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DTSTART;TZID=Australia/Adelaide:20220619T090000
DTEND;TZID=Australia/Adelaide:20220619T120000
DTSTAMP:20260425T231328
CREATED:20220530T064637Z
LAST-MODIFIED:20220530T065259Z
UID:10017697-1655629200-1655640000@tasaonline.org.au
SUMMARY:ANNIE JR
DESCRIPTION:Written By: Thomas Meehan\, Charles Strouse and Martin Charnin \nCreative Team: Director – Billie-Rose Russell\nMusical Director – Nikki Long\nChoreographer – Caley Watt \n\nBased on the popular comic strip and adapted from the Tony Award-winning Best Musical\, with a beloved book and score by Tony Award-winners\, Thomas Meehan\, Charles Strouse and Martin Charnin\, Annie Jr. features everyone’s favourite little redhead in her very first adventure. \nWith equal measures of pluck and positivity\, little orphan Annie charms everyone’s hearts despite a next-to-nothing start in 1930s New York City. Annie is determined to find the parents who abandoned her years ago on the doorstep of an orphanage run by the cruel Miss Hannigan. Annie eventually foils Miss Hannigan’s evil machinations\, finding a new home and family in billionaire Oliver Warbucks\, his personal secretary\, Grace Farrell\, and a lovable mutt named Sandy. \n\nInformation Session: \n\nAudition Information: https://adelaidetheatreacademy.com.au/wp-content/uploads/2022/05/Annie-Jr-audition-pack-ATAv4.pdf \n\n\n\nRepeated Fieldset #:1\n\n\nDate:\n19/06/2022\n\n\nRepeated Fieldset #:2\n\n\nTime From – Time to:\n9:00 – 12:00 and 1.30–4.30pm (if required)\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\nAnnie\n\n\nGender:\nFemale\n\n\nStage Age:\n11\n\n\nRole Information:\nAnnie is a complex little girl. She is a tough\, streetwise urchin who is nevertheless vulnerable when she thinks she might lose what has become most important to her: a newfound “family” who loves her. She has to be motherly\, independent\, overwhelmed\, needy and hopeful for the future.\nVocal range: E5-A3\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nNamed orphans\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nThe Orphans\nMolly\, Tessie\, July\, Duffy\, Kate and Pepper. These girls are gritty\, neglected and vulnerable\, yet basically honest and potentially loveable.\n\n\nRepeated Fieldset #:2\n\n\nRole Name:\nMiss Hannigan\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nThis woman is definitely a “has-been.” Her distaste for her job and the children that are part of it should be obvious in every line she speaks\, every song she sings and every move she makes.\nVocal range: D5-G3\n\n\nRepeated Fieldset #:3\n\n\nRole Name:\nGrace Farrell\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nGrace is mature\, calm\, cool and “together.” She is classy and businesslike when dealing with Miss Hannigan and Warbucks\, yet maternal toward Annie.\nVocal range: D5-A3\n\n\nRepeated Fieldset #:4\n\n\nRole Name:\nRooster\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\nRooster is flashy and self-assured. His “moves” should be as smooth as a gambler’s\, as should be the message he sells in “Easy Street.”\nVocal range: Eb5-Bb3\n\n\nRepeated Fieldset #:5\n\n\nRole Name:\nLily St Regis\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nLily (airhead that she is) is always distracted\, although she manages to pick up on any conversation involving money. She never acts as the leader\, always bringing up the rear while tripping over her own feet (it is difficult to walk and check your makeup in a compact at the same time).\nVocal range: Eb5-Bb3\n\n\nRepeated Fieldset #:6\n\n\nRole Name:\nWarbucks\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\nWarbucks must appear middle-aged\, self-assured and confident. At first awkwardly affectionate toward Annie\, he soon finds himself completely charmed by her.\nVocal range: D5-A3\n\n\nRepeated Fieldset #:7\n\n\nRole Name:\nSandy\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nIn this production\, Sandy is played by a human. Sandy is Annie’s canine friend and scrappy in her own right. This dog also has to sing.\n\n\nRepeated Fieldset #:8\n\n\nRole Name:\nServants (Drake\, Mrs. Greer and Mrs. Pugh)\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nVocal range: D5-A3\n\n\nRepeated Fieldset #:9\n\n\nRole Name:\nEnsemble\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nAdditional Characters\nBundles McCloskey\, Lt. Ward\, Apple seller\, Dog catcher\, Star-to-be\, Usherettes\, Cecille & Annette\, Bert Healy\, radio announcer\, President Roosevelt\, Louis Howe\, the Chauffeur\, additional orphans\, servants\, New Yorkers etc*Some of these featured roles are non-singing\n\n\n\n\nMore Information at: https://adelaidetheatreacademy.com.au/ \n\nContact: Terese Papps\nadmin@theatrebugs.com.au\n(08) 8332 1228
URL:https://tasaonline.org.au/events/annie-jr/2022-06-19/1/
LOCATION:Theatre Bugs Hall\, 79 Beulah Road\, Norwood\, SA\, 5067\, Australia
CATEGORIES:Auditions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220619T130000
DTEND;TZID=Australia/Adelaide:20220619T170000
DTSTAMP:20260425T231328
CREATED:20220609T082731Z
LAST-MODIFIED:20220609T082731Z
UID:10017709-1655643600-1655658000@tasaonline.org.au
SUMMARY:The Trial to Oregon - auditions
DESCRIPTION:Written by Starkid\nDirected by Marley Banham\n\nSYNOPSIS:\nThe Trail to Oregon is set in the 1800’s and is based off of the Oregon Trail computer game. The musical follows the story of a low-class family on their journey to Oregon after their farm burnt down and the challenges and encounters\, they face along the way.\nCHARACTERS:\nFather: After accidentally burning down the family farm\, he decides to take his family to Oregon in the hopes of starting fresh.\nMother: Her goal is to make it to Oregon alive with her whole family. She likes to however play dead.\nDaughter: Being chased after by McDoon.\nSon: Seven-year-old who when reaching Oregon\, has a desire to go skinny dipping.\nGrandpa: Fought a personal war against lobsters\, claiming to have won and sent them to the sea. His lover Eleanor left him for his ex-best friend: Cornwallis.\nCletus Jones: McDoon’s partner in crime\, helping to capture the daughter and on his way to Oregon.\nMcDoon: Also known as the Bandit King\, his main objective is to marry the daughter.\nGeneral Store Guy: A general store owner whom provides himself on being a good ox owner.\nCornwallis: Grandpa’s ex best friend.\nOx: He is sold to Father by the General Store Guy who is part monster and is implied to be part human.\n***IMPORTANT TO NOTE***\n*Grandpa and Cletus Jones are normally played by the same actor however this is subject to change*\n*McDoon\, General Store Guy\, Cornwallis and the Ox will be played by the same actor*\nRehearsals:\nTuesdays and Thursdays 6:30pm – 9:30pm from July\nSundays 2-5pm from September\nPerformances:\nTBC November 4th\, 5th\, 11th\, 12th. With the potential for a matinee show.\n\nAuditions:\nSaturday 18th June 6pm-9pm\nSunday 19th June 1pm – 5pm\nFor more information:\nEmail: marleyemiko@outlook.com\nEmail group: phoenixvariety.musicgroup@gmail.com\nText: 0474796668
URL:https://tasaonline.org.au/events/the-trial-to-oregon-auditions/2022-06-19/
LOCATION:Noarlunga Uniting Church Hall\, 23 William Road\, Christies Beach\, SA\, 5165\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Phoenix Variety and Music Group":MAILTO:phoenixttheatregroup2018@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220619T133000
DTEND;TZID=Australia/Adelaide:20220619T163000
DTSTAMP:20260425T231328
CREATED:20220530T064637Z
LAST-MODIFIED:20220530T065259Z
UID:10017698-1655645400-1655656200@tasaonline.org.au
SUMMARY:ANNIE JR
DESCRIPTION:Written By: Thomas Meehan\, Charles Strouse and Martin Charnin \nCreative Team: Director – Billie-Rose Russell\nMusical Director – Nikki Long\nChoreographer – Caley Watt \n\nBased on the popular comic strip and adapted from the Tony Award-winning Best Musical\, with a beloved book and score by Tony Award-winners\, Thomas Meehan\, Charles Strouse and Martin Charnin\, Annie Jr. features everyone’s favourite little redhead in her very first adventure. \nWith equal measures of pluck and positivity\, little orphan Annie charms everyone’s hearts despite a next-to-nothing start in 1930s New York City. Annie is determined to find the parents who abandoned her years ago on the doorstep of an orphanage run by the cruel Miss Hannigan. Annie eventually foils Miss Hannigan’s evil machinations\, finding a new home and family in billionaire Oliver Warbucks\, his personal secretary\, Grace Farrell\, and a lovable mutt named Sandy. \n\nInformation Session: \n\nAudition Information: https://adelaidetheatreacademy.com.au/wp-content/uploads/2022/05/Annie-Jr-audition-pack-ATAv4.pdf \n\n\n\nRepeated Fieldset #:1\n\n\nDate:\n19/06/2022\n\n\nRepeated Fieldset #:2\n\n\nTime From – Time to:\n9:00 – 12:00 and 1.30–4.30pm (if required)\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\nAnnie\n\n\nGender:\nFemale\n\n\nStage Age:\n11\n\n\nRole Information:\nAnnie is a complex little girl. She is a tough\, streetwise urchin who is nevertheless vulnerable when she thinks she might lose what has become most important to her: a newfound “family” who loves her. She has to be motherly\, independent\, overwhelmed\, needy and hopeful for the future.\nVocal range: E5-A3\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nNamed orphans\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nThe Orphans\nMolly\, Tessie\, July\, Duffy\, Kate and Pepper. These girls are gritty\, neglected and vulnerable\, yet basically honest and potentially loveable.\n\n\nRepeated Fieldset #:2\n\n\nRole Name:\nMiss Hannigan\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nThis woman is definitely a “has-been.” Her distaste for her job and the children that are part of it should be obvious in every line she speaks\, every song she sings and every move she makes.\nVocal range: D5-G3\n\n\nRepeated Fieldset #:3\n\n\nRole Name:\nGrace Farrell\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nGrace is mature\, calm\, cool and “together.” She is classy and businesslike when dealing with Miss Hannigan and Warbucks\, yet maternal toward Annie.\nVocal range: D5-A3\n\n\nRepeated Fieldset #:4\n\n\nRole Name:\nRooster\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\nRooster is flashy and self-assured. His “moves” should be as smooth as a gambler’s\, as should be the message he sells in “Easy Street.”\nVocal range: Eb5-Bb3\n\n\nRepeated Fieldset #:5\n\n\nRole Name:\nLily St Regis\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nLily (airhead that she is) is always distracted\, although she manages to pick up on any conversation involving money. She never acts as the leader\, always bringing up the rear while tripping over her own feet (it is difficult to walk and check your makeup in a compact at the same time).\nVocal range: Eb5-Bb3\n\n\nRepeated Fieldset #:6\n\n\nRole Name:\nWarbucks\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\nWarbucks must appear middle-aged\, self-assured and confident. At first awkwardly affectionate toward Annie\, he soon finds himself completely charmed by her.\nVocal range: D5-A3\n\n\nRepeated Fieldset #:7\n\n\nRole Name:\nSandy\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nIn this production\, Sandy is played by a human. Sandy is Annie’s canine friend and scrappy in her own right. This dog also has to sing.\n\n\nRepeated Fieldset #:8\n\n\nRole Name:\nServants (Drake\, Mrs. Greer and Mrs. Pugh)\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nVocal range: D5-A3\n\n\nRepeated Fieldset #:9\n\n\nRole Name:\nEnsemble\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nAdditional Characters\nBundles McCloskey\, Lt. Ward\, Apple seller\, Dog catcher\, Star-to-be\, Usherettes\, Cecille & Annette\, Bert Healy\, radio announcer\, President Roosevelt\, Louis Howe\, the Chauffeur\, additional orphans\, servants\, New Yorkers etc*Some of these featured roles are non-singing\n\n\n\n\nMore Information at: https://adelaidetheatreacademy.com.au/ \n\nContact: Terese Papps\nadmin@theatrebugs.com.au\n(08) 8332 1228
URL:https://tasaonline.org.au/events/annie-jr/2022-06-19/2/
LOCATION:Theatre Bugs Hall\, 79 Beulah Road\, Norwood\, SA\, 5067\, Australia
CATEGORIES:Auditions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220619T143000
DTEND;TZID=Australia/Adelaide:20220619T220000
DTSTAMP:20260425T231328
CREATED:20220613T072018Z
LAST-MODIFIED:20220613T072018Z
UID:10017710-1655649000-1655676000@tasaonline.org.au
SUMMARY:Guys and Dolls - Auditions
DESCRIPTION:Auditions for The Met’s October 2022 production of ‘Guys and Dolls’. \n(see URL for all audition information) \nTo book an audition – https://www.trybooking.com/events/landing/912761?fbclid=IwAR31NrBh6hANq1wkfOXgHUHCBxYamehqbmQDUarkyeRcbW20NKGqJR8eTeo
URL:https://tasaonline.org.au/events/guys-and-dolls-auditions/2022-06-19/
LOCATION:Maylands Church of Christ Hall\, 157 Portrush Rd\, Maylands\, SA\, 5069\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The Metropolitan Musical Theatre Company of SA Inc.":MAILTO:themetsa@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220620T193000
DTEND;TZID=Australia/Adelaide:20220620T213000
DTSTAMP:20260425T231328
CREATED:20220517T230943Z
LAST-MODIFIED:20220517T232145Z
UID:10017681-1655753400-1655760600@tasaonline.org.au
SUMMARY:The Vicar of Dibley
DESCRIPTION:A stage play by Ian Gower and Paul Carpenter adapted from the original TV series by Richard Curtis and Paul Mayher-Archer \nWith kind permission of Tiger Aspect Productions \nDirected by: Robert Andrews \nSynopsis \nWhen the new vicar arrives at the sleepy English village of Dibley\, the last thing the locals are expecting is a woman. But the irrepressibly cheerful Reverend Geraldine Granger soon wins over the hearts and minds of her flock. \nBased on the much-loved BBC sitcom\, this stage adaptation brings a selection of the best episodes of this multi-award-winning show to our theatre. \nAll of your favourites are here: Alice and Hugo\, the star-crossed lovers whose combined IQ would struggle to reach treble figures; the colonically-challenged farmer Owen; and Mr Horton\, the pompous chairman forever trying to make sense of his bizarre parish council. \nPerformances \nWednesday 12 October 2022 to Saturday 15 October 2022 at 8.00pm \nTuesday 18 October 2022 to Saturday 22 October 2022 at 8.00pm \nMatinee each Saturday at 2.30pm       Additional matinee Sunday 16 October at 2.30pm \nProduction Information \nThe Vicar of Dibley is split into two productions with same cast. \nThe Vicar Of Dibley \nStarts with Geraldine’s arrival and finishes with Hugo and Alice’s wedding. \nA Vicar Of Dibley Christmas – The Second Coming \nStarts with Hugo and Alice returning from Honeymoon to the birth of baby Geraldine at the Christmas Nativity. \nWe will be performing the first production in October 2022 and the second in October 2023. \nWhere possible we would like to have the same cast for both productions so would appreciate if you could commit to both productions. \nCharacters to be auditioned. \nThe characters of Reverend Geraldine Granger\, Frank Pickle and Jim Trott have been cast and will not be auditioned. \nDAVID HORTON. \nDavid is one of those people who enjoys being in charge and assumes he is: he might even be described as being a bit power-trippy. He’s a pompous\, Cambridge educated\, upper-class\, millionaire and although divorced\, an upholder of stern traditional family values especially his own. He longs for tradition\, law and order and the status quo. \nHUGO HORTON \nPoor Hugo is the veritable puppet of his controlling father. He was brought up only by David for the majority of his childhood\, and it becomes quickly apparent that that upbringing was emotionally abusive. He aims to avoid conflict\, and always aims to please\, and does not know how to express his feelings towards Alice. \nALICE TINKER \nAlice is a few sandwiches (and cakes\, and pork pies\, and sausage rolls…) short of a picnic. She has a heart of gold but doesn’t understand many of the common issues of life\, nor Geraldine’s jokes. She’s very sensitive and easily upset – but too thick and vague to be easily offended! More amusing and key to the plot of the show is the way she’s also easily confused\, and has a vivid imagination surrounding what’s normal (such as Teletubbie bridesmaids and pageboys. \nOWEN NEWITT \nOwen is the local farmer. He regularly suffers with gastric health complaints and describes these in disgustingly graphic detail. He’s a bachelor with broad tastes… he often hints at both desiring after and having had previous relationships with animals\, as well as women. Like many of the other male residents of the village\, he lusts after Geraldine \nLETITIA CROPLEY \nLetitia is a very caring lady who longs to provide nourishing refreshment and sustenance to her close friends and neighbours\, and ensures the  church is full of attractive flower arrangements during Sunday worship. \nThe problem is her creativity could be described as rather eccentric: her mourning flower arrangement included pineapple! Her palette is a bit odd too\, as she’s created countless dishes which require\, shall we say\, an acquired taste? Parsnip brownies are at the more tame end of her repertoire! The villagers fear her cooking but eat it out of courtesy; unfortunately this only spurs her on to further “gourmet” creations. Must be able to knit. \nWOMAN \nThe Woman has two lines at the end of the play and objects to Alice and Hugo getting married and then realises she is at the wrong wedding. \nIt is expected that the person playing this role will be a member of the stage crew. \nContact \nRobert Andrews \nE: robert.andrews@eklips.com.au \nP: 0412 060 989 (please do not call between 8.00am and 5.30pm due to work commitments)
URL:https://tasaonline.org.au/events/the-vicar-of-dibley-2/2022-06-20/
LOCATION:Tea Tree Players Theatre\, Cnr Yatala Vale Road and Hancock Road\, Surrey Downs\, SA\, 5126\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Tea Tree Players":MAILTO:ttp@teatreeplayers.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220620T200000
DTEND;TZID=Australia/Adelaide:20220620T220000
DTSTAMP:20260425T231328
CREATED:20220613T072018Z
LAST-MODIFIED:20220613T072018Z
UID:10017711-1655755200-1655762400@tasaonline.org.au
SUMMARY:Guys and Dolls - Auditions
DESCRIPTION:Auditions for The Met’s October 2022 production of ‘Guys and Dolls’. \n(see URL for all audition information) \nTo book an audition – https://www.trybooking.com/events/landing/912761?fbclid=IwAR31NrBh6hANq1wkfOXgHUHCBxYamehqbmQDUarkyeRcbW20NKGqJR8eTeo
URL:https://tasaonline.org.au/events/guys-and-dolls-auditions/2022-06-20/
LOCATION:Maylands Church of Christ Hall\, 157 Portrush Rd\, Maylands\, SA\, 5069\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The Metropolitan Musical Theatre Company of SA Inc.":MAILTO:themetsa@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220622T193000
DTEND;TZID=Australia/Adelaide:20220622T213000
DTSTAMP:20260425T231328
CREATED:20220517T230943Z
LAST-MODIFIED:20220517T232145Z
UID:10017682-1655926200-1655933400@tasaonline.org.au
SUMMARY:The Vicar of Dibley
DESCRIPTION:A stage play by Ian Gower and Paul Carpenter adapted from the original TV series by Richard Curtis and Paul Mayher-Archer \nWith kind permission of Tiger Aspect Productions \nDirected by: Robert Andrews \nSynopsis \nWhen the new vicar arrives at the sleepy English village of Dibley\, the last thing the locals are expecting is a woman. But the irrepressibly cheerful Reverend Geraldine Granger soon wins over the hearts and minds of her flock. \nBased on the much-loved BBC sitcom\, this stage adaptation brings a selection of the best episodes of this multi-award-winning show to our theatre. \nAll of your favourites are here: Alice and Hugo\, the star-crossed lovers whose combined IQ would struggle to reach treble figures; the colonically-challenged farmer Owen; and Mr Horton\, the pompous chairman forever trying to make sense of his bizarre parish council. \nPerformances \nWednesday 12 October 2022 to Saturday 15 October 2022 at 8.00pm \nTuesday 18 October 2022 to Saturday 22 October 2022 at 8.00pm \nMatinee each Saturday at 2.30pm       Additional matinee Sunday 16 October at 2.30pm \nProduction Information \nThe Vicar of Dibley is split into two productions with same cast. \nThe Vicar Of Dibley \nStarts with Geraldine’s arrival and finishes with Hugo and Alice’s wedding. \nA Vicar Of Dibley Christmas – The Second Coming \nStarts with Hugo and Alice returning from Honeymoon to the birth of baby Geraldine at the Christmas Nativity. \nWe will be performing the first production in October 2022 and the second in October 2023. \nWhere possible we would like to have the same cast for both productions so would appreciate if you could commit to both productions. \nCharacters to be auditioned. \nThe characters of Reverend Geraldine Granger\, Frank Pickle and Jim Trott have been cast and will not be auditioned. \nDAVID HORTON. \nDavid is one of those people who enjoys being in charge and assumes he is: he might even be described as being a bit power-trippy. He’s a pompous\, Cambridge educated\, upper-class\, millionaire and although divorced\, an upholder of stern traditional family values especially his own. He longs for tradition\, law and order and the status quo. \nHUGO HORTON \nPoor Hugo is the veritable puppet of his controlling father. He was brought up only by David for the majority of his childhood\, and it becomes quickly apparent that that upbringing was emotionally abusive. He aims to avoid conflict\, and always aims to please\, and does not know how to express his feelings towards Alice. \nALICE TINKER \nAlice is a few sandwiches (and cakes\, and pork pies\, and sausage rolls…) short of a picnic. She has a heart of gold but doesn’t understand many of the common issues of life\, nor Geraldine’s jokes. She’s very sensitive and easily upset – but too thick and vague to be easily offended! More amusing and key to the plot of the show is the way she’s also easily confused\, and has a vivid imagination surrounding what’s normal (such as Teletubbie bridesmaids and pageboys. \nOWEN NEWITT \nOwen is the local farmer. He regularly suffers with gastric health complaints and describes these in disgustingly graphic detail. He’s a bachelor with broad tastes… he often hints at both desiring after and having had previous relationships with animals\, as well as women. Like many of the other male residents of the village\, he lusts after Geraldine \nLETITIA CROPLEY \nLetitia is a very caring lady who longs to provide nourishing refreshment and sustenance to her close friends and neighbours\, and ensures the  church is full of attractive flower arrangements during Sunday worship. \nThe problem is her creativity could be described as rather eccentric: her mourning flower arrangement included pineapple! Her palette is a bit odd too\, as she’s created countless dishes which require\, shall we say\, an acquired taste? Parsnip brownies are at the more tame end of her repertoire! The villagers fear her cooking but eat it out of courtesy; unfortunately this only spurs her on to further “gourmet” creations. Must be able to knit. \nWOMAN \nThe Woman has two lines at the end of the play and objects to Alice and Hugo getting married and then realises she is at the wrong wedding. \nIt is expected that the person playing this role will be a member of the stage crew. \nContact \nRobert Andrews \nE: robert.andrews@eklips.com.au \nP: 0412 060 989 (please do not call between 8.00am and 5.30pm due to work commitments)
URL:https://tasaonline.org.au/events/the-vicar-of-dibley-2/2022-06-22/
LOCATION:Tea Tree Players Theatre\, Cnr Yatala Vale Road and Hancock Road\, Surrey Downs\, SA\, 5126\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Tea Tree Players":MAILTO:ttp@teatreeplayers.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220716T110000
DTEND;TZID=Australia/Adelaide:20220716T143000
DTSTAMP:20260425T231328
CREATED:20220628T062317Z
LAST-MODIFIED:20220705T015044Z
UID:10015980-1657969200-1657981800@tasaonline.org.au
SUMMARY:Four Flat Whites in Italy
DESCRIPTION:Written By: Roger Hall \nCreative Team: Kerrin White – director\nIt’s a comedy \n\nFour Flat Whites in Italy is the hilarious story of retired librarians\, Adrian and Alison. They have scrimped and saved for the holiday of a lifetime with another couple they’ve known for years. Shortly before leaving\, one of their friends breaks his ankle\, and the couple are unable to join them. Stepping into the breach are two new neighbours – brash Harry\, a retired plumber\, and his sexy younger wife\, Judy\, who insist on flying business class. What follows is an hilarious clash of budgets\, interests\, politics\, culture\, sex\, religion\, sport and coffee! Laugh along with the Flat Four’s poignantly funny adventures as they tour Venice\, Rome and Tuscany. \nSeason Information: 23 March – 1 April 2023 \n  \nAudition Information:  https://www.trybooking.com/CATMD \n\n\n\nRepeated Fieldset #:1\n\n\nDate:\n16/07/2022\n\n\nRepeated Fieldset #:2\n\n\nTime From – Time to:\n11 am to 2.30 pm\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\nADRIAN\n\n\nGender:\nMale\n\n\nStage Age:\n60s\n\n\nRole Information:\nAdrian’s a recently retired University librarian. A little uptight but with a dry sense of humour. Politically left-wing. Suffers from tremendous guilt over the car accident that left his daughter in a wheelchair.\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nAlison\n\n\nGender:\nFemale\n\n\nStage Age:\n60s\n\n\nRole Information:\nAdrian’s wife\, who is also a librarian. Very uptight. A bit of an intellectual snob. Politically Left-wing. Blames Adrian for the car accident that injured their daughter.\n\n\nRepeated Fieldset #:2\n\n\nRole Name:\nHarry\n\n\nGender:\nMale\n\n\nStage Age:\n60s\n\n\nRole Information:\nRetired businessman. Had a plumbing supplies company. Blunt\, opinionated and likes to be in the right. Underneath the gruffness he has a big heart. Politically right-wing.\n\n\nRepeated Fieldset #:3\n\n\nRole Name:\nJudy\n\n\nGender:\nFemale\n\n\nStage Age:\n45+\n\n\nRole Information:\nHarry’s second\, younger wife. Outgoing and sexy. Carries some emotional baggage from her past.\n\n\nRepeated Fieldset #:4\n\n\nRole Name:\nFemale\n\n\nGender:\nFemale\n\n\nStage Age:\n20+\n\n\nRole Information:\nPlays a variety of amusing cameo roles. Waitress\, Tour Guide\, Avis Car Hire Woman\, Dress Shop Assistant and Countess. Must have good Italian accent.\n\n\nRepeated Fieldset #:5\n\n\nRole Name:\nMale\n\n\nGender:\nMale\n\n\nStage Age:\n20+\n\n\nRole Information:\nPlays a variety of amusing cameo roles. Gondolier\, Centurion\, Waiter\, Beggar and Count. Must have good Italian accent.\n\n\n\n\nMore Information at: therry.org.au\nShort audition monologue scripts will be emailed to those who book auditions. \n\nContact: Kerrin White\ntherry@chariot.net.au\n0412 760 859
URL:https://tasaonline.org.au/events/four-flat-whites-in-italy/
LOCATION:Therry Clubrooms\, Unit 2/ 1 Regina Court\, Beverley\, SA\, 5009\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Therry Theatre":MAILTO:therry@chariot.net.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220816T190000
DTEND;TZID=Australia/Adelaide:20220816T220000
DTSTAMP:20260425T231328
CREATED:20220328T003332Z
LAST-MODIFIED:20220328T003332Z
UID:10017230-1660676400-1660687200@tasaonline.org.au
SUMMARY:Speaking in Tongues
DESCRIPTION:Written By: Andrew Bovell Creative Team: Director: Geoff Brittain \n\nThe play follows nine different characters (played by 4 actors) who are all connected by affairs and infidelities. Two couples set out to betray\, their partners… A lover returns form the past and a husband doesn’t answer the phone… A woman disappears and a neighbour is the prime suspect… Contracts are broken between intimates and powerful bonds are formed between strangers. An evocative mystery unravels at the same time as a devastating tale of disconnection between individuals\, partners and communities. \n\nInformation Session: \n\nAudition Information: https://www.stirlingplayers.sct.org.au \n\n\n\nRepeated Fieldset #:1\n\n\nDate:\n16/08/2022\n\n\nRepeated Fieldset #:2\n\n\nTime From – Time to:\n7.00-10.00pm by appointment\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\n5 male roles\n\n\nGender:\nMale\n\n\nStage Age:\n30+\n\n\nRole Information:\nTwo male actors will perform all five roles. All are major roles. Stage ages are 30-45.\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\n4 female roles\n\n\nGender:\nFemale\n\n\nStage Age:\n30+\n\n\nRole Information:\nTwo female actors will play all four roles. All are major roles. Stage ages are 30-45.\n\n\n\n\nMore Information at: https://www.stirlingplayers@sct.org.au \nFurther information regarding the play\, the season and rehearsals are available at the Stirling Players website. Auditions are by appointment only. \n\nContact: John Graham johnrg1941@gmail.com \n\n\n\n\n\n\n\n\n\n 
URL:https://tasaonline.org.au/events/speaking-in-tongues/
LOCATION:SA\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Stirling Players":MAILTO:contact@stirlingplayers.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220917T130000
DTEND;TZID=Australia/Adelaide:20220917T170000
DTSTAMP:20260425T231328
CREATED:20220824T213444Z
LAST-MODIFIED:20220824T213444Z
UID:10016140-1663419600-1663434000@tasaonline.org.au
SUMMARY:The Wisdom of Eve: the stage play (All About Eve)
DESCRIPTION:Based on the story\, The Wisdom of Eve\, by Mary Orr \nAdapted from the screenplay by Joseph L. Mankiewicz \nDirected by Olivia Jane Parker \nSUMMARY \nSet in the 1940’s\, during the most vulnerable point in her career\, a leading lady of the time\, Margo Channing\, encounters an aspiring young actress\, Eve Harrington\, who ingratiates herself into the lives of the most successful theatre practitioners in town – Lloyd Richards\, Bill Sampson & Max Fabian. The Broadway star and her circle of friends; best friend Karen Richards & frenemy Addison Dewitt\, all quickly descend into acts of sabotage\, manipulation and paranoia\, whilst Eve calculates her way to the top. \nSt. Jude’s Players have previously staged All About Eve\, in the 1970’s and are keen to do so again. The film is a great resource\, however\, please note\, that we are not looking for any caricatures (No impersonations of Bette Davis\, Marilyn Monroe or Tallulah Bankhead). \nROLES AVAILABLE \nFemale \nMARGO CHANNING – Stage age 40+. Based on real-life 1940s star\, Elisabeth Bergner. \nEVE HARRINGTON – An adult who spins tales like a child. Manipulative. Based on real-life movie fan. \nADDISON DEWITT – Stage age 40+ (no age limit). Failed actress. Successful gossip writer. Maker and breaker of careers. \nKAREN RICHARDS – Stage age 40+. Believes the best in people. Makes wrong choice in believing in Eve. \nBIRDIE COONAN – Stage 60+. Doesn’t suffer fools. Experienced vaudevillian. \nTHE GIRL – Stage age 18+. Starry-eyed girl. Infatuated with Eve. \nMale \nBILL SAMPSON – Stage age of 30+. Revered Director. Great sense of humour\, straight shooter. Loves Margo. \nLLOYD RICHARDS – Stage age 40+. Successful\, driven playwright. Happily married\, but with roving eye. \nMAX FABIAN – Man playing age 40+. Not American. Risk-taker\, living for here and now. Gentle touch with women. \nTHE AGED ACTOR – Stage age 60+. A board member. Has lived life in theatre. \nUnderstudies: Due to the impacts of Covid\, we are looking for actors in some of the smaller roles (ie\, the Girl\, Miss Caswell\, Max Fabian)\, to undertake two roles\, mainstage cast as well as understudy. \nPlease express which character you would like to audition for. Monologues will be provided upon booking your audition. You are not expected to have the speeches memorised\, but you should familiarise yourself with the material beforehand. You can book your audition slot by expressing an interest via email. \nAUDITION DATES \nSaturday 17th Sept 1pm – 5pm \nPossible Call Back Auditions \nOctober 1st 1pm – 5pm (if needed) \nThe cast will be expected to be familiar with the play (including the Director’s Brief that will be provided after casting is confirmed) and if possible have dialogue well underway by the first rehearsal. There will be initial calls to run through certain scenes or establish certain character dynamics. \nThe first read-through is set for February 7th\, rehearsals will follow accordingly. \nREHEARSALS \nTuesday evenings 7pm – 9.30pm\, Thursday evenings 7pm – 9.30pm \n& Sunday afternoons 1pm onwards. \nPlease note that there will be no rehearsals over the Easter weekend. \nPERFORMANCE SEASON \nPreviews: 19 – 22nd of April 2023 \nPerformances: 27th – 29th of April 2023 \nAuditions\, rehearsals and performances will be held at St Jude’s Hall\, 444 Brighton Road\, Brighton. \nMore Information: \nEmail Olivia Jane Parker initially\, at oliviajaneparker7@gmail.com \nPlease supply contact phone number in email. \n 
URL:https://tasaonline.org.au/events/the-wisdom-of-eve-the-stage-play-all-about-eve/
LOCATION:St. Jude’s Players\, 444 Brighton Rd\, Brighton\, South Australia\, 5048\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="St. Jude's Players":MAILTO:info@stjudesplayers.asn.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220917T130000
DTEND;TZID=Australia/Adelaide:20220917T170000
DTSTAMP:20260425T231328
CREATED:20220916T040307Z
LAST-MODIFIED:20220916T040307Z
UID:10017786-1663419600-1663434000@tasaonline.org.au
SUMMARY:The Wisdom of Eve (All About Eve)
DESCRIPTION:AUDITION DETAILS BELOW\, WITH INITIAL CONTACT INFORMATION\n\n\nThe Wisdom of Eve: the stage play (All About Eve)\nBased on the story\, The Wisdom of Eve\, by Mary Orr\nAdapted from the screenplay by Joseph L. Mankiewicz\nDirected by Olivia Jane Parker\nProduction by St. Jude’s Players\n\n\nSUMMARY\nSet in the 1940’s\, during the most vulnerable point in her career\, a leading lady of the time\, Margo Channing\, encounters an aspiring young actress\, Eve Harrington\, who ingratiates herself into the lives of the most successful theatre practitioners in town – Lloyd Richards\, Bill Sampson & Max Fabian. The Broadway star and her circle of friends; best friend Karen Richards & frenemy Addison Dewitt\, all quickly descend into acts of sabotage\, manipulation and paranoia\, whilst Eve calculates her way to the top.\n\n\nSt. Jude’s Players have previously staged All About Eve\, in the 1970’s and are keen to do so again. The film is a great resource\, however\, please note\, that we are not looking for any caricatures (No impersonations of Bette Davis\, Marilyn Monroe or Tallulah Bankhead).\n\n\nROLES AVAILABLE\nFemale\n\n\nMARGO CHANNING\nStage age 40+. Based on real-life 1940s star\, Elisabeth Bergner.\n\n\nEVE HARRINGTON\nAn adult who spins tales like a child. Manipulative. Based on real-life movie fan.\n\n\nADDISON DEWITT\nStage age 40+ (no age limit). Failed actress. Successful gossip writer. Maker and breaker of careers.\n\n\nKAREN RICHARDS\nStage age 40+. Believes the best in people. Makes wrong choice in believing in Eve.\n\n\nBIRDIE COONAN\nStage 60+. Doesn’t suffer fools. Experienced vaudevillian.\n\n\nTHE GIRL\nStage age 18+. Starry-eyed girl. Infatuated with Eve.\n\n\nMale\nBILL SAMPSON\nStage age of 30+. Revered Director. Great sense of humour\, straight shooter. Loves Margo.\n\n\nLLOYD RICHARDS\nStage age 40+\nSuccessful\, driven playwright. Happily married\, but with roving eye.\n\n\nMAX FABIAN\nMan playing age 40+. Italian. Risk-taker\, living for here and now. Gentle touch with women.\n\n\nTHE AGED ACTOR\nStage age 60+\nA board member. Has lived life in theatre.\n\n\nUnderstudies: Due to the impacts of Covid\, we are looking for actors in some of the smaller roles (ie\, the Girl\, Miss Caswell\, Max Fabian)\, to undertake two roles\, mainstage cast as well as understudy.\nPlease express which character you would like to audition for. Monologues will be provided upon booking your audition. You are not expected to have the speeches memorised\, but you should familiarise yourself with the material beforehand. You can book your audition slot by expressing an interest via email.\n\n\nAUDITION DATES\nSaturday 17th 1pm – 5pm\nPossible Call Back Auditions\nOctober 1st 1pm – 5pm (if needed)\n\n\nThe cast will be expected to be familiar with the play (including the Director’s Brief that will be provided after casting is confirmed) and if possible have dialogue well underway by the first rehearsal. There will be initial calls to run through certain scenes or establish certain character dynamics.\n\n\nThe first read-through is set for February 7th\, rehearsals will follow accordingly.\n\n\nREHEARSALS\nTuesday evenings 7pm – 9.30pm\, Thursday evenings 7pm – 9.30pm\n& Sunday afternoons 1pm onwards.\nPlease note that there will be no rehearsals over the Easter weekend.\n\n\nPERFORMANCE SEASON\nPreviews: 19 – 22nd of April 2023\nPerformances: 27th – 29th of April 2023\n\n\nAuditions\, rehearsals and performances will be held at St Jude’s Hall\, 444 Brighton Road\, Brighton.\n\n\nMore Information:\nEmail Olivia Jane Parker initially\, at oliviajaneparker7@gmail.com\nPlease supply contact phone number in email.
URL:https://tasaonline.org.au/events/the-wisdom-of-eve-all-about-eve/
LOCATION:St. Jude’s Players\, 444 Brighton Rd\, Brighton\, South Australia\, 5048\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="St. Jude's Players":MAILTO:info@stjudesplayers.asn.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220921T170000
DTEND;TZID=Australia/Adelaide:20220921T220000
DTSTAMP:20260425T231328
CREATED:20220916T035344Z
LAST-MODIFIED:20220916T035344Z
UID:10017772-1663779600-1663797600@tasaonline.org.au
SUMMARY:Wonderful World of DISSOCIA
DESCRIPTION:Written By: Anthony Neilson \nCreative Team: Directed by Thomas Filsell \n\nThe Wonderful World of Dissocia is an off-the-wall\, at times hilarious\, at times disturbing\, ultimately profoundly thought-provoking play\, featuring vivid\, unique and unforgettable characters\, and wondrous settings which contrast to a degree rarely seen in the theatre. Aside from being laugh-out-loud funny\, the play also has an important message to convey regarding mental health.\nDissocia tells the story of Lisa\, a young woman battling with a dissociative disorder. In order to regain ‘balance’ in her life\, Lisa must successfully navigate her way through Dissocia\, a fantastic wonderland full of surprises and weird\, wonderful\, and frightening inhabitants.\nAway from Dissocia\, life is very different. In Dissocia\, Lisa is the decider of her own fate. Back at home\, she’s not.\nThis is a riotous\, wonderful\, wild-ride of a play. As playwright Anthony Neilson said\, “If you like Alice in Wonderland but there’s not enough sex and violence in it\, then Dissocia is the show for you.” \nAge is not a big factor for casting\, but there are adult themes\, including violence\, implied off-stage sexual assault\, and use of ‘adult’ language\, so audiences and auditionees are advised to consider these potentially disturbing contents before attending auditions or performances. \nAUDITION BOOKED BY ONLINE APPOINTMENT ONLY\nAuditions are booked via https://www.trybooking.com/CBZLO \nEach individual audition will last 15 minutes.\nAfter booking an audition\, you will be emailed audition scenes. They are not compulsory to learn but please familiarise yourself with them. You will be asked to read additional scenes to gauge your suitability for other characters to be doubled. An audition form will also be provided.\nOn booking an audition slot\, please ensure you advise your correct phone number and email address.\nWe recommend you wear comfortable clothing and shoes\, and bring water.\nAny questions about audition bookings\, please email theatreguild@adelaide.edu.au. Any questions about the play/production (and NOT for booking auditions)\, the director can be contacted at fils0010@gmail.com.\nPlease be aware that everyone involved in a Theatre Guild show is required to be a member. Auditions are open to anyone but any roles offered will only be confirmed once you have become a member. Memberships for 2023 can be purchased via www.trybooking.com/CBXOD \n\nInformation Session: \n\nAudition Information: http://www.trybooking.com/CBZLO \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n21/09/2022\n\n\nTime From – Time to:\n17:00 – 22:30\n\n\nRepeated Fieldset #:1\n\n\nDate:\n26/09/2022\n\n\nTime From – Time to:\n17:00 – 22:30\n\n\n\n  \n\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\n7 actors required\n\n\nRepeated Fieldset #:2\n\n\nGender:\nUndefined\n\n\nRepeated Fieldset #:3\n\n\nStage Age:\nAny\n\n\nRepeated Fieldset #:4\n\n\nRole Information:\nThe cast consists of 7 actors\, each playing multiple roles\, besides Lisa who will be played by a single actress.\nThe role of Lisa has already been cast.ROLES AVAILABLE: (in order of appearance)\nAge\, gender\, and ethnicity are not relevant for casting\, except for the roles of Vince and Dot\, who will need to be played by a male and female respectively\, both within the stage age range of 25-35 years. \nVictor: A strange Swiss watchmaker. Swiss or RP English accent required.\nPassengers: There are a few of these to be doubled by actors. Speaking and non-speaking. All weird and funny in their own way.\nGuard 1: Perhaps one of the two funniest characters in the play. Must be able to convey a lack of confidence and indecision.\nGuard 2: Similar to Guard 1. These two must be able to play off and work with one another well. Great comedic timing is needed for both Guards.\nOathtaker: Has two modes – stentorian\, and bored out of their mind. An imposing figure\, but needs great comedic abilities.\nOathtaker attendants: Will double. Musical ability would be great\, but not necessary.\nGoat: Probably the ‘worst’ character in the first act\, if not the entire play. A scary figure\, who also needs to be able to be funny\, before turning toward terrifying.\nJane: Female identifying actor required. Requires good comedic sensibilities.\nBear: Loveable. Wears a costume. Must be able to sing.\nBritney: Essentially a bogan. Funny. Absurd.\nLaughter: Speaking. Comedic timing needed.\nTicket: Speaking. Comedic timing needed.\nArgument: Speaking. Comedic timing needed.\nInhibitions: Speaking. Comedic timing needed.\nBiffer: Non-speaking\, but makes some ‘noises.’ Comedic timing\, again\, is needed.\nViolinist: If you can play the violin\, that’s great. If you have a violin\, that’s even better! Neither of these is necessary\, though.\nNurses x3: There are 3 nurses in the second act. Each will be played by a different actor\, and each have different personality traits. Gender irrelevant.\nDr Clark: A Doctor. Gender irrelevant.\nDr Faraday: A Doctor. Gender irrelevant.\nDot: Lisa’s sister. Empathetic but frustrated. Can come across as heartless\, or despondent. An important character to be suggestively doubled. Stage age 25-35. Female identifying.\nVince: Lisa’s boyfriend. A pivotal role. Like Dot\, Vince is frustrated\, and has difficulty understanding why he’s being ‘mistreated.’ Another character caught between being empathetic and a prick. Must have both an imposing quality\, and a sensitivity to him. Stage age 25-35. Male identifying. \nSinging and other musical abilities are not required by any means\, but do mention if you have them.\n\n\n\n\nMore Information at: https://www.trybooking.com/CBZLO \n\nContact: Thomas Filsell\nfils0010@gmail.com
URL:https://tasaonline.org.au/events/wonderful-world-of-dissocia/2022-09-21/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220926T170000
DTEND;TZID=Australia/Adelaide:20220926T220000
DTSTAMP:20260425T231328
CREATED:20220916T035344Z
LAST-MODIFIED:20220916T035344Z
UID:10017773-1664211600-1664229600@tasaonline.org.au
SUMMARY:Wonderful World of DISSOCIA
DESCRIPTION:Written By: Anthony Neilson \nCreative Team: Directed by Thomas Filsell \n\nThe Wonderful World of Dissocia is an off-the-wall\, at times hilarious\, at times disturbing\, ultimately profoundly thought-provoking play\, featuring vivid\, unique and unforgettable characters\, and wondrous settings which contrast to a degree rarely seen in the theatre. Aside from being laugh-out-loud funny\, the play also has an important message to convey regarding mental health.\nDissocia tells the story of Lisa\, a young woman battling with a dissociative disorder. In order to regain ‘balance’ in her life\, Lisa must successfully navigate her way through Dissocia\, a fantastic wonderland full of surprises and weird\, wonderful\, and frightening inhabitants.\nAway from Dissocia\, life is very different. In Dissocia\, Lisa is the decider of her own fate. Back at home\, she’s not.\nThis is a riotous\, wonderful\, wild-ride of a play. As playwright Anthony Neilson said\, “If you like Alice in Wonderland but there’s not enough sex and violence in it\, then Dissocia is the show for you.” \nAge is not a big factor for casting\, but there are adult themes\, including violence\, implied off-stage sexual assault\, and use of ‘adult’ language\, so audiences and auditionees are advised to consider these potentially disturbing contents before attending auditions or performances. \nAUDITION BOOKED BY ONLINE APPOINTMENT ONLY\nAuditions are booked via https://www.trybooking.com/CBZLO \nEach individual audition will last 15 minutes.\nAfter booking an audition\, you will be emailed audition scenes. They are not compulsory to learn but please familiarise yourself with them. You will be asked to read additional scenes to gauge your suitability for other characters to be doubled. An audition form will also be provided.\nOn booking an audition slot\, please ensure you advise your correct phone number and email address.\nWe recommend you wear comfortable clothing and shoes\, and bring water.\nAny questions about audition bookings\, please email theatreguild@adelaide.edu.au. Any questions about the play/production (and NOT for booking auditions)\, the director can be contacted at fils0010@gmail.com.\nPlease be aware that everyone involved in a Theatre Guild show is required to be a member. Auditions are open to anyone but any roles offered will only be confirmed once you have become a member. Memberships for 2023 can be purchased via www.trybooking.com/CBXOD \n\nInformation Session: \n\nAudition Information: http://www.trybooking.com/CBZLO \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n21/09/2022\n\n\nTime From – Time to:\n17:00 – 22:30\n\n\nRepeated Fieldset #:1\n\n\nDate:\n26/09/2022\n\n\nTime From – Time to:\n17:00 – 22:30\n\n\n\n  \n\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\n7 actors required\n\n\nRepeated Fieldset #:2\n\n\nGender:\nUndefined\n\n\nRepeated Fieldset #:3\n\n\nStage Age:\nAny\n\n\nRepeated Fieldset #:4\n\n\nRole Information:\nThe cast consists of 7 actors\, each playing multiple roles\, besides Lisa who will be played by a single actress.\nThe role of Lisa has already been cast.ROLES AVAILABLE: (in order of appearance)\nAge\, gender\, and ethnicity are not relevant for casting\, except for the roles of Vince and Dot\, who will need to be played by a male and female respectively\, both within the stage age range of 25-35 years. \nVictor: A strange Swiss watchmaker. Swiss or RP English accent required.\nPassengers: There are a few of these to be doubled by actors. Speaking and non-speaking. All weird and funny in their own way.\nGuard 1: Perhaps one of the two funniest characters in the play. Must be able to convey a lack of confidence and indecision.\nGuard 2: Similar to Guard 1. These two must be able to play off and work with one another well. Great comedic timing is needed for both Guards.\nOathtaker: Has two modes – stentorian\, and bored out of their mind. An imposing figure\, but needs great comedic abilities.\nOathtaker attendants: Will double. Musical ability would be great\, but not necessary.\nGoat: Probably the ‘worst’ character in the first act\, if not the entire play. A scary figure\, who also needs to be able to be funny\, before turning toward terrifying.\nJane: Female identifying actor required. Requires good comedic sensibilities.\nBear: Loveable. Wears a costume. Must be able to sing.\nBritney: Essentially a bogan. Funny. Absurd.\nLaughter: Speaking. Comedic timing needed.\nTicket: Speaking. Comedic timing needed.\nArgument: Speaking. Comedic timing needed.\nInhibitions: Speaking. Comedic timing needed.\nBiffer: Non-speaking\, but makes some ‘noises.’ Comedic timing\, again\, is needed.\nViolinist: If you can play the violin\, that’s great. If you have a violin\, that’s even better! Neither of these is necessary\, though.\nNurses x3: There are 3 nurses in the second act. Each will be played by a different actor\, and each have different personality traits. Gender irrelevant.\nDr Clark: A Doctor. Gender irrelevant.\nDr Faraday: A Doctor. Gender irrelevant.\nDot: Lisa’s sister. Empathetic but frustrated. Can come across as heartless\, or despondent. An important character to be suggestively doubled. Stage age 25-35. Female identifying.\nVince: Lisa’s boyfriend. A pivotal role. Like Dot\, Vince is frustrated\, and has difficulty understanding why he’s being ‘mistreated.’ Another character caught between being empathetic and a prick. Must have both an imposing quality\, and a sensitivity to him. Stage age 25-35. Male identifying. \nSinging and other musical abilities are not required by any means\, but do mention if you have them.\n\n\n\n\nMore Information at: https://www.trybooking.com/CBZLO \n\nContact: Thomas Filsell\nfils0010@gmail.com
URL:https://tasaonline.org.au/events/wonderful-world-of-dissocia/2022-09-26/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221010T000000
DTEND;TZID=Australia/Adelaide:20221031T000000
DTSTAMP:20260425T231328
CREATED:20221009T230158Z
LAST-MODIFIED:20221009T230158Z
UID:10017787-1665360000-1667174400@tasaonline.org.au
SUMMARY:Competitive Tenderness
DESCRIPTION:by Hannie Rayson \nDirected By: Harry Dewar \nCOMPETITIVE TENDERNESS is an hilarious\, over-the-top farce about corruption\, blackmail\, deception\, and debauchery. And traffic. And pet ownership. And all the other fun of local government \nDawn Snow has a fierce reputation – (It’s rumoured she reformed the prison system in Uganda!) Now\, with local government reform high on the political agenda\, she is called upon to rescue the City of Greater Bourke from the debt burden left by its recently deceased CEO. Time for some outsourcing and downsizing\, (and wealth redistribution amongst friends at the expense of the ratepayers…) \nFirst performed by Playbox Theatre in 1996 in a production directed by Aubrey Mellor and starring Max Gillies. \nRoles Available:\n8 actors will be cast to play the following roles: \nBRIAN GUEST\, Mayor of Greater Burke male\, 40s-50s\nDAWN SNOW\, CEO Greater Burke female\, 40s-50s\nDELIA KIBBITRAWHIB\, Receptionist female\, 30s-40s\nTREVOR GUEST\, Dog Catcher male\, 30s-50’s\nPIGGY KATSOS\, Parking Officer male\, 30s-40s\nMERLE PICKHAVER\, Councillor\, Greater Burke female\, 50s-70s\nAMELIA STITCH\, Word Processor / Receptionist female\, 20s-50s\nKIMBLE FARKLEY\, Minister for Local Government male\, 40s-60s \nAn additional 6-8 actors will be cast in multiple roles\, including: \nDRAGI SMILEVSKI\, Macedonian smallgoods magnate male\, 50s-60s\nKEL CARMICHAEL\, Senior Traffic Officer male\, 30s-50s\nROY FERRETT\, CEO’s Assistant Manager male\, 50-ish\nROCKO RICOTTO\, Advisor to the Minister male\, 20s-30s\nDELORES\, Minister’s PA female\, 20s-40s\nand 18 additional roles \nRehearsals:\nSundays: 3:00-5:30pm\nSundays: 6:00pm-8:30pm\nTuesdays: 7:00-9:30pm \nRehearsals commence Tuesday January 17th 2023\n(There will be some initial readings in December 2022) \nPerformances:\nFriday 28th April 8pm\nSaturday 29th April 2pm & 8pm\nFriday 5th May 8pm\nSaturday 6th May 2pm & 8pm \nVenue:\nThe Arts Centre\n22 Gawler Street\, Port Noarlunga \nAuditions:\nAuditions will take place during October 2022\nContact the director on 0421366101 or dewarharry@ozemail.com.au \nVenue:\nTBA \nMore Information:\nContact Harry Dewar on 0421366101 or email dewarharry@ozemail.com.au
URL:https://tasaonline.org.au/events/competitive-tenderness/
LOCATION:SA\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Noarlunga Theatre Company":MAILTO:ntc@outlook.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221015T090000
DTEND;TZID=Australia/Adelaide:20221015T170000
DTSTAMP:20260425T231328
CREATED:20220916T035848Z
LAST-MODIFIED:20220916T035848Z
UID:10017774-1665824400-1665853200@tasaonline.org.au
SUMMARY:THE TEMPEST
DESCRIPTION:Written By: William Shakespeare \nCreative Team: Directed by Bronwyn Palmer \n\nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board. On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter\, Miranda\, that he has caused the storm with his magical powers.\nProspero had been banished twelve years earlier when Prospero’s brother\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead. Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax.\nOn the island\, castaways from the wreck begin to appear. First is Alonso’s son\, Ferdinand\, who immediately falls in love with Miranda. Other castaways who appear are Trinculo and Stephano\, Alonso’s jester and butler respectively\, who join forces with Caliban to kill Prospero and take over the island. The nobles from the ship search for Ferdinand and are confronted with a spectacle including a Harpy\, who convinces Alonso that Ferdinand’s death is retribution for Prospero’s exile.\nHaving all his enemies under his control\, Prospero decides to forgive them. Alonso\, joyously reunited with his son\, restores Prospero to the dukedom of Milan and welcomes Miranda as Ferdinand’s wife. As all except Caliban and Ariel prepare to leave the island\, Prospero\, who has given up his magic\, bids farewell to the island and the audience. \n\n  \nAudition Information: http://www.trybooking.com/CCKRR \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n15/10/2022\n\n\nTime From – Time to:\n09:00 – 17:00\n\n\nRepeated Fieldset #:1\n\n\nDate:\n16/10/2022\n\n\nTime From – Time to:\n09:00 – 17:00\n\n\n\n  \n\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nmany\n\n\nRepeated Fieldset #:2\n\n\nGender:\nUndefined\n\n\nRepeated Fieldset #:3\n\n\n\n\n\n\nRepeated Fieldset #:4\n\n\nRole Information:\nROLES AVAILABLE:\n(age and gender relevant only where specified)PROSPERO\, the former Duke of Milan\, now a magician on an island. Stage age: 45 – 55.\nMIRANDA\, Prospero’s daughter. Stage age: 18 – 20. Female presenting.\nARIEL\, a spirit\, servant to Prospero. Requires strong movement ability and strong singing ability.\nCALIBAN\, an inhabitant of the island\, servant to Prospero. Male presenting.\nFERDINAND\, Prince of Naples. Stage age: 19 – 25. Male presenting.\nALONSO\, King of Naples. Stage age: 50+\nANTONIO\, Duke of Milan and Prospero’s brother. Stage age: 35 – 50.\nSEBASTIAN\, Alonso’s brother. Stage age: 40 – 50.\nGONZALO\, councillor to Alonso and friend to Prospero. Stage age: 50+\nTRINCULO\, servant to Alonso.\nSTEPHANO\, Alonso’s butler.\nADRIAN\, courtiers in attendance on Alonso\, and MOVEMENT ENSEMBLE\nFRANCISCO\, courtiers in attendance on Alonso\, and MOVEMENT ENSEMBLE\nSHIPMASTER / MOVEMENT ENSEMBLE\nBOATSWAIN / MOVEMENT ENSEMBLE\nMARINERS / MOVEMENT ENSEMBLE\nPlus\nTWO LIVE MUSICIANS – Must be able to improvise. String instruments or piano preferred. Not required to audition. Please email the Director at bronwyn.palmer@gmail.com for further information.\n\n\n\n\nAUDITION BOOKED BY ONLINE APPOINTMENT ONLY\nAuditions are booked via http://www.trybooking.com/CCKRR\nEach group audition (up to 5 people per session) will last 50 minutes between 9am – 5pm Saturday 15 and Sunday 16 October 2022. \n*WHAT TO PREPARE*\nPlease prepare from memory a 2-3 minute Shakespearean monologue from any play and a short (30 seconds max.) unaccompanied song. \nWe recommend you wear comfortable clothing and shoes for physical movement\, and bring water. \nAfter booking an audition\, you will be emailed audition scenes. They are not compulsory to learn but please familiarise yourself with them. An audition form will be provided. On booking an audition slot\, please ensure you advise your correct phone number and email address. Please arrive 10 minutes early to allow yourself time to prepare for your audition and to complete a form if necessary. \nUATG is committed to equity\, diversity and inclusion. We encourage performers 18+ of all races and ethnicities\, gender identities\, and abilities to audition. However\, please be aware that the Little Theatre is not fully equipped for those with a physical disability. The foyer and auditorium are accessible via ground floor entrance\, but the stage and backstage areas are unfortunately not equipped for wheelchair access.\nAny questions about audition bookings\, please email theatreguild@adelaide.edu.au. Any questions about the play/production (and NOT for booking auditions)\, the director can be contacted at bronwyn.palmer@gmail.com. \n\nContact: Bronwyn Palmer\nbronwyn.palmer@gmail.com
URL:https://tasaonline.org.au/events/the-tempest/2022-10-15/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221016T090000
DTEND;TZID=Australia/Adelaide:20221016T170000
DTSTAMP:20260425T231328
CREATED:20220916T035848Z
LAST-MODIFIED:20220916T035848Z
UID:10017775-1665910800-1665939600@tasaonline.org.au
SUMMARY:THE TEMPEST
DESCRIPTION:Written By: William Shakespeare \nCreative Team: Directed by Bronwyn Palmer \n\nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board. On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter\, Miranda\, that he has caused the storm with his magical powers.\nProspero had been banished twelve years earlier when Prospero’s brother\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead. Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax.\nOn the island\, castaways from the wreck begin to appear. First is Alonso’s son\, Ferdinand\, who immediately falls in love with Miranda. Other castaways who appear are Trinculo and Stephano\, Alonso’s jester and butler respectively\, who join forces with Caliban to kill Prospero and take over the island. The nobles from the ship search for Ferdinand and are confronted with a spectacle including a Harpy\, who convinces Alonso that Ferdinand’s death is retribution for Prospero’s exile.\nHaving all his enemies under his control\, Prospero decides to forgive them. Alonso\, joyously reunited with his son\, restores Prospero to the dukedom of Milan and welcomes Miranda as Ferdinand’s wife. As all except Caliban and Ariel prepare to leave the island\, Prospero\, who has given up his magic\, bids farewell to the island and the audience. \n\n  \nAudition Information: http://www.trybooking.com/CCKRR \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n15/10/2022\n\n\nTime From – Time to:\n09:00 – 17:00\n\n\nRepeated Fieldset #:1\n\n\nDate:\n16/10/2022\n\n\nTime From – Time to:\n09:00 – 17:00\n\n\n\n  \n\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nmany\n\n\nRepeated Fieldset #:2\n\n\nGender:\nUndefined\n\n\nRepeated Fieldset #:3\n\n\n\n\n\n\nRepeated Fieldset #:4\n\n\nRole Information:\nROLES AVAILABLE:\n(age and gender relevant only where specified)PROSPERO\, the former Duke of Milan\, now a magician on an island. Stage age: 45 – 55.\nMIRANDA\, Prospero’s daughter. Stage age: 18 – 20. Female presenting.\nARIEL\, a spirit\, servant to Prospero. Requires strong movement ability and strong singing ability.\nCALIBAN\, an inhabitant of the island\, servant to Prospero. Male presenting.\nFERDINAND\, Prince of Naples. Stage age: 19 – 25. Male presenting.\nALONSO\, King of Naples. Stage age: 50+\nANTONIO\, Duke of Milan and Prospero’s brother. Stage age: 35 – 50.\nSEBASTIAN\, Alonso’s brother. Stage age: 40 – 50.\nGONZALO\, councillor to Alonso and friend to Prospero. Stage age: 50+\nTRINCULO\, servant to Alonso.\nSTEPHANO\, Alonso’s butler.\nADRIAN\, courtiers in attendance on Alonso\, and MOVEMENT ENSEMBLE\nFRANCISCO\, courtiers in attendance on Alonso\, and MOVEMENT ENSEMBLE\nSHIPMASTER / MOVEMENT ENSEMBLE\nBOATSWAIN / MOVEMENT ENSEMBLE\nMARINERS / MOVEMENT ENSEMBLE\nPlus\nTWO LIVE MUSICIANS – Must be able to improvise. String instruments or piano preferred. Not required to audition. Please email the Director at bronwyn.palmer@gmail.com for further information.\n\n\n\n\nAUDITION BOOKED BY ONLINE APPOINTMENT ONLY\nAuditions are booked via http://www.trybooking.com/CCKRR\nEach group audition (up to 5 people per session) will last 50 minutes between 9am – 5pm Saturday 15 and Sunday 16 October 2022. \n*WHAT TO PREPARE*\nPlease prepare from memory a 2-3 minute Shakespearean monologue from any play and a short (30 seconds max.) unaccompanied song. \nWe recommend you wear comfortable clothing and shoes for physical movement\, and bring water. \nAfter booking an audition\, you will be emailed audition scenes. They are not compulsory to learn but please familiarise yourself with them. An audition form will be provided. On booking an audition slot\, please ensure you advise your correct phone number and email address. Please arrive 10 minutes early to allow yourself time to prepare for your audition and to complete a form if necessary. \nUATG is committed to equity\, diversity and inclusion. We encourage performers 18+ of all races and ethnicities\, gender identities\, and abilities to audition. However\, please be aware that the Little Theatre is not fully equipped for those with a physical disability. The foyer and auditorium are accessible via ground floor entrance\, but the stage and backstage areas are unfortunately not equipped for wheelchair access.\nAny questions about audition bookings\, please email theatreguild@adelaide.edu.au. Any questions about the play/production (and NOT for booking auditions)\, the director can be contacted at bronwyn.palmer@gmail.com. \n\nContact: Bronwyn Palmer\nbronwyn.palmer@gmail.com
URL:https://tasaonline.org.au/events/the-tempest/2022-10-16/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221105T193000
DTEND;TZID=Australia/Adelaide:20221105T213000
DTSTAMP:20260425T231328
CREATED:20221130T055406Z
LAST-MODIFIED:20221130T055406Z
UID:10017872-1667676600-1667683800@tasaonline.org.au
SUMMARY:Only an Orphan Girl
DESCRIPTION:Written By: Henning Nelms \nDirected by Barry Hill \nSynopsis:  The Orphan Girl is a long-suffering young lady who seems destined not only to lose her lover but her life as well. The familiar characters of old-time melodrama here play their roles up to the hilt. The most thrilling scene is that in which dynamite (planted by the villain) is about to blow all the good characters to eternity. Just in time\, however\, Lucy picks up the dynamite and throws it out the door. \nOn reflection\, though\, it seems that the thrill just described is actually topped by the even more exciting scene in the sawmill\, where Nellie\, tied to a log\, is approaching the circular saw which in a moment will tear her to pieces. The hero\, who has been tied by the villain\, is freed just in time to thrust aside the latter who draws a pistol on him and threatens to kill him if he dares touch the lever that will save Nellie. The villain fires. The hero is wounded. And\, at this very instant\, a friend opportunely appears to snare the villain\, and Nellie is safe in the arms of her hero. \nRole Name:  Arthur Rutherford                  Gender:  Male                   Stage Age:  30+ \nRole Information:  The villain – stage age 30s\, 40s\, or 50s – sly\, manipulating\, cunning\, a womaniser\, able to ‘work the audience’ English or American accent – 140 cues \nRole Name:  Dick Perkins                              Gender:  Male                   Stage Age:  20s \nRole Information:  A clean cut farm lad – stage age 20s or early 30s – country yokel\, decent\, highly principled\, the hero – American accent – 50 cues \nRole Name:  Nellie                                          Gender:  Female              Stage Age:  20s \nRole Information:  The orphan girl – stage age 20s – pure as the driven snow\, innocent (or is she?)\, the heroine – American accent – 75 cues \nRole Name:  Ethel Rutherford                     Gender:  Female              Stage Age:  40s \nRole Information:  A fair stranger – stage age 40s or 50s – Arthur’s wife (Arthur left her 4 years previously)\, as sly and cunning as Arthur – a femme fatale- English or American accent – 52 cues \nRole Name:  Mr Perkins                                Gender:  Male                   Stage Age:   50s \nRole Information:  Dick’s Father – stage age 50s or 60s – not blessed with brains\, acts before he thinks\, protective of Nellie – American accent – 45 cues \nRole Name:  Mrs Perkins                               Gender:  Female              Stage Age:  50s \nRole Information:  Dick’s Mother – stage age 50s or 60s – slightly brighter than her husband\, puts up with him\, long suffering – American accent – 26 cues \nRole Name:  Widow Appleby                      Gender:  Female              Stage Age:  50+ \nRole Information:  A neighbour – stage age 50s up – Lucy’s mother\, holder of the mortgage on the Perkin’s farm\, a yokel- dispenser of wisdom -American accent – 33 cues \nRole Name:  Lucy                                       Gender:  Female              Stage Age:  20+ \nRole Information:  A ray of sunshine – Stage age 20s\, 30s or 40s – Widow Appleby’s daughter\, a friend of Nellie’s\, more innocent than Nellie (if possible)\, a small but fun role – her memorable scene involves a bomb that is about to explode – American accent- 15 cues \nAudition Contact Name:  Barry Hill \nAudition Contact Email:  barry1953@hotmail.com \nAudition Contact Phone Number:  0400 827 634
URL:https://tasaonline.org.au/events/only-an-orphan-girl/2022-11-05/
LOCATION:Tea Tree Players Theatre\, Cnr Yatala Vale Road and Hancock Road\, Surrey Downs\, SA\, 5126\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Tea Tree Players":MAILTO:ttp@teatreeplayers.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221106T100000
DTEND;TZID=Australia/Adelaide:20221106T180000
DTSTAMP:20260425T231328
CREATED:20221006T052741Z
LAST-MODIFIED:20221006T052741Z
UID:10017838-1667728800-1667757600@tasaonline.org.au
SUMMARY:Kissing the Witch
DESCRIPTION:Production Title:\nKissing The Witch\n\n\nWritten By:\nEmma Donoghue\n\n\nProduction Type:\nDrama\n\n\nCreative Team:\nDirected by Imogen Deller-Evans\n\n\nAudition Booking Link:\nhttp://www.trybooking.com/CDBER\n\n\n\n\n\n\nDate:\n06/11/2022\n\n\nTime From – Time to:\n10:00 – 18:00\n\n\nSynopsis:\nA rich tapestry of passion\, ambition\, and transformation\, Kissing The Witch allows women to reclaim the stories and identities that have been used against them for centuries. Five familiar tales – Beauty and the Beast\, Donkeyskin\, The Goose Girl\, The Little Mermaid\, and an enchanting new story – are seamlessly unspun and rewoven in unexpected ways. Women young and old tell their own stories of love\, lies\, and alliances – all with a determination to seize back the narrative. \nKissing The Witch challenges what we think we know of traditional tales of ‘good’ and ‘evil’. It explores the nuance in the fantastical\, and the sensual in the magical; it reclaims the power of the Witch. \nKissing The Witch was written by acclaimed Irish author and playwright Emma Donoghue\, best known for her novel Room. \n(Please be advised that this play contains coarse language and adult themes\, including attempted incest.)\n\n\n\n\n\n\nRole Name:\nFIRST woman\n\n\nGender:\nFemale\n\n\nStage Age:\n20s\n\n\nRole Information:\nPlays the Witch and other women\, sometimes the maidenly characters. Female presenting. (Singing ability is preferred but not essential.)\n\n\n\n\n\n\nRole Name:\nSECOND woman\n\n\nGender:\nFemale\n\n\nStage Age:\n30s\n\n\nRole Information:\n30s/40s. Plays the Witch and other women\, sometimes the motherly characters. Female presenting.\n\n\n\n\n\n\nRole Name:\nTHIRD woman\n\n\nGender:\nFemale\n\n\nStage Age:\n50s\n\n\nRole Information:\nPlays the Witch and other women\, sometimes the matronly characters. Female presenting.\n\n\n\n\n\n\nRole Name:\nMAN\n\n\nGender:\nMale\n\n\nStage Age:\nany\n\n\nRole Information:\nPlays all male characters\, often fathers and husbands. Male presenting.\n\n\nProduction Website/ More Information At:\nhttp://www.trybooking.com/cdber\n\n\nOther Information:\nAuditions are booked via http://www.trybooking.com/CDBER \nYou are asked to prepare a 2–5-minute story. This can be a well-known story\, an original story\, a story from your life\, an improvisation – anything! We ask that you present this story by heart so that we may gauge your ability for natural storytelling. \nLocation: WP Rogers Room\, Level 4\, Union House (West)\, University of Adelaide\n\n\nAudition Contact Name:\nImogen Deller-Evans\n\n\nAudition Contact Email:\nidellerevans@gmail.com\n\n\n\n 
URL:https://tasaonline.org.au/events/kissing-the-witch/
LOCATION:SA\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221114T190000
DTEND;TZID=Australia/Adelaide:20221114T203000
DTSTAMP:20260425T231328
CREATED:20221101T230156Z
LAST-MODIFIED:20221101T230156Z
UID:10016244-1668452400-1668457800@tasaonline.org.au
SUMMARY:Hot Shoe Shuffle - Information Session
DESCRIPTION:Come along and meet the production team\, find out about the production (in July 2023) and book your audition.
URL:https://tasaonline.org.au/events/hot-shoe-shuffle-information-session/
LOCATION:The Parks Theatre: Theatre One\, 46 Cowan St\, Angle Park\, SA\, 5010\, Australia
CATEGORIES:Information Session
ORGANIZER;CN="Marie Clark Musical Theatre":MAILTO:secretary@marieclark.asn.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221114T194500
DTEND;TZID=Australia/Adelaide:20221114T204500
DTSTAMP:20260425T231328
CREATED:20221109T035928Z
LAST-MODIFIED:20221109T035928Z
UID:10016246-1668455100-1668458700@tasaonline.org.au
SUMMARY:Nunsense: The Mega Musical Info Night
DESCRIPTION:Come along and hear all about the opportunities available in our May 2023 production\, ‘Nunsense: the Mega Musical’. Audition bookings will be taken at the end of the Info Evening.
URL:https://tasaonline.org.au/events/nunsense-the-mega-musical-info-night/
LOCATION:Maylands Church of Christ Hall\, 157 Portrush Rd\, Maylands\, SA\, 5069\, Australia
CATEGORIES:Information Session
ORGANIZER;CN="The Metropolitan Musical Theatre Company of SA Inc.":MAILTO:themetsa@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221120T110000
DTEND;TZID=Australia/Adelaide:20221120T160000
DTSTAMP:20260425T231328
CREATED:20221109T232649Z
LAST-MODIFIED:20221109T232649Z
UID:10016248-1668942000-1668960000@tasaonline.org.au
SUMMARY:Hot Shoe Shuffle
DESCRIPTION:We’ve opened up audition bookings a little earlier than usual\, mostly because we’re just gosh darn excited about the show! \n\nHere’s what you need to know in a nutshell about auditions for ‘Hot Shoe Shuffle’…\n\n\nAUDITION DATES AND BOOKING LINKS:\n\n\n– Sunday Nov 20th (11.00am-4.00pm) : https://www.trybooking.com/CEFFA\n– Monday Nov 21st (6.30pm-8.00pm): https://www.trybooking.com/CEFFV\n\n\nAUDITION FORMAT: 1 x 10-minute individual audition and a group audition. All audition materials (including the Information Pack for the show) can be found here: https://tinyurl.com/yckbmy77\n\n\nAUDITION VENUE: The Parks Theatre (46 Cowan Street\, Angle Park SA).\n\n\n\n\n\nThe audition links are live and ready to go\, so brush off your tap shoes and get booking – our HSS Production Team are keen to meet you! \n\n\nDon’t forget our info session for the show is happening next Monday\, Nov 14th (also at The Parks Theatre) – head along if you want to meet our HSS Production Team ahead of time\, and for your opportunity to ask any questions about the show in person.
URL:https://tasaonline.org.au/events/hot-shoe-shuffle/2022-11-20/
LOCATION:The Parks Theatre: Theatre One\, 46 Cowan St\, Angle Park\, SA\, 5010\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Marie Clark Musical Theatre":MAILTO:secretary@marieclark.asn.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221121T183000
DTEND;TZID=Australia/Adelaide:20221121T200000
DTSTAMP:20260425T231328
CREATED:20221109T232649Z
LAST-MODIFIED:20221109T232649Z
UID:10016249-1669055400-1669060800@tasaonline.org.au
SUMMARY:Hot Shoe Shuffle
DESCRIPTION:We’ve opened up audition bookings a little earlier than usual\, mostly because we’re just gosh darn excited about the show! \n\nHere’s what you need to know in a nutshell about auditions for ‘Hot Shoe Shuffle’…\n\n\nAUDITION DATES AND BOOKING LINKS:\n\n\n– Sunday Nov 20th (11.00am-4.00pm) : https://www.trybooking.com/CEFFA\n– Monday Nov 21st (6.30pm-8.00pm): https://www.trybooking.com/CEFFV\n\n\nAUDITION FORMAT: 1 x 10-minute individual audition and a group audition. All audition materials (including the Information Pack for the show) can be found here: https://tinyurl.com/yckbmy77\n\n\nAUDITION VENUE: The Parks Theatre (46 Cowan Street\, Angle Park SA).\n\n\n\n\n\nThe audition links are live and ready to go\, so brush off your tap shoes and get booking – our HSS Production Team are keen to meet you! \n\n\nDon’t forget our info session for the show is happening next Monday\, Nov 14th (also at The Parks Theatre) – head along if you want to meet our HSS Production Team ahead of time\, and for your opportunity to ask any questions about the show in person.
URL:https://tasaonline.org.au/events/hot-shoe-shuffle/2022-11-21/
LOCATION:The Parks Theatre: Theatre One\, 46 Cowan St\, Angle Park\, SA\, 5010\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Marie Clark Musical Theatre":MAILTO:secretary@marieclark.asn.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221203T090000
DTEND;TZID=Australia/Adelaide:20221203T170000
DTSTAMP:20260425T231328
CREATED:20221110T011711Z
LAST-MODIFIED:20221110T011711Z
UID:10016251-1670058000-1670086800@tasaonline.org.au
SUMMARY:INK by James Graham
DESCRIPTION:Directed by Robert Bell\n\nSeason: 12 October to 22 October 2023\nVenue: Little Theatre\, The University of Adelaide\nRehearsals: Starting 1 Aug 2023. Typically Tuesday & Thursday evenings\, 7pm-10pm & Sunday afternoons\, depending on availability. Rehearsals will take place in various locations on the North Terrace Campus which will be indicated on the rehearsal schedule.\nAudition Venue: Little Theatre\, The Cloisters\, University of Adelaide. Gate 10 from Victoria Drive.\nDirections: The Cloisters is the name given to the courtyard in front of the Union Building (Union House) facing Victoria Drive and the river. The entrance to the theatre is in the south-west corner of the courtyard\, next to the Unibar.\n\nSYNOPSIS\n“I want to tell you a story. And it’s true. That’s what makes it a good fucking story\, right\, ’cause all the best stories are true.”\nFleet Street. 1969. The Sun rises.\nJames Graham’s ruthless\, red-topped play leads with the birth of this country’s most influential newspaper – when a young and rebellious Rupert Murdoch asked the impossible and launched its first editor’s quest\, against all odds\, to give the people what they want.\nBefore ‘Fox News’\, there was ‘The Sun’. Prior to Murdoch’s purchase in 1969\, The Sun was a struggling\, left leaning Broadsheet destined for failure. Enter a brash young Rupert Murdoch ready to disrupt Fleet Street\, rogue editor Larry Lamb and an unlikely team of underdog reporters and you’ve got yourself a story good enough for the front page.\nThis ensemble driven comedy is hilarious and jam-packed with gripping dramatic moments that tell one hell of a story! Ink centres around an unlikely matchup of David and Goliath proportions between Murdoch’s newly purchased The Sun and the bestselling newspaper in the world\, The Mirror. It may even have you rooting for Australia’s own Media Mogul himself.\nInk does not shy from the controversial\, sexy and debaucherous. It’s bound to be a fun time.\n\nWarning: Adult themes\, strong language\, and partial nudity apply. Auditionees must be 18+.\nTwelve cast members will play a number of roles\, doubling required. Listed below are the key characters.\nPlease note: the roles of Rupert Murdoch and Larry Lamb have already been cast.\n\nKEY ROLES AVAILABLE\n(Age and ethnicity are a guide only)\nHUGH CUDLIPP – (Male 50s-60s\, Welsh) Editor of The Mirror\, a force to be reckoned with and determined to keep The Sun from succeeding.\nSTEPHANIE RAHN – (Female 20s-30s\, script references character being part Indian\, but this can be updated accordingly) An up-and-coming model driven for success. *Must be comfortable wearing underwear on stage*\nBRIAN McCONNELL – (Male 40s -50s) Described as a heroic drinker. This journalist can’t bring himself to say no to his old friend. *Must be comfortable being shirtless on stage*\nBERNARD SHRIMSLEY – (Male 40s-50s) Deputy editor. Lean and smart with exacting standards. Not well liked.\nJOYCE HOPKIRK – (Female 40s) Strong minded\, with killer instinct. A saucy soul tapped to become woman’s editor.\nRAY MILLS – (Male 40s-50s) Sub-editor. A thuggish\, frightening brute. Straight talker.\nFRANK NICKLIN – (Male any age) Sports journalist\, not the brightest\, but the most enthusiastic.\nBEVERLEY GOODWAY – (Male 20s-30s) A free spirited photographer with a passion for photographing attractive women.\nSIR ALICK MCKAY – (Male 60+) Deputy Chairman. Ever so loyal and the most empathetic of the group.\nDIANA – (Female 20s-30s) Horoscope writer. Loves gossip almost as much as reading the stars.\nLEE HOWARD – (Male any age) Editor of the Mirror. Never too far from Hugh Cudlipp.\nSIR PERCY ROBERTS – (Male any age) a Mirror Board member. Looking after his best interests.\n\nAUDITION BOOKED BY ONLINE APPOINTMENT ONLY\nAuditions are booked via http://www.trybooking.com/CDIQG\nEach individual audition will last 15 minutes between 9am – 5pm Saturday 3 December 2022.\n\nAfter booking an audition\, you will be emailed audition scenes. These are not compulsory to learn but please familiarise yourself with them. You will be asked to read additional scenes to gauge your suitability for the above characters and any roles that will be doubled. An audition form will also be provided.\nOn booking an audition slot\, please ensure you advise your correct phone number and email address. Please arrive 10 minutes early to allow yourself time to prepare for your audition and to complete an audition form. We recommend you wear comfortable clothing and shoes\, and bring water.\nAny questions about audition bookings\, please email theatreguild@adelaide.edu.au\nAny questions about the play/production (and NOT for booking auditions)\, the director can be contacted at robertsjbell@gmail.com.\n\nUATG is committed to equity\, diversity and inclusion. We encourage performers 18+ of all races and ethnicities\, gender identities\, abilities to audition. However\, please be aware that the Little Theatre is not fully equipped for those with a physical disability. The foyer and auditorium are accessible via ground floor entrance\, but the stage and backstage areas are unfortunately not equipped for wheelchair access.\nMembership: Please be aware that everyone involved in a Theatre Guild show is required to be a member of the Theatre Guild. Memberships for 2023 are available via www.trybooking.com/CBXOD
URL:https://tasaonline.org.au/events/ink-by-james-graham/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221207T193000
DTEND;TZID=Australia/Adelaide:20221207T213000
DTSTAMP:20260425T231328
CREATED:20221130T055406Z
LAST-MODIFIED:20221130T055406Z
UID:10017873-1670441400-1670448600@tasaonline.org.au
SUMMARY:Only an Orphan Girl
DESCRIPTION:Written By: Henning Nelms \nDirected by Barry Hill \nSynopsis:  The Orphan Girl is a long-suffering young lady who seems destined not only to lose her lover but her life as well. The familiar characters of old-time melodrama here play their roles up to the hilt. The most thrilling scene is that in which dynamite (planted by the villain) is about to blow all the good characters to eternity. Just in time\, however\, Lucy picks up the dynamite and throws it out the door. \nOn reflection\, though\, it seems that the thrill just described is actually topped by the even more exciting scene in the sawmill\, where Nellie\, tied to a log\, is approaching the circular saw which in a moment will tear her to pieces. The hero\, who has been tied by the villain\, is freed just in time to thrust aside the latter who draws a pistol on him and threatens to kill him if he dares touch the lever that will save Nellie. The villain fires. The hero is wounded. And\, at this very instant\, a friend opportunely appears to snare the villain\, and Nellie is safe in the arms of her hero. \nRole Name:  Arthur Rutherford                  Gender:  Male                   Stage Age:  30+ \nRole Information:  The villain – stage age 30s\, 40s\, or 50s – sly\, manipulating\, cunning\, a womaniser\, able to ‘work the audience’ English or American accent – 140 cues \nRole Name:  Dick Perkins                              Gender:  Male                   Stage Age:  20s \nRole Information:  A clean cut farm lad – stage age 20s or early 30s – country yokel\, decent\, highly principled\, the hero – American accent – 50 cues \nRole Name:  Nellie                                          Gender:  Female              Stage Age:  20s \nRole Information:  The orphan girl – stage age 20s – pure as the driven snow\, innocent (or is she?)\, the heroine – American accent – 75 cues \nRole Name:  Ethel Rutherford                     Gender:  Female              Stage Age:  40s \nRole Information:  A fair stranger – stage age 40s or 50s – Arthur’s wife (Arthur left her 4 years previously)\, as sly and cunning as Arthur – a femme fatale- English or American accent – 52 cues \nRole Name:  Mr Perkins                                Gender:  Male                   Stage Age:   50s \nRole Information:  Dick’s Father – stage age 50s or 60s – not blessed with brains\, acts before he thinks\, protective of Nellie – American accent – 45 cues \nRole Name:  Mrs Perkins                               Gender:  Female              Stage Age:  50s \nRole Information:  Dick’s Mother – stage age 50s or 60s – slightly brighter than her husband\, puts up with him\, long suffering – American accent – 26 cues \nRole Name:  Widow Appleby                      Gender:  Female              Stage Age:  50+ \nRole Information:  A neighbour – stage age 50s up – Lucy’s mother\, holder of the mortgage on the Perkin’s farm\, a yokel- dispenser of wisdom -American accent – 33 cues \nRole Name:  Lucy                                       Gender:  Female              Stage Age:  20+ \nRole Information:  A ray of sunshine – Stage age 20s\, 30s or 40s – Widow Appleby’s daughter\, a friend of Nellie’s\, more innocent than Nellie (if possible)\, a small but fun role – her memorable scene involves a bomb that is about to explode – American accent- 15 cues \nAudition Contact Name:  Barry Hill \nAudition Contact Email:  barry1953@hotmail.com \nAudition Contact Phone Number:  0400 827 634
URL:https://tasaonline.org.au/events/only-an-orphan-girl/2022-12-07/
LOCATION:Tea Tree Players Theatre\, Cnr Yatala Vale Road and Hancock Road\, Surrey Downs\, SA\, 5126\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Tea Tree Players":MAILTO:ttp@teatreeplayers.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221212T193000
DTEND;TZID=Australia/Adelaide:20221212T213000
DTSTAMP:20260425T231328
CREATED:20221130T060613Z
LAST-MODIFIED:20221130T060613Z
UID:10017874-1670873400-1670880600@tasaonline.org.au
SUMMARY:The Appleton Ladies Potato Race
DESCRIPTION:Written by Melanie Tait \nDirected by Selena Carr \nSynopsis:  In the tidy town of Appleton\, things are just so. \nMen are men\, women are women\, and vegetables are not cake and that’s the way it’s always been. That is\, until prodigal daughter Penny returns from the big smoke to set up shop as the local GP. \nPenny was always something of an outsider. While she was off getting educated and travelling the world\, the good folk of Appleton kept about their business\, living hard and working harder\, and trying not to stuff things up too much before each year’s great event\, the famous Appleton Potato Race. \nPenny never much cared about the potato race\, but when she discovers that the men’s prize is five times more than the women’s\, she suddenly does care. A lot. And she’s determined to do something about it. \nRole Name:  Penny Anderson                     Gender:  Female            Stage Age:  38 – 45 \nRole Information:  GP\, recently returned to Appleton after a long time away. Cues – 217 \nRole Name:  Bev Armstrong                        Gender:  Female           Stage Age:  60 – 75 Information:  Appleton Show Society President. Set in her ways\, but incredibly loyal\, reliable and selfless. Cues – 134 \nRole Name:  Barb Ling                                    Gender:  Female                              Stage Age:  60 – 75 \nRole Information:  Appleton Show Society Secretary and aunt to Penny and Nikki. Would do anything for anyone. Very organised. Has a secret. Cues – 94 \nRole Name:  Nikki Armstrong                      Gender:  Female            Stage Age:  38 – 45 \nRole Information:  Appleton Ladies’ Potato Race Champion. She is a single mother getting it done owns the local hairdressing salon\, is an occasional waitress at the pub and coaches the kids football team. Cues – 168 \nRole Name:  Rania Hand                           Gender:  Female              Stage Age:  30 – 45 \nRole Information:  Artist and middle-eastern immigrant making a new life for herself and her daughter in Appleton\, including training for the Ladies’ Potato Race with Nikki. Cues – 81 \nAudition Contact Name:   Selena Carr \nAudition Contact Email:  selenahcarr@gmail.com \nAudition Contact Phone Number:  0402 283 089
URL:https://tasaonline.org.au/events/the-appleton-ladies-potato-race/2022-12-12/
LOCATION:Tea Tree Players Theatre\, Cnr Yatala Vale Road and Hancock Road\, Surrey Downs\, SA\, 5126\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Tea Tree Players":MAILTO:ttp@teatreeplayers.com
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BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221214T193000
DTEND;TZID=Australia/Adelaide:20221214T213000
DTSTAMP:20260425T231328
CREATED:20221130T060613Z
LAST-MODIFIED:20221130T060613Z
UID:10017875-1671046200-1671053400@tasaonline.org.au
SUMMARY:The Appleton Ladies Potato Race
DESCRIPTION:Written by Melanie Tait \nDirected by Selena Carr \nSynopsis:  In the tidy town of Appleton\, things are just so. \nMen are men\, women are women\, and vegetables are not cake and that’s the way it’s always been. That is\, until prodigal daughter Penny returns from the big smoke to set up shop as the local GP. \nPenny was always something of an outsider. While she was off getting educated and travelling the world\, the good folk of Appleton kept about their business\, living hard and working harder\, and trying not to stuff things up too much before each year’s great event\, the famous Appleton Potato Race. \nPenny never much cared about the potato race\, but when she discovers that the men’s prize is five times more than the women’s\, she suddenly does care. A lot. And she’s determined to do something about it. \nRole Name:  Penny Anderson                     Gender:  Female            Stage Age:  38 – 45 \nRole Information:  GP\, recently returned to Appleton after a long time away. Cues – 217 \nRole Name:  Bev Armstrong                        Gender:  Female           Stage Age:  60 – 75 Information:  Appleton Show Society President. Set in her ways\, but incredibly loyal\, reliable and selfless. Cues – 134 \nRole Name:  Barb Ling                                    Gender:  Female                              Stage Age:  60 – 75 \nRole Information:  Appleton Show Society Secretary and aunt to Penny and Nikki. Would do anything for anyone. Very organised. Has a secret. Cues – 94 \nRole Name:  Nikki Armstrong                      Gender:  Female            Stage Age:  38 – 45 \nRole Information:  Appleton Ladies’ Potato Race Champion. She is a single mother getting it done owns the local hairdressing salon\, is an occasional waitress at the pub and coaches the kids football team. Cues – 168 \nRole Name:  Rania Hand                           Gender:  Female              Stage Age:  30 – 45 \nRole Information:  Artist and middle-eastern immigrant making a new life for herself and her daughter in Appleton\, including training for the Ladies’ Potato Race with Nikki. Cues – 81 \nAudition Contact Name:   Selena Carr \nAudition Contact Email:  selenahcarr@gmail.com \nAudition Contact Phone Number:  0402 283 089
URL:https://tasaonline.org.au/events/the-appleton-ladies-potato-race/2022-12-14/
LOCATION:Tea Tree Players Theatre\, Cnr Yatala Vale Road and Hancock Road\, Surrey Downs\, SA\, 5126\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Tea Tree Players":MAILTO:ttp@teatreeplayers.com
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BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230115T103000
DTEND;TZID=Australia/Adelaide:20230115T143000
DTSTAMP:20260425T231328
CREATED:20230106T210931Z
LAST-MODIFIED:20230106T210931Z
UID:10017894-1673778600-1673793000@tasaonline.org.au
SUMMARY:Home\, I'm Darling
DESCRIPTION:Following a sold out run at London’s National Theatre in 2018\, Laura Wade’s piercingly funny Olivier Award-winning play is about one woman’s quest to be the ideal 1950s housewife. Judy and Johnny are a little different and they love it. They’re 1950s enthusiasts who have taken role-playing to a whole new level: Johnny’s swapped meal prep and laundry for foot rubs and cocktail hour; Judy’s swapped jeans and a job for darning and dusting. \nIn a house complete with a perfect pastel bathroom\, mid-century knick knacks and good old fashioned home cooking\, the couple live out their ultimate\, nostalgic fantasy. But the 21st century has a nasty habit of forcing its way into their pristine bubble. Whether it’s in the form of Johnny’s new boss\, the contemporary cost of living on a ‘50s budget or Judy’s critical mother (who actually lived through the ‘50s)\, the present insists on being dealt with. Three females 30-40\, one 60. Two males 37\, 43. (Stage ages) \n 
URL:https://tasaonline.org.au/events/home-im-darling/
LOCATION:Therry Clubrooms\, Unit 2/ 1 Regina Court\, Beverley\, SA\, 5009\, Australia
CATEGORIES:Auditions
ATTACH;FMTTYPE=image/png:https://tasaonline.org.au/wp-content/uploads/2023/01/Therry.png
ORGANIZER;CN="Therry Theatre":MAILTO:therry@chariot.net.au
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BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230121T103000
DTEND;TZID=Australia/Adelaide:20230121T170000
DTSTAMP:20260425T231328
CREATED:20221212T035751Z
LAST-MODIFIED:20221212T035751Z
UID:10017876-1674297000-1674320400@tasaonline.org.au
SUMMARY:BETTY BLUE EYES
DESCRIPTION:BETTY BLUE EYES is a very British musical full of eccentric characters and a vibrant ensemble\, plus a deliciously infectious toe-tapping\, retro/contemporary score. The result is musical comedy gold! This 2011 Cameron Macintosh musical comedy is based on the film “A Private Function” with music by George Stiles\, lyrics by Anthony Drewe\, written for the stage by Ron Cowen and Daniel Lipman\, adapted from Alan Bennett’s original story.\n\n\nTherry’s 2023 team includes award-winners David Sinclair (director) and Rodney Hvrartin (musical director) with choreographer Linda Lawson.\n\n\n\nThe roles of Joyce Chilvers\, Gilbert Chilvers and Mother Dear have been cast with the actors who performed those roles in our 2022 show: Trish Hart\, Jared Frost and Carolyn Adams.\nOur show is still looking for some wonderful performers to play quirky village characters aged from 20’s to 60’s.\n\n\nBOOK YOUR AUDITION NOW\nhttps://www.trybooking.com/CEWDR\n\n\n\nBETTY BLUE EYES\nSet in 1947. Belts are being tightened\, and the government is telling the country there’ll be fair shares for all … if they survive Austerity Britain. Meanwhile\, local officials feather their own nests by taking more than their fair share. Having won the war\, Britain seems to be losing the peace: the country is staggering under rationing\, unemployment\, and the coldest winter for decades. The only bright spark on the horizon is the impending Royal Wedding of Princess Elizabeth and Prince Philip. Some local businessmen plan a party to celebrate the royal nuptials and illegally raise a pig for that occasion. Meanwhile\, the local food inspector is determined to stop any activity circumventing food rationing.\n\n\n\nSEASON AT THE ARTS THEATRE\n7th -11th and 14th -17th June 2023 at 7.30pm.\nMatinees first weekend Saturday and Sunday at 3pm.\nNo performance on Saturday evening\, 10th June.\nSecond weekend matinee is Saturday at 2 pm.\n\n\n\nAUDITIONS\nPlease book a time keeping in mind that choreography auditions will be held in groups\, so please allow at least an hour for your audition. Singing and acting auditions will be held individually (not in groups).\nPlease wear comfortable clothes and shoes. Those who have tap dancing skills\, please bring your tap shoes. Not all cast will be required to tap dance. Please prepare a song of your choice for the musical part of your audition – and please bring the sheet music.\n\nRehearsals will commence on Sunday\,19 March from 1-5 pm. From then\, rehearsals will be Sundays at that time (except for Easter Sunday and 16 April) and Tuesday and Thursday\nevenings from 7-10 pm. There will be no rehearsal on Anzac Day\, Monday 25 April.
URL:https://tasaonline.org.au/events/betty-blue-eyes-2/
LOCATION:Therry Clubrooms\, Unit 2/ 1 Regina Court\, Beverley\, SA\, 5009\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Therry Theatre":MAILTO:therry@chariot.net.au
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BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230204T100000
DTEND;TZID=Australia/Adelaide:20230204T170000
DTSTAMP:20260425T231328
CREATED:20230124T004559Z
LAST-MODIFIED:20230126T224842Z
UID:10018528-1675504800-1675530000@tasaonline.org.au
SUMMARY:Company
DESCRIPTION:The Show: Company is Stephen Sondheim’s ground-breaking musical; a mature\, intelligent\, and wildly funny look at relationships\, vulnerability and “being alive”\, rather than simply living. \nThe Story: It’s his 35th birthday and Robert can’t think of a single wish to make as he blows out his candles. A bachelor\, surrounded by married friends\, Robert is uncertain whether he should simply be happy with his lot or should wish for his own romantic partner. Over a series of dinner parties\, first dates\, and conversations\, Robert attempts to understand the pros and cons of marriage from his diverse and frequently hilarious friends and begins to make sense of his own persistent bachelorhood. \nThe Roles:  Stage ages a guide.\nRobert: Role already cast. The story’s protagonist\, a keen observer who appears to be happy – the one in his circle still single. Terrified of marriage\, but fears loneliness.\nCouple 1\n• Sarah: (30s-40s) – mover – mezzo-soprano\, alto. Harry’s hypercritical wife. She is an avid learner of karate and tends to overeat. Open\, accepting and loving.\n• Harry :(30s-40s) – mover – baritone – Sarah’s husband. He is a recovering alcoholic. Believes the advantages of marriage outweigh the disadvantages. One of Bobby’s closest friends.\nCouple 2\n• Susan: (20s to 30s) – non-dancer – soprano – A delicate and gracious southern belle. Peter’s wife and ex-wife. Motherly in her affections towards Robert. One of Robert’s ex-girlfriends\,\n• Peter: (25-35) – mover – baritone – is one of Bobby’s closest friends and is married to Sarah – formerly Ivy League. The perfect husband and ex-husband. He is very liberal in his view of relationships. Possibly gay and closeted.\nCouple 3\nJenny: (30-45) – mover – soprano – quietly manipulative\, simultaneously square and wise. Loves her husband\, David\, and will indulge him from time to time.\nDavid: (30 – 45) – non-dancer – high baritone – Jenny’s husband; relaxed and always in control. Believes a man should be married and that the sacrifice of freedom is worth what you get in return.\nCouple 4\nAmy: (25-40) – non-dancer – alto\, A frantic neurotic Catholic\, engaged to Paul but terrified of marriage. After a mental breakdown\, she finally realizes that Paul is\, in fact\, her soulmate.\nPaul: (25-40s) – mover – tenor. Amy’s Jewish fiancé. Patient with her neurotic nature. Fully commits to the idea of marriage and encourages Robert to do the same.\nCouple 5\nJoanne: Role already cast.\nLarry: (45-65) – mover – high baritone Joanne’s third husband. Stoic and centred but has moments of goofiness. Stoic – indulges his wife’s behaviour but knows when to put his foot down. Loves Joanne with all her faults.\nThe Girlfriends\n• Marta: 20s-30s) – mover – mezzo-soprano – girlfriend of Robert’s. Intensely modern\, wild\, extravert\, seeking adventure and excitement in the city. She’s attractive\, charismatic\, smart\, and strong.\n• Kathy: (30s to 40s) – dancer – mezzo-soprano A former girlfriend of Robert’s\, now considered a good friend. She plans to leave the city for a life of domesticity. Sweet and loving. “The girl next door” type. Would have been the ideal wife.\n• April: (20s-30s) – mover – mezzo-soprano – a flight attendant and one of Robert’s girlfriends who came to New York to live in Radio City. Ditzy and adorable. \nThe Team: Therry’s fabulous production team includes award-winners David Sinclair (director) and Rodney Hrvatin (musical director) with choreographer Linda Lawson. \nThe Season: The Arts Theatre:  7th-11th and 14th-17th June 2022 at 7.30 pm. Matinees first weekend Saturday and Sunday at 3 pm. No performance on Saturday evening\, 10th June. Second weekend matinee is Saturday at 2 pm. \nThe Audition: \nMusic – Our musical director requests you sing a Sondheim song (bring sheet music please) – not necessarily from this show. \nDance – Some roles require no dancing\, some specify being a ‘mover’ – some dance – and others require trained dancing (no tap). If you are a dancer of any standard\, and wish to be considered for one of the ‘mover’ of ‘dancer’ roles\, please book a time on\, or either side of\, the hour (for instance\, 10.45am\, 11 am\, 11.15 am) and don’t forget to bring suitable footwear.
URL:https://tasaonline.org.au/events/company/
LOCATION:Therry Clubrooms\, Unit 2/ 1 Regina Court\, Beverley\, SA\, 5009\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Therry Theatre":MAILTO:therry@chariot.net.au
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BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230205T180000
DTEND;TZID=Australia/Adelaide:20230205T210000
DTSTAMP:20260425T231328
CREATED:20221218T210245Z
LAST-MODIFIED:20221230T043816Z
UID:10017879-1675620000-1675630800@tasaonline.org.au
SUMMARY:Some Mothers Do 'Ave 'Em
DESCRIPTION:It’s finally here: By the Arrangement with Origin Theatrical\, On Behalf of Samuel French\, A Concord Theatricals Company. \nBlackwood Players will be holding auditions\, for the South Australian premiere of  “Some Mothers Do ‘Ave ‘Em ” written by Guy Unsworth\, and based on the TV Series by Raymond Allen. \nDirected by Myles Leon \nSynopsis \nIt’s springtime at Frank and Betty’s House. Betty is pregnant but\, as she attempts to tell Frank\, he is preoccupied by possible newfound fame as a magician. \nWith guests arriving for dinner and crossed wires all round\, priceless misunderstandings are on the menu. \nHilarious mishaps are DIY disasters that bring the house down\, quite literally in this ensemble farce. \nSeason at Blackwood Memorial Hall \nFriday 16th June 2023 \nSaturday 17th June 2023 \nFriday 23rd June 2023 \nSaturday 24th June 2023 \nFriday 30th June 2023 \nSaturday 1st July 2023 \nAll performances starting at 8pm \nRehearsals \nTuesday nights 7.30pm – 10pm \nSunday afternoons 2.00pm – 5.00pm \nSome Sunday evenings 6pm – 9.30pm \nCAST \nFrank Spencer (M) – (30 – mid 40’s) \nBetty Spencer (F) – (25 – mid 40’s) \nFather O’Hara (M) – An Irish Catholic Priest – (50 – 60’s) \nBarbara Fisher (F) – Betty’s Mother (50 – mid 60) \nDavid Worthington (M) – Bank Manager (Scottish if possible) – (Mid 40’s – Mid 60’s) \nTerry Luscombe (M) – Head of BBC Entertainment – (40 – Mid 60’s) \nDesmond James (M) Cameraman – (20’s – mid 40’s) \nConstable\, (M) A London policeman (Cockney if possible) 20’s – mid 40’s \nThe play is performed by six actors. The following roles are doubled: David Worthington/Terry Luscombe and Desmond James/Constable. \nRequirements \nThose who are auditioning for Frank Spencer\, we ask you to prepare your accent and dress accordingly like Frank\, for the audition. \nFor more information contact Myles Leon (Director) on 0421 002 802 or email to Blackwood Players: blackwood.players@gmail.com \nLeave your name and contact on the email\, as we will be sending out Information Packs before auditions.
URL:https://tasaonline.org.au/events/some-mothers-do-ave-em/2023-02-05/
LOCATION:Blackwood Memorial Hall\, 21 Coromandel Parade\, Blackwood\, SA\, 5051\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Blackwood Players Inc.":MAILTO:blackwood.players@gmail.com
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END:VCALENDAR