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DTSTART;TZID=Australia/Adelaide:20210801T180000
DTEND;TZID=Australia/Adelaide:20210801T200000
DTSTAMP:20260426T013023
CREATED:20210723T012037Z
LAST-MODIFIED:20210723T012826Z
UID:10015569-1627840800-1627848000@tasaonline.org.au
SUMMARY:The Private Secretary by Charles Hawtrey
DESCRIPTION:Synopsis \nDouglas Cattermole is an ordinary young man with an extraordinary problem. His aunt is paying his way through Uni on the requirement that he is misspending his youth and sowing his wild oats. The only problem is\, he hasn’t sown any!  When his aunt\, who was safely tucked away in Malaya\, decides to come and check up on him\, he legs it to the country house of a friend\, disguised as a private secretary. When his aunt and the real private secretary show up\, and he inadvertently falls in love\, the stage is set for a comedy of manners combined with a comedy of errors! \nThe play is set in England in the swinging 60s. \nCharacter Descriptions \nDouglas Cattermole        Male      20s\nStudent at university\, quiet. Gets taken out of his comfort zone and panics. Upper class English accent. Strong physical humour. \nMrs Stead                      Female  40+\nDouglas’ landlady. Protective of Douglas. Cockney accent. \nSydney Gibson               Male      40+\nA tailor who aspires to greater things. Very flashy and flamboyant\, but also manipulative. Fake upper-class accent\, revealed to be cockney under pressure. Drunk acting required. \nHarry Marsland               Male      40+\nDouglas’ friend\, a hell raiser and thorough bad influence. Upper class English accent. \nMr Spalding                    Male      20s\nDouglas’ friend\, a hell raiser and thorough bad influence. Upper class English accent. \nMrs Cattermole               Female   40+\nLoud\, rude\, pushy and arrogant. Has spent the last 20 years on a plantation in Malaya ordering servants around. Upper class English accent. \nMiss Ashford                   Female   40+\nMrs Marsland’s chief cook and bottle washer. Very prim and proper when working\, but outside this becomes a man-hungry hippie chick. West Coast American accent. \nMrs Marsland                  Female   40+\nHarry’s aunt\, a very prim and proper English lady of the countryside. Upper class British accent. \nMiss Edith                       Female   20s\nMrs Marsland’s daughter. Confident with the household but shy around strangers. Upper class English accent. \nMiss Eva                         Female   20s\nEdith’s friend. Shy and retiring\, but has a rebellious streak. Upper class English accent. \nInformation Packs will be emailed out. To book an audition or for further information please email blackwood.players@gmail.com
URL:https://tasaonline.org.au/events/the-private-secretary-by-charles-hawtrey/2021-08-01/
LOCATION:Blackwood Memorial Hall\, 21 Coromandel Parade\, Blackwood\, SA\, 5051\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Blackwood Players Inc.":MAILTO:blackwood.players@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20210808T140000
DTEND;TZID=Australia/Adelaide:20210808T170000
DTSTAMP:20260426T013023
CREATED:20210731T115925Z
LAST-MODIFIED:20210731T115925Z
UID:10017086-1628431200-1628442000@tasaonline.org.au
SUMMARY:New Audition Date - Beauty and the Beast (a pantomime)
DESCRIPTION:If you cannot attend on Sunday\, 8 August\, please contact Penny on 0402 028 520 for an appointment on Wednesday\, 4 August.
URL:https://tasaonline.org.au/events/new-audition-date-beauty-and-the-beast-a-pantomime/
LOCATION:Tea Tree Players Theatre\, Cnr Yatala Vale Road and Hancock Road\, Surrey Downs\, SA\, 5126\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Tea Tree Players":MAILTO:ttp@teatreeplayers.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20210808T180000
DTEND;TZID=Australia/Adelaide:20210808T200000
DTSTAMP:20260426T013023
CREATED:20210723T012037Z
LAST-MODIFIED:20210723T012826Z
UID:10015570-1628445600-1628452800@tasaonline.org.au
SUMMARY:The Private Secretary by Charles Hawtrey
DESCRIPTION:Synopsis \nDouglas Cattermole is an ordinary young man with an extraordinary problem. His aunt is paying his way through Uni on the requirement that he is misspending his youth and sowing his wild oats. The only problem is\, he hasn’t sown any!  When his aunt\, who was safely tucked away in Malaya\, decides to come and check up on him\, he legs it to the country house of a friend\, disguised as a private secretary. When his aunt and the real private secretary show up\, and he inadvertently falls in love\, the stage is set for a comedy of manners combined with a comedy of errors! \nThe play is set in England in the swinging 60s. \nCharacter Descriptions \nDouglas Cattermole        Male      20s\nStudent at university\, quiet. Gets taken out of his comfort zone and panics. Upper class English accent. Strong physical humour. \nMrs Stead                      Female  40+\nDouglas’ landlady. Protective of Douglas. Cockney accent. \nSydney Gibson               Male      40+\nA tailor who aspires to greater things. Very flashy and flamboyant\, but also manipulative. Fake upper-class accent\, revealed to be cockney under pressure. Drunk acting required. \nHarry Marsland               Male      40+\nDouglas’ friend\, a hell raiser and thorough bad influence. Upper class English accent. \nMr Spalding                    Male      20s\nDouglas’ friend\, a hell raiser and thorough bad influence. Upper class English accent. \nMrs Cattermole               Female   40+\nLoud\, rude\, pushy and arrogant. Has spent the last 20 years on a plantation in Malaya ordering servants around. Upper class English accent. \nMiss Ashford                   Female   40+\nMrs Marsland’s chief cook and bottle washer. Very prim and proper when working\, but outside this becomes a man-hungry hippie chick. West Coast American accent. \nMrs Marsland                  Female   40+\nHarry’s aunt\, a very prim and proper English lady of the countryside. Upper class British accent. \nMiss Edith                       Female   20s\nMrs Marsland’s daughter. Confident with the household but shy around strangers. Upper class English accent. \nMiss Eva                         Female   20s\nEdith’s friend. Shy and retiring\, but has a rebellious streak. Upper class English accent. \nInformation Packs will be emailed out. To book an audition or for further information please email blackwood.players@gmail.com
URL:https://tasaonline.org.au/events/the-private-secretary-by-charles-hawtrey/2021-08-08/
LOCATION:Blackwood Memorial Hall\, 21 Coromandel Parade\, Blackwood\, SA\, 5051\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Blackwood Players Inc.":MAILTO:blackwood.players@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20210810T193000
DTEND;TZID=Australia/Adelaide:20210810T210000
DTSTAMP:20260426T013023
CREATED:20210615T074132Z
LAST-MODIFIED:20210615T074313Z
UID:10017074-1628623800-1628629200@tasaonline.org.au
SUMMARY:Information Night - Zest's Charlie and the Chocolate Factory
DESCRIPTION:This event is for anyone who wishes to be involved in Zest’s next major\nproduction – “Charlie and the Chocolate Factory”. We will provide\ninformation about the show\, characters\, rehearsal dates\, performance dates and\naudition details. Come along to register your interest in being involved both\non and off stage. We are welcoming children\, youth and adults in this\nproduction. \nVenue: Investigator College PASC\, Victor Harbor\nDate(s): 10th August\nTime(s): 7.30pm\nCost: Free but registration required through trybooking https://www.trybooking.com/BSAPV\nEvent Website: https://www.facebook.com/events/164618829012797/
URL:https://tasaonline.org.au/events/information-night-zests-charlie-and-the-chocolate-factory/
LOCATION:Investigator College PASC\, Victor Harbor\, 9 Bacchus Road\,\, Victor Harbor\, SA\, 5211\, Australia
CATEGORIES:Auditions,Information Session
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2021/06/Zest-logo.jpg
ORGANIZER;CN="Zest Theatre Group Inc.":MAILTO:zesttheatregroup@outlook.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20210810T193000
DTEND;TZID=Australia/Adelaide:20210810T210000
DTSTAMP:20260426T013023
CREATED:20210731T112051Z
LAST-MODIFIED:20210731T112051Z
UID:10017084-1628623800-1628629200@tasaonline.org.au
SUMMARY:Charlie and the Chocolate Factory - Information Night
DESCRIPTION:Zest Theatre Group is very pleased to be able to announce that their next major production will be “Charlie and the Chocolate Factory”.  This show follows on from their very successful season of “Shrek the Musical”\, which the group managed to do despite\nthe hurdles presented in 2020 and early 2021.\nThis new adaption of the classic show about Willy Wonka opening the gates to his mysterious factory will again see the group encouraging and nurturing new talent alongside experienced performers.  All ages and all levels of experience are\nwelcome to be involved. \nAnyone who is interested in being part of this production to be performed in 2022 at the Victor Harbor Town Hall should come along to the Information Night at 7.30pm on the 10th August at Investigator College\, Victor Harbor.  To make sure the group is meeting its Covid safe plan responsibilities all attendees are asked to register at Trybooking.com https://www.trybooking.com/BSAPV.  All attendees will be asked to wear a mask. \nIf you are unable to attend due to illness or a prior commitment\, please feel free to contact Terry Mountstephen (Co-Director) at traemersa@internode.on.net\, or via a message on the Zest Facebook Page.
URL:https://tasaonline.org.au/events/charlie-and-the-chocolate-factory-information-night/
LOCATION:Investigator College PASC\, Victor Harbor\, 9 Bacchus Road\,\, Victor Harbor\, SA\, 5211\, Australia
CATEGORIES:Auditions,Information Session
ORGANIZER;CN="Zest Theatre Group Inc.":MAILTO:zesttheatregroup@outlook.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20210831T000000
DTEND;TZID=Australia/Adelaide:20210831T000000
DTSTAMP:20260426T013023
CREATED:20210831T045258Z
LAST-MODIFIED:20210831T045258Z
UID:10017110-1630368000-1630368000@tasaonline.org.au
SUMMARY:Little Shop of Horrors
DESCRIPTION:Written By: \nCreative Team: Director: Shannyn McKay-Lee\nMusical Director: Matthew Rumley\nChoreographer: Maisy-Jo Russell \n\nThe meek floral assistant Seymour Krelborn stumbles across a new breed of plant he names “Audrey II” – after his coworker crush. This foul-mouthed\, R&B-singing carnivore promises unending fame and fortune to the down and out Krelborn as long as he keeps feeding it\, BLOOD. Over time\, though\, Seymour discovers Audrey II’s out of this world origins and intent towards global domination! Our production is open to anyone of age 14+ as cast or crew. \n\nInformation Session: \n\nAudition Information: https://www.trybooking.com/BSXXR \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n27/09/2021\n\n\nTime From – Time to:\n17:00-22:00\n\n\nRepeated Fieldset #:1\n\n\nDate:\n28/09/2021\n\n\nTime From – Time to:\n17:00-22:00\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\nMr Mushnik\n\n\nGender:\nMale\n\n\nStage Age:\n20+\n\n\nRole Information:\nthe boss. A failure of an East Side florist. His accent is more that of middle-class New York than of Eastern Europe. He seldom smiles but often sweats\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nChiffon\n\n\nGender:\nFemale\n\n\nStage Age:\n15+\n\n\nRole Information:\na female street urchin who functions as a participant in the action and as part of the Greek Chorus outside it. She’s young\, hip\, smart\, and one of the only people in the cast who really knows what’s going on.\n\n\nRepeated Fieldset #:2\n\n\nRole Name:\nEnsemble\n\n\nGender:\nUndefined\n\n\nStage Age:\n13+\n\n\nRole Information:\nfeaturing as: Poor People\, Construction Workers\, Dental Patients.\n(featured roles will be selected from exceptional ensemble members throughout the rehearsal period)Open for singers and strong dancers.\n\n\nRepeated Fieldset #:3\n\n\nRole Name:\nAudrey 2 Puppeteer\n\n\nGender:\nUndefined\n\n\nStage Age:\n16+\n\n\nRole Information:\nThis role is for a strong individual and/or small group who would like to be on stage\, but isn’t sure if anything fits them! MUST be willing to sit for long periods of time\, practice comedic timing\, and enjoys a bit of footwork.\n\n\n\n\nMore Information at: https://www.facebook.com/Althteatreco\nIMPORTANT: you must book a compulsory group ensemble audition. If you would also like a solo audition\, please request one in the additional information section. All audition materials will be emailed to you. Individual audition times will be emailed once confirmed. \n5-10 pm Monday 27th & Tuesday 28th of September\n238 Grange Road\, Flinders Park \n*video auditions are available upon request* \nPlease bring any materials provided\, as well as a water bottle and your audition form. Please wear comfortable clothes (no jeans) and closed-in shoes or character heels. You may also wish to bring a snack if you are waiting for an individual audition. \nGroup Audition (approx. 1 hour)\nDancing:\nYou will be taught a simple combination by our choreographer. Strong dancers will also be encouraged to improvise at the end. Please wear appropriate footwear and comfortable clothing. The dance audition should go for approximately 15 minutes. \nSinging:\nYou will be given the sheet music for a section of “Be A Dentist” containing harmonies in your audition materials. During the group audition\, you will be taught one of these harmonies and will then be required to sing as a group. Before your audition please determine which part is most suitable for your voice and note this on your application form. No further preparation is expected but resources will be made available should you wish to practice further. The singing audition should go for approximately 45 minutes. \nSOPRANO Bb3 to F#5\nALTO 1 Bb3 to Eb5\nALTO 2 Bb3 to B4\nTENOR 1 G3 to A4 (optional down to E3)\nTENOR 2 E3 to F#4\nBARITONE C3 to F4 (BASS down to F2) \n(please indicate on your application form which part best suits your voice) \nIndividual Auditions (approx. 20 minutes) \nChiffon (ALTO – from Ab3 up)\nPlease prepare the marked sections of “Little Shop of Horrors” and “Finale”. You will be asked to sing sections from these songs on your own including any harmony lines. You will then be asked to sing with the other two Urchins. Finally\, you will be given a small excerpt of the script to perform with our two Urchins. Please note this role requires a strong\, confident harmony singer\, and this aspect will be tested vigorously in your audition. \nMr. Mushnik (BARITONE – G2 to F4)\nPlease prepare the marked sections of “Ya Never Know”\, “Mushnik & Son”\, and “Finale”. These sections include some harmonies. You will be asked to sing these sections with the aid of our Musical Director. You will then get a chance to workshop a scene with our team and some select cast. This scene will be provided on the day. \nIf you require any additional info or have any questions please contact the company via Facebook Messenger or email (alternativetc1@gmail.com) and your question will be forwarded to the relevant creative team. \nWe look forward to welcoming you into our cast very soon! \n\nContact: Saphron Giannos\nalternativetc1@gmail.com
URL:https://tasaonline.org.au/events/little-shop-of-horrors/
LOCATION:SA\, Australia
CATEGORIES:Auditions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20210921T000000
DTEND;TZID=Australia/Adelaide:20210921T000000
DTSTAMP:20260426T013023
CREATED:20210921T063517Z
LAST-MODIFIED:20210921T063517Z
UID:10017147-1632182400-1632182400@tasaonline.org.au
SUMMARY:Grease
DESCRIPTION:Written By: \nCreative Team: Director – Joe Russell \n\nHere is Rydell High’s senior class of 1959: duck-tailed\, hot-rodding “Burger Palace Boys” and their gum-snapping\, hip-shaking “Pink Ladies” in bobby sox and pedal pushers\, evoking the look and sound of the 1950’s in this rollicking musical. \n\nInformation Session: \n\nAudition Information: https://nowproductionssa.weebly.com/grease.html \n\n\n\nRepeated Fieldset #:1\n\n\nDate:\n18/09/2021\n\n\nRepeated Fieldset #:2\n\n\nTime From – Time to:\n16:00-19:00\n\n\n\n  \n\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nAll Roles\n\n\nRepeated Fieldset #:2\n\n\nGender:\nUndefined\n\n\nRepeated Fieldset #:3\n\n\nStage Age:\n\n\n\nRepeated Fieldset #:4\n\n\nRole Information:\nCasting young performers aged 14-25 for all ensemble & principal roles\n\n\n\n\nMore Information at: https://nowproductionssa.weebly.com/grease.html \n\nContact: Joe\nnowproductionssa@gmail.com
URL:https://tasaonline.org.au/events/grease-4/
LOCATION:SA\, Australia
CATEGORIES:Auditions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20210921T000000
DTEND;TZID=Australia/Adelaide:20210921T000000
DTSTAMP:20260426T013023
CREATED:20210921T063644Z
LAST-MODIFIED:20210921T063644Z
UID:10015623-1632182400-1632182400@tasaonline.org.au
SUMMARY:Seussical Kids
DESCRIPTION:Written By: \nCreative Team: Director – Joe Russell \n\n“Oh\, the thinks you can think” when Dr. Seuss’ best-loved characters collide and cavort in an unforgettable musical caper! \nHorton the Elephant\, the Cat in the Hat and all of your favorite Dr. Seuss characters spring to life onstage in Seussical KIDS\, a fantastical musical extravaganza from Tony-winners\, Lynn Ahrens and Stephen Flaherty (Lucky Stiff\, My Favorite Year\, Once on This Island\, Ragtime). \nTransporting audiences from the Jungle of Nool to the Circus McGurkus\, the Cat in the Hat\, our narrator\, tells the story of Horton\, an elephant who discovers a speck of dust containing tiny people called the Whos\, including Jojo\, a Who child\, who gets in trouble for thinking too many “thinks.” Horton’s challenge is twofold – not only must he protect the Whos from a world of naysayers and dangers\, but he must also guard an abandoned egg that’s been left in his care by the irresponsible Mayzie La Bird. Although Horton faces ridicule\, danger\, kidnapping and a trial\, the intrepid Gertrude McFuzz never loses faith in him. Ultimately\, the powers of friendship\, loyalty\, family and community are challenged and emerge triumphant! \n\nInformation Session: \n\nAudition Information: https://nowproductionssa.weebly.com/seussical.html \n\n\n\nRepeated Fieldset #:1\n\n\nDate:\n18/09/2021\n\n\nRepeated Fieldset #:2\n\n\nTime From – Time to:\n13:00-16:00\n\n\n\n  \n\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nAll Roles\n\n\nRepeated Fieldset #:2\n\n\nGender:\nUndefined\n\n\nRepeated Fieldset #:3\n\n\nStage Age:\n\n\n\nRepeated Fieldset #:4\n\n\nRole Information:\nCasting young performers aged 6-14 for all ensemble and principal roles\n\n\n\n\nMore Information at: https://nowproductionssa.weebly.com/seussical.html \n\nContact: Joe\nnowproductionssa@gmail.com
URL:https://tasaonline.org.au/events/seussical-kids/
LOCATION:SA\, Australia
CATEGORIES:Auditions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20211009T100000
DTEND;TZID=Australia/Adelaide:20211009T140000
DTSTAMP:20260426T013023
CREATED:20210929T021512Z
LAST-MODIFIED:20210929T021926Z
UID:10015664-1633773600-1633788000@tasaonline.org.au
SUMMARY:Whisky Galore
DESCRIPTION:Written By: Philip Goulding’s stage adaptation of Compton Mackenzie’s comedy classic \nCreative Team: Directed by Angela Short \n\nWhisky Galore is a play within a play with a cast of seven females who transform into more than 25 characters (including animals). The Pallas Players are a post-war all female theatre troupe who tour their productions. Their current work is set on the fictional isles of Great and Little Todday during the war years\, when the whisky supply has dried up due to the government being busy diverting all supplies of whisky to the USA in an attempt to bribe the Americans into supporting the war effort. Salvation arrives in the form of a shipping accident when a cargo vessel containing 50\,000 cases of whisky runs aground. Then it’s every thirsty person for themself as the islanders try to rescue as many bottles as possible before Customs\, and the stuffy leader of the Home Guard\, can put a stop to their fun. \n\nInformation Session: \n\nAudition Information: \ https://www.trybooking.com/BUHNR \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n09/10/2021\n\n\nTime From – Time to:\n10-11am; 11.15am to 12.15pm\, 12.30-1.30pm\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\nVarious\n\n\nGender:\nFemale\n\n\nStage Age:\nAny\n\n\nRole Information:\nWe are looking for seven versatile\, creative and team-playing adult female actors of various ages. Both Scottish and English accents needed. Auditions will be in groups.\n\n\n\n\nMore Information at: \ https://www.trybooking.com/BUHNR\nAuditions are held at the Therry Clubrooms\, 1 Regina Court Beverley (large yellow building)\nAudition pages will be emailed to you a few days after you have booked an audition.\nSeason dates: 23 March to 2 April (10 performances) – immediately post-Fringe\nPerformance Venue: The Arts Theatre\, 53 Angas Street\, Adelaide\nTelephone enquiries to Angela Short: 0459 100 810\nAudition bookings only on-line (NOT by phone or email please)\n\ https://www.trybooking.com/BUHNR \n\nContact: Angela\ntherry@chariot.net.au\n0459 100 810
URL:https://tasaonline.org.au/events/whisky-galore/
LOCATION:SA\, Australia
CATEGORIES:Auditions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20211120T100000
DTEND;TZID=Australia/Adelaide:20211120T143000
DTSTAMP:20260426T013023
CREATED:20211027T061420Z
LAST-MODIFIED:20211027T062117Z
UID:10017156-1637402400-1637418600@tasaonline.org.au
SUMMARY:The Pitmen Painters
DESCRIPTION:Written By: Lee Hall \nCreative Team: Director: Geoff Brittain \n\nThe Pitmen Painters is based on the triumphant true story of a group of British miners who discover a new way to express themselves and unexpectedly become art-world sensations. \nIn 1934\, the group of Ashington (UK) miners and a dental mechanic hire a professor from Newcastle University to teach an Art Appreciation evening class. They embark on one of the most unusual experiments in British art\, as the pitmen learn to become painters. Within a few years\, they are celebrated throughout the British art world: but every day they worked\, as before\, down the mines.\nThe play takes place between 1934-1947. \nFor the Geordie accents required\, at audition\, we are looking for potential\, not perfection. \n\nInformation Session: \n\nAudition Information: https://www.trybooking.com/BVBNV \n\n\n\nRepeated Fieldset #:1\n\n\nDate:\n20/11/2021\n\n\nRepeated Fieldset #:2\n\n\nTime From – Time to:\n10 am – 2.30 pm\n\n\n\n  \n\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nVarious (see below)\n\n\nRepeated Fieldset #:2\n\n\nGender:\n\n\n\nRepeated Fieldset #:3\n\n\nStage Age:\n\n\n\nRepeated Fieldset #:4\n\n\nRole Information:\nGeorge Brown (stage age 35-45) Geordie accent required\nGeorge Brown was one of the oldest members of the Ashington Group. He had a reputation for being cantankerous and was among those who wanted to lay down rules for the group. He was known to chastise Jimmy Floyd for breaking the rules\, and he once stormed out of the group’s work hut in a rage.Oliver Kilbourn (stage age 35-45) Geordie accent required\nOliver Kilbourn was one of only two miners who worked in the pit at the time the Ashington Group was formed. Kilbourn was one of the most passionate members of the group and continued working on his art even as other members of the group left. He painted a series of works on his life in the mines.Jimmy Floyd (stage age 35-45) Geordie accent required\nJimmy Floyd was the other miner in the Ashington Group who was consistently working underground at the time the group was formed. Like Kilbourn\, he would spend most of his working life underground. \nHarry Wilson (stage age 35-45) Geordie accent required\nHarry Wilson was gassed during World War I and\, because of the damage to his lungs\, was judged unfit to become a miner. He trained as dental technician. His skills at moulding false teeth later would help his art as he created sculptures blending his art and technical skills. \nRobert Lyon (stage age 40-50)\nRobert Lyon was the Master of Painting at Armstrong College (then affiliated with Durham University) when he went to Ashington to teach the Workers’ Education Association (WEA) art-appreciation class in 1934. The miners didn’t connect with the religious and mythological subject matter he initially chose for his lectures\, so he quickly switched his approach to art appreciation through application. \nBen Nicholson (stage age 40-50)\nBen Nicholson was born in Denham\, the son of artists William Nicholson and Mabel Pryde. He studied at the Slade School of Fine Art in London. He experimented with figurative and abstract works as well as Post-Impressionism\, Cubism\, and Constructivist principles applied to art. \nYoung Lad (stage age 18-25) Geordie accent required\nYoung Lad is identified as George Brown’s nephew. He is a composite of characters of various young artists in the Ashington Group. He reflects the tight-knit community in which fathers\, sons\, uncles and cousins all could work in the pit. \nHelen Sutherland (stage age 50-60)\nHelen Sutherland was the heiress of the P&O ocean liners through her father; she also inherited a fortune from her mother. She was a devoted patron of the arts. She would become a supporter of the group\, buying 19 paintings\, inviting them to her home at Rock Hall\, and introducing them to artists such as Ben Nicholson. \nSusan Parks (stage age 18-25) Geordie accent required\nSmall but important role.\n\n\n\n\nMore Information at: therry.org.au\nSeason:\nWednesday\, 17 to Saturday\, 20 August 2022\nWednesday\, 24 to Saturday\, 27 August 2022\nNightly at 7.30 pm. Matinees both Saturdays at 2 pm \n\nContact: Geoff Brittain\nningogeoff@gmail.com\n0402 012 520
URL:https://tasaonline.org.au/events/the-pitmen-painters/
LOCATION:SA\, Australia
CATEGORIES:Auditions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20211121T100000
DTEND;TZID=Australia/Adelaide:20211121T170000
DTSTAMP:20260426T013023
CREATED:20211027T061542Z
LAST-MODIFIED:20211027T061722Z
UID:10017157-1637488800-1637514000@tasaonline.org.au
SUMMARY:A Midsummer Night's Dream
DESCRIPTION:Written By: William Shakespeare \nCreative Team: Directed by Megan Dansie \n\nThis will be a fast\, funny and whimsical version of Shakespeare’s most popular play.\nMarriage is in the air – the Duke is about to wed his warrior lover\, four young friends are in a complicated love quadrangle\, and the king and queen of the fairies are talking divorce – again.\nAdd in a group of amateur actors with more enthusiasm than talent\, and their pushiest member\, Bottom\, and we have a classic comedy with some of the funniest scenes in theatre. \n\nInformation Session: \n\nAudition Information: http://www.trybooking.com/BVBLK \n\n\n\nRepeated Fieldset #:1\n\n\nDate:\n21/11/2021\n\n\nRepeated Fieldset #:2\n\n\nTime From – Time to:\n10:00 – 17:00\n\n\n\n  \n\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nAll\n\n\nRepeated Fieldset #:2\n\n\nGender:\nUndefined\n\n\nRepeated Fieldset #:3\n\n\nStage Age:\n18+\n\n\nRepeated Fieldset #:4\n\n\nRole Information:\nWe are looking for enthusiastic actors of all genders and ethnic backgrounds. Gender-blind casting will apply.\nMany of the characters will be doubled.\nPreference will be given to stage ages 18 to 45.Please be prepared to perform a short (no more than one minute) Shakespearean monologue (not a sonnet) of your choice.\nPlease be prepared to read some excerpts from the play. (To be provided)\n\n\n\n\nMore Information at: www.trybooking.com/bvblk \n\nContact: Theatre Guild\ntheatreguild@adelaide.edu.au
URL:https://tasaonline.org.au/events/a-midsummer-nights-dream-2/
LOCATION:SA\, Australia
CATEGORIES:Auditions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20211123T193000
DTEND;TZID=Australia/Adelaide:20211123T210000
DTSTAMP:20260426T013023
CREATED:20211104T024406Z
LAST-MODIFIED:20211104T024406Z
UID:10017215-1637695800-1637701200@tasaonline.org.au
SUMMARY:Betty Blue Eyes
DESCRIPTION:Come and hear from our production team about the Australian premiere of ‘Betty Blue Eyes’. Audition information will be available on the night.
URL:https://tasaonline.org.au/events/betty-blue-eyes/
LOCATION:Therry Clubrooms\, Unit 2/ 1 Regina Court\, Beverley\, SA\, 5009\, Australia
CATEGORIES:Information Session
ORGANIZER;CN="Therry Theatre":MAILTO:therry@chariot.net.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20211204T090000
DTEND;TZID=Australia/Adelaide:20211204T170000
DTSTAMP:20260426T013023
CREATED:20211104T023136Z
LAST-MODIFIED:20211104T023136Z
UID:10017214-1638608400-1638637200@tasaonline.org.au
SUMMARY:Tiny Beautiful Things
DESCRIPTION:THEATRE GUILD AUDITION INFORMATION\nTINY BEAUTIFUL THINGS\nby Nia Vardalos\nAdapted from the book by Cheryl Strayed\nDirected by Olivia Jane Parker\nBy Arrangement with ORiGiN™ Theatrical On Behalf of Samuel French\nA Concord Theatricals Company.\n\n*Auditions* Saturday 4 December 2021 – 9am-5pm\nLittle Theatre\, The Cloisters (Gate 10 off Victoria Drive)\, University of Adelaide\nAUDITION BOOKED BY ONLINE APPOINTMENT ONLY: https://www.trybooking.com/BVIXH\n\nSeason: March 2022\nOpening Night: Thursday 10 March 2022\, 7.30pm\nMatinees: Sunday 13 March and Sunday 20 March\, 4pm.\nVenue: Little Theatre\, The Cloisters\, University of Adelaide\nRehearsals: Starting January 2022. Monday & Wednesday evenings\, 7pm-10pm & Saturday afternoons with staggered start times. Rehearsals will take place in various locations on the North Terrace Campus (including the Little Theatre) which will be indicated on the rehearsal schedule.\nAudition Venue: Little Theatre\, The Cloisters\, University of Adelaide. Gate 10 from Victoria Drive.\nDirections: The Cloisters is the name given to the courtyard in front of the Union Building (Union House) facing Victoria Drive and the river. The entrance to the theatre is in the south-west corner of the courtyard\, next to the Unibar.\n\nSYNOPSIS\nBased on the best-selling book by Cheryl Strayed (“Wild”) and adapted for the stage by Nia Vardalos (“My Big Fat Greek Wedding”)\, “Tiny Beautiful Things” personifies the questions and answers that ‘Sugar’ published online from 2010- 2012. When the struggling writer was asked to take over the unpaid\, anonymous position of advice columnist\, Strayed used empathy and her personal experiences to help those seeking guidance for obstacles both large and small.\n“Tiny Beautiful Things” is a play about reaching when you are stuck\, healing when you are broken and finding the courage to take on the questions which have no answers.\nThis play contains strong language and sexual references\, as well as references to drugs and violence\, although none is shown on stage.\nThis is an Australian premiere.\n\nROLES AVAILABLE (LEADS & UNDERSTUDIES)\n—–\nSUGAR – 35+ year old woman – Actors of all genders are encouraged to apply.\nLETTER WRITER #1 – Open audition – Age\, Gender and Ethnicity are not inhibitors.\nLETTER WRITER #2 – Open audition – Age\, Gender and Ethnicity are not inhibitors.\nLETTER WRITER #3 – Open audition – Age\, Gender and Ethnicity are not inhibitors.\nLETTER WRITER #4 – Open audition – Age\, Gender and Ethnicity are not inhibitors.\n—–\nSUGAR should have a larger than life persona. Sugar will not be kept stuck behind a keyboard\, she will be engaging and as vibrant\, emotional and sharp as her letters.\n\nActors will be required to inhibit multiple characters with the use of movement\, voice and human connection.\nActors with a disability are highly encouraged to audition. However\, anyone with a physical disability should be aware the Little Theatre is not equipped for wheelchair access backstage\, and the auditorium has only stair access to the stage.\nThere will be two casts. We would like to offer understudies an opportunity to perform on matinees (Sundays)\, at the discretion of the director. They will be as prepared as leads.\nAn American accent may be required. Please attempt a general American accent at the audition.\n\n*AUDITION BOOKED BY ONLINE APPOINTMENT ONLY*\nAudition times can be booked by going to https://www.trybooking.com/BVIXH\nAuditions are between 9am-5pm Saturday 4 December for 3 people each hour.\nAuditioners will need to prepare one solo piece and one group scene (both provided). You will be sent the audition pieces within 48hrs of booking your audition\, from which to prepare ONE solo piece of your choice. You will also be sent Group pieces which are not compulsory to learn but please be familiar with them and be prepared to read with the other actors auditioning in the same time slot.\n\nOn booking an audition slot\, please ensure you advise your correct phone number and email address.\nWe recommend you wear loose comfortable clothing\, wear shoes that you can move in\, and bring water.\nPlease arrive 10 minutes early to allow yourself time to prepare for your audition and to complete an audition form.\nAny questions about audition bookings\, please email theatreguild@adelaide.edu.au\nAny questions about the play/production (and NOT for booking auditions)\, the director can be contacted on at oliviajaneparker7@gmail.com\n\nAnyone is welcome to audition. This is a gender-blind\, colour-blind casting.\nPlease be aware that everyone involved in a Theatre Guild show is required to be a member of the Theatre Guild. Auditions are open to anyone but any roles offered will only be confirmed once you have become a member. Memberships for 2022 can be purchased via www.trybooking.com/BUNMU
URL:https://tasaonline.org.au/events/tiny-beautiful-things/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220409T100000
DTEND;TZID=Australia/Adelaide:20220409T160000
DTSTAMP:20260426T013023
CREATED:20220328T002916Z
LAST-MODIFIED:20220328T002916Z
UID:10015776-1649498400-1649520000@tasaonline.org.au
SUMMARY:Accidental Death of an Anarchist
DESCRIPTION:Written By: Dario Fo Creative Team: Director: Lesley Reed \n\nAt a police station in Milan\, Inspector Bertozzi is interrogating a ‘certified maniac’ about a series of fraudulent impersonations. The ‘maniac’ is far more quick-witted than the inspector\, spotting an opportunity to evade the consequences of his own transgression while wreaking havoc on the notoriously corrupt police force in the process. \n\nInformation Session: \n\nAudition Information: lesleystage@hotmail.com \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\nSaturday\, 9th April 2022\n\n\nTime From – Time to:\n10.00am to 4.00pm by appointment only\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\nManiac\n\n\nGender:\nMale\n\n\nStage Age:\n25+\n\n\nRole Information:\nFree-spirited\, irreverent clown as well as a devious trickster. Shifts personas often. On-stage for almost the entire play.\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nInspector Bertozzi\n\n\nGender:\nMale\n\n\nStage Age:\n40+\n\n\nRole Information:\nStereotypical corrupt plain clothes police officer. Not quick of wit. The butt of jokes.\n\n\nRepeated Fieldset #:2\n\n\nRole Name:\nInspector Pissani\n\n\nGender:\nMale\n\n\nStage Age:\n40+\n\n\nRole Information:\nNo sense of humour. Quick tempered. Known for unacceptable interrogation practices.\n\n\nRepeated Fieldset #:3\n\n\nRole Name:\n2 constables\n\n\nGender:\nMale\n\n\nStage Age:\n25+\n\n\nRole Information:\nBoth are played by the same actor. They follow orders immediately\, without thought\, and agree with the opinion of everyone.\n\n\nRepeated Fieldset #:4\n\n\nRole Name:\nSuperintendent\n\n\nGender:\nMale\n\n\nStage Age:\n45+\n\n\nRole Information:\nVery defensive. Known for unsavoury interrogation means.\n\n\nRepeated Fieldset #:5\n\n\nRole Name:\nFeletti\n\n\nGender:\nFemale\n\n\nStage Age:\n30+\n\n\nRole Information:\nJournalist. A ‘straight’ role.\n\n\n\n\nMore Information at: https://www.stirlingplayers@sct.org.au \nPLEASE NOTE that all male roles will be played by female actors costumed as males. Auditions by appointment only. Further details about the play\, the season\, rehearsals and audition booking requirements are available on The Stirling players website. \n\nContact: Lesley Reed lesleystage@hotmail.com 0488 511 145 \n\n\n\n\n\n\n\n\n\n 
URL:https://tasaonline.org.au/events/accidental-death-of-an-anarchist/
LOCATION:SA\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Stirling Players":MAILTO:contact@stirlingplayers.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220515T180000
DTEND;TZID=Australia/Adelaide:20220515T200000
DTSTAMP:20260426T013023
CREATED:20220513T201837Z
LAST-MODIFIED:20220513T201837Z
UID:10015930-1652637600-1652644800@tasaonline.org.au
SUMMARY:Curtain Up
DESCRIPTION:Written By: Peter Quilter             Creative Team: Myles Leon \n\nCurtain up! Is a hilarious comedy of five women who inherit equal shares in an old dilapidated theatre and plan to bring it back to life again. The females try various fund-raising schemes but their most ambitious idea is to hold a concert featuring local talent and the world-famous star\, Liza Minnelli\, who agrees to appear for no fee. However\, plans go awfully wrong\, when they hear that Liza Minnelli has cancelled. It is a race to find someone to fill her shoes without the audience guessing the whole truth. A fast-paced and funny comedy with several songs and dances for five women. \n\nInformation Session: \n\nAudition Information: blackwood.players@gmail.com \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n15/05/2022\n\n\nTime From – Time to:\n18:00 – 20:00\n\n\nRepeated Fieldset #:1\n\n\nDate:\n22/05/2022\n\n\nTime From – Time to:\n18:00 – 20:59\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\nBetty\n\n\nGender:\nFemale\n\n\nStage Age:\n50+\n\n\nRole Information:\nLinda’s Mum and Julie’s Grandmother. A harmless\, scatterbrained for most of the play\, with bursts of embarrassing lucidity. She likes to put down her daughter\, Linda.\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nLinda\n\n\nGender:\nFemale\n\n\nStage Age:\n40+\n\n\nRole Information:\nJulie’s Mother. A bit of frumpy\, uptight and bitter about her divorce from Michael. Very jealous of Karen – Michael’s second wife.\n\n\nRepeated Fieldset #:2\n\n\nRole Name:\nKaren\n\n\nGender:\nFemale\n\n\nStage Age:\n40s\n\n\nRole Information:\nMichael’s second wife. Quite sporty and glamorous. Interferes in other people’s business\, which often causes tension between her and Linda.\n\n\nRepeated Fieldset #:3\n\n\nRole Name:\nSharon\n\n\nGender:\nFemale\n\n\nStage Age:\n30s\n\n\nRole Information:\nFormer PA to Michael. Very bubbly and enthusiastic. Describes herself as a punk elephant.\n\n\nRepeated Fieldset #:4\n\n\nRole Name:\nJulie\n\n\nGender:\nFemale\n\n\nStage Age:\n20s\n\n\nRole Information:\nLinda’s Daughter. A bit of a naive romantic who gets wrapped up in the nostalgia of restoring her late father’s Theatre.\n\n\n\n\nMore Information at: https://www.blackwoodplayers.com/ \nAudition Process \nPlease bring a current headshot to the audition. Auditionees are welcome to audition for more than one role. The audition process will include scene readings\, some basic choreography ie: fitness class and basic dance routine and sing a song of your choice. There are 3 songs that will need varying simple levels of movement and several fitness class routines that progressively improve as the play progresses. Auditions will be on Sunday 15 May and Sunday 22 May from 6 pm till 8 pm. Call-back audition if required will be on Sunday 29 May from 6 till 8 pm. All auditionees will be informed of the result of their audition by the end of the 2 to 4 – week audition process. If you are unsuccessful in the role you have chosen it is possible you will be invited to consider another role. \nCovid 19 Blackwood Players maintain a policy of requiring all production cast and crew to be fully vaccinated against Covid-19 consistent with the SA Health guidelines described at https://www.sahealth.sa.gov.au/wps/wcm/connect/public+content/sa+health+internet/conditions/infectious+diseases/covid-19/vaccine/about/covid-19+vaccine+faqs Proof of Covid 19 vaccination or exemption will be required. The requirement for full vaccination shall not apply if a medical exemption is produced. \nBooking Your Audition Time Slot To book your audition time slot please email blackwood.players@gmail.com Please provide details about your preferred audition time if you have any time constraints on Sunday 15 May or Sunday 22 August from 6 pm till 8 pm. Information Pack Once your audition is booked in\, we will email your audition information pack out to you. \nIf you have any further questions after receiving your Audition Information Pack please email blackwood.players@gmail.com Blackwood Players are looking forward to hearing from you soon 😊 Cheers Michelle Maclean For Blackwood Players \n\nContact: Michelle Maclean blackwood.players@gmail.com \n\n\n\n\n\n\n\n\n\n 
URL:https://tasaonline.org.au/events/curtain-up-2/2022-05-15/
LOCATION:Blackwood Memorial Hall\, 21 Coromandel Parade\, Blackwood\, SA\, 5051\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Blackwood Players Inc.":MAILTO:blackwood.players@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220522T180000
DTEND;TZID=Australia/Adelaide:20220522T210000
DTSTAMP:20260426T013023
CREATED:20220513T201837Z
LAST-MODIFIED:20220513T201837Z
UID:10015931-1653242400-1653253200@tasaonline.org.au
SUMMARY:Curtain Up
DESCRIPTION:Written By: Peter Quilter             Creative Team: Myles Leon \n\nCurtain up! Is a hilarious comedy of five women who inherit equal shares in an old dilapidated theatre and plan to bring it back to life again. The females try various fund-raising schemes but their most ambitious idea is to hold a concert featuring local talent and the world-famous star\, Liza Minnelli\, who agrees to appear for no fee. However\, plans go awfully wrong\, when they hear that Liza Minnelli has cancelled. It is a race to find someone to fill her shoes without the audience guessing the whole truth. A fast-paced and funny comedy with several songs and dances for five women. \n\nInformation Session: \n\nAudition Information: blackwood.players@gmail.com \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n15/05/2022\n\n\nTime From – Time to:\n18:00 – 20:00\n\n\nRepeated Fieldset #:1\n\n\nDate:\n22/05/2022\n\n\nTime From – Time to:\n18:00 – 20:59\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\nBetty\n\n\nGender:\nFemale\n\n\nStage Age:\n50+\n\n\nRole Information:\nLinda’s Mum and Julie’s Grandmother. A harmless\, scatterbrained for most of the play\, with bursts of embarrassing lucidity. She likes to put down her daughter\, Linda.\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nLinda\n\n\nGender:\nFemale\n\n\nStage Age:\n40+\n\n\nRole Information:\nJulie’s Mother. A bit of frumpy\, uptight and bitter about her divorce from Michael. Very jealous of Karen – Michael’s second wife.\n\n\nRepeated Fieldset #:2\n\n\nRole Name:\nKaren\n\n\nGender:\nFemale\n\n\nStage Age:\n40s\n\n\nRole Information:\nMichael’s second wife. Quite sporty and glamorous. Interferes in other people’s business\, which often causes tension between her and Linda.\n\n\nRepeated Fieldset #:3\n\n\nRole Name:\nSharon\n\n\nGender:\nFemale\n\n\nStage Age:\n30s\n\n\nRole Information:\nFormer PA to Michael. Very bubbly and enthusiastic. Describes herself as a punk elephant.\n\n\nRepeated Fieldset #:4\n\n\nRole Name:\nJulie\n\n\nGender:\nFemale\n\n\nStage Age:\n20s\n\n\nRole Information:\nLinda’s Daughter. A bit of a naive romantic who gets wrapped up in the nostalgia of restoring her late father’s Theatre.\n\n\n\n\nMore Information at: https://www.blackwoodplayers.com/ \nAudition Process \nPlease bring a current headshot to the audition. Auditionees are welcome to audition for more than one role. The audition process will include scene readings\, some basic choreography ie: fitness class and basic dance routine and sing a song of your choice. There are 3 songs that will need varying simple levels of movement and several fitness class routines that progressively improve as the play progresses. Auditions will be on Sunday 15 May and Sunday 22 May from 6 pm till 8 pm. Call-back audition if required will be on Sunday 29 May from 6 till 8 pm. All auditionees will be informed of the result of their audition by the end of the 2 to 4 – week audition process. If you are unsuccessful in the role you have chosen it is possible you will be invited to consider another role. \nCovid 19 Blackwood Players maintain a policy of requiring all production cast and crew to be fully vaccinated against Covid-19 consistent with the SA Health guidelines described at https://www.sahealth.sa.gov.au/wps/wcm/connect/public+content/sa+health+internet/conditions/infectious+diseases/covid-19/vaccine/about/covid-19+vaccine+faqs Proof of Covid 19 vaccination or exemption will be required. The requirement for full vaccination shall not apply if a medical exemption is produced. \nBooking Your Audition Time Slot To book your audition time slot please email blackwood.players@gmail.com Please provide details about your preferred audition time if you have any time constraints on Sunday 15 May or Sunday 22 August from 6 pm till 8 pm. Information Pack Once your audition is booked in\, we will email your audition information pack out to you. \nIf you have any further questions after receiving your Audition Information Pack please email blackwood.players@gmail.com Blackwood Players are looking forward to hearing from you soon 😊 Cheers Michelle Maclean For Blackwood Players \n\nContact: Michelle Maclean blackwood.players@gmail.com \n\n\n\n\n\n\n\n\n\n 
URL:https://tasaonline.org.au/events/curtain-up-2/2022-05-22/
LOCATION:Blackwood Memorial Hall\, 21 Coromandel Parade\, Blackwood\, SA\, 5051\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Blackwood Players Inc.":MAILTO:blackwood.players@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220530T193000
DTEND;TZID=Australia/Adelaide:20220530T210000
DTSTAMP:20260426T013023
CREATED:20220525T014256Z
LAST-MODIFIED:20220525T014256Z
UID:10017696-1653939000-1653944400@tasaonline.org.au
SUMMARY:Guys & Dolls - Audition Information Night
DESCRIPTION:Director: Rebecca Kemp\nMusical Director: Jacqui Maynard\nChoreographer: Carmel Vistoli\nAssistant Choreographer: Barbara Nutchey\n\nSet in the bustling Manhattan of Damon Runyon’s short stories\, Guys and Dolls is a Depression era romantic comedy featuring crap games\, horse races\, gamblers\, show girls and the evangelist members of a downtown Mission.\nCon-man Nathan Detroit is seeking a new location for his notorious ‘floating’ crap game\, but he doesn’t have the dough he needs for a down payment. Enter Sky Masterson\, a high-rolling gambler willing to take on any honest bet with a high enough reward attached. Nathan bets Sky that he can’t take the “doll”\, of Nathan’s choosing\, on a date to Havana\, Cuba. When Sky agrees to the bet\, Nathan chooses uptight Evangelist Sergeant Sarah Brown\, head of Broadway’s Save-a-Soul Mission. Sky thinks he’s been duped\, but he’s in for even more of a surprise when his efforts to woo Sarah are so successful that he falls in love with her himself! Meanwhile Nathan is under pressure from his long time ‘fiancee’ and night club dancer\, Miss Adelaide\, to settle down and get married. What are the odds?\n\nRoles Available:\nMen\nSky Masterson: (Stage-age 30 to 45)\nA charming and self-assured gambler who is able to adapt to any situation but ready to reel off prepared anecdotes regarding his view of the world. Despite his failings\, Sky is immensely likeable and oozes style.\nThe role requires: a confident actor with good comic timing. A strong baritone singer with the ability to move well.\n\nNathan Detroit (Stage-age 30 to 50)\nA feckless and humorous manipulator\, Nathan is the facilitator of illegal gambling in town. A consummate businessman with divided loyalties; he pacifies his fiancé Adelaide with vague promises of a marriage. Comic timing is a must. Baritone.\n\nNicely-Nicely Johnson (Stage-age 30 to 50)\nA cheerful and eccentric gambler and one of Nathan’s closest associates who helps him set up the crap games. Sings one of the most well known songs in the show ‘Sit Down You’re Rockin’ The Boat’. Comic timing is a must. Strong tenor singer. Good mover.\n\nBenny Southstreet (Stage-age 20 to 50)\nHe is a gambler and one of Nathan’s primary associates. Strong Baritone singer\n\nArvide Abernathy (Stage-age 50+)\nHe is the older\, wiser leader of the Salvation Army in Times Square. He is a reasoned old man with a warm heart that harbours only the kindest intentions\, even if he tends to be a little gullible. Family to Sarah Brown. Baritone.\n\nLt. Brannigan (Stage-age 35+)\nHe is a tough\, by-the-book policeman\, engaged in what he perceives to be a battle of wits with Nathan to stop the crap game. Comic timing and acting ability are essential. Ensemble singing.\nEnsemble:\nGamblers (Stage-age 20 to 60) A variety of men.\nRusty Charlie has solo singing (in a trio “Fugue for Tinhorns).\nBig Jule is an intimidating hustler from Chicago\, temperamental and a sore loser.\nHarry the Horse\, Angie the Ox\, and others. Lots of ensemble singing. The ability to dance/move is a big plus but not essential.\n\nMission Band members (Stage-age 20 to 60) Ensemble singing only.\nWomen\nSarah Brown: (Stage-age 25 to 35)\nAn idealistic but sheltered missionary\, Sarah is kind-hearted but too categorical in her view of the world. She learns she has an adventurous side and goes through character changes over the course of the show. Very strong soprano voice.\n\nAdelaide (Stage-age 30 to 40)\nA strongly comic and classic show girl. A featured club singer and Nathan’s long-suffering fiancée who longs for quiet family life away from New York. Comic timing a must\, good dancing ability is a plus. Bronx accent desirable. Strong alto with capable vocal belt.\n\nGeneral Cartwright (Stage-age 40 to 60)\nThe regional director of the Save-a-Soul mission\, she is authoritative through necessity but motivated by charity. Strong mezzo-soprano.\n\nEnsemble:\nHot Box Dancers (Stage age 18 to 35) Good dancers required\nMission Band members (Stage-age 20 to 60) Ensemble singing only.\n\nRehearsals:\nMonday and Wednesday nights 7.30-10.30pm\nSome Sundays 2-6pm including two day/night Sundays 2pm -10.30pm\nCommencing: Monday\, 25th July\nBump In: Sunday 16th October (Arts Theatre\, Angas St)\nRehearsals: Sunday 16th – Wednesday 19th October (Arts Theatre\, Angas St)\n\nPerformances:\nThursday 20th to Saturday 22nd October 7:30pm\nTuesday 25 to Saturday 29 October 7:30pm\nMatinees Sat 22nd and 29th October 2pm\n\nVenue:\nThe Arts Theatre: Angas Street Adelaide\n\nInformation Night:\nMonday\, 7.45pm 30th May\nMaylands Church of Christ Hall\,\n157 Portrush Rd\, Maylands\n\nAuditions:  (Audition slots will be made available from the end of the Information night.)\n(Auditions will be 15min individual segments)\nSunday 19 June from 2.30-10pm\nMonday 20th June from 7-10pm\n\nVenue:\nMaylands Church of Christ Hall\,\n157 Portrush Rd\, Maylands\n\nMore Information:\nContact The Met Committee on metmusicals@gmail.com
URL:https://tasaonline.org.au/events/guys-dolls-audition-information-night/
LOCATION:Maylands Church of Christ Hall\, 157 Portrush Rd\, Maylands\, SA\, 5069\, Australia
CATEGORIES:Information Session
ORGANIZER;CN="The Metropolitan Musical Theatre Company of SA Inc.":MAILTO:themetsa@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220604T130000
DTEND;TZID=Australia/Adelaide:20220604T173000
DTSTAMP:20260426T013023
CREATED:20220524T023959Z
LAST-MODIFIED:20220524T023959Z
UID:10017694-1654347600-1654363800@tasaonline.org.au
SUMMARY:Shrek - The Musical
DESCRIPTION:Auditions time slots are now open for anyone interested in becoming involved with Shrek the Musical. Please read the audition information pack and then book your audition time and download the appropriate music and dialogue for the characters you wish to audition for. \nMore information at: \n \nShrek the Musical
URL:https://tasaonline.org.au/events/shrek-the-musical-3/2022-06-04/
LOCATION:Crafers Institute Hall\, Sharrad Crt\, Crafers\, SA\, 5152\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Hills Musical Company":MAILTO:tickets@hillsmusical.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220604T140000
DTEND;TZID=Australia/Adelaide:20220604T163000
DTSTAMP:20260426T013023
CREATED:20220511T073349Z
LAST-MODIFIED:20220511T074303Z
UID:10017676-1654351200-1654360200@tasaonline.org.au
SUMMARY:OLIVER TWISTED (Adult casting call)
DESCRIPTION:We are seeking 10 adult company members to work alongside our junior company. This is an ensemble show with multi-role playing in this new production. Classic roles up for grabs include: devious Fagin\, evil Bill Sykes\, Mr (& Mrs) Bumble\, Nancy and the kind-hearted Mr Brownlow\, along with so many more. \nPlease note that this is not a musical but an adaptation of the original story played using traditional storytelling techniques. \nPerforming – November 2022           Rehearsing – from July 2022 \nGroup audition workshops will be held on 4th & 11th of June from 2:00pm to 4:30pm We also seek interest from an Assistant Director & 4 musicians to play live for the show. \nIf you are interested please email  theplayhouseca@icloud.com  or call 0401 530 628 to arrange your audition. \nLarry is keen to develop a learning culture during the production\, empowering young and old to learn new skills\, make new connections and enjoy this challenging and rewarding environment. \nThis is a joint production between St Jude’s Players and Captive Audience Community Theatre. \n\n\n\n\n\n\n\n\n\n 
URL:https://tasaonline.org.au/events/oliver-twisted-adult-casting-call/2022-06-04/
LOCATION:St. Jude’s Players\, 444 Brighton Rd\, Brighton\, South Australia\, 5048\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="St. Jude's Players":MAILTO:info@stjudesplayers.asn.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220604T140000
DTEND;TZID=Australia/Adelaide:20220604T163000
DTSTAMP:20260426T013023
CREATED:20220511T074008Z
LAST-MODIFIED:20220517T231402Z
UID:10017678-1654351200-1654360200@tasaonline.org.au
SUMMARY:OLIVER TWISTED (Young Company casting call)
DESCRIPTION:We are seeking young company members for a collaboration between St Jude’s Players and Captive Audience Theatre. Young people aged 8 – 18 will work in an ensemble cast with adults on an original adaptation of the Dickens classic story “Oliver Twist” but with a modern twist. Please note that this is not a musical but an adaptation of the original story played using traditional storytelling techniques. \nPerforming – November 2022           Rehearsing – from July 2022 \nGroup audition workshops will be held on 4th & 11th of June from 2:00pm to 4:30pm \nWe also seek interest from 20 Young Company players\,  an Assistant Director & 4 musicians to play live for the show. \nIf you are interested please email  theplayhouseca@icloud.com  or call 0401 530 628 to arrange your audition. \nLarry is keen to develop a learning culture during the production\, empowering young and old to learn new skills\, make new connections and enjoy this challenging and rewarding environment. \n\n\n\n\n\n\n\n\n\n 
URL:https://tasaonline.org.au/events/oliver-twisted-young-company-casting-call/2022-06-04/
LOCATION:St. Jude’s Players\, 444 Brighton Rd\, Brighton\, South Australia\, 5048\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="St. Jude's Players":MAILTO:info@stjudesplayers.asn.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220605T100000
DTEND;TZID=Australia/Adelaide:20220605T143000
DTSTAMP:20260426T013023
CREATED:20220524T023959Z
LAST-MODIFIED:20220524T023959Z
UID:10017695-1654423200-1654439400@tasaonline.org.au
SUMMARY:Shrek - The Musical
DESCRIPTION:Auditions time slots are now open for anyone interested in becoming involved with Shrek the Musical. Please read the audition information pack and then book your audition time and download the appropriate music and dialogue for the characters you wish to audition for. \nMore information at: \n \nShrek the Musical
URL:https://tasaonline.org.au/events/shrek-the-musical-3/2022-06-05/
LOCATION:Crafers Institute Hall\, Sharrad Crt\, Crafers\, SA\, 5152\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Hills Musical Company":MAILTO:tickets@hillsmusical.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220605T133000
DTEND;TZID=Australia/Adelaide:20220605T160000
DTSTAMP:20260426T013023
CREATED:20220513T202201Z
LAST-MODIFIED:20220513T202201Z
UID:10015933-1654435800-1654444800@tasaonline.org.au
SUMMARY:Hope and Gravity
DESCRIPTION:Written By: Michael Hollinger Creative Team: Director : Kym Clayton \n\nThe action unfolds in nine briskly-paced out-of-sequence scenes that begin inside an elevator\, where we hear the fuzzy details of an elevator accident the night before – an incident that will eventually link the scenes. Each scene functions as a self-contained vignette but is also a single piece of a big puzzle with the play’s characters interacting on one level\, with no idea that their lives intersect on another. Their lives intersect in surprising ways that are both comical and tragic – through love\, sex\, poetry\, dentistry\, phobias\, in offices\, homes\, and in hotel rooms. Jill longs for Steve\, who’s engaged to Barb\, who hooks up with Peter\, who’s already having an affair with Nan\, who’s married to Marty. Meanwhile\, Douglas\, who teaches creative writing to Jill and Steve\, meets Tanya who’s hoping to get pregnant with Hal. By the time Hollinger is done with his inventive\, non-sequential funny play\, he’s provided a narrative arc that the audience delight in piecing together themselves. “…..brilliantly structured and hilariously written…” – Fort Worth Star-Telegram “A satisfying\, crowd-pleasing puzzle play\, with nine scenes in two acts\, but not in chronological order.” – Pittsburgh Post-Gazette “Some of the scenes are laugh-out-loud funny; others are tenderly poignant.” – Pittsburgh Tribune-Review “There’s a thrill in chasing this plot – it’s always tantalizingly ahead of you – and finally nailing it. The thrill extends to witnessing five actors\, some in dual roles\, as they lay out this story that happens in the past\, or sometimes in the future\, yet also in the present.” – WHYY Philadelphia “[It’s] Michael Hollinger at his best: witty banter\, well-turned phrases\, and genuine characters make us laugh; then something unexpectedly wonderful and mysterious lifts us to a new level. Gravity tugs us downward but hope allows us to soar\, as HOPE AND GRAVITY shows.” – BroadStreetReview.com \n\nInformation Session: \n\nAudition Information: \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n05/06/2022\n\n\nTime From – Time to:\n13:30 – 16:00\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\nMarty/Douglas\n\n\nGender:\nMale\n\n\nStage Age:\n \n\n\nRole Information:\nDual role. Stage age 40-50s\, 327 cues. Marty is a warm and garrulous elevator repairman\, and married to Nan. He is interested in people\, and is forgiving. Family nis important to him. Douglas is a bachelor\, a celebrated poet\, and a teacher. He’s lost his creative mojo and is trying to get it back after a life-altering accident. He is kind and friendly towards others who are younger and less experienced person.\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nPeter/Hal\n\n\nGender:\nMale\n\n\nStage Age:\n \n\n\nRole Information:\nDual role. Stage age late 30s-early 40s\, 306 cues. Peter is a dentist\, and is having an affair with Nan. He is stylish\, confident\, a pathological liar (for which he seeks therapy)\, and is a philanderer. Actor will need to have good comic timing and physical humour capability. Hal is a school administrator/ Assistant Principal\, and has a borderline psychological illness that manifests as hypochondria. He is nervy! He is married to Tanya\, and they are trying for a baby but are having difficulty and he needs to get a ‘sample’ tested! (Actor needs to be bare chested during one scene.)\n\n\nRepeated Fieldset #:2\n\n\nRole Name:\nTanya/Nan\n\n\nGender:\nFemale\n\n\nStage Age:\n \n\n\nRole Information:\nDual role. Stage age 40s\, 347 cues. Tanya is and Actuary and is married to Hal. She is a no-nonsense type of person and likely ‘wears the pants’ in the relationship. She is trying to get pregnant with Hal\, but it’s likely there is ‘a problem’ with him. She is phobic about elevators. Actor needs to passionately kiss during one scene. Nan is a married to Marty\, and works at the same school as Hal and Barb as a nurse. She is having an affair with Peter but has a conscience and finishes it. At heart she is a caring person. Actor will need to participate in a comical seduction scene!\n\n\nRepeated Fieldset #:3\n\n\nRole Name:\nSteve\n\n\nGender:\nMale\n\n\nStage Age:\n \n\n\nRole Information:\nSingle character role. Stage age 20s\, 317 cues. Steve is a creative-writing graduate student\, and is initially engaged to Barb but subconsciously attracted to Jill with whom he shares house. He is a romantic at heart\, and wears his heart on his sleeve.\n\n\nRepeated Fieldset #:4\n\n\nRole Name:\nJill/Barb\n\n\nGender:\nFemale\n\n\nStage Age:\n \n\n\nRole Information:\nDual role. Stage age 30-35\, 385 cues. Jill is also a creative-writing graduate student\, and is Steve’s roommate with whom she is secretly in love despite that he is engaged to Barb. In private with Steve\, Jill is openly hostile about Barb. Barb is engaged to Steve and ‘knows’ that Jill is in love with him. She comes across as ‘cool’ when Steve tries to be romantic. She has an irrational fear of dentists and seeks treatment for her phobia\, but this doesn’t prevent her from eventually ‘falling’ for dentist Peter.\n\n\n\n\nMore Information at: www.galleon.org.au \nThe audition is a group audition. Venue for audition : Park Holme Community Hall\, 638 Marion Road\, PARK HOLME (corner Wallala Avenue & Marion Road) \nVenue for performances : Domain Theatre\, Marion Cultural Centre 287 Diagonal Road\, OAKLANDS PARK SA 5046 Performance Dates : Thurs 25\, Fri 26\, Sat 27 May 2023 @ 7.30pm Thurs 1\, Fri 2\, Sat 3 June 2023 @ 7.30pm Matinee: Sun 28 May 2023 @ 2pm \nRehearsal Times :  Tuesdays & Thursdays 7.30-10.00pm\, Sundays 1.30-5.30pm\, although there may be some variation to days and times.  \nFirst rehearsal Sunday 5 March 2023\, or thereabouts. (Please note this will be during the Fringe Festival/ Festival of Arts.) Please email Director Kym Clayton ackc1@optusnet.com.au to register for the audition. At the audition you will be asked to provide proof of vaccination against COVID19. The audition will include reading/moving excerpts from the play\, with relevant pages emailed to you once you have registered. \n\nContact: Kym Clayton ackc1@optusnet.com.au 0407704349 \n\n\n\n\n\n\n\n\n\n 
URL:https://tasaonline.org.au/events/hope-and-gravity-2/
LOCATION:Park Holme Community Hall\, 638 Marion Road\, Park Holme\, SA\, 5043\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Galleon Theatre Group":MAILTO:info@galleon.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220611T140000
DTEND;TZID=Australia/Adelaide:20220611T160000
DTSTAMP:20260426T013023
CREATED:20220609T082427Z
LAST-MODIFIED:20220609T082427Z
UID:10017707-1654956000-1654963200@tasaonline.org.au
SUMMARY:The Trail to Oregon - Information session
DESCRIPTION:Written by Starkid\nDirected by Marley Banham\n\nSYNOPSIS:\nThe Trail to Oregon is set in the 1800’s and is based off of the Oregon Trail computer game. The musical follows the story of a low-class family on their journey to Oregon after their farm burnt down and the challenges and encounters\, they face along the way.\nCHARACTERS:\nFather: After accidentally burning down the family farm\, he decides to take his family to Oregon in the hopes of starting fresh.\nMother: Her goal is to make it to Oregon alive with her whole family. She likes to however play dead.\nDaughter: Being chased after by McDoon.\nSon: Seven-year-old who when reaching Oregon\, has a desire to go skinny dipping.\nGrandpa: Fought a personal war against lobsters\, claiming to have won and sent them to the sea. His lover Eleanor left him for his ex-best friend: Cornwallis.\nCletus Jones: McDoon’s partner in crime\, helping to capture the daughter and on his way to Oregon.\nMcDoon: Also known as the Bandit King\, his main objective is to marry the daughter.\nGeneral Store Guy: A general store owner whom provides himself on being a good ox owner.\nCornwallis: Grandpa’s ex best friend.\nOx: He is sold to Father by the General Store Guy who is part monster and is implied to be part human.\n***IMPORTANT TO NOTE***\n*Grandpa and Cletus Jones are normally played by the same actor however this is subject to change*\n*McDoon\, General Store Guy\, Cornwallis and the Ox will be played by the same actor*\nRehearsals:\nTuesdays and Thursdays 6:30pm – 9:30pm from July\nSundays 2-5pm from September\nPerformances:\nTBC November 4th\, 5th\, 11th\, 12th. With the potential for a matinee show.\nInformation Afternoon:\nSaturday 11 June 2-4pm\nAuditions:\nSaturday 18th June 6pm-9pm\nSunday 19th June 1pm – 5pm\nFor more information:\nEmail:  marleyemiko@outlook.com\nEmail group: phoenixvariety.musicgroup@gmail.com\nText: 0474796668
URL:https://tasaonline.org.au/events/the-trail-to-oregon-information-session/
LOCATION:Noarlunga Uniting Church Hall\, 23 William Road\, Christies Beach\, SA\, 5165\, Australia
CATEGORIES:Information Session
ORGANIZER;CN="Phoenix Variety and Music Group":MAILTO:phoenixttheatregroup2018@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220611T140000
DTEND;TZID=Australia/Adelaide:20220611T163000
DTSTAMP:20260426T013023
CREATED:20220511T073349Z
LAST-MODIFIED:20220511T074303Z
UID:10017677-1654956000-1654965000@tasaonline.org.au
SUMMARY:OLIVER TWISTED (Adult casting call)
DESCRIPTION:We are seeking 10 adult company members to work alongside our junior company. This is an ensemble show with multi-role playing in this new production. Classic roles up for grabs include: devious Fagin\, evil Bill Sykes\, Mr (& Mrs) Bumble\, Nancy and the kind-hearted Mr Brownlow\, along with so many more. \nPlease note that this is not a musical but an adaptation of the original story played using traditional storytelling techniques. \nPerforming – November 2022           Rehearsing – from July 2022 \nGroup audition workshops will be held on 4th & 11th of June from 2:00pm to 4:30pm We also seek interest from an Assistant Director & 4 musicians to play live for the show. \nIf you are interested please email  theplayhouseca@icloud.com  or call 0401 530 628 to arrange your audition. \nLarry is keen to develop a learning culture during the production\, empowering young and old to learn new skills\, make new connections and enjoy this challenging and rewarding environment. \nThis is a joint production between St Jude’s Players and Captive Audience Community Theatre. \n\n\n\n\n\n\n\n\n\n 
URL:https://tasaonline.org.au/events/oliver-twisted-adult-casting-call/2022-06-11/
LOCATION:St. Jude’s Players\, 444 Brighton Rd\, Brighton\, South Australia\, 5048\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="St. Jude's Players":MAILTO:info@stjudesplayers.asn.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220611T140000
DTEND;TZID=Australia/Adelaide:20220611T163000
DTSTAMP:20260426T013023
CREATED:20220511T074008Z
LAST-MODIFIED:20220517T231402Z
UID:10017679-1654956000-1654965000@tasaonline.org.au
SUMMARY:OLIVER TWISTED (Young Company casting call)
DESCRIPTION:We are seeking young company members for a collaboration between St Jude’s Players and Captive Audience Theatre. Young people aged 8 – 18 will work in an ensemble cast with adults on an original adaptation of the Dickens classic story “Oliver Twist” but with a modern twist. Please note that this is not a musical but an adaptation of the original story played using traditional storytelling techniques. \nPerforming – November 2022           Rehearsing – from July 2022 \nGroup audition workshops will be held on 4th & 11th of June from 2:00pm to 4:30pm \nWe also seek interest from 20 Young Company players\,  an Assistant Director & 4 musicians to play live for the show. \nIf you are interested please email  theplayhouseca@icloud.com  or call 0401 530 628 to arrange your audition. \nLarry is keen to develop a learning culture during the production\, empowering young and old to learn new skills\, make new connections and enjoy this challenging and rewarding environment. \n\n\n\n\n\n\n\n\n\n 
URL:https://tasaonline.org.au/events/oliver-twisted-young-company-casting-call/2022-06-11/
LOCATION:St. Jude’s Players\, 444 Brighton Rd\, Brighton\, South Australia\, 5048\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="St. Jude's Players":MAILTO:info@stjudesplayers.asn.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220618T180000
DTEND;TZID=Australia/Adelaide:20220618T210000
DTSTAMP:20260426T013023
CREATED:20220609T082731Z
LAST-MODIFIED:20220609T082731Z
UID:10017708-1655575200-1655586000@tasaonline.org.au
SUMMARY:The Trial to Oregon - auditions
DESCRIPTION:Written by Starkid\nDirected by Marley Banham\n\nSYNOPSIS:\nThe Trail to Oregon is set in the 1800’s and is based off of the Oregon Trail computer game. The musical follows the story of a low-class family on their journey to Oregon after their farm burnt down and the challenges and encounters\, they face along the way.\nCHARACTERS:\nFather: After accidentally burning down the family farm\, he decides to take his family to Oregon in the hopes of starting fresh.\nMother: Her goal is to make it to Oregon alive with her whole family. She likes to however play dead.\nDaughter: Being chased after by McDoon.\nSon: Seven-year-old who when reaching Oregon\, has a desire to go skinny dipping.\nGrandpa: Fought a personal war against lobsters\, claiming to have won and sent them to the sea. His lover Eleanor left him for his ex-best friend: Cornwallis.\nCletus Jones: McDoon’s partner in crime\, helping to capture the daughter and on his way to Oregon.\nMcDoon: Also known as the Bandit King\, his main objective is to marry the daughter.\nGeneral Store Guy: A general store owner whom provides himself on being a good ox owner.\nCornwallis: Grandpa’s ex best friend.\nOx: He is sold to Father by the General Store Guy who is part monster and is implied to be part human.\n***IMPORTANT TO NOTE***\n*Grandpa and Cletus Jones are normally played by the same actor however this is subject to change*\n*McDoon\, General Store Guy\, Cornwallis and the Ox will be played by the same actor*\nRehearsals:\nTuesdays and Thursdays 6:30pm – 9:30pm from July\nSundays 2-5pm from September\nPerformances:\nTBC November 4th\, 5th\, 11th\, 12th. With the potential for a matinee show.\n\nAuditions:\nSaturday 18th June 6pm-9pm\nSunday 19th June 1pm – 5pm\nFor more information:\nEmail: marleyemiko@outlook.com\nEmail group: phoenixvariety.musicgroup@gmail.com\nText: 0474796668
URL:https://tasaonline.org.au/events/the-trial-to-oregon-auditions/2022-06-18/
LOCATION:Noarlunga Uniting Church Hall\, 23 William Road\, Christies Beach\, SA\, 5165\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Phoenix Variety and Music Group":MAILTO:phoenixttheatregroup2018@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220619T090000
DTEND;TZID=Australia/Adelaide:20220619T120000
DTSTAMP:20260426T013023
CREATED:20220530T064637Z
LAST-MODIFIED:20220530T065259Z
UID:10017697-1655629200-1655640000@tasaonline.org.au
SUMMARY:ANNIE JR
DESCRIPTION:Written By: Thomas Meehan\, Charles Strouse and Martin Charnin \nCreative Team: Director – Billie-Rose Russell\nMusical Director – Nikki Long\nChoreographer – Caley Watt \n\nBased on the popular comic strip and adapted from the Tony Award-winning Best Musical\, with a beloved book and score by Tony Award-winners\, Thomas Meehan\, Charles Strouse and Martin Charnin\, Annie Jr. features everyone’s favourite little redhead in her very first adventure. \nWith equal measures of pluck and positivity\, little orphan Annie charms everyone’s hearts despite a next-to-nothing start in 1930s New York City. Annie is determined to find the parents who abandoned her years ago on the doorstep of an orphanage run by the cruel Miss Hannigan. Annie eventually foils Miss Hannigan’s evil machinations\, finding a new home and family in billionaire Oliver Warbucks\, his personal secretary\, Grace Farrell\, and a lovable mutt named Sandy. \n\nInformation Session: \n\nAudition Information: https://adelaidetheatreacademy.com.au/wp-content/uploads/2022/05/Annie-Jr-audition-pack-ATAv4.pdf \n\n\n\nRepeated Fieldset #:1\n\n\nDate:\n19/06/2022\n\n\nRepeated Fieldset #:2\n\n\nTime From – Time to:\n9:00 – 12:00 and 1.30–4.30pm (if required)\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\nAnnie\n\n\nGender:\nFemale\n\n\nStage Age:\n11\n\n\nRole Information:\nAnnie is a complex little girl. She is a tough\, streetwise urchin who is nevertheless vulnerable when she thinks she might lose what has become most important to her: a newfound “family” who loves her. She has to be motherly\, independent\, overwhelmed\, needy and hopeful for the future.\nVocal range: E5-A3\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nNamed orphans\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nThe Orphans\nMolly\, Tessie\, July\, Duffy\, Kate and Pepper. These girls are gritty\, neglected and vulnerable\, yet basically honest and potentially loveable.\n\n\nRepeated Fieldset #:2\n\n\nRole Name:\nMiss Hannigan\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nThis woman is definitely a “has-been.” Her distaste for her job and the children that are part of it should be obvious in every line she speaks\, every song she sings and every move she makes.\nVocal range: D5-G3\n\n\nRepeated Fieldset #:3\n\n\nRole Name:\nGrace Farrell\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nGrace is mature\, calm\, cool and “together.” She is classy and businesslike when dealing with Miss Hannigan and Warbucks\, yet maternal toward Annie.\nVocal range: D5-A3\n\n\nRepeated Fieldset #:4\n\n\nRole Name:\nRooster\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\nRooster is flashy and self-assured. His “moves” should be as smooth as a gambler’s\, as should be the message he sells in “Easy Street.”\nVocal range: Eb5-Bb3\n\n\nRepeated Fieldset #:5\n\n\nRole Name:\nLily St Regis\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nLily (airhead that she is) is always distracted\, although she manages to pick up on any conversation involving money. She never acts as the leader\, always bringing up the rear while tripping over her own feet (it is difficult to walk and check your makeup in a compact at the same time).\nVocal range: Eb5-Bb3\n\n\nRepeated Fieldset #:6\n\n\nRole Name:\nWarbucks\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\nWarbucks must appear middle-aged\, self-assured and confident. At first awkwardly affectionate toward Annie\, he soon finds himself completely charmed by her.\nVocal range: D5-A3\n\n\nRepeated Fieldset #:7\n\n\nRole Name:\nSandy\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nIn this production\, Sandy is played by a human. Sandy is Annie’s canine friend and scrappy in her own right. This dog also has to sing.\n\n\nRepeated Fieldset #:8\n\n\nRole Name:\nServants (Drake\, Mrs. Greer and Mrs. Pugh)\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nVocal range: D5-A3\n\n\nRepeated Fieldset #:9\n\n\nRole Name:\nEnsemble\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nAdditional Characters\nBundles McCloskey\, Lt. Ward\, Apple seller\, Dog catcher\, Star-to-be\, Usherettes\, Cecille & Annette\, Bert Healy\, radio announcer\, President Roosevelt\, Louis Howe\, the Chauffeur\, additional orphans\, servants\, New Yorkers etc*Some of these featured roles are non-singing\n\n\n\n\nMore Information at: https://adelaidetheatreacademy.com.au/ \n\nContact: Terese Papps\nadmin@theatrebugs.com.au\n(08) 8332 1228
URL:https://tasaonline.org.au/events/annie-jr/2022-06-19/1/
LOCATION:Theatre Bugs Hall\, 79 Beulah Road\, Norwood\, SA\, 5067\, Australia
CATEGORIES:Auditions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220619T130000
DTEND;TZID=Australia/Adelaide:20220619T170000
DTSTAMP:20260426T013023
CREATED:20220609T082731Z
LAST-MODIFIED:20220609T082731Z
UID:10017709-1655643600-1655658000@tasaonline.org.au
SUMMARY:The Trial to Oregon - auditions
DESCRIPTION:Written by Starkid\nDirected by Marley Banham\n\nSYNOPSIS:\nThe Trail to Oregon is set in the 1800’s and is based off of the Oregon Trail computer game. The musical follows the story of a low-class family on their journey to Oregon after their farm burnt down and the challenges and encounters\, they face along the way.\nCHARACTERS:\nFather: After accidentally burning down the family farm\, he decides to take his family to Oregon in the hopes of starting fresh.\nMother: Her goal is to make it to Oregon alive with her whole family. She likes to however play dead.\nDaughter: Being chased after by McDoon.\nSon: Seven-year-old who when reaching Oregon\, has a desire to go skinny dipping.\nGrandpa: Fought a personal war against lobsters\, claiming to have won and sent them to the sea. His lover Eleanor left him for his ex-best friend: Cornwallis.\nCletus Jones: McDoon’s partner in crime\, helping to capture the daughter and on his way to Oregon.\nMcDoon: Also known as the Bandit King\, his main objective is to marry the daughter.\nGeneral Store Guy: A general store owner whom provides himself on being a good ox owner.\nCornwallis: Grandpa’s ex best friend.\nOx: He is sold to Father by the General Store Guy who is part monster and is implied to be part human.\n***IMPORTANT TO NOTE***\n*Grandpa and Cletus Jones are normally played by the same actor however this is subject to change*\n*McDoon\, General Store Guy\, Cornwallis and the Ox will be played by the same actor*\nRehearsals:\nTuesdays and Thursdays 6:30pm – 9:30pm from July\nSundays 2-5pm from September\nPerformances:\nTBC November 4th\, 5th\, 11th\, 12th. With the potential for a matinee show.\n\nAuditions:\nSaturday 18th June 6pm-9pm\nSunday 19th June 1pm – 5pm\nFor more information:\nEmail: marleyemiko@outlook.com\nEmail group: phoenixvariety.musicgroup@gmail.com\nText: 0474796668
URL:https://tasaonline.org.au/events/the-trial-to-oregon-auditions/2022-06-19/
LOCATION:Noarlunga Uniting Church Hall\, 23 William Road\, Christies Beach\, SA\, 5165\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Phoenix Variety and Music Group":MAILTO:phoenixttheatregroup2018@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220619T133000
DTEND;TZID=Australia/Adelaide:20220619T163000
DTSTAMP:20260426T013023
CREATED:20220530T064637Z
LAST-MODIFIED:20220530T065259Z
UID:10017698-1655645400-1655656200@tasaonline.org.au
SUMMARY:ANNIE JR
DESCRIPTION:Written By: Thomas Meehan\, Charles Strouse and Martin Charnin \nCreative Team: Director – Billie-Rose Russell\nMusical Director – Nikki Long\nChoreographer – Caley Watt \n\nBased on the popular comic strip and adapted from the Tony Award-winning Best Musical\, with a beloved book and score by Tony Award-winners\, Thomas Meehan\, Charles Strouse and Martin Charnin\, Annie Jr. features everyone’s favourite little redhead in her very first adventure. \nWith equal measures of pluck and positivity\, little orphan Annie charms everyone’s hearts despite a next-to-nothing start in 1930s New York City. Annie is determined to find the parents who abandoned her years ago on the doorstep of an orphanage run by the cruel Miss Hannigan. Annie eventually foils Miss Hannigan’s evil machinations\, finding a new home and family in billionaire Oliver Warbucks\, his personal secretary\, Grace Farrell\, and a lovable mutt named Sandy. \n\nInformation Session: \n\nAudition Information: https://adelaidetheatreacademy.com.au/wp-content/uploads/2022/05/Annie-Jr-audition-pack-ATAv4.pdf \n\n\n\nRepeated Fieldset #:1\n\n\nDate:\n19/06/2022\n\n\nRepeated Fieldset #:2\n\n\nTime From – Time to:\n9:00 – 12:00 and 1.30–4.30pm (if required)\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\nAnnie\n\n\nGender:\nFemale\n\n\nStage Age:\n11\n\n\nRole Information:\nAnnie is a complex little girl. She is a tough\, streetwise urchin who is nevertheless vulnerable when she thinks she might lose what has become most important to her: a newfound “family” who loves her. She has to be motherly\, independent\, overwhelmed\, needy and hopeful for the future.\nVocal range: E5-A3\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nNamed orphans\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nThe Orphans\nMolly\, Tessie\, July\, Duffy\, Kate and Pepper. These girls are gritty\, neglected and vulnerable\, yet basically honest and potentially loveable.\n\n\nRepeated Fieldset #:2\n\n\nRole Name:\nMiss Hannigan\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nThis woman is definitely a “has-been.” Her distaste for her job and the children that are part of it should be obvious in every line she speaks\, every song she sings and every move she makes.\nVocal range: D5-G3\n\n\nRepeated Fieldset #:3\n\n\nRole Name:\nGrace Farrell\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nGrace is mature\, calm\, cool and “together.” She is classy and businesslike when dealing with Miss Hannigan and Warbucks\, yet maternal toward Annie.\nVocal range: D5-A3\n\n\nRepeated Fieldset #:4\n\n\nRole Name:\nRooster\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\nRooster is flashy and self-assured. His “moves” should be as smooth as a gambler’s\, as should be the message he sells in “Easy Street.”\nVocal range: Eb5-Bb3\n\n\nRepeated Fieldset #:5\n\n\nRole Name:\nLily St Regis\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nLily (airhead that she is) is always distracted\, although she manages to pick up on any conversation involving money. She never acts as the leader\, always bringing up the rear while tripping over her own feet (it is difficult to walk and check your makeup in a compact at the same time).\nVocal range: Eb5-Bb3\n\n\nRepeated Fieldset #:6\n\n\nRole Name:\nWarbucks\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\nWarbucks must appear middle-aged\, self-assured and confident. At first awkwardly affectionate toward Annie\, he soon finds himself completely charmed by her.\nVocal range: D5-A3\n\n\nRepeated Fieldset #:7\n\n\nRole Name:\nSandy\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nIn this production\, Sandy is played by a human. Sandy is Annie’s canine friend and scrappy in her own right. This dog also has to sing.\n\n\nRepeated Fieldset #:8\n\n\nRole Name:\nServants (Drake\, Mrs. Greer and Mrs. Pugh)\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nVocal range: D5-A3\n\n\nRepeated Fieldset #:9\n\n\nRole Name:\nEnsemble\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nAdditional Characters\nBundles McCloskey\, Lt. Ward\, Apple seller\, Dog catcher\, Star-to-be\, Usherettes\, Cecille & Annette\, Bert Healy\, radio announcer\, President Roosevelt\, Louis Howe\, the Chauffeur\, additional orphans\, servants\, New Yorkers etc*Some of these featured roles are non-singing\n\n\n\n\nMore Information at: https://adelaidetheatreacademy.com.au/ \n\nContact: Terese Papps\nadmin@theatrebugs.com.au\n(08) 8332 1228
URL:https://tasaonline.org.au/events/annie-jr/2022-06-19/2/
LOCATION:Theatre Bugs Hall\, 79 Beulah Road\, Norwood\, SA\, 5067\, Australia
CATEGORIES:Auditions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220619T143000
DTEND;TZID=Australia/Adelaide:20220619T220000
DTSTAMP:20260426T013023
CREATED:20220613T072018Z
LAST-MODIFIED:20220613T072018Z
UID:10017710-1655649000-1655676000@tasaonline.org.au
SUMMARY:Guys and Dolls - Auditions
DESCRIPTION:Auditions for The Met’s October 2022 production of ‘Guys and Dolls’. \n(see URL for all audition information) \nTo book an audition – https://www.trybooking.com/events/landing/912761?fbclid=IwAR31NrBh6hANq1wkfOXgHUHCBxYamehqbmQDUarkyeRcbW20NKGqJR8eTeo
URL:https://tasaonline.org.au/events/guys-and-dolls-auditions/2022-06-19/
LOCATION:Maylands Church of Christ Hall\, 157 Portrush Rd\, Maylands\, SA\, 5069\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The Metropolitan Musical Theatre Company of SA Inc.":MAILTO:themetsa@gmail.com
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END:VCALENDAR