BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//TASA Online - ECPv6.15.15//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:TASA Online
X-ORIGINAL-URL:https://tasaonline.org.au
X-WR-CALDESC:Events for TASA Online
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Australia/Adelaide
BEGIN:STANDARD
TZOFFSETFROM:+1030
TZOFFSETTO:+0930
TZNAME:ACST
DTSTART:20200404T163000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0930
TZOFFSETTO:+1030
TZNAME:ACDT
DTSTART:20201003T163000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+1030
TZOFFSETTO:+0930
TZNAME:ACST
DTSTART:20210403T163000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0930
TZOFFSETTO:+1030
TZNAME:ACDT
DTSTART:20211002T163000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+1030
TZOFFSETTO:+0930
TZNAME:ACST
DTSTART:20220402T163000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0930
TZOFFSETTO:+1030
TZNAME:ACDT
DTSTART:20221001T163000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+1030
TZOFFSETTO:+0930
TZNAME:ACST
DTSTART:20230401T163000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0930
TZOFFSETTO:+1030
TZNAME:ACDT
DTSTART:20230930T163000
END:DAYLIGHT
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20211204T090000
DTEND;TZID=Australia/Adelaide:20211204T170000
DTSTAMP:20260425T233737
CREATED:20211104T023136Z
LAST-MODIFIED:20211104T023136Z
UID:10017214-1638608400-1638637200@tasaonline.org.au
SUMMARY:Tiny Beautiful Things
DESCRIPTION:THEATRE GUILD AUDITION INFORMATION\nTINY BEAUTIFUL THINGS\nby Nia Vardalos\nAdapted from the book by Cheryl Strayed\nDirected by Olivia Jane Parker\nBy Arrangement with ORiGiN™ Theatrical On Behalf of Samuel French\nA Concord Theatricals Company.\n\n*Auditions* Saturday 4 December 2021 – 9am-5pm\nLittle Theatre\, The Cloisters (Gate 10 off Victoria Drive)\, University of Adelaide\nAUDITION BOOKED BY ONLINE APPOINTMENT ONLY: https://www.trybooking.com/BVIXH\n\nSeason: March 2022\nOpening Night: Thursday 10 March 2022\, 7.30pm\nMatinees: Sunday 13 March and Sunday 20 March\, 4pm.\nVenue: Little Theatre\, The Cloisters\, University of Adelaide\nRehearsals: Starting January 2022. Monday & Wednesday evenings\, 7pm-10pm & Saturday afternoons with staggered start times. Rehearsals will take place in various locations on the North Terrace Campus (including the Little Theatre) which will be indicated on the rehearsal schedule.\nAudition Venue: Little Theatre\, The Cloisters\, University of Adelaide. Gate 10 from Victoria Drive.\nDirections: The Cloisters is the name given to the courtyard in front of the Union Building (Union House) facing Victoria Drive and the river. The entrance to the theatre is in the south-west corner of the courtyard\, next to the Unibar.\n\nSYNOPSIS\nBased on the best-selling book by Cheryl Strayed (“Wild”) and adapted for the stage by Nia Vardalos (“My Big Fat Greek Wedding”)\, “Tiny Beautiful Things” personifies the questions and answers that ‘Sugar’ published online from 2010- 2012. When the struggling writer was asked to take over the unpaid\, anonymous position of advice columnist\, Strayed used empathy and her personal experiences to help those seeking guidance for obstacles both large and small.\n“Tiny Beautiful Things” is a play about reaching when you are stuck\, healing when you are broken and finding the courage to take on the questions which have no answers.\nThis play contains strong language and sexual references\, as well as references to drugs and violence\, although none is shown on stage.\nThis is an Australian premiere.\n\nROLES AVAILABLE (LEADS & UNDERSTUDIES)\n—–\nSUGAR – 35+ year old woman – Actors of all genders are encouraged to apply.\nLETTER WRITER #1 – Open audition – Age\, Gender and Ethnicity are not inhibitors.\nLETTER WRITER #2 – Open audition – Age\, Gender and Ethnicity are not inhibitors.\nLETTER WRITER #3 – Open audition – Age\, Gender and Ethnicity are not inhibitors.\nLETTER WRITER #4 – Open audition – Age\, Gender and Ethnicity are not inhibitors.\n—–\nSUGAR should have a larger than life persona. Sugar will not be kept stuck behind a keyboard\, she will be engaging and as vibrant\, emotional and sharp as her letters.\n\nActors will be required to inhibit multiple characters with the use of movement\, voice and human connection.\nActors with a disability are highly encouraged to audition. However\, anyone with a physical disability should be aware the Little Theatre is not equipped for wheelchair access backstage\, and the auditorium has only stair access to the stage.\nThere will be two casts. We would like to offer understudies an opportunity to perform on matinees (Sundays)\, at the discretion of the director. They will be as prepared as leads.\nAn American accent may be required. Please attempt a general American accent at the audition.\n\n*AUDITION BOOKED BY ONLINE APPOINTMENT ONLY*\nAudition times can be booked by going to https://www.trybooking.com/BVIXH\nAuditions are between 9am-5pm Saturday 4 December for 3 people each hour.\nAuditioners will need to prepare one solo piece and one group scene (both provided). You will be sent the audition pieces within 48hrs of booking your audition\, from which to prepare ONE solo piece of your choice. You will also be sent Group pieces which are not compulsory to learn but please be familiar with them and be prepared to read with the other actors auditioning in the same time slot.\n\nOn booking an audition slot\, please ensure you advise your correct phone number and email address.\nWe recommend you wear loose comfortable clothing\, wear shoes that you can move in\, and bring water.\nPlease arrive 10 minutes early to allow yourself time to prepare for your audition and to complete an audition form.\nAny questions about audition bookings\, please email theatreguild@adelaide.edu.au\nAny questions about the play/production (and NOT for booking auditions)\, the director can be contacted on at oliviajaneparker7@gmail.com\n\nAnyone is welcome to audition. This is a gender-blind\, colour-blind casting.\nPlease be aware that everyone involved in a Theatre Guild show is required to be a member of the Theatre Guild. Auditions are open to anyone but any roles offered will only be confirmed once you have become a member. Memberships for 2022 can be purchased via www.trybooking.com/BUNMU
URL:https://tasaonline.org.au/events/tiny-beautiful-things/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220409T100000
DTEND;TZID=Australia/Adelaide:20220409T160000
DTSTAMP:20260425T233737
CREATED:20220328T002916Z
LAST-MODIFIED:20220328T002916Z
UID:10015776-1649498400-1649520000@tasaonline.org.au
SUMMARY:Accidental Death of an Anarchist
DESCRIPTION:Written By: Dario Fo Creative Team: Director: Lesley Reed \n\nAt a police station in Milan\, Inspector Bertozzi is interrogating a ‘certified maniac’ about a series of fraudulent impersonations. The ‘maniac’ is far more quick-witted than the inspector\, spotting an opportunity to evade the consequences of his own transgression while wreaking havoc on the notoriously corrupt police force in the process. \n\nInformation Session: \n\nAudition Information: lesleystage@hotmail.com \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\nSaturday\, 9th April 2022\n\n\nTime From – Time to:\n10.00am to 4.00pm by appointment only\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\nManiac\n\n\nGender:\nMale\n\n\nStage Age:\n25+\n\n\nRole Information:\nFree-spirited\, irreverent clown as well as a devious trickster. Shifts personas often. On-stage for almost the entire play.\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nInspector Bertozzi\n\n\nGender:\nMale\n\n\nStage Age:\n40+\n\n\nRole Information:\nStereotypical corrupt plain clothes police officer. Not quick of wit. The butt of jokes.\n\n\nRepeated Fieldset #:2\n\n\nRole Name:\nInspector Pissani\n\n\nGender:\nMale\n\n\nStage Age:\n40+\n\n\nRole Information:\nNo sense of humour. Quick tempered. Known for unacceptable interrogation practices.\n\n\nRepeated Fieldset #:3\n\n\nRole Name:\n2 constables\n\n\nGender:\nMale\n\n\nStage Age:\n25+\n\n\nRole Information:\nBoth are played by the same actor. They follow orders immediately\, without thought\, and agree with the opinion of everyone.\n\n\nRepeated Fieldset #:4\n\n\nRole Name:\nSuperintendent\n\n\nGender:\nMale\n\n\nStage Age:\n45+\n\n\nRole Information:\nVery defensive. Known for unsavoury interrogation means.\n\n\nRepeated Fieldset #:5\n\n\nRole Name:\nFeletti\n\n\nGender:\nFemale\n\n\nStage Age:\n30+\n\n\nRole Information:\nJournalist. A ‘straight’ role.\n\n\n\n\nMore Information at: https://www.stirlingplayers@sct.org.au \nPLEASE NOTE that all male roles will be played by female actors costumed as males. Auditions by appointment only. Further details about the play\, the season\, rehearsals and audition booking requirements are available on The Stirling players website. \n\nContact: Lesley Reed lesleystage@hotmail.com 0488 511 145 \n\n\n\n\n\n\n\n\n\n 
URL:https://tasaonline.org.au/events/accidental-death-of-an-anarchist/
LOCATION:SA\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Stirling Players":MAILTO:contact@stirlingplayers.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220515T180000
DTEND;TZID=Australia/Adelaide:20220515T200000
DTSTAMP:20260425T233737
CREATED:20220513T201837Z
LAST-MODIFIED:20220513T201837Z
UID:10015930-1652637600-1652644800@tasaonline.org.au
SUMMARY:Curtain Up
DESCRIPTION:Written By: Peter Quilter             Creative Team: Myles Leon \n\nCurtain up! Is a hilarious comedy of five women who inherit equal shares in an old dilapidated theatre and plan to bring it back to life again. The females try various fund-raising schemes but their most ambitious idea is to hold a concert featuring local talent and the world-famous star\, Liza Minnelli\, who agrees to appear for no fee. However\, plans go awfully wrong\, when they hear that Liza Minnelli has cancelled. It is a race to find someone to fill her shoes without the audience guessing the whole truth. A fast-paced and funny comedy with several songs and dances for five women. \n\nInformation Session: \n\nAudition Information: blackwood.players@gmail.com \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n15/05/2022\n\n\nTime From – Time to:\n18:00 – 20:00\n\n\nRepeated Fieldset #:1\n\n\nDate:\n22/05/2022\n\n\nTime From – Time to:\n18:00 – 20:59\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\nBetty\n\n\nGender:\nFemale\n\n\nStage Age:\n50+\n\n\nRole Information:\nLinda’s Mum and Julie’s Grandmother. A harmless\, scatterbrained for most of the play\, with bursts of embarrassing lucidity. She likes to put down her daughter\, Linda.\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nLinda\n\n\nGender:\nFemale\n\n\nStage Age:\n40+\n\n\nRole Information:\nJulie’s Mother. A bit of frumpy\, uptight and bitter about her divorce from Michael. Very jealous of Karen – Michael’s second wife.\n\n\nRepeated Fieldset #:2\n\n\nRole Name:\nKaren\n\n\nGender:\nFemale\n\n\nStage Age:\n40s\n\n\nRole Information:\nMichael’s second wife. Quite sporty and glamorous. Interferes in other people’s business\, which often causes tension between her and Linda.\n\n\nRepeated Fieldset #:3\n\n\nRole Name:\nSharon\n\n\nGender:\nFemale\n\n\nStage Age:\n30s\n\n\nRole Information:\nFormer PA to Michael. Very bubbly and enthusiastic. Describes herself as a punk elephant.\n\n\nRepeated Fieldset #:4\n\n\nRole Name:\nJulie\n\n\nGender:\nFemale\n\n\nStage Age:\n20s\n\n\nRole Information:\nLinda’s Daughter. A bit of a naive romantic who gets wrapped up in the nostalgia of restoring her late father’s Theatre.\n\n\n\n\nMore Information at: https://www.blackwoodplayers.com/ \nAudition Process \nPlease bring a current headshot to the audition. Auditionees are welcome to audition for more than one role. The audition process will include scene readings\, some basic choreography ie: fitness class and basic dance routine and sing a song of your choice. There are 3 songs that will need varying simple levels of movement and several fitness class routines that progressively improve as the play progresses. Auditions will be on Sunday 15 May and Sunday 22 May from 6 pm till 8 pm. Call-back audition if required will be on Sunday 29 May from 6 till 8 pm. All auditionees will be informed of the result of their audition by the end of the 2 to 4 – week audition process. If you are unsuccessful in the role you have chosen it is possible you will be invited to consider another role. \nCovid 19 Blackwood Players maintain a policy of requiring all production cast and crew to be fully vaccinated against Covid-19 consistent with the SA Health guidelines described at https://www.sahealth.sa.gov.au/wps/wcm/connect/public+content/sa+health+internet/conditions/infectious+diseases/covid-19/vaccine/about/covid-19+vaccine+faqs Proof of Covid 19 vaccination or exemption will be required. The requirement for full vaccination shall not apply if a medical exemption is produced. \nBooking Your Audition Time Slot To book your audition time slot please email blackwood.players@gmail.com Please provide details about your preferred audition time if you have any time constraints on Sunday 15 May or Sunday 22 August from 6 pm till 8 pm. Information Pack Once your audition is booked in\, we will email your audition information pack out to you. \nIf you have any further questions after receiving your Audition Information Pack please email blackwood.players@gmail.com Blackwood Players are looking forward to hearing from you soon 😊 Cheers Michelle Maclean For Blackwood Players \n\nContact: Michelle Maclean blackwood.players@gmail.com \n\n\n\n\n\n\n\n\n\n 
URL:https://tasaonline.org.au/events/curtain-up-2/2022-05-15/
LOCATION:Blackwood Memorial Hall\, 21 Coromandel Parade\, Blackwood\, SA\, 5051\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Blackwood Players Inc.":MAILTO:blackwood.players@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220522T180000
DTEND;TZID=Australia/Adelaide:20220522T210000
DTSTAMP:20260425T233737
CREATED:20220513T201837Z
LAST-MODIFIED:20220513T201837Z
UID:10015931-1653242400-1653253200@tasaonline.org.au
SUMMARY:Curtain Up
DESCRIPTION:Written By: Peter Quilter             Creative Team: Myles Leon \n\nCurtain up! Is a hilarious comedy of five women who inherit equal shares in an old dilapidated theatre and plan to bring it back to life again. The females try various fund-raising schemes but their most ambitious idea is to hold a concert featuring local talent and the world-famous star\, Liza Minnelli\, who agrees to appear for no fee. However\, plans go awfully wrong\, when they hear that Liza Minnelli has cancelled. It is a race to find someone to fill her shoes without the audience guessing the whole truth. A fast-paced and funny comedy with several songs and dances for five women. \n\nInformation Session: \n\nAudition Information: blackwood.players@gmail.com \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n15/05/2022\n\n\nTime From – Time to:\n18:00 – 20:00\n\n\nRepeated Fieldset #:1\n\n\nDate:\n22/05/2022\n\n\nTime From – Time to:\n18:00 – 20:59\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\nBetty\n\n\nGender:\nFemale\n\n\nStage Age:\n50+\n\n\nRole Information:\nLinda’s Mum and Julie’s Grandmother. A harmless\, scatterbrained for most of the play\, with bursts of embarrassing lucidity. She likes to put down her daughter\, Linda.\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nLinda\n\n\nGender:\nFemale\n\n\nStage Age:\n40+\n\n\nRole Information:\nJulie’s Mother. A bit of frumpy\, uptight and bitter about her divorce from Michael. Very jealous of Karen – Michael’s second wife.\n\n\nRepeated Fieldset #:2\n\n\nRole Name:\nKaren\n\n\nGender:\nFemale\n\n\nStage Age:\n40s\n\n\nRole Information:\nMichael’s second wife. Quite sporty and glamorous. Interferes in other people’s business\, which often causes tension between her and Linda.\n\n\nRepeated Fieldset #:3\n\n\nRole Name:\nSharon\n\n\nGender:\nFemale\n\n\nStage Age:\n30s\n\n\nRole Information:\nFormer PA to Michael. Very bubbly and enthusiastic. Describes herself as a punk elephant.\n\n\nRepeated Fieldset #:4\n\n\nRole Name:\nJulie\n\n\nGender:\nFemale\n\n\nStage Age:\n20s\n\n\nRole Information:\nLinda’s Daughter. A bit of a naive romantic who gets wrapped up in the nostalgia of restoring her late father’s Theatre.\n\n\n\n\nMore Information at: https://www.blackwoodplayers.com/ \nAudition Process \nPlease bring a current headshot to the audition. Auditionees are welcome to audition for more than one role. The audition process will include scene readings\, some basic choreography ie: fitness class and basic dance routine and sing a song of your choice. There are 3 songs that will need varying simple levels of movement and several fitness class routines that progressively improve as the play progresses. Auditions will be on Sunday 15 May and Sunday 22 May from 6 pm till 8 pm. Call-back audition if required will be on Sunday 29 May from 6 till 8 pm. All auditionees will be informed of the result of their audition by the end of the 2 to 4 – week audition process. If you are unsuccessful in the role you have chosen it is possible you will be invited to consider another role. \nCovid 19 Blackwood Players maintain a policy of requiring all production cast and crew to be fully vaccinated against Covid-19 consistent with the SA Health guidelines described at https://www.sahealth.sa.gov.au/wps/wcm/connect/public+content/sa+health+internet/conditions/infectious+diseases/covid-19/vaccine/about/covid-19+vaccine+faqs Proof of Covid 19 vaccination or exemption will be required. The requirement for full vaccination shall not apply if a medical exemption is produced. \nBooking Your Audition Time Slot To book your audition time slot please email blackwood.players@gmail.com Please provide details about your preferred audition time if you have any time constraints on Sunday 15 May or Sunday 22 August from 6 pm till 8 pm. Information Pack Once your audition is booked in\, we will email your audition information pack out to you. \nIf you have any further questions after receiving your Audition Information Pack please email blackwood.players@gmail.com Blackwood Players are looking forward to hearing from you soon 😊 Cheers Michelle Maclean For Blackwood Players \n\nContact: Michelle Maclean blackwood.players@gmail.com \n\n\n\n\n\n\n\n\n\n 
URL:https://tasaonline.org.au/events/curtain-up-2/2022-05-22/
LOCATION:Blackwood Memorial Hall\, 21 Coromandel Parade\, Blackwood\, SA\, 5051\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Blackwood Players Inc.":MAILTO:blackwood.players@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220530T193000
DTEND;TZID=Australia/Adelaide:20220530T210000
DTSTAMP:20260425T233737
CREATED:20220525T014256Z
LAST-MODIFIED:20220525T014256Z
UID:10017696-1653939000-1653944400@tasaonline.org.au
SUMMARY:Guys & Dolls - Audition Information Night
DESCRIPTION:Director: Rebecca Kemp\nMusical Director: Jacqui Maynard\nChoreographer: Carmel Vistoli\nAssistant Choreographer: Barbara Nutchey\n\nSet in the bustling Manhattan of Damon Runyon’s short stories\, Guys and Dolls is a Depression era romantic comedy featuring crap games\, horse races\, gamblers\, show girls and the evangelist members of a downtown Mission.\nCon-man Nathan Detroit is seeking a new location for his notorious ‘floating’ crap game\, but he doesn’t have the dough he needs for a down payment. Enter Sky Masterson\, a high-rolling gambler willing to take on any honest bet with a high enough reward attached. Nathan bets Sky that he can’t take the “doll”\, of Nathan’s choosing\, on a date to Havana\, Cuba. When Sky agrees to the bet\, Nathan chooses uptight Evangelist Sergeant Sarah Brown\, head of Broadway’s Save-a-Soul Mission. Sky thinks he’s been duped\, but he’s in for even more of a surprise when his efforts to woo Sarah are so successful that he falls in love with her himself! Meanwhile Nathan is under pressure from his long time ‘fiancee’ and night club dancer\, Miss Adelaide\, to settle down and get married. What are the odds?\n\nRoles Available:\nMen\nSky Masterson: (Stage-age 30 to 45)\nA charming and self-assured gambler who is able to adapt to any situation but ready to reel off prepared anecdotes regarding his view of the world. Despite his failings\, Sky is immensely likeable and oozes style.\nThe role requires: a confident actor with good comic timing. A strong baritone singer with the ability to move well.\n\nNathan Detroit (Stage-age 30 to 50)\nA feckless and humorous manipulator\, Nathan is the facilitator of illegal gambling in town. A consummate businessman with divided loyalties; he pacifies his fiancé Adelaide with vague promises of a marriage. Comic timing is a must. Baritone.\n\nNicely-Nicely Johnson (Stage-age 30 to 50)\nA cheerful and eccentric gambler and one of Nathan’s closest associates who helps him set up the crap games. Sings one of the most well known songs in the show ‘Sit Down You’re Rockin’ The Boat’. Comic timing is a must. Strong tenor singer. Good mover.\n\nBenny Southstreet (Stage-age 20 to 50)\nHe is a gambler and one of Nathan’s primary associates. Strong Baritone singer\n\nArvide Abernathy (Stage-age 50+)\nHe is the older\, wiser leader of the Salvation Army in Times Square. He is a reasoned old man with a warm heart that harbours only the kindest intentions\, even if he tends to be a little gullible. Family to Sarah Brown. Baritone.\n\nLt. Brannigan (Stage-age 35+)\nHe is a tough\, by-the-book policeman\, engaged in what he perceives to be a battle of wits with Nathan to stop the crap game. Comic timing and acting ability are essential. Ensemble singing.\nEnsemble:\nGamblers (Stage-age 20 to 60) A variety of men.\nRusty Charlie has solo singing (in a trio “Fugue for Tinhorns).\nBig Jule is an intimidating hustler from Chicago\, temperamental and a sore loser.\nHarry the Horse\, Angie the Ox\, and others. Lots of ensemble singing. The ability to dance/move is a big plus but not essential.\n\nMission Band members (Stage-age 20 to 60) Ensemble singing only.\nWomen\nSarah Brown: (Stage-age 25 to 35)\nAn idealistic but sheltered missionary\, Sarah is kind-hearted but too categorical in her view of the world. She learns she has an adventurous side and goes through character changes over the course of the show. Very strong soprano voice.\n\nAdelaide (Stage-age 30 to 40)\nA strongly comic and classic show girl. A featured club singer and Nathan’s long-suffering fiancée who longs for quiet family life away from New York. Comic timing a must\, good dancing ability is a plus. Bronx accent desirable. Strong alto with capable vocal belt.\n\nGeneral Cartwright (Stage-age 40 to 60)\nThe regional director of the Save-a-Soul mission\, she is authoritative through necessity but motivated by charity. Strong mezzo-soprano.\n\nEnsemble:\nHot Box Dancers (Stage age 18 to 35) Good dancers required\nMission Band members (Stage-age 20 to 60) Ensemble singing only.\n\nRehearsals:\nMonday and Wednesday nights 7.30-10.30pm\nSome Sundays 2-6pm including two day/night Sundays 2pm -10.30pm\nCommencing: Monday\, 25th July\nBump In: Sunday 16th October (Arts Theatre\, Angas St)\nRehearsals: Sunday 16th – Wednesday 19th October (Arts Theatre\, Angas St)\n\nPerformances:\nThursday 20th to Saturday 22nd October 7:30pm\nTuesday 25 to Saturday 29 October 7:30pm\nMatinees Sat 22nd and 29th October 2pm\n\nVenue:\nThe Arts Theatre: Angas Street Adelaide\n\nInformation Night:\nMonday\, 7.45pm 30th May\nMaylands Church of Christ Hall\,\n157 Portrush Rd\, Maylands\n\nAuditions:  (Audition slots will be made available from the end of the Information night.)\n(Auditions will be 15min individual segments)\nSunday 19 June from 2.30-10pm\nMonday 20th June from 7-10pm\n\nVenue:\nMaylands Church of Christ Hall\,\n157 Portrush Rd\, Maylands\n\nMore Information:\nContact The Met Committee on metmusicals@gmail.com
URL:https://tasaonline.org.au/events/guys-dolls-audition-information-night/
LOCATION:Maylands Church of Christ Hall\, 157 Portrush Rd\, Maylands\, SA\, 5069\, Australia
CATEGORIES:Information Session
ORGANIZER;CN="The Metropolitan Musical Theatre Company of SA Inc.":MAILTO:themetsa@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220604T130000
DTEND;TZID=Australia/Adelaide:20220604T173000
DTSTAMP:20260425T233737
CREATED:20220524T023959Z
LAST-MODIFIED:20220524T023959Z
UID:10017694-1654347600-1654363800@tasaonline.org.au
SUMMARY:Shrek - The Musical
DESCRIPTION:Auditions time slots are now open for anyone interested in becoming involved with Shrek the Musical. Please read the audition information pack and then book your audition time and download the appropriate music and dialogue for the characters you wish to audition for. \nMore information at: \n \nShrek the Musical
URL:https://tasaonline.org.au/events/shrek-the-musical-3/2022-06-04/
LOCATION:Crafers Institute Hall\, Sharrad Crt\, Crafers\, SA\, 5152\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Hills Musical Company":MAILTO:tickets@hillsmusical.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220604T140000
DTEND;TZID=Australia/Adelaide:20220604T163000
DTSTAMP:20260425T233737
CREATED:20220511T073349Z
LAST-MODIFIED:20220511T074303Z
UID:10017676-1654351200-1654360200@tasaonline.org.au
SUMMARY:OLIVER TWISTED (Adult casting call)
DESCRIPTION:We are seeking 10 adult company members to work alongside our junior company. This is an ensemble show with multi-role playing in this new production. Classic roles up for grabs include: devious Fagin\, evil Bill Sykes\, Mr (& Mrs) Bumble\, Nancy and the kind-hearted Mr Brownlow\, along with so many more. \nPlease note that this is not a musical but an adaptation of the original story played using traditional storytelling techniques. \nPerforming – November 2022           Rehearsing – from July 2022 \nGroup audition workshops will be held on 4th & 11th of June from 2:00pm to 4:30pm We also seek interest from an Assistant Director & 4 musicians to play live for the show. \nIf you are interested please email  theplayhouseca@icloud.com  or call 0401 530 628 to arrange your audition. \nLarry is keen to develop a learning culture during the production\, empowering young and old to learn new skills\, make new connections and enjoy this challenging and rewarding environment. \nThis is a joint production between St Jude’s Players and Captive Audience Community Theatre. \n\n\n\n\n\n\n\n\n\n 
URL:https://tasaonline.org.au/events/oliver-twisted-adult-casting-call/2022-06-04/
LOCATION:St. Jude’s Players\, 444 Brighton Rd\, Brighton\, South Australia\, 5048\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="St. Jude's Players":MAILTO:info@stjudesplayers.asn.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220604T140000
DTEND;TZID=Australia/Adelaide:20220604T163000
DTSTAMP:20260425T233737
CREATED:20220511T074008Z
LAST-MODIFIED:20220517T231402Z
UID:10017678-1654351200-1654360200@tasaonline.org.au
SUMMARY:OLIVER TWISTED (Young Company casting call)
DESCRIPTION:We are seeking young company members for a collaboration between St Jude’s Players and Captive Audience Theatre. Young people aged 8 – 18 will work in an ensemble cast with adults on an original adaptation of the Dickens classic story “Oliver Twist” but with a modern twist. Please note that this is not a musical but an adaptation of the original story played using traditional storytelling techniques. \nPerforming – November 2022           Rehearsing – from July 2022 \nGroup audition workshops will be held on 4th & 11th of June from 2:00pm to 4:30pm \nWe also seek interest from 20 Young Company players\,  an Assistant Director & 4 musicians to play live for the show. \nIf you are interested please email  theplayhouseca@icloud.com  or call 0401 530 628 to arrange your audition. \nLarry is keen to develop a learning culture during the production\, empowering young and old to learn new skills\, make new connections and enjoy this challenging and rewarding environment. \n\n\n\n\n\n\n\n\n\n 
URL:https://tasaonline.org.au/events/oliver-twisted-young-company-casting-call/2022-06-04/
LOCATION:St. Jude’s Players\, 444 Brighton Rd\, Brighton\, South Australia\, 5048\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="St. Jude's Players":MAILTO:info@stjudesplayers.asn.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220605T100000
DTEND;TZID=Australia/Adelaide:20220605T143000
DTSTAMP:20260425T233737
CREATED:20220524T023959Z
LAST-MODIFIED:20220524T023959Z
UID:10017695-1654423200-1654439400@tasaonline.org.au
SUMMARY:Shrek - The Musical
DESCRIPTION:Auditions time slots are now open for anyone interested in becoming involved with Shrek the Musical. Please read the audition information pack and then book your audition time and download the appropriate music and dialogue for the characters you wish to audition for. \nMore information at: \n \nShrek the Musical
URL:https://tasaonline.org.au/events/shrek-the-musical-3/2022-06-05/
LOCATION:Crafers Institute Hall\, Sharrad Crt\, Crafers\, SA\, 5152\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Hills Musical Company":MAILTO:tickets@hillsmusical.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220605T133000
DTEND;TZID=Australia/Adelaide:20220605T160000
DTSTAMP:20260425T233737
CREATED:20220513T202201Z
LAST-MODIFIED:20220513T202201Z
UID:10015933-1654435800-1654444800@tasaonline.org.au
SUMMARY:Hope and Gravity
DESCRIPTION:Written By: Michael Hollinger Creative Team: Director : Kym Clayton \n\nThe action unfolds in nine briskly-paced out-of-sequence scenes that begin inside an elevator\, where we hear the fuzzy details of an elevator accident the night before – an incident that will eventually link the scenes. Each scene functions as a self-contained vignette but is also a single piece of a big puzzle with the play’s characters interacting on one level\, with no idea that their lives intersect on another. Their lives intersect in surprising ways that are both comical and tragic – through love\, sex\, poetry\, dentistry\, phobias\, in offices\, homes\, and in hotel rooms. Jill longs for Steve\, who’s engaged to Barb\, who hooks up with Peter\, who’s already having an affair with Nan\, who’s married to Marty. Meanwhile\, Douglas\, who teaches creative writing to Jill and Steve\, meets Tanya who’s hoping to get pregnant with Hal. By the time Hollinger is done with his inventive\, non-sequential funny play\, he’s provided a narrative arc that the audience delight in piecing together themselves. “…..brilliantly structured and hilariously written…” – Fort Worth Star-Telegram “A satisfying\, crowd-pleasing puzzle play\, with nine scenes in two acts\, but not in chronological order.” – Pittsburgh Post-Gazette “Some of the scenes are laugh-out-loud funny; others are tenderly poignant.” – Pittsburgh Tribune-Review “There’s a thrill in chasing this plot – it’s always tantalizingly ahead of you – and finally nailing it. The thrill extends to witnessing five actors\, some in dual roles\, as they lay out this story that happens in the past\, or sometimes in the future\, yet also in the present.” – WHYY Philadelphia “[It’s] Michael Hollinger at his best: witty banter\, well-turned phrases\, and genuine characters make us laugh; then something unexpectedly wonderful and mysterious lifts us to a new level. Gravity tugs us downward but hope allows us to soar\, as HOPE AND GRAVITY shows.” – BroadStreetReview.com \n\nInformation Session: \n\nAudition Information: \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n05/06/2022\n\n\nTime From – Time to:\n13:30 – 16:00\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\nMarty/Douglas\n\n\nGender:\nMale\n\n\nStage Age:\n \n\n\nRole Information:\nDual role. Stage age 40-50s\, 327 cues. Marty is a warm and garrulous elevator repairman\, and married to Nan. He is interested in people\, and is forgiving. Family nis important to him. Douglas is a bachelor\, a celebrated poet\, and a teacher. He’s lost his creative mojo and is trying to get it back after a life-altering accident. He is kind and friendly towards others who are younger and less experienced person.\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nPeter/Hal\n\n\nGender:\nMale\n\n\nStage Age:\n \n\n\nRole Information:\nDual role. Stage age late 30s-early 40s\, 306 cues. Peter is a dentist\, and is having an affair with Nan. He is stylish\, confident\, a pathological liar (for which he seeks therapy)\, and is a philanderer. Actor will need to have good comic timing and physical humour capability. Hal is a school administrator/ Assistant Principal\, and has a borderline psychological illness that manifests as hypochondria. He is nervy! He is married to Tanya\, and they are trying for a baby but are having difficulty and he needs to get a ‘sample’ tested! (Actor needs to be bare chested during one scene.)\n\n\nRepeated Fieldset #:2\n\n\nRole Name:\nTanya/Nan\n\n\nGender:\nFemale\n\n\nStage Age:\n \n\n\nRole Information:\nDual role. Stage age 40s\, 347 cues. Tanya is and Actuary and is married to Hal. She is a no-nonsense type of person and likely ‘wears the pants’ in the relationship. She is trying to get pregnant with Hal\, but it’s likely there is ‘a problem’ with him. She is phobic about elevators. Actor needs to passionately kiss during one scene. Nan is a married to Marty\, and works at the same school as Hal and Barb as a nurse. She is having an affair with Peter but has a conscience and finishes it. At heart she is a caring person. Actor will need to participate in a comical seduction scene!\n\n\nRepeated Fieldset #:3\n\n\nRole Name:\nSteve\n\n\nGender:\nMale\n\n\nStage Age:\n \n\n\nRole Information:\nSingle character role. Stage age 20s\, 317 cues. Steve is a creative-writing graduate student\, and is initially engaged to Barb but subconsciously attracted to Jill with whom he shares house. He is a romantic at heart\, and wears his heart on his sleeve.\n\n\nRepeated Fieldset #:4\n\n\nRole Name:\nJill/Barb\n\n\nGender:\nFemale\n\n\nStage Age:\n \n\n\nRole Information:\nDual role. Stage age 30-35\, 385 cues. Jill is also a creative-writing graduate student\, and is Steve’s roommate with whom she is secretly in love despite that he is engaged to Barb. In private with Steve\, Jill is openly hostile about Barb. Barb is engaged to Steve and ‘knows’ that Jill is in love with him. She comes across as ‘cool’ when Steve tries to be romantic. She has an irrational fear of dentists and seeks treatment for her phobia\, but this doesn’t prevent her from eventually ‘falling’ for dentist Peter.\n\n\n\n\nMore Information at: www.galleon.org.au \nThe audition is a group audition. Venue for audition : Park Holme Community Hall\, 638 Marion Road\, PARK HOLME (corner Wallala Avenue & Marion Road) \nVenue for performances : Domain Theatre\, Marion Cultural Centre 287 Diagonal Road\, OAKLANDS PARK SA 5046 Performance Dates : Thurs 25\, Fri 26\, Sat 27 May 2023 @ 7.30pm Thurs 1\, Fri 2\, Sat 3 June 2023 @ 7.30pm Matinee: Sun 28 May 2023 @ 2pm \nRehearsal Times :  Tuesdays & Thursdays 7.30-10.00pm\, Sundays 1.30-5.30pm\, although there may be some variation to days and times.  \nFirst rehearsal Sunday 5 March 2023\, or thereabouts. (Please note this will be during the Fringe Festival/ Festival of Arts.) Please email Director Kym Clayton ackc1@optusnet.com.au to register for the audition. At the audition you will be asked to provide proof of vaccination against COVID19. The audition will include reading/moving excerpts from the play\, with relevant pages emailed to you once you have registered. \n\nContact: Kym Clayton ackc1@optusnet.com.au 0407704349 \n\n\n\n\n\n\n\n\n\n 
URL:https://tasaonline.org.au/events/hope-and-gravity-2/
LOCATION:Park Holme Community Hall\, 638 Marion Road\, Park Holme\, SA\, 5043\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Galleon Theatre Group":MAILTO:info@galleon.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220611T140000
DTEND;TZID=Australia/Adelaide:20220611T160000
DTSTAMP:20260425T233737
CREATED:20220609T082427Z
LAST-MODIFIED:20220609T082427Z
UID:10017707-1654956000-1654963200@tasaonline.org.au
SUMMARY:The Trail to Oregon - Information session
DESCRIPTION:Written by Starkid\nDirected by Marley Banham\n\nSYNOPSIS:\nThe Trail to Oregon is set in the 1800’s and is based off of the Oregon Trail computer game. The musical follows the story of a low-class family on their journey to Oregon after their farm burnt down and the challenges and encounters\, they face along the way.\nCHARACTERS:\nFather: After accidentally burning down the family farm\, he decides to take his family to Oregon in the hopes of starting fresh.\nMother: Her goal is to make it to Oregon alive with her whole family. She likes to however play dead.\nDaughter: Being chased after by McDoon.\nSon: Seven-year-old who when reaching Oregon\, has a desire to go skinny dipping.\nGrandpa: Fought a personal war against lobsters\, claiming to have won and sent them to the sea. His lover Eleanor left him for his ex-best friend: Cornwallis.\nCletus Jones: McDoon’s partner in crime\, helping to capture the daughter and on his way to Oregon.\nMcDoon: Also known as the Bandit King\, his main objective is to marry the daughter.\nGeneral Store Guy: A general store owner whom provides himself on being a good ox owner.\nCornwallis: Grandpa’s ex best friend.\nOx: He is sold to Father by the General Store Guy who is part monster and is implied to be part human.\n***IMPORTANT TO NOTE***\n*Grandpa and Cletus Jones are normally played by the same actor however this is subject to change*\n*McDoon\, General Store Guy\, Cornwallis and the Ox will be played by the same actor*\nRehearsals:\nTuesdays and Thursdays 6:30pm – 9:30pm from July\nSundays 2-5pm from September\nPerformances:\nTBC November 4th\, 5th\, 11th\, 12th. With the potential for a matinee show.\nInformation Afternoon:\nSaturday 11 June 2-4pm\nAuditions:\nSaturday 18th June 6pm-9pm\nSunday 19th June 1pm – 5pm\nFor more information:\nEmail:  marleyemiko@outlook.com\nEmail group: phoenixvariety.musicgroup@gmail.com\nText: 0474796668
URL:https://tasaonline.org.au/events/the-trail-to-oregon-information-session/
LOCATION:Noarlunga Uniting Church Hall\, 23 William Road\, Christies Beach\, SA\, 5165\, Australia
CATEGORIES:Information Session
ORGANIZER;CN="Phoenix Variety and Music Group":MAILTO:phoenixttheatregroup2018@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220611T140000
DTEND;TZID=Australia/Adelaide:20220611T163000
DTSTAMP:20260425T233737
CREATED:20220511T073349Z
LAST-MODIFIED:20220511T074303Z
UID:10017677-1654956000-1654965000@tasaonline.org.au
SUMMARY:OLIVER TWISTED (Adult casting call)
DESCRIPTION:We are seeking 10 adult company members to work alongside our junior company. This is an ensemble show with multi-role playing in this new production. Classic roles up for grabs include: devious Fagin\, evil Bill Sykes\, Mr (& Mrs) Bumble\, Nancy and the kind-hearted Mr Brownlow\, along with so many more. \nPlease note that this is not a musical but an adaptation of the original story played using traditional storytelling techniques. \nPerforming – November 2022           Rehearsing – from July 2022 \nGroup audition workshops will be held on 4th & 11th of June from 2:00pm to 4:30pm We also seek interest from an Assistant Director & 4 musicians to play live for the show. \nIf you are interested please email  theplayhouseca@icloud.com  or call 0401 530 628 to arrange your audition. \nLarry is keen to develop a learning culture during the production\, empowering young and old to learn new skills\, make new connections and enjoy this challenging and rewarding environment. \nThis is a joint production between St Jude’s Players and Captive Audience Community Theatre. \n\n\n\n\n\n\n\n\n\n 
URL:https://tasaonline.org.au/events/oliver-twisted-adult-casting-call/2022-06-11/
LOCATION:St. Jude’s Players\, 444 Brighton Rd\, Brighton\, South Australia\, 5048\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="St. Jude's Players":MAILTO:info@stjudesplayers.asn.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220611T140000
DTEND;TZID=Australia/Adelaide:20220611T163000
DTSTAMP:20260425T233737
CREATED:20220511T074008Z
LAST-MODIFIED:20220517T231402Z
UID:10017679-1654956000-1654965000@tasaonline.org.au
SUMMARY:OLIVER TWISTED (Young Company casting call)
DESCRIPTION:We are seeking young company members for a collaboration between St Jude’s Players and Captive Audience Theatre. Young people aged 8 – 18 will work in an ensemble cast with adults on an original adaptation of the Dickens classic story “Oliver Twist” but with a modern twist. Please note that this is not a musical but an adaptation of the original story played using traditional storytelling techniques. \nPerforming – November 2022           Rehearsing – from July 2022 \nGroup audition workshops will be held on 4th & 11th of June from 2:00pm to 4:30pm \nWe also seek interest from 20 Young Company players\,  an Assistant Director & 4 musicians to play live for the show. \nIf you are interested please email  theplayhouseca@icloud.com  or call 0401 530 628 to arrange your audition. \nLarry is keen to develop a learning culture during the production\, empowering young and old to learn new skills\, make new connections and enjoy this challenging and rewarding environment. \n\n\n\n\n\n\n\n\n\n 
URL:https://tasaonline.org.au/events/oliver-twisted-young-company-casting-call/2022-06-11/
LOCATION:St. Jude’s Players\, 444 Brighton Rd\, Brighton\, South Australia\, 5048\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="St. Jude's Players":MAILTO:info@stjudesplayers.asn.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220618T180000
DTEND;TZID=Australia/Adelaide:20220618T210000
DTSTAMP:20260425T233737
CREATED:20220609T082731Z
LAST-MODIFIED:20220609T082731Z
UID:10017708-1655575200-1655586000@tasaonline.org.au
SUMMARY:The Trial to Oregon - auditions
DESCRIPTION:Written by Starkid\nDirected by Marley Banham\n\nSYNOPSIS:\nThe Trail to Oregon is set in the 1800’s and is based off of the Oregon Trail computer game. The musical follows the story of a low-class family on their journey to Oregon after their farm burnt down and the challenges and encounters\, they face along the way.\nCHARACTERS:\nFather: After accidentally burning down the family farm\, he decides to take his family to Oregon in the hopes of starting fresh.\nMother: Her goal is to make it to Oregon alive with her whole family. She likes to however play dead.\nDaughter: Being chased after by McDoon.\nSon: Seven-year-old who when reaching Oregon\, has a desire to go skinny dipping.\nGrandpa: Fought a personal war against lobsters\, claiming to have won and sent them to the sea. His lover Eleanor left him for his ex-best friend: Cornwallis.\nCletus Jones: McDoon’s partner in crime\, helping to capture the daughter and on his way to Oregon.\nMcDoon: Also known as the Bandit King\, his main objective is to marry the daughter.\nGeneral Store Guy: A general store owner whom provides himself on being a good ox owner.\nCornwallis: Grandpa’s ex best friend.\nOx: He is sold to Father by the General Store Guy who is part monster and is implied to be part human.\n***IMPORTANT TO NOTE***\n*Grandpa and Cletus Jones are normally played by the same actor however this is subject to change*\n*McDoon\, General Store Guy\, Cornwallis and the Ox will be played by the same actor*\nRehearsals:\nTuesdays and Thursdays 6:30pm – 9:30pm from July\nSundays 2-5pm from September\nPerformances:\nTBC November 4th\, 5th\, 11th\, 12th. With the potential for a matinee show.\n\nAuditions:\nSaturday 18th June 6pm-9pm\nSunday 19th June 1pm – 5pm\nFor more information:\nEmail: marleyemiko@outlook.com\nEmail group: phoenixvariety.musicgroup@gmail.com\nText: 0474796668
URL:https://tasaonline.org.au/events/the-trial-to-oregon-auditions/2022-06-18/
LOCATION:Noarlunga Uniting Church Hall\, 23 William Road\, Christies Beach\, SA\, 5165\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Phoenix Variety and Music Group":MAILTO:phoenixttheatregroup2018@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220619T090000
DTEND;TZID=Australia/Adelaide:20220619T120000
DTSTAMP:20260425T233737
CREATED:20220530T064637Z
LAST-MODIFIED:20220530T065259Z
UID:10017697-1655629200-1655640000@tasaonline.org.au
SUMMARY:ANNIE JR
DESCRIPTION:Written By: Thomas Meehan\, Charles Strouse and Martin Charnin \nCreative Team: Director – Billie-Rose Russell\nMusical Director – Nikki Long\nChoreographer – Caley Watt \n\nBased on the popular comic strip and adapted from the Tony Award-winning Best Musical\, with a beloved book and score by Tony Award-winners\, Thomas Meehan\, Charles Strouse and Martin Charnin\, Annie Jr. features everyone’s favourite little redhead in her very first adventure. \nWith equal measures of pluck and positivity\, little orphan Annie charms everyone’s hearts despite a next-to-nothing start in 1930s New York City. Annie is determined to find the parents who abandoned her years ago on the doorstep of an orphanage run by the cruel Miss Hannigan. Annie eventually foils Miss Hannigan’s evil machinations\, finding a new home and family in billionaire Oliver Warbucks\, his personal secretary\, Grace Farrell\, and a lovable mutt named Sandy. \n\nInformation Session: \n\nAudition Information: https://adelaidetheatreacademy.com.au/wp-content/uploads/2022/05/Annie-Jr-audition-pack-ATAv4.pdf \n\n\n\nRepeated Fieldset #:1\n\n\nDate:\n19/06/2022\n\n\nRepeated Fieldset #:2\n\n\nTime From – Time to:\n9:00 – 12:00 and 1.30–4.30pm (if required)\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\nAnnie\n\n\nGender:\nFemale\n\n\nStage Age:\n11\n\n\nRole Information:\nAnnie is a complex little girl. She is a tough\, streetwise urchin who is nevertheless vulnerable when she thinks she might lose what has become most important to her: a newfound “family” who loves her. She has to be motherly\, independent\, overwhelmed\, needy and hopeful for the future.\nVocal range: E5-A3\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nNamed orphans\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nThe Orphans\nMolly\, Tessie\, July\, Duffy\, Kate and Pepper. These girls are gritty\, neglected and vulnerable\, yet basically honest and potentially loveable.\n\n\nRepeated Fieldset #:2\n\n\nRole Name:\nMiss Hannigan\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nThis woman is definitely a “has-been.” Her distaste for her job and the children that are part of it should be obvious in every line she speaks\, every song she sings and every move she makes.\nVocal range: D5-G3\n\n\nRepeated Fieldset #:3\n\n\nRole Name:\nGrace Farrell\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nGrace is mature\, calm\, cool and “together.” She is classy and businesslike when dealing with Miss Hannigan and Warbucks\, yet maternal toward Annie.\nVocal range: D5-A3\n\n\nRepeated Fieldset #:4\n\n\nRole Name:\nRooster\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\nRooster is flashy and self-assured. His “moves” should be as smooth as a gambler’s\, as should be the message he sells in “Easy Street.”\nVocal range: Eb5-Bb3\n\n\nRepeated Fieldset #:5\n\n\nRole Name:\nLily St Regis\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nLily (airhead that she is) is always distracted\, although she manages to pick up on any conversation involving money. She never acts as the leader\, always bringing up the rear while tripping over her own feet (it is difficult to walk and check your makeup in a compact at the same time).\nVocal range: Eb5-Bb3\n\n\nRepeated Fieldset #:6\n\n\nRole Name:\nWarbucks\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\nWarbucks must appear middle-aged\, self-assured and confident. At first awkwardly affectionate toward Annie\, he soon finds himself completely charmed by her.\nVocal range: D5-A3\n\n\nRepeated Fieldset #:7\n\n\nRole Name:\nSandy\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nIn this production\, Sandy is played by a human. Sandy is Annie’s canine friend and scrappy in her own right. This dog also has to sing.\n\n\nRepeated Fieldset #:8\n\n\nRole Name:\nServants (Drake\, Mrs. Greer and Mrs. Pugh)\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nVocal range: D5-A3\n\n\nRepeated Fieldset #:9\n\n\nRole Name:\nEnsemble\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nAdditional Characters\nBundles McCloskey\, Lt. Ward\, Apple seller\, Dog catcher\, Star-to-be\, Usherettes\, Cecille & Annette\, Bert Healy\, radio announcer\, President Roosevelt\, Louis Howe\, the Chauffeur\, additional orphans\, servants\, New Yorkers etc*Some of these featured roles are non-singing\n\n\n\n\nMore Information at: https://adelaidetheatreacademy.com.au/ \n\nContact: Terese Papps\nadmin@theatrebugs.com.au\n(08) 8332 1228
URL:https://tasaonline.org.au/events/annie-jr/2022-06-19/1/
LOCATION:Theatre Bugs Hall\, 79 Beulah Road\, Norwood\, SA\, 5067\, Australia
CATEGORIES:Auditions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220619T130000
DTEND;TZID=Australia/Adelaide:20220619T170000
DTSTAMP:20260425T233737
CREATED:20220609T082731Z
LAST-MODIFIED:20220609T082731Z
UID:10017709-1655643600-1655658000@tasaonline.org.au
SUMMARY:The Trial to Oregon - auditions
DESCRIPTION:Written by Starkid\nDirected by Marley Banham\n\nSYNOPSIS:\nThe Trail to Oregon is set in the 1800’s and is based off of the Oregon Trail computer game. The musical follows the story of a low-class family on their journey to Oregon after their farm burnt down and the challenges and encounters\, they face along the way.\nCHARACTERS:\nFather: After accidentally burning down the family farm\, he decides to take his family to Oregon in the hopes of starting fresh.\nMother: Her goal is to make it to Oregon alive with her whole family. She likes to however play dead.\nDaughter: Being chased after by McDoon.\nSon: Seven-year-old who when reaching Oregon\, has a desire to go skinny dipping.\nGrandpa: Fought a personal war against lobsters\, claiming to have won and sent them to the sea. His lover Eleanor left him for his ex-best friend: Cornwallis.\nCletus Jones: McDoon’s partner in crime\, helping to capture the daughter and on his way to Oregon.\nMcDoon: Also known as the Bandit King\, his main objective is to marry the daughter.\nGeneral Store Guy: A general store owner whom provides himself on being a good ox owner.\nCornwallis: Grandpa’s ex best friend.\nOx: He is sold to Father by the General Store Guy who is part monster and is implied to be part human.\n***IMPORTANT TO NOTE***\n*Grandpa and Cletus Jones are normally played by the same actor however this is subject to change*\n*McDoon\, General Store Guy\, Cornwallis and the Ox will be played by the same actor*\nRehearsals:\nTuesdays and Thursdays 6:30pm – 9:30pm from July\nSundays 2-5pm from September\nPerformances:\nTBC November 4th\, 5th\, 11th\, 12th. With the potential for a matinee show.\n\nAuditions:\nSaturday 18th June 6pm-9pm\nSunday 19th June 1pm – 5pm\nFor more information:\nEmail: marleyemiko@outlook.com\nEmail group: phoenixvariety.musicgroup@gmail.com\nText: 0474796668
URL:https://tasaonline.org.au/events/the-trial-to-oregon-auditions/2022-06-19/
LOCATION:Noarlunga Uniting Church Hall\, 23 William Road\, Christies Beach\, SA\, 5165\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Phoenix Variety and Music Group":MAILTO:phoenixttheatregroup2018@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220619T133000
DTEND;TZID=Australia/Adelaide:20220619T163000
DTSTAMP:20260425T233737
CREATED:20220530T064637Z
LAST-MODIFIED:20220530T065259Z
UID:10017698-1655645400-1655656200@tasaonline.org.au
SUMMARY:ANNIE JR
DESCRIPTION:Written By: Thomas Meehan\, Charles Strouse and Martin Charnin \nCreative Team: Director – Billie-Rose Russell\nMusical Director – Nikki Long\nChoreographer – Caley Watt \n\nBased on the popular comic strip and adapted from the Tony Award-winning Best Musical\, with a beloved book and score by Tony Award-winners\, Thomas Meehan\, Charles Strouse and Martin Charnin\, Annie Jr. features everyone’s favourite little redhead in her very first adventure. \nWith equal measures of pluck and positivity\, little orphan Annie charms everyone’s hearts despite a next-to-nothing start in 1930s New York City. Annie is determined to find the parents who abandoned her years ago on the doorstep of an orphanage run by the cruel Miss Hannigan. Annie eventually foils Miss Hannigan’s evil machinations\, finding a new home and family in billionaire Oliver Warbucks\, his personal secretary\, Grace Farrell\, and a lovable mutt named Sandy. \n\nInformation Session: \n\nAudition Information: https://adelaidetheatreacademy.com.au/wp-content/uploads/2022/05/Annie-Jr-audition-pack-ATAv4.pdf \n\n\n\nRepeated Fieldset #:1\n\n\nDate:\n19/06/2022\n\n\nRepeated Fieldset #:2\n\n\nTime From – Time to:\n9:00 – 12:00 and 1.30–4.30pm (if required)\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\nAnnie\n\n\nGender:\nFemale\n\n\nStage Age:\n11\n\n\nRole Information:\nAnnie is a complex little girl. She is a tough\, streetwise urchin who is nevertheless vulnerable when she thinks she might lose what has become most important to her: a newfound “family” who loves her. She has to be motherly\, independent\, overwhelmed\, needy and hopeful for the future.\nVocal range: E5-A3\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nNamed orphans\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nThe Orphans\nMolly\, Tessie\, July\, Duffy\, Kate and Pepper. These girls are gritty\, neglected and vulnerable\, yet basically honest and potentially loveable.\n\n\nRepeated Fieldset #:2\n\n\nRole Name:\nMiss Hannigan\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nThis woman is definitely a “has-been.” Her distaste for her job and the children that are part of it should be obvious in every line she speaks\, every song she sings and every move she makes.\nVocal range: D5-G3\n\n\nRepeated Fieldset #:3\n\n\nRole Name:\nGrace Farrell\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nGrace is mature\, calm\, cool and “together.” She is classy and businesslike when dealing with Miss Hannigan and Warbucks\, yet maternal toward Annie.\nVocal range: D5-A3\n\n\nRepeated Fieldset #:4\n\n\nRole Name:\nRooster\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\nRooster is flashy and self-assured. His “moves” should be as smooth as a gambler’s\, as should be the message he sells in “Easy Street.”\nVocal range: Eb5-Bb3\n\n\nRepeated Fieldset #:5\n\n\nRole Name:\nLily St Regis\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nLily (airhead that she is) is always distracted\, although she manages to pick up on any conversation involving money. She never acts as the leader\, always bringing up the rear while tripping over her own feet (it is difficult to walk and check your makeup in a compact at the same time).\nVocal range: Eb5-Bb3\n\n\nRepeated Fieldset #:6\n\n\nRole Name:\nWarbucks\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\nWarbucks must appear middle-aged\, self-assured and confident. At first awkwardly affectionate toward Annie\, he soon finds himself completely charmed by her.\nVocal range: D5-A3\n\n\nRepeated Fieldset #:7\n\n\nRole Name:\nSandy\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nIn this production\, Sandy is played by a human. Sandy is Annie’s canine friend and scrappy in her own right. This dog also has to sing.\n\n\nRepeated Fieldset #:8\n\n\nRole Name:\nServants (Drake\, Mrs. Greer and Mrs. Pugh)\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nVocal range: D5-A3\n\n\nRepeated Fieldset #:9\n\n\nRole Name:\nEnsemble\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nAdditional Characters\nBundles McCloskey\, Lt. Ward\, Apple seller\, Dog catcher\, Star-to-be\, Usherettes\, Cecille & Annette\, Bert Healy\, radio announcer\, President Roosevelt\, Louis Howe\, the Chauffeur\, additional orphans\, servants\, New Yorkers etc*Some of these featured roles are non-singing\n\n\n\n\nMore Information at: https://adelaidetheatreacademy.com.au/ \n\nContact: Terese Papps\nadmin@theatrebugs.com.au\n(08) 8332 1228
URL:https://tasaonline.org.au/events/annie-jr/2022-06-19/2/
LOCATION:Theatre Bugs Hall\, 79 Beulah Road\, Norwood\, SA\, 5067\, Australia
CATEGORIES:Auditions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220619T143000
DTEND;TZID=Australia/Adelaide:20220619T220000
DTSTAMP:20260425T233737
CREATED:20220613T072018Z
LAST-MODIFIED:20220613T072018Z
UID:10017710-1655649000-1655676000@tasaonline.org.au
SUMMARY:Guys and Dolls - Auditions
DESCRIPTION:Auditions for The Met’s October 2022 production of ‘Guys and Dolls’. \n(see URL for all audition information) \nTo book an audition – https://www.trybooking.com/events/landing/912761?fbclid=IwAR31NrBh6hANq1wkfOXgHUHCBxYamehqbmQDUarkyeRcbW20NKGqJR8eTeo
URL:https://tasaonline.org.au/events/guys-and-dolls-auditions/2022-06-19/
LOCATION:Maylands Church of Christ Hall\, 157 Portrush Rd\, Maylands\, SA\, 5069\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The Metropolitan Musical Theatre Company of SA Inc.":MAILTO:themetsa@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220620T193000
DTEND;TZID=Australia/Adelaide:20220620T213000
DTSTAMP:20260425T233737
CREATED:20220517T230943Z
LAST-MODIFIED:20220517T232145Z
UID:10017681-1655753400-1655760600@tasaonline.org.au
SUMMARY:The Vicar of Dibley
DESCRIPTION:A stage play by Ian Gower and Paul Carpenter adapted from the original TV series by Richard Curtis and Paul Mayher-Archer \nWith kind permission of Tiger Aspect Productions \nDirected by: Robert Andrews \nSynopsis \nWhen the new vicar arrives at the sleepy English village of Dibley\, the last thing the locals are expecting is a woman. But the irrepressibly cheerful Reverend Geraldine Granger soon wins over the hearts and minds of her flock. \nBased on the much-loved BBC sitcom\, this stage adaptation brings a selection of the best episodes of this multi-award-winning show to our theatre. \nAll of your favourites are here: Alice and Hugo\, the star-crossed lovers whose combined IQ would struggle to reach treble figures; the colonically-challenged farmer Owen; and Mr Horton\, the pompous chairman forever trying to make sense of his bizarre parish council. \nPerformances \nWednesday 12 October 2022 to Saturday 15 October 2022 at 8.00pm \nTuesday 18 October 2022 to Saturday 22 October 2022 at 8.00pm \nMatinee each Saturday at 2.30pm       Additional matinee Sunday 16 October at 2.30pm \nProduction Information \nThe Vicar of Dibley is split into two productions with same cast. \nThe Vicar Of Dibley \nStarts with Geraldine’s arrival and finishes with Hugo and Alice’s wedding. \nA Vicar Of Dibley Christmas – The Second Coming \nStarts with Hugo and Alice returning from Honeymoon to the birth of baby Geraldine at the Christmas Nativity. \nWe will be performing the first production in October 2022 and the second in October 2023. \nWhere possible we would like to have the same cast for both productions so would appreciate if you could commit to both productions. \nCharacters to be auditioned. \nThe characters of Reverend Geraldine Granger\, Frank Pickle and Jim Trott have been cast and will not be auditioned. \nDAVID HORTON. \nDavid is one of those people who enjoys being in charge and assumes he is: he might even be described as being a bit power-trippy. He’s a pompous\, Cambridge educated\, upper-class\, millionaire and although divorced\, an upholder of stern traditional family values especially his own. He longs for tradition\, law and order and the status quo. \nHUGO HORTON \nPoor Hugo is the veritable puppet of his controlling father. He was brought up only by David for the majority of his childhood\, and it becomes quickly apparent that that upbringing was emotionally abusive. He aims to avoid conflict\, and always aims to please\, and does not know how to express his feelings towards Alice. \nALICE TINKER \nAlice is a few sandwiches (and cakes\, and pork pies\, and sausage rolls…) short of a picnic. She has a heart of gold but doesn’t understand many of the common issues of life\, nor Geraldine’s jokes. She’s very sensitive and easily upset – but too thick and vague to be easily offended! More amusing and key to the plot of the show is the way she’s also easily confused\, and has a vivid imagination surrounding what’s normal (such as Teletubbie bridesmaids and pageboys. \nOWEN NEWITT \nOwen is the local farmer. He regularly suffers with gastric health complaints and describes these in disgustingly graphic detail. He’s a bachelor with broad tastes… he often hints at both desiring after and having had previous relationships with animals\, as well as women. Like many of the other male residents of the village\, he lusts after Geraldine \nLETITIA CROPLEY \nLetitia is a very caring lady who longs to provide nourishing refreshment and sustenance to her close friends and neighbours\, and ensures the  church is full of attractive flower arrangements during Sunday worship. \nThe problem is her creativity could be described as rather eccentric: her mourning flower arrangement included pineapple! Her palette is a bit odd too\, as she’s created countless dishes which require\, shall we say\, an acquired taste? Parsnip brownies are at the more tame end of her repertoire! The villagers fear her cooking but eat it out of courtesy; unfortunately this only spurs her on to further “gourmet” creations. Must be able to knit. \nWOMAN \nThe Woman has two lines at the end of the play and objects to Alice and Hugo getting married and then realises she is at the wrong wedding. \nIt is expected that the person playing this role will be a member of the stage crew. \nContact \nRobert Andrews \nE: robert.andrews@eklips.com.au \nP: 0412 060 989 (please do not call between 8.00am and 5.30pm due to work commitments)
URL:https://tasaonline.org.au/events/the-vicar-of-dibley-2/2022-06-20/
LOCATION:Tea Tree Players Theatre\, Cnr Yatala Vale Road and Hancock Road\, Surrey Downs\, SA\, 5126\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Tea Tree Players":MAILTO:ttp@teatreeplayers.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220620T200000
DTEND;TZID=Australia/Adelaide:20220620T220000
DTSTAMP:20260425T233737
CREATED:20220613T072018Z
LAST-MODIFIED:20220613T072018Z
UID:10017711-1655755200-1655762400@tasaonline.org.au
SUMMARY:Guys and Dolls - Auditions
DESCRIPTION:Auditions for The Met’s October 2022 production of ‘Guys and Dolls’. \n(see URL for all audition information) \nTo book an audition – https://www.trybooking.com/events/landing/912761?fbclid=IwAR31NrBh6hANq1wkfOXgHUHCBxYamehqbmQDUarkyeRcbW20NKGqJR8eTeo
URL:https://tasaonline.org.au/events/guys-and-dolls-auditions/2022-06-20/
LOCATION:Maylands Church of Christ Hall\, 157 Portrush Rd\, Maylands\, SA\, 5069\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The Metropolitan Musical Theatre Company of SA Inc.":MAILTO:themetsa@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220622T193000
DTEND;TZID=Australia/Adelaide:20220622T213000
DTSTAMP:20260425T233737
CREATED:20220517T230943Z
LAST-MODIFIED:20220517T232145Z
UID:10017682-1655926200-1655933400@tasaonline.org.au
SUMMARY:The Vicar of Dibley
DESCRIPTION:A stage play by Ian Gower and Paul Carpenter adapted from the original TV series by Richard Curtis and Paul Mayher-Archer \nWith kind permission of Tiger Aspect Productions \nDirected by: Robert Andrews \nSynopsis \nWhen the new vicar arrives at the sleepy English village of Dibley\, the last thing the locals are expecting is a woman. But the irrepressibly cheerful Reverend Geraldine Granger soon wins over the hearts and minds of her flock. \nBased on the much-loved BBC sitcom\, this stage adaptation brings a selection of the best episodes of this multi-award-winning show to our theatre. \nAll of your favourites are here: Alice and Hugo\, the star-crossed lovers whose combined IQ would struggle to reach treble figures; the colonically-challenged farmer Owen; and Mr Horton\, the pompous chairman forever trying to make sense of his bizarre parish council. \nPerformances \nWednesday 12 October 2022 to Saturday 15 October 2022 at 8.00pm \nTuesday 18 October 2022 to Saturday 22 October 2022 at 8.00pm \nMatinee each Saturday at 2.30pm       Additional matinee Sunday 16 October at 2.30pm \nProduction Information \nThe Vicar of Dibley is split into two productions with same cast. \nThe Vicar Of Dibley \nStarts with Geraldine’s arrival and finishes with Hugo and Alice’s wedding. \nA Vicar Of Dibley Christmas – The Second Coming \nStarts with Hugo and Alice returning from Honeymoon to the birth of baby Geraldine at the Christmas Nativity. \nWe will be performing the first production in October 2022 and the second in October 2023. \nWhere possible we would like to have the same cast for both productions so would appreciate if you could commit to both productions. \nCharacters to be auditioned. \nThe characters of Reverend Geraldine Granger\, Frank Pickle and Jim Trott have been cast and will not be auditioned. \nDAVID HORTON. \nDavid is one of those people who enjoys being in charge and assumes he is: he might even be described as being a bit power-trippy. He’s a pompous\, Cambridge educated\, upper-class\, millionaire and although divorced\, an upholder of stern traditional family values especially his own. He longs for tradition\, law and order and the status quo. \nHUGO HORTON \nPoor Hugo is the veritable puppet of his controlling father. He was brought up only by David for the majority of his childhood\, and it becomes quickly apparent that that upbringing was emotionally abusive. He aims to avoid conflict\, and always aims to please\, and does not know how to express his feelings towards Alice. \nALICE TINKER \nAlice is a few sandwiches (and cakes\, and pork pies\, and sausage rolls…) short of a picnic. She has a heart of gold but doesn’t understand many of the common issues of life\, nor Geraldine’s jokes. She’s very sensitive and easily upset – but too thick and vague to be easily offended! More amusing and key to the plot of the show is the way she’s also easily confused\, and has a vivid imagination surrounding what’s normal (such as Teletubbie bridesmaids and pageboys. \nOWEN NEWITT \nOwen is the local farmer. He regularly suffers with gastric health complaints and describes these in disgustingly graphic detail. He’s a bachelor with broad tastes… he often hints at both desiring after and having had previous relationships with animals\, as well as women. Like many of the other male residents of the village\, he lusts after Geraldine \nLETITIA CROPLEY \nLetitia is a very caring lady who longs to provide nourishing refreshment and sustenance to her close friends and neighbours\, and ensures the  church is full of attractive flower arrangements during Sunday worship. \nThe problem is her creativity could be described as rather eccentric: her mourning flower arrangement included pineapple! Her palette is a bit odd too\, as she’s created countless dishes which require\, shall we say\, an acquired taste? Parsnip brownies are at the more tame end of her repertoire! The villagers fear her cooking but eat it out of courtesy; unfortunately this only spurs her on to further “gourmet” creations. Must be able to knit. \nWOMAN \nThe Woman has two lines at the end of the play and objects to Alice and Hugo getting married and then realises she is at the wrong wedding. \nIt is expected that the person playing this role will be a member of the stage crew. \nContact \nRobert Andrews \nE: robert.andrews@eklips.com.au \nP: 0412 060 989 (please do not call between 8.00am and 5.30pm due to work commitments)
URL:https://tasaonline.org.au/events/the-vicar-of-dibley-2/2022-06-22/
LOCATION:Tea Tree Players Theatre\, Cnr Yatala Vale Road and Hancock Road\, Surrey Downs\, SA\, 5126\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Tea Tree Players":MAILTO:ttp@teatreeplayers.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220716T110000
DTEND;TZID=Australia/Adelaide:20220716T143000
DTSTAMP:20260425T233737
CREATED:20220628T062317Z
LAST-MODIFIED:20220705T015044Z
UID:10015980-1657969200-1657981800@tasaonline.org.au
SUMMARY:Four Flat Whites in Italy
DESCRIPTION:Written By: Roger Hall \nCreative Team: Kerrin White – director\nIt’s a comedy \n\nFour Flat Whites in Italy is the hilarious story of retired librarians\, Adrian and Alison. They have scrimped and saved for the holiday of a lifetime with another couple they’ve known for years. Shortly before leaving\, one of their friends breaks his ankle\, and the couple are unable to join them. Stepping into the breach are two new neighbours – brash Harry\, a retired plumber\, and his sexy younger wife\, Judy\, who insist on flying business class. What follows is an hilarious clash of budgets\, interests\, politics\, culture\, sex\, religion\, sport and coffee! Laugh along with the Flat Four’s poignantly funny adventures as they tour Venice\, Rome and Tuscany. \nSeason Information: 23 March – 1 April 2023 \n  \nAudition Information:  https://www.trybooking.com/CATMD \n\n\n\nRepeated Fieldset #:1\n\n\nDate:\n16/07/2022\n\n\nRepeated Fieldset #:2\n\n\nTime From – Time to:\n11 am to 2.30 pm\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\nADRIAN\n\n\nGender:\nMale\n\n\nStage Age:\n60s\n\n\nRole Information:\nAdrian’s a recently retired University librarian. A little uptight but with a dry sense of humour. Politically left-wing. Suffers from tremendous guilt over the car accident that left his daughter in a wheelchair.\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nAlison\n\n\nGender:\nFemale\n\n\nStage Age:\n60s\n\n\nRole Information:\nAdrian’s wife\, who is also a librarian. Very uptight. A bit of an intellectual snob. Politically Left-wing. Blames Adrian for the car accident that injured their daughter.\n\n\nRepeated Fieldset #:2\n\n\nRole Name:\nHarry\n\n\nGender:\nMale\n\n\nStage Age:\n60s\n\n\nRole Information:\nRetired businessman. Had a plumbing supplies company. Blunt\, opinionated and likes to be in the right. Underneath the gruffness he has a big heart. Politically right-wing.\n\n\nRepeated Fieldset #:3\n\n\nRole Name:\nJudy\n\n\nGender:\nFemale\n\n\nStage Age:\n45+\n\n\nRole Information:\nHarry’s second\, younger wife. Outgoing and sexy. Carries some emotional baggage from her past.\n\n\nRepeated Fieldset #:4\n\n\nRole Name:\nFemale\n\n\nGender:\nFemale\n\n\nStage Age:\n20+\n\n\nRole Information:\nPlays a variety of amusing cameo roles. Waitress\, Tour Guide\, Avis Car Hire Woman\, Dress Shop Assistant and Countess. Must have good Italian accent.\n\n\nRepeated Fieldset #:5\n\n\nRole Name:\nMale\n\n\nGender:\nMale\n\n\nStage Age:\n20+\n\n\nRole Information:\nPlays a variety of amusing cameo roles. Gondolier\, Centurion\, Waiter\, Beggar and Count. Must have good Italian accent.\n\n\n\n\nMore Information at: therry.org.au\nShort audition monologue scripts will be emailed to those who book auditions. \n\nContact: Kerrin White\ntherry@chariot.net.au\n0412 760 859
URL:https://tasaonline.org.au/events/four-flat-whites-in-italy/
LOCATION:Therry Clubrooms\, Unit 2/ 1 Regina Court\, Beverley\, SA\, 5009\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Therry Theatre":MAILTO:therry@chariot.net.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220816T190000
DTEND;TZID=Australia/Adelaide:20220816T220000
DTSTAMP:20260425T233737
CREATED:20220328T003332Z
LAST-MODIFIED:20220328T003332Z
UID:10017230-1660676400-1660687200@tasaonline.org.au
SUMMARY:Speaking in Tongues
DESCRIPTION:Written By: Andrew Bovell Creative Team: Director: Geoff Brittain \n\nThe play follows nine different characters (played by 4 actors) who are all connected by affairs and infidelities. Two couples set out to betray\, their partners… A lover returns form the past and a husband doesn’t answer the phone… A woman disappears and a neighbour is the prime suspect… Contracts are broken between intimates and powerful bonds are formed between strangers. An evocative mystery unravels at the same time as a devastating tale of disconnection between individuals\, partners and communities. \n\nInformation Session: \n\nAudition Information: https://www.stirlingplayers.sct.org.au \n\n\n\nRepeated Fieldset #:1\n\n\nDate:\n16/08/2022\n\n\nRepeated Fieldset #:2\n\n\nTime From – Time to:\n7.00-10.00pm by appointment\n\n\n\n  \n\n\n\nRepeated Fieldset #:0\n\n\nRole Name:\n5 male roles\n\n\nGender:\nMale\n\n\nStage Age:\n30+\n\n\nRole Information:\nTwo male actors will perform all five roles. All are major roles. Stage ages are 30-45.\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\n4 female roles\n\n\nGender:\nFemale\n\n\nStage Age:\n30+\n\n\nRole Information:\nTwo female actors will play all four roles. All are major roles. Stage ages are 30-45.\n\n\n\n\nMore Information at: https://www.stirlingplayers@sct.org.au \nFurther information regarding the play\, the season and rehearsals are available at the Stirling Players website. Auditions are by appointment only. \n\nContact: John Graham johnrg1941@gmail.com \n\n\n\n\n\n\n\n\n\n 
URL:https://tasaonline.org.au/events/speaking-in-tongues/
LOCATION:SA\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Stirling Players":MAILTO:contact@stirlingplayers.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220917T130000
DTEND;TZID=Australia/Adelaide:20220917T170000
DTSTAMP:20260425T233737
CREATED:20220824T213444Z
LAST-MODIFIED:20220824T213444Z
UID:10016140-1663419600-1663434000@tasaonline.org.au
SUMMARY:The Wisdom of Eve: the stage play (All About Eve)
DESCRIPTION:Based on the story\, The Wisdom of Eve\, by Mary Orr \nAdapted from the screenplay by Joseph L. Mankiewicz \nDirected by Olivia Jane Parker \nSUMMARY \nSet in the 1940’s\, during the most vulnerable point in her career\, a leading lady of the time\, Margo Channing\, encounters an aspiring young actress\, Eve Harrington\, who ingratiates herself into the lives of the most successful theatre practitioners in town – Lloyd Richards\, Bill Sampson & Max Fabian. The Broadway star and her circle of friends; best friend Karen Richards & frenemy Addison Dewitt\, all quickly descend into acts of sabotage\, manipulation and paranoia\, whilst Eve calculates her way to the top. \nSt. Jude’s Players have previously staged All About Eve\, in the 1970’s and are keen to do so again. The film is a great resource\, however\, please note\, that we are not looking for any caricatures (No impersonations of Bette Davis\, Marilyn Monroe or Tallulah Bankhead). \nROLES AVAILABLE \nFemale \nMARGO CHANNING – Stage age 40+. Based on real-life 1940s star\, Elisabeth Bergner. \nEVE HARRINGTON – An adult who spins tales like a child. Manipulative. Based on real-life movie fan. \nADDISON DEWITT – Stage age 40+ (no age limit). Failed actress. Successful gossip writer. Maker and breaker of careers. \nKAREN RICHARDS – Stage age 40+. Believes the best in people. Makes wrong choice in believing in Eve. \nBIRDIE COONAN – Stage 60+. Doesn’t suffer fools. Experienced vaudevillian. \nTHE GIRL – Stage age 18+. Starry-eyed girl. Infatuated with Eve. \nMale \nBILL SAMPSON – Stage age of 30+. Revered Director. Great sense of humour\, straight shooter. Loves Margo. \nLLOYD RICHARDS – Stage age 40+. Successful\, driven playwright. Happily married\, but with roving eye. \nMAX FABIAN – Man playing age 40+. Not American. Risk-taker\, living for here and now. Gentle touch with women. \nTHE AGED ACTOR – Stage age 60+. A board member. Has lived life in theatre. \nUnderstudies: Due to the impacts of Covid\, we are looking for actors in some of the smaller roles (ie\, the Girl\, Miss Caswell\, Max Fabian)\, to undertake two roles\, mainstage cast as well as understudy. \nPlease express which character you would like to audition for. Monologues will be provided upon booking your audition. You are not expected to have the speeches memorised\, but you should familiarise yourself with the material beforehand. You can book your audition slot by expressing an interest via email. \nAUDITION DATES \nSaturday 17th Sept 1pm – 5pm \nPossible Call Back Auditions \nOctober 1st 1pm – 5pm (if needed) \nThe cast will be expected to be familiar with the play (including the Director’s Brief that will be provided after casting is confirmed) and if possible have dialogue well underway by the first rehearsal. There will be initial calls to run through certain scenes or establish certain character dynamics. \nThe first read-through is set for February 7th\, rehearsals will follow accordingly. \nREHEARSALS \nTuesday evenings 7pm – 9.30pm\, Thursday evenings 7pm – 9.30pm \n& Sunday afternoons 1pm onwards. \nPlease note that there will be no rehearsals over the Easter weekend. \nPERFORMANCE SEASON \nPreviews: 19 – 22nd of April 2023 \nPerformances: 27th – 29th of April 2023 \nAuditions\, rehearsals and performances will be held at St Jude’s Hall\, 444 Brighton Road\, Brighton. \nMore Information: \nEmail Olivia Jane Parker initially\, at oliviajaneparker7@gmail.com \nPlease supply contact phone number in email. \n 
URL:https://tasaonline.org.au/events/the-wisdom-of-eve-the-stage-play-all-about-eve/
LOCATION:St. Jude’s Players\, 444 Brighton Rd\, Brighton\, South Australia\, 5048\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="St. Jude's Players":MAILTO:info@stjudesplayers.asn.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220917T130000
DTEND;TZID=Australia/Adelaide:20220917T170000
DTSTAMP:20260425T233737
CREATED:20220916T040307Z
LAST-MODIFIED:20220916T040307Z
UID:10017786-1663419600-1663434000@tasaonline.org.au
SUMMARY:The Wisdom of Eve (All About Eve)
DESCRIPTION:AUDITION DETAILS BELOW\, WITH INITIAL CONTACT INFORMATION\n\n\nThe Wisdom of Eve: the stage play (All About Eve)\nBased on the story\, The Wisdom of Eve\, by Mary Orr\nAdapted from the screenplay by Joseph L. Mankiewicz\nDirected by Olivia Jane Parker\nProduction by St. Jude’s Players\n\n\nSUMMARY\nSet in the 1940’s\, during the most vulnerable point in her career\, a leading lady of the time\, Margo Channing\, encounters an aspiring young actress\, Eve Harrington\, who ingratiates herself into the lives of the most successful theatre practitioners in town – Lloyd Richards\, Bill Sampson & Max Fabian. The Broadway star and her circle of friends; best friend Karen Richards & frenemy Addison Dewitt\, all quickly descend into acts of sabotage\, manipulation and paranoia\, whilst Eve calculates her way to the top.\n\n\nSt. Jude’s Players have previously staged All About Eve\, in the 1970’s and are keen to do so again. The film is a great resource\, however\, please note\, that we are not looking for any caricatures (No impersonations of Bette Davis\, Marilyn Monroe or Tallulah Bankhead).\n\n\nROLES AVAILABLE\nFemale\n\n\nMARGO CHANNING\nStage age 40+. Based on real-life 1940s star\, Elisabeth Bergner.\n\n\nEVE HARRINGTON\nAn adult who spins tales like a child. Manipulative. Based on real-life movie fan.\n\n\nADDISON DEWITT\nStage age 40+ (no age limit). Failed actress. Successful gossip writer. Maker and breaker of careers.\n\n\nKAREN RICHARDS\nStage age 40+. Believes the best in people. Makes wrong choice in believing in Eve.\n\n\nBIRDIE COONAN\nStage 60+. Doesn’t suffer fools. Experienced vaudevillian.\n\n\nTHE GIRL\nStage age 18+. Starry-eyed girl. Infatuated with Eve.\n\n\nMale\nBILL SAMPSON\nStage age of 30+. Revered Director. Great sense of humour\, straight shooter. Loves Margo.\n\n\nLLOYD RICHARDS\nStage age 40+\nSuccessful\, driven playwright. Happily married\, but with roving eye.\n\n\nMAX FABIAN\nMan playing age 40+. Italian. Risk-taker\, living for here and now. Gentle touch with women.\n\n\nTHE AGED ACTOR\nStage age 60+\nA board member. Has lived life in theatre.\n\n\nUnderstudies: Due to the impacts of Covid\, we are looking for actors in some of the smaller roles (ie\, the Girl\, Miss Caswell\, Max Fabian)\, to undertake two roles\, mainstage cast as well as understudy.\nPlease express which character you would like to audition for. Monologues will be provided upon booking your audition. You are not expected to have the speeches memorised\, but you should familiarise yourself with the material beforehand. You can book your audition slot by expressing an interest via email.\n\n\nAUDITION DATES\nSaturday 17th 1pm – 5pm\nPossible Call Back Auditions\nOctober 1st 1pm – 5pm (if needed)\n\n\nThe cast will be expected to be familiar with the play (including the Director’s Brief that will be provided after casting is confirmed) and if possible have dialogue well underway by the first rehearsal. There will be initial calls to run through certain scenes or establish certain character dynamics.\n\n\nThe first read-through is set for February 7th\, rehearsals will follow accordingly.\n\n\nREHEARSALS\nTuesday evenings 7pm – 9.30pm\, Thursday evenings 7pm – 9.30pm\n& Sunday afternoons 1pm onwards.\nPlease note that there will be no rehearsals over the Easter weekend.\n\n\nPERFORMANCE SEASON\nPreviews: 19 – 22nd of April 2023\nPerformances: 27th – 29th of April 2023\n\n\nAuditions\, rehearsals and performances will be held at St Jude’s Hall\, 444 Brighton Road\, Brighton.\n\n\nMore Information:\nEmail Olivia Jane Parker initially\, at oliviajaneparker7@gmail.com\nPlease supply contact phone number in email.
URL:https://tasaonline.org.au/events/the-wisdom-of-eve-all-about-eve/
LOCATION:St. Jude’s Players\, 444 Brighton Rd\, Brighton\, South Australia\, 5048\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="St. Jude's Players":MAILTO:info@stjudesplayers.asn.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220921T170000
DTEND;TZID=Australia/Adelaide:20220921T220000
DTSTAMP:20260425T233737
CREATED:20220916T035344Z
LAST-MODIFIED:20220916T035344Z
UID:10017772-1663779600-1663797600@tasaonline.org.au
SUMMARY:Wonderful World of DISSOCIA
DESCRIPTION:Written By: Anthony Neilson \nCreative Team: Directed by Thomas Filsell \n\nThe Wonderful World of Dissocia is an off-the-wall\, at times hilarious\, at times disturbing\, ultimately profoundly thought-provoking play\, featuring vivid\, unique and unforgettable characters\, and wondrous settings which contrast to a degree rarely seen in the theatre. Aside from being laugh-out-loud funny\, the play also has an important message to convey regarding mental health.\nDissocia tells the story of Lisa\, a young woman battling with a dissociative disorder. In order to regain ‘balance’ in her life\, Lisa must successfully navigate her way through Dissocia\, a fantastic wonderland full of surprises and weird\, wonderful\, and frightening inhabitants.\nAway from Dissocia\, life is very different. In Dissocia\, Lisa is the decider of her own fate. Back at home\, she’s not.\nThis is a riotous\, wonderful\, wild-ride of a play. As playwright Anthony Neilson said\, “If you like Alice in Wonderland but there’s not enough sex and violence in it\, then Dissocia is the show for you.” \nAge is not a big factor for casting\, but there are adult themes\, including violence\, implied off-stage sexual assault\, and use of ‘adult’ language\, so audiences and auditionees are advised to consider these potentially disturbing contents before attending auditions or performances. \nAUDITION BOOKED BY ONLINE APPOINTMENT ONLY\nAuditions are booked via https://www.trybooking.com/CBZLO \nEach individual audition will last 15 minutes.\nAfter booking an audition\, you will be emailed audition scenes. They are not compulsory to learn but please familiarise yourself with them. You will be asked to read additional scenes to gauge your suitability for other characters to be doubled. An audition form will also be provided.\nOn booking an audition slot\, please ensure you advise your correct phone number and email address.\nWe recommend you wear comfortable clothing and shoes\, and bring water.\nAny questions about audition bookings\, please email theatreguild@adelaide.edu.au. Any questions about the play/production (and NOT for booking auditions)\, the director can be contacted at fils0010@gmail.com.\nPlease be aware that everyone involved in a Theatre Guild show is required to be a member. Auditions are open to anyone but any roles offered will only be confirmed once you have become a member. Memberships for 2023 can be purchased via www.trybooking.com/CBXOD \n\nInformation Session: \n\nAudition Information: http://www.trybooking.com/CBZLO \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n21/09/2022\n\n\nTime From – Time to:\n17:00 – 22:30\n\n\nRepeated Fieldset #:1\n\n\nDate:\n26/09/2022\n\n\nTime From – Time to:\n17:00 – 22:30\n\n\n\n  \n\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\n7 actors required\n\n\nRepeated Fieldset #:2\n\n\nGender:\nUndefined\n\n\nRepeated Fieldset #:3\n\n\nStage Age:\nAny\n\n\nRepeated Fieldset #:4\n\n\nRole Information:\nThe cast consists of 7 actors\, each playing multiple roles\, besides Lisa who will be played by a single actress.\nThe role of Lisa has already been cast.ROLES AVAILABLE: (in order of appearance)\nAge\, gender\, and ethnicity are not relevant for casting\, except for the roles of Vince and Dot\, who will need to be played by a male and female respectively\, both within the stage age range of 25-35 years. \nVictor: A strange Swiss watchmaker. Swiss or RP English accent required.\nPassengers: There are a few of these to be doubled by actors. Speaking and non-speaking. All weird and funny in their own way.\nGuard 1: Perhaps one of the two funniest characters in the play. Must be able to convey a lack of confidence and indecision.\nGuard 2: Similar to Guard 1. These two must be able to play off and work with one another well. Great comedic timing is needed for both Guards.\nOathtaker: Has two modes – stentorian\, and bored out of their mind. An imposing figure\, but needs great comedic abilities.\nOathtaker attendants: Will double. Musical ability would be great\, but not necessary.\nGoat: Probably the ‘worst’ character in the first act\, if not the entire play. A scary figure\, who also needs to be able to be funny\, before turning toward terrifying.\nJane: Female identifying actor required. Requires good comedic sensibilities.\nBear: Loveable. Wears a costume. Must be able to sing.\nBritney: Essentially a bogan. Funny. Absurd.\nLaughter: Speaking. Comedic timing needed.\nTicket: Speaking. Comedic timing needed.\nArgument: Speaking. Comedic timing needed.\nInhibitions: Speaking. Comedic timing needed.\nBiffer: Non-speaking\, but makes some ‘noises.’ Comedic timing\, again\, is needed.\nViolinist: If you can play the violin\, that’s great. If you have a violin\, that’s even better! Neither of these is necessary\, though.\nNurses x3: There are 3 nurses in the second act. Each will be played by a different actor\, and each have different personality traits. Gender irrelevant.\nDr Clark: A Doctor. Gender irrelevant.\nDr Faraday: A Doctor. Gender irrelevant.\nDot: Lisa’s sister. Empathetic but frustrated. Can come across as heartless\, or despondent. An important character to be suggestively doubled. Stage age 25-35. Female identifying.\nVince: Lisa’s boyfriend. A pivotal role. Like Dot\, Vince is frustrated\, and has difficulty understanding why he’s being ‘mistreated.’ Another character caught between being empathetic and a prick. Must have both an imposing quality\, and a sensitivity to him. Stage age 25-35. Male identifying. \nSinging and other musical abilities are not required by any means\, but do mention if you have them.\n\n\n\n\nMore Information at: https://www.trybooking.com/CBZLO \n\nContact: Thomas Filsell\nfils0010@gmail.com
URL:https://tasaonline.org.au/events/wonderful-world-of-dissocia/2022-09-21/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20220926T170000
DTEND;TZID=Australia/Adelaide:20220926T220000
DTSTAMP:20260425T233737
CREATED:20220916T035344Z
LAST-MODIFIED:20220916T035344Z
UID:10017773-1664211600-1664229600@tasaonline.org.au
SUMMARY:Wonderful World of DISSOCIA
DESCRIPTION:Written By: Anthony Neilson \nCreative Team: Directed by Thomas Filsell \n\nThe Wonderful World of Dissocia is an off-the-wall\, at times hilarious\, at times disturbing\, ultimately profoundly thought-provoking play\, featuring vivid\, unique and unforgettable characters\, and wondrous settings which contrast to a degree rarely seen in the theatre. Aside from being laugh-out-loud funny\, the play also has an important message to convey regarding mental health.\nDissocia tells the story of Lisa\, a young woman battling with a dissociative disorder. In order to regain ‘balance’ in her life\, Lisa must successfully navigate her way through Dissocia\, a fantastic wonderland full of surprises and weird\, wonderful\, and frightening inhabitants.\nAway from Dissocia\, life is very different. In Dissocia\, Lisa is the decider of her own fate. Back at home\, she’s not.\nThis is a riotous\, wonderful\, wild-ride of a play. As playwright Anthony Neilson said\, “If you like Alice in Wonderland but there’s not enough sex and violence in it\, then Dissocia is the show for you.” \nAge is not a big factor for casting\, but there are adult themes\, including violence\, implied off-stage sexual assault\, and use of ‘adult’ language\, so audiences and auditionees are advised to consider these potentially disturbing contents before attending auditions or performances. \nAUDITION BOOKED BY ONLINE APPOINTMENT ONLY\nAuditions are booked via https://www.trybooking.com/CBZLO \nEach individual audition will last 15 minutes.\nAfter booking an audition\, you will be emailed audition scenes. They are not compulsory to learn but please familiarise yourself with them. You will be asked to read additional scenes to gauge your suitability for other characters to be doubled. An audition form will also be provided.\nOn booking an audition slot\, please ensure you advise your correct phone number and email address.\nWe recommend you wear comfortable clothing and shoes\, and bring water.\nAny questions about audition bookings\, please email theatreguild@adelaide.edu.au. Any questions about the play/production (and NOT for booking auditions)\, the director can be contacted at fils0010@gmail.com.\nPlease be aware that everyone involved in a Theatre Guild show is required to be a member. Auditions are open to anyone but any roles offered will only be confirmed once you have become a member. Memberships for 2023 can be purchased via www.trybooking.com/CBXOD \n\nInformation Session: \n\nAudition Information: http://www.trybooking.com/CBZLO \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n21/09/2022\n\n\nTime From – Time to:\n17:00 – 22:30\n\n\nRepeated Fieldset #:1\n\n\nDate:\n26/09/2022\n\n\nTime From – Time to:\n17:00 – 22:30\n\n\n\n  \n\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\n7 actors required\n\n\nRepeated Fieldset #:2\n\n\nGender:\nUndefined\n\n\nRepeated Fieldset #:3\n\n\nStage Age:\nAny\n\n\nRepeated Fieldset #:4\n\n\nRole Information:\nThe cast consists of 7 actors\, each playing multiple roles\, besides Lisa who will be played by a single actress.\nThe role of Lisa has already been cast.ROLES AVAILABLE: (in order of appearance)\nAge\, gender\, and ethnicity are not relevant for casting\, except for the roles of Vince and Dot\, who will need to be played by a male and female respectively\, both within the stage age range of 25-35 years. \nVictor: A strange Swiss watchmaker. Swiss or RP English accent required.\nPassengers: There are a few of these to be doubled by actors. Speaking and non-speaking. All weird and funny in their own way.\nGuard 1: Perhaps one of the two funniest characters in the play. Must be able to convey a lack of confidence and indecision.\nGuard 2: Similar to Guard 1. These two must be able to play off and work with one another well. Great comedic timing is needed for both Guards.\nOathtaker: Has two modes – stentorian\, and bored out of their mind. An imposing figure\, but needs great comedic abilities.\nOathtaker attendants: Will double. Musical ability would be great\, but not necessary.\nGoat: Probably the ‘worst’ character in the first act\, if not the entire play. A scary figure\, who also needs to be able to be funny\, before turning toward terrifying.\nJane: Female identifying actor required. Requires good comedic sensibilities.\nBear: Loveable. Wears a costume. Must be able to sing.\nBritney: Essentially a bogan. Funny. Absurd.\nLaughter: Speaking. Comedic timing needed.\nTicket: Speaking. Comedic timing needed.\nArgument: Speaking. Comedic timing needed.\nInhibitions: Speaking. Comedic timing needed.\nBiffer: Non-speaking\, but makes some ‘noises.’ Comedic timing\, again\, is needed.\nViolinist: If you can play the violin\, that’s great. If you have a violin\, that’s even better! Neither of these is necessary\, though.\nNurses x3: There are 3 nurses in the second act. Each will be played by a different actor\, and each have different personality traits. Gender irrelevant.\nDr Clark: A Doctor. Gender irrelevant.\nDr Faraday: A Doctor. Gender irrelevant.\nDot: Lisa’s sister. Empathetic but frustrated. Can come across as heartless\, or despondent. An important character to be suggestively doubled. Stage age 25-35. Female identifying.\nVince: Lisa’s boyfriend. A pivotal role. Like Dot\, Vince is frustrated\, and has difficulty understanding why he’s being ‘mistreated.’ Another character caught between being empathetic and a prick. Must have both an imposing quality\, and a sensitivity to him. Stage age 25-35. Male identifying. \nSinging and other musical abilities are not required by any means\, but do mention if you have them.\n\n\n\n\nMore Information at: https://www.trybooking.com/CBZLO \n\nContact: Thomas Filsell\nfils0010@gmail.com
URL:https://tasaonline.org.au/events/wonderful-world-of-dissocia/2022-09-26/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221010T000000
DTEND;TZID=Australia/Adelaide:20221031T000000
DTSTAMP:20260425T233737
CREATED:20221009T230158Z
LAST-MODIFIED:20221009T230158Z
UID:10017787-1665360000-1667174400@tasaonline.org.au
SUMMARY:Competitive Tenderness
DESCRIPTION:by Hannie Rayson \nDirected By: Harry Dewar \nCOMPETITIVE TENDERNESS is an hilarious\, over-the-top farce about corruption\, blackmail\, deception\, and debauchery. And traffic. And pet ownership. And all the other fun of local government \nDawn Snow has a fierce reputation – (It’s rumoured she reformed the prison system in Uganda!) Now\, with local government reform high on the political agenda\, she is called upon to rescue the City of Greater Bourke from the debt burden left by its recently deceased CEO. Time for some outsourcing and downsizing\, (and wealth redistribution amongst friends at the expense of the ratepayers…) \nFirst performed by Playbox Theatre in 1996 in a production directed by Aubrey Mellor and starring Max Gillies. \nRoles Available:\n8 actors will be cast to play the following roles: \nBRIAN GUEST\, Mayor of Greater Burke male\, 40s-50s\nDAWN SNOW\, CEO Greater Burke female\, 40s-50s\nDELIA KIBBITRAWHIB\, Receptionist female\, 30s-40s\nTREVOR GUEST\, Dog Catcher male\, 30s-50’s\nPIGGY KATSOS\, Parking Officer male\, 30s-40s\nMERLE PICKHAVER\, Councillor\, Greater Burke female\, 50s-70s\nAMELIA STITCH\, Word Processor / Receptionist female\, 20s-50s\nKIMBLE FARKLEY\, Minister for Local Government male\, 40s-60s \nAn additional 6-8 actors will be cast in multiple roles\, including: \nDRAGI SMILEVSKI\, Macedonian smallgoods magnate male\, 50s-60s\nKEL CARMICHAEL\, Senior Traffic Officer male\, 30s-50s\nROY FERRETT\, CEO’s Assistant Manager male\, 50-ish\nROCKO RICOTTO\, Advisor to the Minister male\, 20s-30s\nDELORES\, Minister’s PA female\, 20s-40s\nand 18 additional roles \nRehearsals:\nSundays: 3:00-5:30pm\nSundays: 6:00pm-8:30pm\nTuesdays: 7:00-9:30pm \nRehearsals commence Tuesday January 17th 2023\n(There will be some initial readings in December 2022) \nPerformances:\nFriday 28th April 8pm\nSaturday 29th April 2pm & 8pm\nFriday 5th May 8pm\nSaturday 6th May 2pm & 8pm \nVenue:\nThe Arts Centre\n22 Gawler Street\, Port Noarlunga \nAuditions:\nAuditions will take place during October 2022\nContact the director on 0421366101 or dewarharry@ozemail.com.au \nVenue:\nTBA \nMore Information:\nContact Harry Dewar on 0421366101 or email dewarharry@ozemail.com.au
URL:https://tasaonline.org.au/events/competitive-tenderness/
LOCATION:SA\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Noarlunga Theatre Company":MAILTO:ntc@outlook.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221015T090000
DTEND;TZID=Australia/Adelaide:20221015T170000
DTSTAMP:20260425T233737
CREATED:20220916T035848Z
LAST-MODIFIED:20220916T035848Z
UID:10017774-1665824400-1665853200@tasaonline.org.au
SUMMARY:THE TEMPEST
DESCRIPTION:Written By: William Shakespeare \nCreative Team: Directed by Bronwyn Palmer \n\nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board. On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter\, Miranda\, that he has caused the storm with his magical powers.\nProspero had been banished twelve years earlier when Prospero’s brother\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead. Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax.\nOn the island\, castaways from the wreck begin to appear. First is Alonso’s son\, Ferdinand\, who immediately falls in love with Miranda. Other castaways who appear are Trinculo and Stephano\, Alonso’s jester and butler respectively\, who join forces with Caliban to kill Prospero and take over the island. The nobles from the ship search for Ferdinand and are confronted with a spectacle including a Harpy\, who convinces Alonso that Ferdinand’s death is retribution for Prospero’s exile.\nHaving all his enemies under his control\, Prospero decides to forgive them. Alonso\, joyously reunited with his son\, restores Prospero to the dukedom of Milan and welcomes Miranda as Ferdinand’s wife. As all except Caliban and Ariel prepare to leave the island\, Prospero\, who has given up his magic\, bids farewell to the island and the audience. \n\n  \nAudition Information: http://www.trybooking.com/CCKRR \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n15/10/2022\n\n\nTime From – Time to:\n09:00 – 17:00\n\n\nRepeated Fieldset #:1\n\n\nDate:\n16/10/2022\n\n\nTime From – Time to:\n09:00 – 17:00\n\n\n\n  \n\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nmany\n\n\nRepeated Fieldset #:2\n\n\nGender:\nUndefined\n\n\nRepeated Fieldset #:3\n\n\n\n\n\n\nRepeated Fieldset #:4\n\n\nRole Information:\nROLES AVAILABLE:\n(age and gender relevant only where specified)PROSPERO\, the former Duke of Milan\, now a magician on an island. Stage age: 45 – 55.\nMIRANDA\, Prospero’s daughter. Stage age: 18 – 20. Female presenting.\nARIEL\, a spirit\, servant to Prospero. Requires strong movement ability and strong singing ability.\nCALIBAN\, an inhabitant of the island\, servant to Prospero. Male presenting.\nFERDINAND\, Prince of Naples. Stage age: 19 – 25. Male presenting.\nALONSO\, King of Naples. Stage age: 50+\nANTONIO\, Duke of Milan and Prospero’s brother. Stage age: 35 – 50.\nSEBASTIAN\, Alonso’s brother. Stage age: 40 – 50.\nGONZALO\, councillor to Alonso and friend to Prospero. Stage age: 50+\nTRINCULO\, servant to Alonso.\nSTEPHANO\, Alonso’s butler.\nADRIAN\, courtiers in attendance on Alonso\, and MOVEMENT ENSEMBLE\nFRANCISCO\, courtiers in attendance on Alonso\, and MOVEMENT ENSEMBLE\nSHIPMASTER / MOVEMENT ENSEMBLE\nBOATSWAIN / MOVEMENT ENSEMBLE\nMARINERS / MOVEMENT ENSEMBLE\nPlus\nTWO LIVE MUSICIANS – Must be able to improvise. String instruments or piano preferred. Not required to audition. Please email the Director at bronwyn.palmer@gmail.com for further information.\n\n\n\n\nAUDITION BOOKED BY ONLINE APPOINTMENT ONLY\nAuditions are booked via http://www.trybooking.com/CCKRR\nEach group audition (up to 5 people per session) will last 50 minutes between 9am – 5pm Saturday 15 and Sunday 16 October 2022. \n*WHAT TO PREPARE*\nPlease prepare from memory a 2-3 minute Shakespearean monologue from any play and a short (30 seconds max.) unaccompanied song. \nWe recommend you wear comfortable clothing and shoes for physical movement\, and bring water. \nAfter booking an audition\, you will be emailed audition scenes. They are not compulsory to learn but please familiarise yourself with them. An audition form will be provided. On booking an audition slot\, please ensure you advise your correct phone number and email address. Please arrive 10 minutes early to allow yourself time to prepare for your audition and to complete a form if necessary. \nUATG is committed to equity\, diversity and inclusion. We encourage performers 18+ of all races and ethnicities\, gender identities\, and abilities to audition. However\, please be aware that the Little Theatre is not fully equipped for those with a physical disability. The foyer and auditorium are accessible via ground floor entrance\, but the stage and backstage areas are unfortunately not equipped for wheelchair access.\nAny questions about audition bookings\, please email theatreguild@adelaide.edu.au. Any questions about the play/production (and NOT for booking auditions)\, the director can be contacted at bronwyn.palmer@gmail.com. \n\nContact: Bronwyn Palmer\nbronwyn.palmer@gmail.com
URL:https://tasaonline.org.au/events/the-tempest/2022-10-15/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20221016T090000
DTEND;TZID=Australia/Adelaide:20221016T170000
DTSTAMP:20260425T233737
CREATED:20220916T035848Z
LAST-MODIFIED:20220916T035848Z
UID:10017775-1665910800-1665939600@tasaonline.org.au
SUMMARY:THE TEMPEST
DESCRIPTION:Written By: William Shakespeare \nCreative Team: Directed by Bronwyn Palmer \n\nA story of shipwreck and magic\, The Tempest begins on a ship caught in a violent storm with Alonso\, the King of Naples\, on board. On a nearby island\, the exiled Duke of Milan\, Prospero\, tells his daughter\, Miranda\, that he has caused the storm with his magical powers.\nProspero had been banished twelve years earlier when Prospero’s brother\, Antonio – also on the doomed ship – conspired with Alonso to become the Duke instead. Prospero and Miranda are served by a spirit named Ariel\, and by Caliban\, son of the island’s previous inhabitant\, the witch Sycorax.\nOn the island\, castaways from the wreck begin to appear. First is Alonso’s son\, Ferdinand\, who immediately falls in love with Miranda. Other castaways who appear are Trinculo and Stephano\, Alonso’s jester and butler respectively\, who join forces with Caliban to kill Prospero and take over the island. The nobles from the ship search for Ferdinand and are confronted with a spectacle including a Harpy\, who convinces Alonso that Ferdinand’s death is retribution for Prospero’s exile.\nHaving all his enemies under his control\, Prospero decides to forgive them. Alonso\, joyously reunited with his son\, restores Prospero to the dukedom of Milan and welcomes Miranda as Ferdinand’s wife. As all except Caliban and Ariel prepare to leave the island\, Prospero\, who has given up his magic\, bids farewell to the island and the audience. \n\n  \nAudition Information: http://www.trybooking.com/CCKRR \n\n\n\nRepeated Fieldset #:0\n\n\nDate:\n15/10/2022\n\n\nTime From – Time to:\n09:00 – 17:00\n\n\nRepeated Fieldset #:1\n\n\nDate:\n16/10/2022\n\n\nTime From – Time to:\n09:00 – 17:00\n\n\n\n  \n\n\n\nRepeated Fieldset #:1\n\n\nRole Name:\nmany\n\n\nRepeated Fieldset #:2\n\n\nGender:\nUndefined\n\n\nRepeated Fieldset #:3\n\n\n\n\n\n\nRepeated Fieldset #:4\n\n\nRole Information:\nROLES AVAILABLE:\n(age and gender relevant only where specified)PROSPERO\, the former Duke of Milan\, now a magician on an island. Stage age: 45 – 55.\nMIRANDA\, Prospero’s daughter. Stage age: 18 – 20. Female presenting.\nARIEL\, a spirit\, servant to Prospero. Requires strong movement ability and strong singing ability.\nCALIBAN\, an inhabitant of the island\, servant to Prospero. Male presenting.\nFERDINAND\, Prince of Naples. Stage age: 19 – 25. Male presenting.\nALONSO\, King of Naples. Stage age: 50+\nANTONIO\, Duke of Milan and Prospero’s brother. Stage age: 35 – 50.\nSEBASTIAN\, Alonso’s brother. Stage age: 40 – 50.\nGONZALO\, councillor to Alonso and friend to Prospero. Stage age: 50+\nTRINCULO\, servant to Alonso.\nSTEPHANO\, Alonso’s butler.\nADRIAN\, courtiers in attendance on Alonso\, and MOVEMENT ENSEMBLE\nFRANCISCO\, courtiers in attendance on Alonso\, and MOVEMENT ENSEMBLE\nSHIPMASTER / MOVEMENT ENSEMBLE\nBOATSWAIN / MOVEMENT ENSEMBLE\nMARINERS / MOVEMENT ENSEMBLE\nPlus\nTWO LIVE MUSICIANS – Must be able to improvise. String instruments or piano preferred. Not required to audition. Please email the Director at bronwyn.palmer@gmail.com for further information.\n\n\n\n\nAUDITION BOOKED BY ONLINE APPOINTMENT ONLY\nAuditions are booked via http://www.trybooking.com/CCKRR\nEach group audition (up to 5 people per session) will last 50 minutes between 9am – 5pm Saturday 15 and Sunday 16 October 2022. \n*WHAT TO PREPARE*\nPlease prepare from memory a 2-3 minute Shakespearean monologue from any play and a short (30 seconds max.) unaccompanied song. \nWe recommend you wear comfortable clothing and shoes for physical movement\, and bring water. \nAfter booking an audition\, you will be emailed audition scenes. They are not compulsory to learn but please familiarise yourself with them. An audition form will be provided. On booking an audition slot\, please ensure you advise your correct phone number and email address. Please arrive 10 minutes early to allow yourself time to prepare for your audition and to complete a form if necessary. \nUATG is committed to equity\, diversity and inclusion. We encourage performers 18+ of all races and ethnicities\, gender identities\, and abilities to audition. However\, please be aware that the Little Theatre is not fully equipped for those with a physical disability. The foyer and auditorium are accessible via ground floor entrance\, but the stage and backstage areas are unfortunately not equipped for wheelchair access.\nAny questions about audition bookings\, please email theatreguild@adelaide.edu.au. Any questions about the play/production (and NOT for booking auditions)\, the director can be contacted at bronwyn.palmer@gmail.com. \n\nContact: Bronwyn Palmer\nbronwyn.palmer@gmail.com
URL:https://tasaonline.org.au/events/the-tempest/2022-10-16/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
END:VCALENDAR