide:20210415T193000
DTEND;TZID=Australia/Adelaide:20210415T221500
DTSTAMP:20260526T215630
CREATED:20210304T124051Z
LAST-MODIFIED:20210411T072656Z
UID:10016932-1618515000-1618524900@tasaonline.org.au
SUMMARY:My Three Angels
DESCRIPTION:It’s Christmas Eve\, 1910\, in French Guiana. \nThree Devil’s Island “lifers” are at work\, repairing the roof of kindly (but inept) storekeeper\, Felix Duchotel. Felix manages the store for his nasty-minded\, rich cousin\, Gaston. Panic strikes when Gaston unexpectedly arrives from France\, demanding to examine Felix’s accounts\, and threatening Felix\, his wife and daughter with eviction\, if the books don’t balance. \nThe three Devil’s Island “angels” decide to rescue the family. So – with the aid of Joseph’s “accounting” skills\, and Albert’s pet snake\, Adolphe – they set about solving the family’s problems. \nThis criminally funny play was brilliantly filmed in 1955\, as We’re No Angels\, starring Humphrey Bogart\, Peter Ustinov and Aldo Ray.
URL:https://tasaonline.org.au/events/my-three-angels-2/2021-04-15/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20210414T183000
DTEND;TZID=Australia/Adelaide:20210414T211500
DTSTAMP:20260526T215630
CREATED:20221122T044124Z
LAST-MODIFIED:20221122T044124Z
UID:10016937-1618425000-1618434900@tasaonline.org.au
SUMMARY:My Three Angels
DESCRIPTION:It’s Christmas Eve\, 1910\, in French Guiana. \nThree Devil’s Island “lifers” are at work\, repairing the roof of kindly (but inept) storekeeper\, Felix Duchotel. Felix manages the store for his nasty-minded\, rich cousin\, Gaston. Panic strikes when Gaston unexpectedly arrives from France\, demanding to examine Felix’s accounts\, and threatening Felix\, his wife and daughter with eviction\, if the books don’t balance. \nThe three Devil’s Island “angels” decide to rescue the family. So – with the aid of Joseph’s “accounting” skills\, and Albert’s pet snake\, Adolphe – they set about solving the family’s problems. \nThis criminally funny play was brilliantly filmed in 1955\, as We’re No Angels\, starring Humphrey Bogart\, Peter Ustinov and Aldo Ray.
URL:https://tasaonline.org.au/events/my-three-angels-2/2021-04-14/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20210413T183000
DTEND;TZID=Australia/Adelaide:20210413T211500
DTSTAMP:20260526T215630
CREATED:20221122T044124Z
LAST-MODIFIED:20221122T044124Z
UID:10016936-1618338600-1618348500@tasaonline.org.au
SUMMARY:My Three Angels
DESCRIPTION:It’s Christmas Eve\, 1910\, in French Guiana. \nThree Devil’s Island “lifers” are at work\, repairing the roof of kindly (but inept) storekeeper\, Felix Duchotel. Felix manages the store for his nasty-minded\, rich cousin\, Gaston. Panic strikes when Gaston unexpectedly arrives from France\, demanding to examine Felix’s accounts\, and threatening Felix\, his wife and daughter with eviction\, if the books don’t balance. \nThe three Devil’s Island “angels” decide to rescue the family. So – with the aid of Joseph’s “accounting” skills\, and Albert’s pet snake\, Adolphe – they set about solving the family’s problems. \nThis criminally funny play was brilliantly filmed in 1955\, as We’re No Angels\, starring Humphrey Bogart\, Peter Ustinov and Aldo Ray.
URL:https://tasaonline.org.au/events/my-three-angels-2/2021-04-13/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20210411T160000
DTEND;TZID=Australia/Adelaide:20210411T184500
DTSTAMP:20260526T215630
CREATED:20210304T124051Z
LAST-MODIFIED:20210411T072656Z
UID:10016931-1618156800-1618166700@tasaonline.org.au
SUMMARY:My Three Angels
DESCRIPTION:It’s Christmas Eve\, 1910\, in French Guiana. \nThree Devil’s Island “lifers” are at work\, repairing the roof of kindly (but inept) storekeeper\, Felix Duchotel. Felix manages the store for his nasty-minded\, rich cousin\, Gaston. Panic strikes when Gaston unexpectedly arrives from France\, demanding to examine Felix’s accounts\, and threatening Felix\, his wife and daughter with eviction\, if the books don’t balance. \nThe three Devil’s Island “angels” decide to rescue the family. So – with the aid of Joseph’s “accounting” skills\, and Albert’s pet snake\, Adolphe – they set about solving the family’s problems. \nThis criminally funny play was brilliantly filmed in 1955\, as We’re No Angels\, starring Humphrey Bogart\, Peter Ustinov and Aldo Ray.
URL:https://tasaonline.org.au/events/my-three-angels-2/2021-04-11/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20210410T193000
DTEND;TZID=Australia/Adelaide:20210410T221500
DTSTAMP:20260526T215630
CREATED:20210304T124051Z
LAST-MODIFIED:20210411T072656Z
UID:10016930-1618083000-1618092900@tasaonline.org.au
SUMMARY:My Three Angels
DESCRIPTION:It’s Christmas Eve\, 1910\, in French Guiana. \nThree Devil’s Island “lifers” are at work\, repairing the roof of kindly (but inept) storekeeper\, Felix Duchotel. Felix manages the store for his nasty-minded\, rich cousin\, Gaston. Panic strikes when Gaston unexpectedly arrives from France\, demanding to examine Felix’s accounts\, and threatening Felix\, his wife and daughter with eviction\, if the books don’t balance. \nThe three Devil’s Island “angels” decide to rescue the family. So – with the aid of Joseph’s “accounting” skills\, and Albert’s pet snake\, Adolphe – they set about solving the family’s problems. \nThis criminally funny play was brilliantly filmed in 1955\, as We’re No Angels\, starring Humphrey Bogart\, Peter Ustinov and Aldo Ray.
URL:https://tasaonline.org.au/events/my-three-angels-2/2021-04-10/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20210409T193000
DTEND;TZID=Australia/Adelaide:20210409T221500
DTSTAMP:20260526T215630
CREATED:20210304T124051Z
LAST-MODIFIED:20210411T072656Z
UID:10016929-1617996600-1618006500@tasaonline.org.au
SUMMARY:My Three Angels
DESCRIPTION:It’s Christmas Eve\, 1910\, in French Guiana. \nThree Devil’s Island “lifers” are at work\, repairing the roof of kindly (but inept) storekeeper\, Felix Duchotel. Felix manages the store for his nasty-minded\, rich cousin\, Gaston. Panic strikes when Gaston unexpectedly arrives from France\, demanding to examine Felix’s accounts\, and threatening Felix\, his wife and daughter with eviction\, if the books don’t balance. \nThe three Devil’s Island “angels” decide to rescue the family. So – with the aid of Joseph’s “accounting” skills\, and Albert’s pet snake\, Adolphe – they set about solving the family’s problems. \nThis criminally funny play was brilliantly filmed in 1955\, as We’re No Angels\, starring Humphrey Bogart\, Peter Ustinov and Aldo Ray.
URL:https://tasaonline.org.au/events/my-three-angels-2/2021-04-09/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20201128T193000
DTEND;TZID=Australia/Adelaide:20201128T220000
DTSTAMP:20260526T215630
CREATED:20201128T003956Z
LAST-MODIFIED:20201128T003957Z
UID:10016380-1606591800-1606600800@tasaonline.org.au
SUMMARY:Bent
DESCRIPTION:Martin Sherman’s ground-breaking play begins in Berlin in June 1934\, on the “Night of the Long Knives”\, when Hitler issued an order to purge all homosexuals from the Army. Max\, a small-timer wheeler-dealer\, and his dancer boyfriend\, Rudy\, are recovering from a night of debauchery with an SA trooper\, when two soldiers burst into their apartment\, thus forcing them on a nightmare odyssey through Nazi Germany – through a Berlin nightclub\, a forest hideout\, a prison-train\, and\, ultimately\, Dachau concentration camp.\nEver the survivor\, in Dachau\, Max elects to wear the Yellow Jewish Star rather than the Pink Triangle for homosexuals. \nBut\, it’s in the dehumanising grind of the prison stone-yards that he learns\, from fellow-prisoner\, Horst\, love\, acceptance\, sacrifice and ultimate redemption. \nStarring Ian McKellen as Max\, this landmark play premiered at London’s Royal Court Theatre in 1979. The following year\, on Broadway\, Richard Gere played Max. Independent Theatre’s production will occur 40 years since the South Australian Theatre Company performed it\, with John Hargreaves and Tim Considine. \nIt will also coincide with\, and be a part of\, the 2020 Feast Festival.
URL:https://tasaonline.org.au/events/bent-2/2020-11-28/2/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20201128T140000
DTEND;TZID=Australia/Adelaide:20201128T163000
DTSTAMP:20260526T215630
CREATED:20201128T003956Z
LAST-MODIFIED:20201128T003957Z
UID:10016379-1606572000-1606581000@tasaonline.org.au
SUMMARY:Bent
DESCRIPTION:Martin Sherman’s ground-breaking play begins in Berlin in June 1934\, on the “Night of the Long Knives”\, when Hitler issued an order to purge all homosexuals from the Army. Max\, a small-timer wheeler-dealer\, and his dancer boyfriend\, Rudy\, are recovering from a night of debauchery with an SA trooper\, when two soldiers burst into their apartment\, thus forcing them on a nightmare odyssey through Nazi Germany – through a Berlin nightclub\, a forest hideout\, a prison-train\, and\, ultimately\, Dachau concentration camp.\nEver the survivor\, in Dachau\, Max elects to wear the Yellow Jewish Star rather than the Pink Triangle for homosexuals. \nBut\, it’s in the dehumanising grind of the prison stone-yards that he learns\, from fellow-prisoner\, Horst\, love\, acceptance\, sacrifice and ultimate redemption. \nStarring Ian McKellen as Max\, this landmark play premiered at London’s Royal Court Theatre in 1979. The following year\, on Broadway\, Richard Gere played Max. Independent Theatre’s production will occur 40 years since the South Australian Theatre Company performed it\, with John Hargreaves and Tim Considine. \nIt will also coincide with\, and be a part of\, the 2020 Feast Festival.
URL:https://tasaonline.org.au/events/bent-2/2020-11-28/1/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20201127T193000
DTEND;TZID=Australia/Adelaide:20201127T220000
DTSTAMP:20260526T215630
CREATED:20201128T003956Z
LAST-MODIFIED:20201128T003957Z
UID:10016378-1606505400-1606514400@tasaonline.org.au
SUMMARY:Bent
DESCRIPTION:Martin Sherman’s ground-breaking play begins in Berlin in June 1934\, on the “Night of the Long Knives”\, when Hitler issued an order to purge all homosexuals from the Army. Max\, a small-timer wheeler-dealer\, and his dancer boyfriend\, Rudy\, are recovering from a night of debauchery with an SA trooper\, when two soldiers burst into their apartment\, thus forcing them on a nightmare odyssey through Nazi Germany – through a Berlin nightclub\, a forest hideout\, a prison-train\, and\, ultimately\, Dachau concentration camp.\nEver the survivor\, in Dachau\, Max elects to wear the Yellow Jewish Star rather than the Pink Triangle for homosexuals. \nBut\, it’s in the dehumanising grind of the prison stone-yards that he learns\, from fellow-prisoner\, Horst\, love\, acceptance\, sacrifice and ultimate redemption. \nStarring Ian McKellen as Max\, this landmark play premiered at London’s Royal Court Theatre in 1979. The following year\, on Broadway\, Richard Gere played Max. Independent Theatre’s production will occur 40 years since the South Australian Theatre Company performed it\, with John Hargreaves and Tim Considine. \nIt will also coincide with\, and be a part of\, the 2020 Feast Festival.
URL:https://tasaonline.org.au/events/bent-2/2020-11-27/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20201126T193000
DTEND;TZID=Australia/Adelaide:20201126T220000
DTSTAMP:20260526T215630
CREATED:20201128T003956Z
LAST-MODIFIED:20201128T003957Z
UID:10016377-1606419000-1606428000@tasaonline.org.au
SUMMARY:Bent
DESCRIPTION:Martin Sherman’s ground-breaking play begins in Berlin in June 1934\, on the “Night of the Long Knives”\, when Hitler issued an order to purge all homosexuals from the Army. Max\, a small-timer wheeler-dealer\, and his dancer boyfriend\, Rudy\, are recovering from a night of debauchery with an SA trooper\, when two soldiers burst into their apartment\, thus forcing them on a nightmare odyssey through Nazi Germany – through a Berlin nightclub\, a forest hideout\, a prison-train\, and\, ultimately\, Dachau concentration camp.\nEver the survivor\, in Dachau\, Max elects to wear the Yellow Jewish Star rather than the Pink Triangle for homosexuals. \nBut\, it’s in the dehumanising grind of the prison stone-yards that he learns\, from fellow-prisoner\, Horst\, love\, acceptance\, sacrifice and ultimate redemption. \nStarring Ian McKellen as Max\, this landmark play premiered at London’s Royal Court Theatre in 1979. The following year\, on Broadway\, Richard Gere played Max. Independent Theatre’s production will occur 40 years since the South Australian Theatre Company performed it\, with John Hargreaves and Tim Considine. \nIt will also coincide with\, and be a part of\, the 2020 Feast Festival.
URL:https://tasaonline.org.au/events/bent-2/2020-11-26/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20201125T193000
DTEND;TZID=Australia/Adelaide:20201125T220000
DTSTAMP:20260526T215630
CREATED:20201128T003956Z
LAST-MODIFIED:20201128T003957Z
UID:10016376-1606332600-1606341600@tasaonline.org.au
SUMMARY:Bent
DESCRIPTION:Martin Sherman’s ground-breaking play begins in Berlin in June 1934\, on the “Night of the Long Knives”\, when Hitler issued an order to purge all homosexuals from the Army. Max\, a small-timer wheeler-dealer\, and his dancer boyfriend\, Rudy\, are recovering from a night of debauchery with an SA trooper\, when two soldiers burst into their apartment\, thus forcing them on a nightmare odyssey through Nazi Germany – through a Berlin nightclub\, a forest hideout\, a prison-train\, and\, ultimately\, Dachau concentration camp.\nEver the survivor\, in Dachau\, Max elects to wear the Yellow Jewish Star rather than the Pink Triangle for homosexuals. \nBut\, it’s in the dehumanising grind of the prison stone-yards that he learns\, from fellow-prisoner\, Horst\, love\, acceptance\, sacrifice and ultimate redemption. \nStarring Ian McKellen as Max\, this landmark play premiered at London’s Royal Court Theatre in 1979. The following year\, on Broadway\, Richard Gere played Max. Independent Theatre’s production will occur 40 years since the South Australian Theatre Company performed it\, with John Hargreaves and Tim Considine. \nIt will also coincide with\, and be a part of\, the 2020 Feast Festival.
URL:https://tasaonline.org.au/events/bent-2/2020-11-25/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20201121T193000
DTEND;TZID=Australia/Adelaide:20201121T220000
DTSTAMP:20260526T215630
CREATED:20191215T094824Z
LAST-MODIFIED:20201122T040544Z
UID:10015617-1605987000-1605996000@tasaonline.org.au
SUMMARY:Bent
DESCRIPTION:Martin Sherman’s ground-breaking play begins in Berlin in June 1934\, on the “Night of the Long Knives”\, when Hitler issued an order to purge all homosexuals from the Army. Max\, a small-timer wheeler-dealer\, and his dancer boyfriend\, Rudy\, are recovering from a night of debauchery with an SA trooper\, when two soldiers burst into their apartment\, thus forcing them on a nightmare odyssey through Nazi Germany – through a Berlin nightclub\, a forest hideout\, a prison-train\, and\, ultimately\, Dachau concentration camp.\nEver the survivor\, in Dachau\, Max elects to wear the Yellow Jewish Star rather than the Pink Triangle for homosexuals. \nBut\, it’s in the dehumanising grind of the prison stone-yards that he learns\, from fellow-prisoner\, Horst\, love\, acceptance\, sacrifice and ultimate redemption. \nStarring Ian McKellen as Max\, this landmark play premiered at London’s Royal Court Theatre in 1979. The following year\, on Broadway\, Richard Gere played Max. Independent Theatre’s production will occur 40 years since the South Australian Theatre Company performed it\, with John Hargreaves and Tim Considine. \nIt will also coincide with\, and be a part of\, the 2020 Feast Festival.
URL:https://tasaonline.org.au/events/bent/2020-11-21/2/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20201121T140000
DTEND;TZID=Australia/Adelaide:20201121T163000
DTSTAMP:20260526T215630
CREATED:20191215T094824Z
LAST-MODIFIED:20201122T040544Z
UID:10015616-1605967200-1605976200@tasaonline.org.au
SUMMARY:Bent
DESCRIPTION:Martin Sherman’s ground-breaking play begins in Berlin in June 1934\, on the “Night of the Long Knives”\, when Hitler issued an order to purge all homosexuals from the Army. Max\, a small-timer wheeler-dealer\, and his dancer boyfriend\, Rudy\, are recovering from a night of debauchery with an SA trooper\, when two soldiers burst into their apartment\, thus forcing them on a nightmare odyssey through Nazi Germany – through a Berlin nightclub\, a forest hideout\, a prison-train\, and\, ultimately\, Dachau concentration camp.\nEver the survivor\, in Dachau\, Max elects to wear the Yellow Jewish Star rather than the Pink Triangle for homosexuals. \nBut\, it’s in the dehumanising grind of the prison stone-yards that he learns\, from fellow-prisoner\, Horst\, love\, acceptance\, sacrifice and ultimate redemption. \nStarring Ian McKellen as Max\, this landmark play premiered at London’s Royal Court Theatre in 1979. The following year\, on Broadway\, Richard Gere played Max. Independent Theatre’s production will occur 40 years since the South Australian Theatre Company performed it\, with John Hargreaves and Tim Considine. \nIt will also coincide with\, and be a part of\, the 2020 Feast Festival.
URL:https://tasaonline.org.au/events/bent/2020-11-21/1/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20201120T193000
DTEND;TZID=Australia/Adelaide:20201120T220000
DTSTAMP:20260526T215630
CREATED:20191215T094824Z
LAST-MODIFIED:20201122T040544Z
UID:10015615-1605900600-1605909600@tasaonline.org.au
SUMMARY:Bent
DESCRIPTION:Martin Sherman’s ground-breaking play begins in Berlin in June 1934\, on the “Night of the Long Knives”\, when Hitler issued an order to purge all homosexuals from the Army. Max\, a small-timer wheeler-dealer\, and his dancer boyfriend\, Rudy\, are recovering from a night of debauchery with an SA trooper\, when two soldiers burst into their apartment\, thus forcing them on a nightmare odyssey through Nazi Germany – through a Berlin nightclub\, a forest hideout\, a prison-train\, and\, ultimately\, Dachau concentration camp.\nEver the survivor\, in Dachau\, Max elects to wear the Yellow Jewish Star rather than the Pink Triangle for homosexuals. \nBut\, it’s in the dehumanising grind of the prison stone-yards that he learns\, from fellow-prisoner\, Horst\, love\, acceptance\, sacrifice and ultimate redemption. \nStarring Ian McKellen as Max\, this landmark play premiered at London’s Royal Court Theatre in 1979. The following year\, on Broadway\, Richard Gere played Max. Independent Theatre’s production will occur 40 years since the South Australian Theatre Company performed it\, with John Hargreaves and Tim Considine. \nIt will also coincide with\, and be a part of\, the 2020 Feast Festival.
URL:https://tasaonline.org.au/events/bent/2020-11-20/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20201118T183000
DTEND;TZID=Australia/Adelaide:20201118T210000
DTSTAMP:20260526T215630
CREATED:20221122T043730Z
LAST-MODIFIED:20221122T043730Z
UID:10015619-1605724200-1605733200@tasaonline.org.au
SUMMARY:Bent
DESCRIPTION:Martin Sherman’s ground-breaking play begins in Berlin in June 1934\, on the “Night of the Long Knives”\, when Hitler issued an order to purge all homosexuals from the Army. Max\, a small-timer wheeler-dealer\, and his dancer boyfriend\, Rudy\, are recovering from a night of debauchery with an SA trooper\, when two soldiers burst into their apartment\, thus forcing them on a nightmare odyssey through Nazi Germany – through a Berlin nightclub\, a forest hideout\, a prison-train\, and\, ultimately\, Dachau concentration camp.\nEver the survivor\, in Dachau\, Max elects to wear the Yellow Jewish Star rather than the Pink Triangle for homosexuals. \nBut\, it’s in the dehumanising grind of the prison stone-yards that he learns\, from fellow-prisoner\, Horst\, love\, acceptance\, sacrifice and ultimate redemption. \nStarring Ian McKellen as Max\, this landmark play premiered at London’s Royal Court Theatre in 1979. The following year\, on Broadway\, Richard Gere played Max. Independent Theatre’s production will occur 40 years since the South Australian Theatre Company performed it\, with John Hargreaves and Tim Considine. \nIt will also coincide with\, and be a part of\, the 2020 Feast Festival.
URL:https://tasaonline.org.au/events/bent/2020-11-18/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20201117T183000
DTEND;TZID=Australia/Adelaide:20201117T210000
DTSTAMP:20260526T215630
CREATED:20221122T043730Z
LAST-MODIFIED:20221122T043730Z
UID:10015618-1605637800-1605646800@tasaonline.org.au
SUMMARY:Bent
DESCRIPTION:Martin Sherman’s ground-breaking play begins in Berlin in June 1934\, on the “Night of the Long Knives”\, when Hitler issued an order to purge all homosexuals from the Army. Max\, a small-timer wheeler-dealer\, and his dancer boyfriend\, Rudy\, are recovering from a night of debauchery with an SA trooper\, when two soldiers burst into their apartment\, thus forcing them on a nightmare odyssey through Nazi Germany – through a Berlin nightclub\, a forest hideout\, a prison-train\, and\, ultimately\, Dachau concentration camp.\nEver the survivor\, in Dachau\, Max elects to wear the Yellow Jewish Star rather than the Pink Triangle for homosexuals. \nBut\, it’s in the dehumanising grind of the prison stone-yards that he learns\, from fellow-prisoner\, Horst\, love\, acceptance\, sacrifice and ultimate redemption. \nStarring Ian McKellen as Max\, this landmark play premiered at London’s Royal Court Theatre in 1979. The following year\, on Broadway\, Richard Gere played Max. Independent Theatre’s production will occur 40 years since the South Australian Theatre Company performed it\, with John Hargreaves and Tim Considine. \nIt will also coincide with\, and be a part of\, the 2020 Feast Festival.
URL:https://tasaonline.org.au/events/bent/2020-11-17/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20201115T160000
DTEND;TZID=Australia/Adelaide:20201115T183000
DTSTAMP:20260526T215630
CREATED:20191215T094824Z
LAST-MODIFIED:20201122T040544Z
UID:10015614-1605456000-1605465000@tasaonline.org.au
SUMMARY:Bent
DESCRIPTION:Martin Sherman’s ground-breaking play begins in Berlin in June 1934\, on the “Night of the Long Knives”\, when Hitler issued an order to purge all homosexuals from the Army. Max\, a small-timer wheeler-dealer\, and his dancer boyfriend\, Rudy\, are recovering from a night of debauchery with an SA trooper\, when two soldiers burst into their apartment\, thus forcing them on a nightmare odyssey through Nazi Germany – through a Berlin nightclub\, a forest hideout\, a prison-train\, and\, ultimately\, Dachau concentration camp.\nEver the survivor\, in Dachau\, Max elects to wear the Yellow Jewish Star rather than the Pink Triangle for homosexuals. \nBut\, it’s in the dehumanising grind of the prison stone-yards that he learns\, from fellow-prisoner\, Horst\, love\, acceptance\, sacrifice and ultimate redemption. \nStarring Ian McKellen as Max\, this landmark play premiered at London’s Royal Court Theatre in 1979. The following year\, on Broadway\, Richard Gere played Max. Independent Theatre’s production will occur 40 years since the South Australian Theatre Company performed it\, with John Hargreaves and Tim Considine. \nIt will also coincide with\, and be a part of\, the 2020 Feast Festival.
URL:https://tasaonline.org.au/events/bent/2020-11-15/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20201114T193000
DTEND;TZID=Australia/Adelaide:20201114T220000
DTSTAMP:20260526T215630
CREATED:20191215T094824Z
LAST-MODIFIED:20201122T040544Z
UID:10015613-1605382200-1605391200@tasaonline.org.au
SUMMARY:Bent
DESCRIPTION:Martin Sherman’s ground-breaking play begins in Berlin in June 1934\, on the “Night of the Long Knives”\, when Hitler issued an order to purge all homosexuals from the Army. Max\, a small-timer wheeler-dealer\, and his dancer boyfriend\, Rudy\, are recovering from a night of debauchery with an SA trooper\, when two soldiers burst into their apartment\, thus forcing them on a nightmare odyssey through Nazi Germany – through a Berlin nightclub\, a forest hideout\, a prison-train\, and\, ultimately\, Dachau concentration camp.\nEver the survivor\, in Dachau\, Max elects to wear the Yellow Jewish Star rather than the Pink Triangle for homosexuals. \nBut\, it’s in the dehumanising grind of the prison stone-yards that he learns\, from fellow-prisoner\, Horst\, love\, acceptance\, sacrifice and ultimate redemption. \nStarring Ian McKellen as Max\, this landmark play premiered at London’s Royal Court Theatre in 1979. The following year\, on Broadway\, Richard Gere played Max. Independent Theatre’s production will occur 40 years since the South Australian Theatre Company performed it\, with John Hargreaves and Tim Considine. \nIt will also coincide with\, and be a part of\, the 2020 Feast Festival.
URL:https://tasaonline.org.au/events/bent/2020-11-14/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20201113T193000
DTEND;TZID=Australia/Adelaide:20201113T220000
DTSTAMP:20260526T215630
CREATED:20191215T094824Z
LAST-MODIFIED:20201122T040544Z
UID:10015612-1605295800-1605304800@tasaonline.org.au
SUMMARY:Bent
DESCRIPTION:Martin Sherman’s ground-breaking play begins in Berlin in June 1934\, on the “Night of the Long Knives”\, when Hitler issued an order to purge all homosexuals from the Army. Max\, a small-timer wheeler-dealer\, and his dancer boyfriend\, Rudy\, are recovering from a night of debauchery with an SA trooper\, when two soldiers burst into their apartment\, thus forcing them on a nightmare odyssey through Nazi Germany – through a Berlin nightclub\, a forest hideout\, a prison-train\, and\, ultimately\, Dachau concentration camp.\nEver the survivor\, in Dachau\, Max elects to wear the Yellow Jewish Star rather than the Pink Triangle for homosexuals. \nBut\, it’s in the dehumanising grind of the prison stone-yards that he learns\, from fellow-prisoner\, Horst\, love\, acceptance\, sacrifice and ultimate redemption. \nStarring Ian McKellen as Max\, this landmark play premiered at London’s Royal Court Theatre in 1979. The following year\, on Broadway\, Richard Gere played Max. Independent Theatre’s production will occur 40 years since the South Australian Theatre Company performed it\, with John Hargreaves and Tim Considine. \nIt will also coincide with\, and be a part of\, the 2020 Feast Festival.
URL:https://tasaonline.org.au/events/bent/2020-11-13/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20200927T140000
DTEND;TZID=Australia/Adelaide:20200927T163000
DTSTAMP:20260526T215630
CREATED:20200913T081745Z
LAST-MODIFIED:20200913T081750Z
UID:10016308-1601215200-1601224200@tasaonline.org.au
SUMMARY:Beecham
DESCRIPTION:Sir Thomas Beecham was one of Britain’s greatest orchestral conductors. He was also a crusty\, colourful personality\, famed for his acid wit and pithy sayings. Stories about Sir Thomas have abounded among musical circles for decades.\nCaryl Brahms & Ned Sherrin have taken these anecdotes about his dealings with the rich and musically famous\, and woven them into a dazzling two-hander between Sir Thomas and his musical secretary. The play shows Beecham in full-sail at various stages of his career – witty\, tongue-in-cheek\, often ruthlessly clear-sighted – and recounts incidents eccentric\, trenchant\, occasionally outrageous – but always hilarious. \nWith Timothy West as Sir Thomas\, the play performed to sell-out houses in London\, before being recorded as a radio play\, and then filmed for television with a full orchestra. It was seen as “helping cement Beecham’s name as one of England’s natural wits and true originals”. \nBeecham captures the spirit of a remarkable man\, who brought an added joy and sparkle to many people’s lives\, and to the world of music. Especially fitting for Ukaria’s concert hall\, our staged reading will surround audiences with generous excerpts of Beecham’s own recordings.
URL:https://tasaonline.org.au/events/beecham-2/
LOCATION:UKARIA Cultural Centre\, 119 Williams Rd\, Mt Barker Summit\, SA\, 5251\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20200801T193000
DTEND;TZID=Australia/Adelaide:20200801T220000
DTSTAMP:20260526T215630
CREATED:20191215T093319Z
LAST-MODIFIED:20200502T060542Z
UID:10015608-1596310200-1596319200@tasaonline.org.au
SUMMARY:The Prime of Miss Jean Brodie
DESCRIPTION:At Edinburgh’s staid Marcia Blaine School for Girls\, flamboyant teacher Miss Jean Brodie is unmistakably\, and outspokenly\, in her prime. A devotee of all things Italian – art\, opera and Mussolini – and hater of the Girl Guides\, Miss Brodie’s unorthodox teaching methods\, and her dedication to “her girls”\, set her on a collision course with the school’s rigid headmistress.\nFanatically devoted to their teacher\, each member of the Brodie set will be “famous for something”\, and Miss Brodie strives to bring out the best in each one. Determined to instil in them independence\, passion\, and ambition\, Miss Brodie’s creed is: “I am in the business of putting old heads on young shoulders. Give me a girl at an impressionable age\, and she is mine for life.” \nAll but one\, as it turns out. \nJay Presson Allen’s famous adaptation brings out all the delicious irony and humour of Muriel Spark’s darkly witty novel\, as well as flagging the inherent dangers of a strong influence on formative minds. \nVanessa Redgrave created the role on the London stage\, followed by Australian actress\, Zoe Caldwell\, on Broadway. The 1968 film saw Maggie Smith win her first Oscar.
URL:https://tasaonline.org.au/events/the-prime-of-miss-jean-brodie/2020-08-01/2/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20200801T140000
DTEND;TZID=Australia/Adelaide:20200801T163000
DTSTAMP:20260526T215630
CREATED:20191215T093319Z
LAST-MODIFIED:20200502T060542Z
UID:10015607-1596290400-1596299400@tasaonline.org.au
SUMMARY:The Prime of Miss Jean Brodie
DESCRIPTION:At Edinburgh’s staid Marcia Blaine School for Girls\, flamboyant teacher Miss Jean Brodie is unmistakably\, and outspokenly\, in her prime. A devotee of all things Italian – art\, opera and Mussolini – and hater of the Girl Guides\, Miss Brodie’s unorthodox teaching methods\, and her dedication to “her girls”\, set her on a collision course with the school’s rigid headmistress.\nFanatically devoted to their teacher\, each member of the Brodie set will be “famous for something”\, and Miss Brodie strives to bring out the best in each one. Determined to instil in them independence\, passion\, and ambition\, Miss Brodie’s creed is: “I am in the business of putting old heads on young shoulders. Give me a girl at an impressionable age\, and she is mine for life.” \nAll but one\, as it turns out. \nJay Presson Allen’s famous adaptation brings out all the delicious irony and humour of Muriel Spark’s darkly witty novel\, as well as flagging the inherent dangers of a strong influence on formative minds. \nVanessa Redgrave created the role on the London stage\, followed by Australian actress\, Zoe Caldwell\, on Broadway. The 1968 film saw Maggie Smith win her first Oscar.
URL:https://tasaonline.org.au/events/the-prime-of-miss-jean-brodie/2020-08-01/1/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20200731T193000
DTEND;TZID=Australia/Adelaide:20200731T220000
DTSTAMP:20260526T215630
CREATED:20191215T093319Z
LAST-MODIFIED:20200502T060542Z
UID:10015606-1596223800-1596232800@tasaonline.org.au
SUMMARY:The Prime of Miss Jean Brodie
DESCRIPTION:At Edinburgh’s staid Marcia Blaine School for Girls\, flamboyant teacher Miss Jean Brodie is unmistakably\, and outspokenly\, in her prime. A devotee of all things Italian – art\, opera and Mussolini – and hater of the Girl Guides\, Miss Brodie’s unorthodox teaching methods\, and her dedication to “her girls”\, set her on a collision course with the school’s rigid headmistress.\nFanatically devoted to their teacher\, each member of the Brodie set will be “famous for something”\, and Miss Brodie strives to bring out the best in each one. Determined to instil in them independence\, passion\, and ambition\, Miss Brodie’s creed is: “I am in the business of putting old heads on young shoulders. Give me a girl at an impressionable age\, and she is mine for life.” \nAll but one\, as it turns out. \nJay Presson Allen’s famous adaptation brings out all the delicious irony and humour of Muriel Spark’s darkly witty novel\, as well as flagging the inherent dangers of a strong influence on formative minds. \nVanessa Redgrave created the role on the London stage\, followed by Australian actress\, Zoe Caldwell\, on Broadway. The 1968 film saw Maggie Smith win her first Oscar.
URL:https://tasaonline.org.au/events/the-prime-of-miss-jean-brodie/2020-07-31/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20200730T193000
DTEND;TZID=Australia/Adelaide:20200730T220000
DTSTAMP:20260526T215630
CREATED:20191215T093319Z
LAST-MODIFIED:20200502T060542Z
UID:10015605-1596137400-1596146400@tasaonline.org.au
SUMMARY:The Prime of Miss Jean Brodie
DESCRIPTION:At Edinburgh’s staid Marcia Blaine School for Girls\, flamboyant teacher Miss Jean Brodie is unmistakably\, and outspokenly\, in her prime. A devotee of all things Italian – art\, opera and Mussolini – and hater of the Girl Guides\, Miss Brodie’s unorthodox teaching methods\, and her dedication to “her girls”\, set her on a collision course with the school’s rigid headmistress.\nFanatically devoted to their teacher\, each member of the Brodie set will be “famous for something”\, and Miss Brodie strives to bring out the best in each one. Determined to instil in them independence\, passion\, and ambition\, Miss Brodie’s creed is: “I am in the business of putting old heads on young shoulders. Give me a girl at an impressionable age\, and she is mine for life.” \nAll but one\, as it turns out. \nJay Presson Allen’s famous adaptation brings out all the delicious irony and humour of Muriel Spark’s darkly witty novel\, as well as flagging the inherent dangers of a strong influence on formative minds. \nVanessa Redgrave created the role on the London stage\, followed by Australian actress\, Zoe Caldwell\, on Broadway. The 1968 film saw Maggie Smith win her first Oscar.
URL:https://tasaonline.org.au/events/the-prime-of-miss-jean-brodie/2020-07-30/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20200729T183000
DTEND;TZID=Australia/Adelaide:20200729T210000
DTSTAMP:20260526T215630
CREATED:20221122T043728Z
LAST-MODIFIED:20221122T043728Z
UID:10015610-1596047400-1596056400@tasaonline.org.au
SUMMARY:The Prime of Miss Jean Brodie
DESCRIPTION:At Edinburgh’s staid Marcia Blaine School for Girls\, flamboyant teacher Miss Jean Brodie is unmistakably\, and outspokenly\, in her prime. A devotee of all things Italian – art\, opera and Mussolini – and hater of the Girl Guides\, Miss Brodie’s unorthodox teaching methods\, and her dedication to “her girls”\, set her on a collision course with the school’s rigid headmistress.\nFanatically devoted to their teacher\, each member of the Brodie set will be “famous for something”\, and Miss Brodie strives to bring out the best in each one. Determined to instil in them independence\, passion\, and ambition\, Miss Brodie’s creed is: “I am in the business of putting old heads on young shoulders. Give me a girl at an impressionable age\, and she is mine for life.” \nAll but one\, as it turns out. \nJay Presson Allen’s famous adaptation brings out all the delicious irony and humour of Muriel Spark’s darkly witty novel\, as well as flagging the inherent dangers of a strong influence on formative minds. \nVanessa Redgrave created the role on the London stage\, followed by Australian actress\, Zoe Caldwell\, on Broadway. The 1968 film saw Maggie Smith win her first Oscar.
URL:https://tasaonline.org.au/events/the-prime-of-miss-jean-brodie/2020-07-29/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20200728T183000
DTEND;TZID=Australia/Adelaide:20200728T210000
DTSTAMP:20260526T215630
CREATED:20221122T043728Z
LAST-MODIFIED:20221122T043728Z
UID:10015609-1595961000-1595970000@tasaonline.org.au
SUMMARY:The Prime of Miss Jean Brodie
DESCRIPTION:At Edinburgh’s staid Marcia Blaine School for Girls\, flamboyant teacher Miss Jean Brodie is unmistakably\, and outspokenly\, in her prime. A devotee of all things Italian – art\, opera and Mussolini – and hater of the Girl Guides\, Miss Brodie’s unorthodox teaching methods\, and her dedication to “her girls”\, set her on a collision course with the school’s rigid headmistress.\nFanatically devoted to their teacher\, each member of the Brodie set will be “famous for something”\, and Miss Brodie strives to bring out the best in each one. Determined to instil in them independence\, passion\, and ambition\, Miss Brodie’s creed is: “I am in the business of putting old heads on young shoulders. Give me a girl at an impressionable age\, and she is mine for life.” \nAll but one\, as it turns out. \nJay Presson Allen’s famous adaptation brings out all the delicious irony and humour of Muriel Spark’s darkly witty novel\, as well as flagging the inherent dangers of a strong influence on formative minds. \nVanessa Redgrave created the role on the London stage\, followed by Australian actress\, Zoe Caldwell\, on Broadway. The 1968 film saw Maggie Smith win her first Oscar.
URL:https://tasaonline.org.au/events/the-prime-of-miss-jean-brodie/2020-07-28/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20200726T160000
DTEND;TZID=Australia/Adelaide:20200726T183000
DTSTAMP:20260526T215630
CREATED:20191215T093319Z
LAST-MODIFIED:20200502T060542Z
UID:10015604-1595779200-1595788200@tasaonline.org.au
SUMMARY:The Prime of Miss Jean Brodie
DESCRIPTION:At Edinburgh’s staid Marcia Blaine School for Girls\, flamboyant teacher Miss Jean Brodie is unmistakably\, and outspokenly\, in her prime. A devotee of all things Italian – art\, opera and Mussolini – and hater of the Girl Guides\, Miss Brodie’s unorthodox teaching methods\, and her dedication to “her girls”\, set her on a collision course with the school’s rigid headmistress.\nFanatically devoted to their teacher\, each member of the Brodie set will be “famous for something”\, and Miss Brodie strives to bring out the best in each one. Determined to instil in them independence\, passion\, and ambition\, Miss Brodie’s creed is: “I am in the business of putting old heads on young shoulders. Give me a girl at an impressionable age\, and she is mine for life.” \nAll but one\, as it turns out. \nJay Presson Allen’s famous adaptation brings out all the delicious irony and humour of Muriel Spark’s darkly witty novel\, as well as flagging the inherent dangers of a strong influence on formative minds. \nVanessa Redgrave created the role on the London stage\, followed by Australian actress\, Zoe Caldwell\, on Broadway. The 1968 film saw Maggie Smith win her first Oscar.
URL:https://tasaonline.org.au/events/the-prime-of-miss-jean-brodie/2020-07-26/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20200725T193000
DTEND;TZID=Australia/Adelaide:20200725T220000
DTSTAMP:20260526T215630
CREATED:20191215T093319Z
LAST-MODIFIED:20200502T060542Z
UID:10015603-1595705400-1595714400@tasaonline.org.au
SUMMARY:The Prime of Miss Jean Brodie
DESCRIPTION:At Edinburgh’s staid Marcia Blaine School for Girls\, flamboyant teacher Miss Jean Brodie is unmistakably\, and outspokenly\, in her prime. A devotee of all things Italian – art\, opera and Mussolini – and hater of the Girl Guides\, Miss Brodie’s unorthodox teaching methods\, and her dedication to “her girls”\, set her on a collision course with the school’s rigid headmistress.\nFanatically devoted to their teacher\, each member of the Brodie set will be “famous for something”\, and Miss Brodie strives to bring out the best in each one. Determined to instil in them independence\, passion\, and ambition\, Miss Brodie’s creed is: “I am in the business of putting old heads on young shoulders. Give me a girl at an impressionable age\, and she is mine for life.” \nAll but one\, as it turns out. \nJay Presson Allen’s famous adaptation brings out all the delicious irony and humour of Muriel Spark’s darkly witty novel\, as well as flagging the inherent dangers of a strong influence on formative minds. \nVanessa Redgrave created the role on the London stage\, followed by Australian actress\, Zoe Caldwell\, on Broadway. The 1968 film saw Maggie Smith win her first Oscar.
URL:https://tasaonline.org.au/events/the-prime-of-miss-jean-brodie/2020-07-25/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20200724T193000
DTEND;TZID=Australia/Adelaide:20200724T220000
DTSTAMP:20260526T215630
CREATED:20191215T093319Z
LAST-MODIFIED:20200502T060542Z
UID:10015602-1595619000-1595628000@tasaonline.org.au
SUMMARY:The Prime of Miss Jean Brodie
DESCRIPTION:At Edinburgh’s staid Marcia Blaine School for Girls\, flamboyant teacher Miss Jean Brodie is unmistakably\, and outspokenly\, in her prime. A devotee of all things Italian – art\, opera and Mussolini – and hater of the Girl Guides\, Miss Brodie’s unorthodox teaching methods\, and her dedication to “her girls”\, set her on a collision course with the school’s rigid headmistress.\nFanatically devoted to their teacher\, each member of the Brodie set will be “famous for something”\, and Miss Brodie strives to bring out the best in each one. Determined to instil in them independence\, passion\, and ambition\, Miss Brodie’s creed is: “I am in the business of putting old heads on young shoulders. Give me a girl at an impressionable age\, and she is mine for life.” \nAll but one\, as it turns out. \nJay Presson Allen’s famous adaptation brings out all the delicious irony and humour of Muriel Spark’s darkly witty novel\, as well as flagging the inherent dangers of a strong influence on formative minds. \nVanessa Redgrave created the role on the London stage\, followed by Australian actress\, Zoe Caldwell\, on Broadway. The 1968 film saw Maggie Smith win her first Oscar.
URL:https://tasaonline.org.au/events/the-prime-of-miss-jean-brodie/2020-07-24/
LOCATION:Goodwood Institute\, 166 Goodwood Rd\, Goodwood\, SA\, 5034\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20200607T140000
DTEND;TZID=Australia/Adelaide:20200607T163000
DTSTAMP:20260526T215630
CREATED:20191215T093918Z
LAST-MODIFIED:20200502T060713Z
UID:10015611-1591538400-1591547400@tasaonline.org.au
SUMMARY:Beecham
DESCRIPTION:Sir Thomas Beecham was one of Britain’s greatest orchestral conductors. He was also a crusty\, colourful personality\, famed for his acid wit and pithy sayings. Stories about Sir Thomas have abounded among musical circles for decades.\nCaryl Brahms & Ned Sherrin have taken these anecdotes about his dealings with the rich and musically famous\, and woven them into a dazzling two-hander between Sir Thomas and his musical secretary. The play shows Beecham in full-sail at various stages of his career – witty\, tongue-in-cheek\, often ruthlessly clear-sighted – and recounts incidents eccentric\, trenchant\, occasionally outrageous – but always hilarious. \nWith Timothy West as Sir Thomas\, the play performed to sell-out houses in London\, before being recorded as a radio play\, and then filmed for television with a full orchestra. It was seen as “helping cement Beecham’s name as one of England’s natural wits and true originals”. \nBeecham captures the spirit of a remarkable man\, who brought an added joy and sparkle to many people’s lives\, and to the world of music. Especially fitting for Ukaria’s concert hall\, our staged reading will surround audiences with generous excerpts of Beecham’s own recordings.
URL:https://tasaonline.org.au/events/beecham/
LOCATION:UKARIA Cultural Centre\, 119 Williams Rd\, Mt Barker Summit\, SA\, 5251\, Australia
CATEGORIES:Productions
ORGANIZER;CN="Independent Theatre":MAILTO:tickets@independenttheatre.org.au
END:VEVENT
END:VCALENDAR