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DTSTART;TZID=Australia/Adelaide:20230121T103000
DTEND;TZID=Australia/Adelaide:20230121T170000
DTSTAMP:20260426T113727
CREATED:20221212T035751Z
LAST-MODIFIED:20221212T035751Z
UID:10017876-1674297000-1674320400@tasaonline.org.au
SUMMARY:BETTY BLUE EYES
DESCRIPTION:BETTY BLUE EYES is a very British musical full of eccentric characters and a vibrant ensemble\, plus a deliciously infectious toe-tapping\, retro/contemporary score. The result is musical comedy gold! This 2011 Cameron Macintosh musical comedy is based on the film “A Private Function” with music by George Stiles\, lyrics by Anthony Drewe\, written for the stage by Ron Cowen and Daniel Lipman\, adapted from Alan Bennett’s original story.\n\n\nTherry’s 2023 team includes award-winners David Sinclair (director) and Rodney Hvrartin (musical director) with choreographer Linda Lawson.\n\n\n\nThe roles of Joyce Chilvers\, Gilbert Chilvers and Mother Dear have been cast with the actors who performed those roles in our 2022 show: Trish Hart\, Jared Frost and Carolyn Adams.\nOur show is still looking for some wonderful performers to play quirky village characters aged from 20’s to 60’s.\n\n\nBOOK YOUR AUDITION NOW\nhttps://www.trybooking.com/CEWDR\n\n\n\nBETTY BLUE EYES\nSet in 1947. Belts are being tightened\, and the government is telling the country there’ll be fair shares for all … if they survive Austerity Britain. Meanwhile\, local officials feather their own nests by taking more than their fair share. Having won the war\, Britain seems to be losing the peace: the country is staggering under rationing\, unemployment\, and the coldest winter for decades. The only bright spark on the horizon is the impending Royal Wedding of Princess Elizabeth and Prince Philip. Some local businessmen plan a party to celebrate the royal nuptials and illegally raise a pig for that occasion. Meanwhile\, the local food inspector is determined to stop any activity circumventing food rationing.\n\n\n\nSEASON AT THE ARTS THEATRE\n7th -11th and 14th -17th June 2023 at 7.30pm.\nMatinees first weekend Saturday and Sunday at 3pm.\nNo performance on Saturday evening\, 10th June.\nSecond weekend matinee is Saturday at 2 pm.\n\n\n\nAUDITIONS\nPlease book a time keeping in mind that choreography auditions will be held in groups\, so please allow at least an hour for your audition. Singing and acting auditions will be held individually (not in groups).\nPlease wear comfortable clothes and shoes. Those who have tap dancing skills\, please bring your tap shoes. Not all cast will be required to tap dance. Please prepare a song of your choice for the musical part of your audition – and please bring the sheet music.\n\nRehearsals will commence on Sunday\,19 March from 1-5 pm. From then\, rehearsals will be Sundays at that time (except for Easter Sunday and 16 April) and Tuesday and Thursday\nevenings from 7-10 pm. There will be no rehearsal on Anzac Day\, Monday 25 April.
URL:https://tasaonline.org.au/events/betty-blue-eyes-2/
LOCATION:Therry Clubrooms\, Unit 2/ 1 Regina Court\, Beverley\, SA\, 5009\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Therry Theatre":MAILTO:therry@chariot.net.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230204T100000
DTEND;TZID=Australia/Adelaide:20230204T170000
DTSTAMP:20260426T113727
CREATED:20230124T004559Z
LAST-MODIFIED:20230126T224842Z
UID:10018528-1675504800-1675530000@tasaonline.org.au
SUMMARY:Company
DESCRIPTION:The Show: Company is Stephen Sondheim’s ground-breaking musical; a mature\, intelligent\, and wildly funny look at relationships\, vulnerability and “being alive”\, rather than simply living. \nThe Story: It’s his 35th birthday and Robert can’t think of a single wish to make as he blows out his candles. A bachelor\, surrounded by married friends\, Robert is uncertain whether he should simply be happy with his lot or should wish for his own romantic partner. Over a series of dinner parties\, first dates\, and conversations\, Robert attempts to understand the pros and cons of marriage from his diverse and frequently hilarious friends and begins to make sense of his own persistent bachelorhood. \nThe Roles:  Stage ages a guide.\nRobert: Role already cast. The story’s protagonist\, a keen observer who appears to be happy – the one in his circle still single. Terrified of marriage\, but fears loneliness.\nCouple 1\n• Sarah: (30s-40s) – mover – mezzo-soprano\, alto. Harry’s hypercritical wife. She is an avid learner of karate and tends to overeat. Open\, accepting and loving.\n• Harry :(30s-40s) – mover – baritone – Sarah’s husband. He is a recovering alcoholic. Believes the advantages of marriage outweigh the disadvantages. One of Bobby’s closest friends.\nCouple 2\n• Susan: (20s to 30s) – non-dancer – soprano – A delicate and gracious southern belle. Peter’s wife and ex-wife. Motherly in her affections towards Robert. One of Robert’s ex-girlfriends\,\n• Peter: (25-35) – mover – baritone – is one of Bobby’s closest friends and is married to Sarah – formerly Ivy League. The perfect husband and ex-husband. He is very liberal in his view of relationships. Possibly gay and closeted.\nCouple 3\nJenny: (30-45) – mover – soprano – quietly manipulative\, simultaneously square and wise. Loves her husband\, David\, and will indulge him from time to time.\nDavid: (30 – 45) – non-dancer – high baritone – Jenny’s husband; relaxed and always in control. Believes a man should be married and that the sacrifice of freedom is worth what you get in return.\nCouple 4\nAmy: (25-40) – non-dancer – alto\, A frantic neurotic Catholic\, engaged to Paul but terrified of marriage. After a mental breakdown\, she finally realizes that Paul is\, in fact\, her soulmate.\nPaul: (25-40s) – mover – tenor. Amy’s Jewish fiancé. Patient with her neurotic nature. Fully commits to the idea of marriage and encourages Robert to do the same.\nCouple 5\nJoanne: Role already cast.\nLarry: (45-65) – mover – high baritone Joanne’s third husband. Stoic and centred but has moments of goofiness. Stoic – indulges his wife’s behaviour but knows when to put his foot down. Loves Joanne with all her faults.\nThe Girlfriends\n• Marta: 20s-30s) – mover – mezzo-soprano – girlfriend of Robert’s. Intensely modern\, wild\, extravert\, seeking adventure and excitement in the city. She’s attractive\, charismatic\, smart\, and strong.\n• Kathy: (30s to 40s) – dancer – mezzo-soprano A former girlfriend of Robert’s\, now considered a good friend. She plans to leave the city for a life of domesticity. Sweet and loving. “The girl next door” type. Would have been the ideal wife.\n• April: (20s-30s) – mover – mezzo-soprano – a flight attendant and one of Robert’s girlfriends who came to New York to live in Radio City. Ditzy and adorable. \nThe Team: Therry’s fabulous production team includes award-winners David Sinclair (director) and Rodney Hrvatin (musical director) with choreographer Linda Lawson. \nThe Season: The Arts Theatre:  7th-11th and 14th-17th June 2022 at 7.30 pm. Matinees first weekend Saturday and Sunday at 3 pm. No performance on Saturday evening\, 10th June. Second weekend matinee is Saturday at 2 pm. \nThe Audition: \nMusic – Our musical director requests you sing a Sondheim song (bring sheet music please) – not necessarily from this show. \nDance – Some roles require no dancing\, some specify being a ‘mover’ – some dance – and others require trained dancing (no tap). If you are a dancer of any standard\, and wish to be considered for one of the ‘mover’ of ‘dancer’ roles\, please book a time on\, or either side of\, the hour (for instance\, 10.45am\, 11 am\, 11.15 am) and don’t forget to bring suitable footwear.
URL:https://tasaonline.org.au/events/company/
LOCATION:Therry Clubrooms\, Unit 2/ 1 Regina Court\, Beverley\, SA\, 5009\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Therry Theatre":MAILTO:therry@chariot.net.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230205T180000
DTEND;TZID=Australia/Adelaide:20230205T210000
DTSTAMP:20260426T113727
CREATED:20221218T210245Z
LAST-MODIFIED:20221230T043816Z
UID:10017879-1675620000-1675630800@tasaonline.org.au
SUMMARY:Some Mothers Do 'Ave 'Em
DESCRIPTION:It’s finally here: By the Arrangement with Origin Theatrical\, On Behalf of Samuel French\, A Concord Theatricals Company. \nBlackwood Players will be holding auditions\, for the South Australian premiere of  “Some Mothers Do ‘Ave ‘Em ” written by Guy Unsworth\, and based on the TV Series by Raymond Allen. \nDirected by Myles Leon \nSynopsis \nIt’s springtime at Frank and Betty’s House. Betty is pregnant but\, as she attempts to tell Frank\, he is preoccupied by possible newfound fame as a magician. \nWith guests arriving for dinner and crossed wires all round\, priceless misunderstandings are on the menu. \nHilarious mishaps are DIY disasters that bring the house down\, quite literally in this ensemble farce. \nSeason at Blackwood Memorial Hall \nFriday 16th June 2023 \nSaturday 17th June 2023 \nFriday 23rd June 2023 \nSaturday 24th June 2023 \nFriday 30th June 2023 \nSaturday 1st July 2023 \nAll performances starting at 8pm \nRehearsals \nTuesday nights 7.30pm – 10pm \nSunday afternoons 2.00pm – 5.00pm \nSome Sunday evenings 6pm – 9.30pm \nCAST \nFrank Spencer (M) – (30 – mid 40’s) \nBetty Spencer (F) – (25 – mid 40’s) \nFather O’Hara (M) – An Irish Catholic Priest – (50 – 60’s) \nBarbara Fisher (F) – Betty’s Mother (50 – mid 60) \nDavid Worthington (M) – Bank Manager (Scottish if possible) – (Mid 40’s – Mid 60’s) \nTerry Luscombe (M) – Head of BBC Entertainment – (40 – Mid 60’s) \nDesmond James (M) Cameraman – (20’s – mid 40’s) \nConstable\, (M) A London policeman (Cockney if possible) 20’s – mid 40’s \nThe play is performed by six actors. The following roles are doubled: David Worthington/Terry Luscombe and Desmond James/Constable. \nRequirements \nThose who are auditioning for Frank Spencer\, we ask you to prepare your accent and dress accordingly like Frank\, for the audition. \nFor more information contact Myles Leon (Director) on 0421 002 802 or email to Blackwood Players: blackwood.players@gmail.com \nLeave your name and contact on the email\, as we will be sending out Information Packs before auditions.
URL:https://tasaonline.org.au/events/some-mothers-do-ave-em/2023-02-05/
LOCATION:Blackwood Memorial Hall\, 21 Coromandel Parade\, Blackwood\, SA\, 5051\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Blackwood Players Inc.":MAILTO:blackwood.players@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230207T100000
DTEND;TZID=Australia/Adelaide:20230207T170000
DTSTAMP:20260426T113727
CREATED:20230124T053202Z
LAST-MODIFIED:20230124T053202Z
UID:10018529-1675764000-1675789200@tasaonline.org.au
SUMMARY:The Suicide
DESCRIPTION:by Nikolai Erdman\, translated by Peter Tegel \nDirector – Brant Eustice \nThe Suicide is an hilarious\, 1924\, satirical Russian comedy about an unemployed man\, Semyon\, who contemplates suicide. When his thoughts become known\, a variety of zany characters try to persuade him to die in promotion of their cause – including artists\, intellectuals\, lovers and butchers. All plead their case and hope to gain publicity if Semyon dies in their name. Semyon’s frenzied wife and mother run around trying to keep him safe. \nThe Suicide was banned by Stalin and Nikolai Erdman was sent to a Siberian work camp for 20 years. The play was never performed in his lifetime. Today it is regarded as one of the finest plays to have come out of Communist Russia. Britain’s longest serving theatre critic\, Michael Billington\, includes it in his collection of ‘The 101 Greatest Plays’. \n Lead Female Role Available \nMaria\, Semyon’s wife. Stage age 25-35. This is a comic role so excellent comic timing is required. Familiarity with physical theatre would be an advantage. \nSeveral Male Roles Available \nThere are 29 characters in this play. Several roles are available that involve doubling/tripling a variety of crazy characters. All ages are welcome. \nPerformance Dates \n25-27 May and 31 May-3 June at 7.30pm. 28 May at 2.00pm \n Venue: Holden Street Theatres\, 34 Holden Street\, Hindmarsh \nFirst Reading: Monday 20th March at 6.30pm \nRehearsals \nMonday and Wednesdays 6.30-9.45pm and Sundays 12.30-5.00pm. \nA rehearsal on Thursday 6 April replaces Easter Sunday. \nRehearsal Venue: Lower Mitcham \nAuditions: By appointment on Tuesday 7th February and Thursday 9th. Email Michael Eustice at info@redphoenixtheatre.com (Male actors who have previously worked with Red Phoenix do not need to audition – just apply.)
URL:https://tasaonline.org.au/events/the-suicide/2023-02-07/
LOCATION:SA\, Australia
CATEGORIES:Auditions
ATTACH;FMTTYPE=image/png:https://tasaonline.org.au/wp-content/uploads/2023/01/Red-Phoenix.png
ORGANIZER;CN="Red Phoenix Theatre":MAILTO:info@redphoenixtheatre.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230207T193000
DTEND;TZID=Australia/Adelaide:20230207T220000
DTSTAMP:20260426T113727
CREATED:20221218T210245Z
LAST-MODIFIED:20221230T043816Z
UID:10017880-1675798200-1675807200@tasaonline.org.au
SUMMARY:Some Mothers Do 'Ave 'Em
DESCRIPTION:It’s finally here: By the Arrangement with Origin Theatrical\, On Behalf of Samuel French\, A Concord Theatricals Company. \nBlackwood Players will be holding auditions\, for the South Australian premiere of  “Some Mothers Do ‘Ave ‘Em ” written by Guy Unsworth\, and based on the TV Series by Raymond Allen. \nDirected by Myles Leon \nSynopsis \nIt’s springtime at Frank and Betty’s House. Betty is pregnant but\, as she attempts to tell Frank\, he is preoccupied by possible newfound fame as a magician. \nWith guests arriving for dinner and crossed wires all round\, priceless misunderstandings are on the menu. \nHilarious mishaps are DIY disasters that bring the house down\, quite literally in this ensemble farce. \nSeason at Blackwood Memorial Hall \nFriday 16th June 2023 \nSaturday 17th June 2023 \nFriday 23rd June 2023 \nSaturday 24th June 2023 \nFriday 30th June 2023 \nSaturday 1st July 2023 \nAll performances starting at 8pm \nRehearsals \nTuesday nights 7.30pm – 10pm \nSunday afternoons 2.00pm – 5.00pm \nSome Sunday evenings 6pm – 9.30pm \nCAST \nFrank Spencer (M) – (30 – mid 40’s) \nBetty Spencer (F) – (25 – mid 40’s) \nFather O’Hara (M) – An Irish Catholic Priest – (50 – 60’s) \nBarbara Fisher (F) – Betty’s Mother (50 – mid 60) \nDavid Worthington (M) – Bank Manager (Scottish if possible) – (Mid 40’s – Mid 60’s) \nTerry Luscombe (M) – Head of BBC Entertainment – (40 – Mid 60’s) \nDesmond James (M) Cameraman – (20’s – mid 40’s) \nConstable\, (M) A London policeman (Cockney if possible) 20’s – mid 40’s \nThe play is performed by six actors. The following roles are doubled: David Worthington/Terry Luscombe and Desmond James/Constable. \nRequirements \nThose who are auditioning for Frank Spencer\, we ask you to prepare your accent and dress accordingly like Frank\, for the audition. \nFor more information contact Myles Leon (Director) on 0421 002 802 or email to Blackwood Players: blackwood.players@gmail.com \nLeave your name and contact on the email\, as we will be sending out Information Packs before auditions.
URL:https://tasaonline.org.au/events/some-mothers-do-ave-em/2023-02-07/
LOCATION:Blackwood Memorial Hall\, 21 Coromandel Parade\, Blackwood\, SA\, 5051\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Blackwood Players Inc.":MAILTO:blackwood.players@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230209T100000
DTEND;TZID=Australia/Adelaide:20230209T170000
DTSTAMP:20260426T113727
CREATED:20230124T053202Z
LAST-MODIFIED:20230124T053202Z
UID:10018530-1675936800-1675962000@tasaonline.org.au
SUMMARY:The Suicide
DESCRIPTION:by Nikolai Erdman\, translated by Peter Tegel \nDirector – Brant Eustice \nThe Suicide is an hilarious\, 1924\, satirical Russian comedy about an unemployed man\, Semyon\, who contemplates suicide. When his thoughts become known\, a variety of zany characters try to persuade him to die in promotion of their cause – including artists\, intellectuals\, lovers and butchers. All plead their case and hope to gain publicity if Semyon dies in their name. Semyon’s frenzied wife and mother run around trying to keep him safe. \nThe Suicide was banned by Stalin and Nikolai Erdman was sent to a Siberian work camp for 20 years. The play was never performed in his lifetime. Today it is regarded as one of the finest plays to have come out of Communist Russia. Britain’s longest serving theatre critic\, Michael Billington\, includes it in his collection of ‘The 101 Greatest Plays’. \n Lead Female Role Available \nMaria\, Semyon’s wife. Stage age 25-35. This is a comic role so excellent comic timing is required. Familiarity with physical theatre would be an advantage. \nSeveral Male Roles Available \nThere are 29 characters in this play. Several roles are available that involve doubling/tripling a variety of crazy characters. All ages are welcome. \nPerformance Dates \n25-27 May and 31 May-3 June at 7.30pm. 28 May at 2.00pm \n Venue: Holden Street Theatres\, 34 Holden Street\, Hindmarsh \nFirst Reading: Monday 20th March at 6.30pm \nRehearsals \nMonday and Wednesdays 6.30-9.45pm and Sundays 12.30-5.00pm. \nA rehearsal on Thursday 6 April replaces Easter Sunday. \nRehearsal Venue: Lower Mitcham \nAuditions: By appointment on Tuesday 7th February and Thursday 9th. Email Michael Eustice at info@redphoenixtheatre.com (Male actors who have previously worked with Red Phoenix do not need to audition – just apply.)
URL:https://tasaonline.org.au/events/the-suicide/2023-02-09/
LOCATION:SA\, Australia
CATEGORIES:Auditions
ATTACH;FMTTYPE=image/png:https://tasaonline.org.au/wp-content/uploads/2023/01/Red-Phoenix.png
ORGANIZER;CN="Red Phoenix Theatre":MAILTO:info@redphoenixtheatre.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230211T103000
DTEND;TZID=Australia/Adelaide:20230211T143000
DTSTAMP:20260426T113727
CREATED:20230118T000955Z
LAST-MODIFIED:20230118T000955Z
UID:10018484-1676111400-1676125800@tasaonline.org.au
SUMMARY:Good Grief
DESCRIPTION:by Keith Waterhouse \nDirector: Angela Short \nAdapted for the stage from his own comedic novel\, Good Grief is Keith Waterhouse’s study of a middle-aged widow who finds the courage to break with the past by having conversations with her late husband Sam\, formerly a national tabloid editor. Her stepdaughter\, Pauline\, determines to keep an eye on June. Likewise\, Eric Grant\, an ex-colleague of Sam’s. But June meets and befriends a man wearing her late husband’s suit – donated to Oxfam by June. It’s funny\, tender\, touching and achingly familiar. \n\n\n\nSeason: The Arts Theatre: 1-11 November.       Rehearsals commence early September. \nContact: Angela Short   theshortsdownunder@hotmail.uk   or  0459 100 810 \nBook an audition through trybooking.com\n\n\n\nRoles: \n\n\n\n• June Pepper\, 50s\, a recently widowed wife of a tabloid editor\n• Pauline\, early 30s\, her stepdaughter\n• Eric Grant\, mid 30s\, a tabloid executive\n• The suit\, mid 40s to mid 50s\, a new male friend
URL:https://tasaonline.org.au/events/good-grief/
LOCATION:Therry Clubrooms\, Unit 2/ 1 Regina Court\, Beverley\, SA\, 5009\, Australia
CATEGORIES:Auditions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/01/Good-Grief.jpg
ORGANIZER;CN="Therry Theatre":MAILTO:therry@chariot.net.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230219T110000
DTEND;TZID=Australia/Adelaide:20230219T130000
DTSTAMP:20260426T113727
CREATED:20230123T073154Z
LAST-MODIFIED:20230123T073154Z
UID:10018527-1676804400-1676811600@tasaonline.org.au
SUMMARY:War Letters
DESCRIPTION:Auditions- No experience needed!\n\n\n16 young people aged 15 – 30 needed for one-act play “WAR LETTERS” in July 2023.\n\n\n\nSynopsis:\nThe story of soldiers\, nurses and those that were left behind.\nWWI solider Ben writes to his younger brother\, begging him not to enlist. WWII Nurse Elsie tells her sister that she made a mistake coming over; she doesn’t know if she’s strong enough to handle all the blood. Back at home\, Tammy struggles with the fact that her boyfriend Tyler\, a soldier in the Vietnam war\, didn’t make it. Billy tells his Mum that lying about his age to enlist was just about the stupidest thing he’s ever done. And WWII Soldier John has the difficult job of writing to his girlfriend\, letting her know that this will be his last letter. 16 young people struggle with the affects of war and share their stories through letters. They all have one thing in common: they’re not the same person anymore.\n\n\n\nRehearsals:\nSaturday mornings from June 3rd.\n\n\n\nAuditions:\nSunday February 19th 11am – 1pm at the Stirling RSL Hall. Group audition.\n\n\n\nEmail deadsettheatrecompany@gmail.com with your full name and age\, to receive more info and to sign up for the auditions!
URL:https://tasaonline.org.au/events/war-letters/
LOCATION:Stirling RSL Hall\, Apex Park\, Merrion Tce\,\, Stirling\, SA\, 5152\, Australia
CATEGORIES:Auditions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/01/War-Letters.jpg
ORGANIZER;CN="Deadset Theatre Company":MAILTO:deadsettheatrecompany@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230301T190000
DTEND;TZID=Australia/Adelaide:20230301T210000
DTSTAMP:20260426T113727
CREATED:20230223T053318Z
LAST-MODIFIED:20230223T053318Z
UID:10018626-1677697200-1677704400@tasaonline.org.au
SUMMARY:A Midsummer Night's Dream
DESCRIPTION:Written By:         William Shakespeare \nDirectors:            Elise Hall & Hope Meffle \nSynopsis:             Shakespeare’s A Midsummer Night’s Dream is a romantic comedy play that takes place in a forest inhabited by fairies. The play has four main plots that revolve around the conflicts between the fairy King and Queen\, the romantic troubles among four young lovers\, the comical performances by a group of amateur actors\, and the transformation of Bottom the weaver into an ass. All these plots are interconnected by the central theme of love and its complexities. The play is known for its memorable characters\, including Puck\, the mischievous fairy\, and the mortal lovers Hermia\, Helena\, Lysander\, and Demetrius. \nPlease note there are no ‘lead’ roles\, as A Midsummer Night’s Dream is a strong ensemble play. Certain roles\, such as Oberon and Titania\, and the Four Lovers require more speaking than roles such as the Mechanicals\, but this will be made clear to auditionees at Info Night. We have also split the characters into two sections—the Human Court and the Fairy Court—and organised those two sections into smaller sub-categories. This is mainly for rehearsal organisation\, as the sub-categories are mostly on-stage at the same time. \nRole Name:  Theseus     Duke of Athens\, set to marry Hippolyta. Male-presenting\, 35-55 years \nRole Name:  Hippolyta   Thesus’ fiancée. Female-presenting\, 35-55 years \nRole Name:  Egeus        Hermia’s father; insistent she marry Demetrius. His persistent and stern demeanour act as a stark contrast to the whimsy of the forest and its folk. Male-presenting\, 35-55 years \nRole Name:  Philostrate   Thesus’ Master of Revels\, in charge of organising entertainment for the wedding. Male-presenting\, 35-55 years \nRole Name:  Hermia       In love with Lysander\, despite her father’s wishes. In an attempt to escape life as a nun\, she and Lysander flee Athens for the forest. Shorter than Helena. Female-presenting\, early 20s \nRole Name:  Lysander     In love with Hermia. Instigates he and Hermia fleeing Athens. Falls briefly in love with Helena when Puck mistakes him for Demetrius in the forest. Marries Hermia at the end of the play. Male-presenting\, early 20s \nRole Name:  Demetrius     Also\, in love with Hermia\, Demetrius follows her and Lysander into the forest after Helena tells him of their flight. Puck uses his magic to make Demetrius fall for Helena. Male-presenting\, early 20s \nRole Name:  Helena          In love with Demetrius\, rather hopelessly\, as they were once betrothed before he fell in love with Hermia. Down-on-her-luck\, full of ennui\, she finds the news of Hermia and Lysander’s parting as her chance of catching Demetrius. Believe the pair of boys are tricking her by acting like they love her when they are under Puck’s spell. She and Demetrius end up married. Female-presenting\, early 20s \nRole Name:  Peter Quince    Carpenter and leader of the craftsmen’s troupe set to perform at the wedding of Thesus and Hippolyta. He is often pushed to the side to make way for Nick Bottom’s self-confidence. Plays the ‘Prologue’ in Pyramus and Thisbe at the wedding. Male-presenting\, 35-55 years \nRole Name:  Nick Bottom      Weaver and member of Quince’s troupe\, Bottom’s arrogance is highlighted at his nonchalance on being turned into a donkey and Titania’s love for him. Plays ‘Pyramus’. Male-presenting\, 35-55 years \nRole Name:  Francis Flute      The bellows-mender\, cast as ‘Thisbe’ due to the high\, squeaky nature of this voice. Male-presenting\, 17-25 years \nRole Name:  Tom Snout     Tinker who plays the role of ‘Wall’. Male-presenting\, 20+ years \nRole Name:  Snug              The joiner\, cast as the Lion. male-presenting\, 20+ years \nRole Name:  Robin Starveling    A tailor\, cast as ‘Moonshine’. male-presenting\, 20+ years \nRole Name:  Oberon        King of the fairies\, in the midst of a disagreement with his wife\, Titania\, that is causing change in both the fairy and mortal worlds. Oberon’s demands for Puck are the catalyst for the mayhem that ensues. Male-presenting\, 35-55 years \nRole Name:  Titania         Queen of the fairies\, Titania is followed by her band of loyal fairies as she argues with her husband\, Oberon\, over the fate of a changeling. Puck’s magic is also used on Titania\, making her fall briefly in love with Nick Bottom. Female-presenting\, 35-55 years \nRole Name:  Robin “Puck” Goodfellow       Puck is Oberon’s jester; he is the closest thing to a protagonist Dream has and acts as a link between the mortal and fairy worlds\, through his use of magic. Either male or female-presenting\, 20-30 years. \nRole Name: Peaseblossom\, Cobweb\, Moth and Mustardseed \nTitania’s band of loyal fairies. Either male or female-presenting\, 10-18 years. \nAudition Contact Name: Elise Hall & Hope Meffle \nAudition Contact Email: midsummer@sccas.org.au
URL:https://tasaonline.org.au/events/a-midsummer-nights-dream-4/
LOCATION:Victor Harbor Lutheran Church Centre\, 21 Adelaide Rd\, McCracken\, SA\, 5211\, Australia
CATEGORIES:Information Session
ORGANIZER;CN="The South Coast Choral and Arts Society":MAILTO:info@sccas.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230303T190000
DTEND;TZID=Australia/Adelaide:20230303T213000
DTSTAMP:20260426T113727
CREATED:20230127T040407Z
LAST-MODIFIED:20230127T040407Z
UID:10018531-1677870000-1677879000@tasaonline.org.au
SUMMARY:The Flick
DESCRIPTION:Roles \nSAM – stage age 35\, shaved head\, Caucasian. He often wears a beat-up Red Sox cap. He used to be very into heavy metal. \nAVERY – stage age 20\, coloured\, bespectacled. He wears red\, slightly European-looking sneakers. In love with the movies. \nROSE – stage age 24\, Causcasian. Sexually magnetic despite the fact that (or partly because?) her clothes are baggy\, she never wears make-up and her hair is dyed forest green. \nThe Play \nIn a run-down movie theatre in central Massachusetts\, three underpaid employees mop the floors and attend to one of the last 35mm film projectors in the state. Their tiny battles and not-so-tiny heartbreaks play out in the empty aisles\, becoming more gripping than the lack lustre \, second-run movies on the screen. With keen insight and a finely tuned comic eye\, The Flick is an hilarious and heart-rending cry for authenticity in a fast-changing world. \nSeason:  14 – 22 July\, 2023 \nRehearsals:  Tuesday and Thursday evenings 7:00 – 10:00pm\, and Sunday afternoons 2:00 – 5:00pm in the Stirling Community Theatre or nearby hall. \nAuditions:  By appointment only.  To book an audition time contact John Graham at contactstirlingplayers@gmail.com.  You will be allocated slots of approx. 10 minutes.  Audition pieces will be emailed to you after you book a time. \nFurther Information:  Rory Miller-Frost  0481 572 118  or  Louie Collins  0457 000 763
URL:https://tasaonline.org.au/events/the-flick/2023-03-03/
LOCATION:Stirling Community Theatre\, 5 Avenue Road\, Stirling\, SA\, 5152\, Australia
CATEGORIES:Auditions
ATTACH;FMTTYPE=image/png:https://tasaonline.org.au/wp-content/uploads/2023/01/The-Flick.png
ORGANIZER;CN="Stirling Players":MAILTO:contact@stirlingplayers.org.au
GEO:-35.0042671;138.7150941
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Stirling Community Theatre 5 Avenue Road Stirling SA 5152 Australia;X-APPLE-RADIUS=500;X-TITLE=5 Avenue Road:geo:138.7150941,-35.0042671
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230304T140000
DTEND;TZID=Australia/Adelaide:20230304T170000
DTSTAMP:20260426T113727
CREATED:20230127T040407Z
LAST-MODIFIED:20230127T040407Z
UID:10018532-1677938400-1677949200@tasaonline.org.au
SUMMARY:The Flick
DESCRIPTION:Roles \nSAM – stage age 35\, shaved head\, Caucasian. He often wears a beat-up Red Sox cap. He used to be very into heavy metal. \nAVERY – stage age 20\, coloured\, bespectacled. He wears red\, slightly European-looking sneakers. In love with the movies. \nROSE – stage age 24\, Causcasian. Sexually magnetic despite the fact that (or partly because?) her clothes are baggy\, she never wears make-up and her hair is dyed forest green. \nThe Play \nIn a run-down movie theatre in central Massachusetts\, three underpaid employees mop the floors and attend to one of the last 35mm film projectors in the state. Their tiny battles and not-so-tiny heartbreaks play out in the empty aisles\, becoming more gripping than the lack lustre \, second-run movies on the screen. With keen insight and a finely tuned comic eye\, The Flick is an hilarious and heart-rending cry for authenticity in a fast-changing world. \nSeason:  14 – 22 July\, 2023 \nRehearsals:  Tuesday and Thursday evenings 7:00 – 10:00pm\, and Sunday afternoons 2:00 – 5:00pm in the Stirling Community Theatre or nearby hall. \nAuditions:  By appointment only.  To book an audition time contact John Graham at contactstirlingplayers@gmail.com.  You will be allocated slots of approx. 10 minutes.  Audition pieces will be emailed to you after you book a time. \nFurther Information:  Rory Miller-Frost  0481 572 118  or  Louie Collins  0457 000 763
URL:https://tasaonline.org.au/events/the-flick/2023-03-04/
LOCATION:Stirling Community Theatre\, 5 Avenue Road\, Stirling\, SA\, 5152\, Australia
CATEGORIES:Auditions
ATTACH;FMTTYPE=image/png:https://tasaonline.org.au/wp-content/uploads/2023/01/The-Flick.png
ORGANIZER;CN="Stirling Players":MAILTO:contact@stirlingplayers.org.au
GEO:-35.0042671;138.7150941
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Stirling Community Theatre 5 Avenue Road Stirling SA 5152 Australia;X-APPLE-RADIUS=500;X-TITLE=5 Avenue Road:geo:138.7150941,-35.0042671
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230305T120000
DTEND;TZID=Australia/Adelaide:20230305T190000
DTSTAMP:20260426T113727
CREATED:20230206T065445Z
LAST-MODIFIED:20230206T065532Z
UID:10018574-1678017600-1678042800@tasaonline.org.au
SUMMARY:A New Brain
DESCRIPTION:Written By:         Music and Lyrics William Finn\, Book by William Finn and James Lapine \nCreative Team: \nDirector/Producer: David Gauci\, Davine Productions \nMusical Director: Peter Johns \nChoreography:  Shenayde Wilkinson Sarti \nAudition Booking Link:  www.davineproductions.com/auditions \nSynopsis:             A New Brain comes from the Tony Award-winning creators of Falsettos and The 25th Annual Putnam County Spelling Bee\, William Finn and James Lapine\, with vocal arrangements by Tony Award-winning composer Jason Robert Brown (The Last Five Years). \nWith over 20 songs\, 11 cast members and an orchestra of nine\, A New Brain is an energetic\, sardonic\, and comical musical about unforeseen life events reminding us of who we are\, what we’re made of\, and who we hope to be. \nGordon Schwinn is a neurotic\, frustrated composer desperate to write a Broadway Musical. But he has three problems; He is confronted with a life-threatening illness; he’s stuck composing songs for a maniacal children’s TV show character called Mr Bungee and his lover Roger would rather be sailing. \nWith music inspired by Broadway composers like Sondheim\, Bernstein\, Porter\, Rogers and Hart and a story based on the real life of its composer William Finn and his close call with destiny\, A New Brain is a love letter to the healing power of heart and music. \nRoles:   11 cast members and covers (Gender undefined) \nRole Information:             \nGordon Michael Schwinn – Tenor G2-G4\, Stage Age: 30-40. Aspiring stage composer. Vulnerable\, sarcastic. Ability to play the piano is desired but not required – if you play\, please bring a short piece to play that highlights your level of skill. \nRhoda\, Soprano A3-E5\, Stage Age: 30-40. Gordon’s business manager and best friend. \nRichard (The Nurse)\, Baritone G2-G4\, Stage Age: 30-50. Kind\, compassionate\, slightly neurotic nurse. \nWaitress/Nancy D (the ‘Thin’ Nurse)\, Soprano A3-G5\, Stage Age: 20-40. Waitress is overbearing and overzealous. Nancy D. is a thin\, cruel nurse. Ability to roller skate may be an advantage/requested. \nJafar Berensteiner\, Baritone G2-E4\, Stage age: 30-50. Unsympathetic\, egotistical doctor. \nThe Minister\, Tenor C3-A4\, Stage age: 30-50. Hospital chaplain. \nRoger Delli-Bovi\, Baritone A2-G4\, Stage age: 30-40. Gordon’s charming and affectionate partner. \nMimi Schwinn\, Mezzo\, F#3-C#5 (with a stage belt)\, Stage age: 50-65. Gordon’s loving and slightly unstable mother. \nProduction Website/ More Information At:         www.davineproductions.com/auditions \nOther Information:         Performances: 12 October – 21 October at The Star Theatres\, Theatre One. \nAuditions at The Star Theatres (Rear studio\, down driveway) – 145 Sir Donald Bradman Drive\, Hilton \nPlease visit Davine Productions web site for more information and to book your audition. \nAudition Contact Name:               David Gauci \nAudition Contact Email:                 shows@davineproductions.com
URL:https://tasaonline.org.au/events/a-new-brain/
LOCATION:Star Theatre – Theatre Two\, 145 Sir Donald Bradman Drive\, Hilton\, South Australia\, 5033\, Australia
CATEGORIES:Auditions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/02/A-New-Brain.jpg
ORGANIZER;CN="Davine Productions":MAILTO:david.gauci@me.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230310T190000
DTEND;TZID=Australia/Adelaide:20230310T210000
DTSTAMP:20260426T113727
CREATED:20230223T053725Z
LAST-MODIFIED:20230223T053725Z
UID:10018627-1678474800-1678482000@tasaonline.org.au
SUMMARY:A Midsummer Night's Dream
DESCRIPTION:Written By:         William Shakespeare \nDirectors:            Elise Hall & Hope Meffle \nSynopsis:             Shakespeare’s A Midsummer Night’s Dream is a romantic comedy play that takes place in a forest inhabited by fairies. The play has four main plots that revolve around the conflicts between the fairy King and Queen\, the romantic troubles among four young lovers\, the comical performances by a group of amateur actors\, and the transformation of Bottom the weaver into an ass. All these plots are interconnected by the central theme of love and its complexities. The play is known for its memorable characters\, including Puck\, the mischievous fairy\, and the mortal lovers Hermia\, Helena\, Lysander\, and Demetrius. \nPlease note there are no ‘lead’ roles\, as A Midsummer Night’s Dream is a strong ensemble play. Certain roles\, such as Oberon and Titania\, and the Four Lovers require more speaking than roles such as the Mechanicals\, but this will be made clear to auditionees at Info Night. We have also split the characters into two sections—the Human Court and the Fairy Court—and organised those two sections into smaller sub-categories. This is mainly for rehearsal organisation\, as the sub-categories are mostly on-stage at the same time. \nRole Name:  Theseus     Duke of Athens\, set to marry Hippolyta. Male-presenting\, 35-55 years \nRole Name:  Hippolyta   Thesus’ fiancée. Female-presenting\, 35-55 years \nRole Name:  Egeus        Hermia’s father; insistent she marry Demetrius. His persistent and stern demeanour act as a stark contrast to the whimsy of the forest and its folk. Male-presenting\, 35-55 years \nRole Name:  Philostrate   Thesus’ Master of Revels\, in charge of organising entertainment for the wedding. Male-presenting\, 35-55 years \nRole Name:  Hermia       In love with Lysander\, despite her father’s wishes. In an attempt to escape life as a nun\, she and Lysander flee Athens for the forest. Shorter than Helena. Female-presenting\, early 20s \nRole Name:  Lysander     In love with Hermia. Instigates he and Hermia fleeing Athens. Falls briefly in love with Helena when Puck mistakes him for Demetrius in the forest. Marries Hermia at the end of the play. Male-presenting\, early 20s \nRole Name:  Demetrius     Also\, in love with Hermia\, Demetrius follows her and Lysander into the forest after Helena tells him of their flight. Puck uses his magic to make Demetrius fall for Helena. Male-presenting\, early 20s \nRole Name:  Helena          In love with Demetrius\, rather hopelessly\, as they were once betrothed before he fell in love with Hermia. Down-on-her-luck\, full of ennui\, she finds the news of Hermia and Lysander’s parting as her chance of catching Demetrius. Believe the pair of boys are tricking her by acting like they love her when they are under Puck’s spell. She and Demetrius end up married. Female-presenting\, early 20s \nRole Name:  Peter Quince    Carpenter and leader of the craftsmen’s troupe set to perform at the wedding of Thesus and Hippolyta. He is often pushed to the side to make way for Nick Bottom’s self-confidence. Plays the ‘Prologue’ in Pyramus and Thisbe at the wedding. Male-presenting\, 35-55 years \nRole Name:  Nick Bottom      Weaver and member of Quince’s troupe\, Bottom’s arrogance is highlighted at his nonchalance on being turned into a donkey and Titania’s love for him. Plays ‘Pyramus’. Male-presenting\, 35-55 years \nRole Name:  Francis Flute      The bellows-mender\, cast as ‘Thisbe’ due to the high\, squeaky nature of this voice. Male-presenting\, 17-25 years \nRole Name:  Tom Snout     Tinker who plays the role of ‘Wall’. Male-presenting\, 20+ years \nRole Name:  Snug              The joiner\, cast as the Lion. male-presenting\, 20+ years \nRole Name:  Robin Starveling    A tailor\, cast as ‘Moonshine’. male-presenting\, 20+ years \nRole Name:  Oberon        King of the fairies\, in the midst of a disagreement with his wife\, Titania\, that is causing change in both the fairy and mortal worlds. Oberon’s demands for Puck are the catalyst for the mayhem that ensues. Male-presenting\, 35-55 years \nRole Name:  Titania         Queen of the fairies\, Titania is followed by her band of loyal fairies as she argues with her husband\, Oberon\, over the fate of a changeling. Puck’s magic is also used on Titania\, making her fall briefly in love with Nick Bottom. Female-presenting\, 35-55 years \nRole Name:  Robin “Puck” Goodfellow       Puck is Oberon’s jester; he is the closest thing to a protagonist Dream has and acts as a link between the mortal and fairy worlds\, through his use of magic. Either male or female-presenting\, 20-30 years. \nRole Name: Peaseblossom\, Cobweb\, Moth and Mustardseed \nTitania’s band of loyal fairies. Either male or female-presenting\, 10-18 years. \nAudition Contact Name: Elise Hall & Hope Meffle \nAudition Contact Email: midsummer@sccas.org.au
URL:https://tasaonline.org.au/events/a-midsummer-nights-dream-5/2023-03-10/
LOCATION:SA\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The South Coast Choral and Arts Society":MAILTO:info@sccas.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230311T140000
DTEND;TZID=Australia/Adelaide:20230311T170000
DTSTAMP:20260426T113727
CREATED:20230215T061808Z
LAST-MODIFIED:20230221T033213Z
UID:10018583-1678543200-1678554000@tasaonline.org.au
SUMMARY:Scarlet O'Hara at the Crimson Parrot
DESCRIPTION:By David Williamson\n\n\nDirected by: Geoff Brittain\n\n\n\nThe Play:\nScarlett O’Hara is a thirty-something\, accident-prone waitress\, addicted to romance. A daydreamer\, she imagines herself the heroine in her favourite classic films. But when real life romance arrives unexpectedly\, will she be able to step out of the shadow of the Hollywood fairytale? Scarlett O’Hara at the Crimson Parrot is about dreams\, romance and the magic of the unexpected.\n\n\n\nAudition date: Saturday 11 March 2-5pm.\nSt Jude’s Hall\, 444 Brighton Road\, Brighton.\n\n\n\nRoles required:\n1 female – Shelley (stage age 28) Waitress\, blonde? fancies herself as God’s gift to men. Waitressing experience would be an advantage.\n\n1 male – Steve (stage age 35) Chef and owner of the restaurant. Possibly a love interest for Scarlett? Clark Gable\, Humphrey Bogart type.\n\n1 male – Gary (stage age 30) Sous chef\, in his own eyes God’s gift to women.\n\nAll other roles have been cast.\n\n\n\nPerformance Dates: 8 – 18 November\, 2023\nVenue: St Jude’s Hall\, 444 Brighton Road\, Brighton.\nRehearsals: Commence 3rd Sept 2023\n(Every Tuesday and Thursday 7.00-10.00pm & Sunday 2.00-5.00pm)\n\nAuditions: by appointment only. Enquiries to Ray – rayct_@hotmail.com
URL:https://tasaonline.org.au/events/scarlet-ohara-at-the-crimson-parrot/
LOCATION:St. Jude’s Players\, 444 Brighton Rd\, Brighton\, South Australia\, 5048\, Australia
CATEGORIES:Auditions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/02/Scarlett-OHara-scaled.jpg
ORGANIZER;CN="St. Jude's Players":MAILTO:info@stjudesplayers.asn.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230312T130000
DTEND;TZID=Australia/Adelaide:20230312T170000
DTSTAMP:20260426T113727
CREATED:20230223T053725Z
LAST-MODIFIED:20230223T053725Z
UID:10018628-1678626000-1678640400@tasaonline.org.au
SUMMARY:A Midsummer Night's Dream
DESCRIPTION:Written By:         William Shakespeare \nDirectors:            Elise Hall & Hope Meffle \nSynopsis:             Shakespeare’s A Midsummer Night’s Dream is a romantic comedy play that takes place in a forest inhabited by fairies. The play has four main plots that revolve around the conflicts between the fairy King and Queen\, the romantic troubles among four young lovers\, the comical performances by a group of amateur actors\, and the transformation of Bottom the weaver into an ass. All these plots are interconnected by the central theme of love and its complexities. The play is known for its memorable characters\, including Puck\, the mischievous fairy\, and the mortal lovers Hermia\, Helena\, Lysander\, and Demetrius. \nPlease note there are no ‘lead’ roles\, as A Midsummer Night’s Dream is a strong ensemble play. Certain roles\, such as Oberon and Titania\, and the Four Lovers require more speaking than roles such as the Mechanicals\, but this will be made clear to auditionees at Info Night. We have also split the characters into two sections—the Human Court and the Fairy Court—and organised those two sections into smaller sub-categories. This is mainly for rehearsal organisation\, as the sub-categories are mostly on-stage at the same time. \nRole Name:  Theseus     Duke of Athens\, set to marry Hippolyta. Male-presenting\, 35-55 years \nRole Name:  Hippolyta   Thesus’ fiancée. Female-presenting\, 35-55 years \nRole Name:  Egeus        Hermia’s father; insistent she marry Demetrius. His persistent and stern demeanour act as a stark contrast to the whimsy of the forest and its folk. Male-presenting\, 35-55 years \nRole Name:  Philostrate   Thesus’ Master of Revels\, in charge of organising entertainment for the wedding. Male-presenting\, 35-55 years \nRole Name:  Hermia       In love with Lysander\, despite her father’s wishes. In an attempt to escape life as a nun\, she and Lysander flee Athens for the forest. Shorter than Helena. Female-presenting\, early 20s \nRole Name:  Lysander     In love with Hermia. Instigates he and Hermia fleeing Athens. Falls briefly in love with Helena when Puck mistakes him for Demetrius in the forest. Marries Hermia at the end of the play. Male-presenting\, early 20s \nRole Name:  Demetrius     Also\, in love with Hermia\, Demetrius follows her and Lysander into the forest after Helena tells him of their flight. Puck uses his magic to make Demetrius fall for Helena. Male-presenting\, early 20s \nRole Name:  Helena          In love with Demetrius\, rather hopelessly\, as they were once betrothed before he fell in love with Hermia. Down-on-her-luck\, full of ennui\, she finds the news of Hermia and Lysander’s parting as her chance of catching Demetrius. Believe the pair of boys are tricking her by acting like they love her when they are under Puck’s spell. She and Demetrius end up married. Female-presenting\, early 20s \nRole Name:  Peter Quince    Carpenter and leader of the craftsmen’s troupe set to perform at the wedding of Thesus and Hippolyta. He is often pushed to the side to make way for Nick Bottom’s self-confidence. Plays the ‘Prologue’ in Pyramus and Thisbe at the wedding. Male-presenting\, 35-55 years \nRole Name:  Nick Bottom      Weaver and member of Quince’s troupe\, Bottom’s arrogance is highlighted at his nonchalance on being turned into a donkey and Titania’s love for him. Plays ‘Pyramus’. Male-presenting\, 35-55 years \nRole Name:  Francis Flute      The bellows-mender\, cast as ‘Thisbe’ due to the high\, squeaky nature of this voice. Male-presenting\, 17-25 years \nRole Name:  Tom Snout     Tinker who plays the role of ‘Wall’. Male-presenting\, 20+ years \nRole Name:  Snug              The joiner\, cast as the Lion. male-presenting\, 20+ years \nRole Name:  Robin Starveling    A tailor\, cast as ‘Moonshine’. male-presenting\, 20+ years \nRole Name:  Oberon        King of the fairies\, in the midst of a disagreement with his wife\, Titania\, that is causing change in both the fairy and mortal worlds. Oberon’s demands for Puck are the catalyst for the mayhem that ensues. Male-presenting\, 35-55 years \nRole Name:  Titania         Queen of the fairies\, Titania is followed by her band of loyal fairies as she argues with her husband\, Oberon\, over the fate of a changeling. Puck’s magic is also used on Titania\, making her fall briefly in love with Nick Bottom. Female-presenting\, 35-55 years \nRole Name:  Robin “Puck” Goodfellow       Puck is Oberon’s jester; he is the closest thing to a protagonist Dream has and acts as a link between the mortal and fairy worlds\, through his use of magic. Either male or female-presenting\, 20-30 years. \nRole Name: Peaseblossom\, Cobweb\, Moth and Mustardseed \nTitania’s band of loyal fairies. Either male or female-presenting\, 10-18 years. \nAudition Contact Name: Elise Hall & Hope Meffle \nAudition Contact Email: midsummer@sccas.org.au
URL:https://tasaonline.org.au/events/a-midsummer-nights-dream-5/2023-03-12/
LOCATION:SA\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The South Coast Choral and Arts Society":MAILTO:info@sccas.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230326T173000
DTEND;TZID=Australia/Adelaide:20230326T180000
DTSTAMP:20260426T113727
CREATED:20230317T070822Z
LAST-MODIFIED:20230317T070822Z
UID:10018660-1679851800-1679853600@tasaonline.org.au
SUMMARY:Little Shop of Horrors
DESCRIPTION:Folks! If you’re interested in joining our November production of LITTLE SHOP OF HORRORS\, then come along to our info night for the show on Sunday\, March 26th!\n\n\nHear directly from our Production Team on what they’re most looking forward to about staging this much loved horror comedy rock musical\, and learn what’ll be involved during the rehearsal period. Ask your questions\, plus of course\, get first dibs at booking your audition spot – ahead of when we make auditions open for public booking the next day (a sneaky heads up: auditions will be held April 15th).\n\n\nWe look forward to seeing your enthusiastic faces on the night!\n\n\n\n KEY DETAILS:\n– When?  Sunday\, 26th March 2023\n– Time?  5.30pm-6.00pm\, with time afterwards for questions and booking auditions\n– Where?  Hawthorn Church of Christ (42 Angas Road\, Hawthorn SA 5062)
URL:https://tasaonline.org.au/events/little-shop-of-horrors-2/
LOCATION:Hawthorn Church of Christ\, 42 Angus Rd\, Hawthorn\, SA\, 5062\, Australia
CATEGORIES:Auditions,Information Session
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Little-Shop-Info-Night.jpg
ORGANIZER;CN="Marie Clark Musical Theatre":MAILTO:secretary@marieclark.asn.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230406T180000
DTEND;TZID=Australia/Adelaide:20230406T203000
DTSTAMP:20260426T113727
CREATED:20230307T054635Z
LAST-MODIFIED:20230307T054635Z
UID:10018639-1680804000-1680813000@tasaonline.org.au
SUMMARY:Girl Shut Your Mouth
DESCRIPTION:For actors aged 15 – 26 \nKatie is going to a place where people are friendly\, the drinks are minty\, and no-one tells you how to live your life. Her friends\, Mia and Grace\, wracked with jealousy\, resolve to join Katie on her journey. The only problem is the price of admission. \nROLES AVAILABLE (all characters are female presenting and stage age 16) \nKatie – is leaving for a new place where she can be free. Bold and determined. \nGrace – the mediator of her friends. Wants to leave so she can continue her education. \nMia – over-exaggerator of her friends. Wants to leave too but she’s scared. \nDarcy – an outsider to her friends after she betrayed their trust. Reserved. \nProduction week:  11th – 23rd July \nEmail us at:  deadsettheatrecompany@gmail.com   with your name and age for your audition booklet and more information.
URL:https://tasaonline.org.au/events/girl-shut-your-mouth/
LOCATION:Stirling RSL Hall\, Apex Park\, Merrion Tce\,\, Stirling\, SA\, 5152\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Deadset Theatre Company":MAILTO:deadsettheatrecompany@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230513T130000
DTEND;TZID=Australia/Adelaide:20230513T170000
DTSTAMP:20260426T113727
CREATED:20230315T031154Z
LAST-MODIFIED:20230316T065624Z
UID:10018651-1683982800-1683997200@tasaonline.org.au
SUMMARY:Dracula
DESCRIPTION:Blackwood Players will be producing ‘Dracula’ directly from the Balderston script from 1927. This script is an adaptation of the earlier script by Deane which adapted the novel faithfully. The Balderstone script makes several key changes. Set in 1927\, the play mostly takes place in Dr Seward’s Asylum. Dr Seward’s daughter\, Lucy\, is deathly ill\, suffering from a strange wasting disease unknown to medical science. Dr Seward is attended by Johnathan Harker\, whose fiancée Mina succumbed to the same disease some weeks earlier. Their plight earns them the sympathy of their neighbour\, the new owner of Carfax Abbey\, the mysterious Dracula from Eastern Europe. An inmate of the Asylum\, Renfield\, claims to know what is going on but will not divulge what he knows. In desperation Dr Seward turns to his old teacher\, Dr Van Helsing\, who surmises that all is not as it seems… \nThe show will be played straight and is designed as a horror piece to disturb an audience. It is neither a comedy nor a parody. While there will be no outright violence shown on stage there will be shadow-play showing murder etc. \nSome characters may be gender swapped for the right actor. The casting will be ‘colourblind’ and performers of all backgrounds and cultures are encouraged to audition. \nROLES \nDracula:  A vampire. Also a stranger in a strange land\, an ancient supernatural terror in a modern era. Must be imposing with good stage presence. (Male\, but may be gender swapped for the right actor. Older actor preferred.) \nJohnathan Harker:  The stereotypical ‘good guy’\, who seeks revenge for the death of his fiancée but is intimidated by the supernatural. (Male 20s) \nDr Seward:  A scientist\, and a firm believer in the rational. (Male\, but may be gender swapped for the right actor. Older actor preferred.) \nAbraham van Helsing:  An outsider\, an almost mystic character. On the side of the good guys\, but stands alone and aloof. Needs strong stage presence. (Older actor preferred.) \nRenfield:  A lunatic\, and a constant source of trouble for Dr Seward. Violent and unpredictable to the point of being dangerous to himself and others. A good role for a character actor. Good physicality required. (Male\, but may be gender swapped for the right actor\, any age.) \nLucy:  Dr Seward’s daughter. A good girl under siege by forces beyond her control. Normally headstrong and struggling with the powerlessness she feels. (Female 20s.) \nMaid:  Confidante of Lucy\, and sometimes her only protector. (Female\, any age.) \nAttendant:  Unimaginative\, but knows how to keep the inmates in line. Has a sadistic streak and relishes using more force than necessary. (Male\, any age.) \nTo book an audition please contact us on our email address blackwood.players@gmail.com\, with what part you are interested in\, so we can email you the audition package and a copy of the script. \nRehearsals will commence on Sunday 16th July. \nAll rehearsals will be Tuesday nights from 7.30pm – 10.00pm and Sunday afternoons from 2pm – 5.00pm\, sometimes Sunday evenings from 6.00pm – 9.30pm. \nDates of Performances. \nFriday 27th October 2023 \nSaturday 28th October 2023 \nTuesday 31st October “Halloween Night” \nFriday 3rd November 2023 \nSaturday 4th November 2023 \nFriday 10th November 2023 \nSaturday 11th November 2023 \nAll shows commence at 8pm.
URL:https://tasaonline.org.au/events/dracula/
LOCATION:Blackwood Memorial Hall\, 21 Coromandel Parade\, Blackwood\, SA\, 5051\, Australia
CATEGORIES:Auditions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/03/Dracula-1.jpg
ORGANIZER;CN="Blackwood Players Inc.":MAILTO:blackwood.players@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230715T100000
DTEND;TZID=Australia/Adelaide:20230715T170000
DTSTAMP:20260426T113727
CREATED:20230715T001531Z
LAST-MODIFIED:20230715T001531Z
UID:10020160-1689415200-1689440400@tasaonline.org.au
SUMMARY:Jersey Boys
DESCRIPTION:Therry is bringing everyone’s favourite jukebox musical to The Arts Theatre stage in August 2024 and you are invited to audition. With music by Bob Gaudio\, lyrics by Bob Crewe\, and book by Marshall Brickman and Rick Elice\, Jersey Boys has been nominated for multiple awards and won both the Tony and Olivier Awards. \n\nIt’s in the top 10 musicals of all time and\, on Broadway\, was nominated for 17 major awards and won seven\nIt ran from 2005 to 2017 on Broadway and\, with 4642 performances\, is the 12th longest running Broadway show\nIts West End debut was in February 2008. It closed after nine years in March 2017.\nIt is currently still touring internationally.\n\nTherry’s production team incudes award-winning director Jude Hines\, musical director Leanne Savill and choreographer Linda Lawson. \nSeason is 7-17th August 2024 for ten performances. Rehearsals commence late April three times per week: two week nights and Sundays. \nFeel free to audition for principals and other roles. Performers from late teens to early 60s are needed. Events in the show take place over approximately 20 years from 1970. \nThe four lead roles (Four Seasons including Franki Vallie) will be auditioned on Saturday 29th\, at 10 am and 11 am and 12 noon\, with call-backs on Sunday 30th. \nOther roles will be auditioned on Saturday afternoon. \nGeneral details about this musical\, roles\, etc: Jersey Boys – Wikipedia \nPeople of culturally diverse backgrounds are encouraged to audition as are male and female booth singers. \nAfter booking an audition time\, further information will be emailed to you\, including music and (for speaking roles) audition dialogue. \nAudition songs: \nAll Males:  Sherry and Working My Way Back To You \nFranki: the above two songs plus Fallen Angel \nFemales: My Boyfriend’s Back.
URL:https://tasaonline.org.au/events/jersey-boys-2/
LOCATION:Therry Clubrooms\, Unit 2/ 1 Regina Court\, Beverley\, SA\, 5009\, Australia
CATEGORIES:Auditions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/07/jERSEY-Boys.jpg
ORGANIZER;CN="Therry Theatre":MAILTO:therry@chariot.net.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230715T140000
DTEND;TZID=Australia/Adelaide:20230715T180000
DTSTAMP:20260426T113727
CREATED:20230626T213736Z
LAST-MODIFIED:20230626T215309Z
UID:10019382-1689429600-1689444000@tasaonline.org.au
SUMMARY:King Lear
DESCRIPTION:directed by Brant Eustice \nKing Lear explores themes of power\, betrayal and excessive pride.\nAgeing ruler\, Lear\, decides to divide his realm into three parts to be shared between his daughters\, and then go into retirement. All the daughters need do is declare their love. Unfortunately\, Cordelia does not play along and is banished. His other two daughters do not enjoy his extended stays and he finds himself betrayed and cast aside.\nLear descends into madness and tragedy ensues. \nAge and gender are to be used as a guide only. Due to the intended setting of this production of King Lear\, characters can be of any ethnicity. \nThe Guild encourages actors of all backgrounds and genders to audition. \nGLOUCESTER – (Male presenting\, 40s-60s) Lear’s friend and father to Edgar and Edmond. Is blinded by Regan and Cornwall.\nEDGAR – (Male presenting 20s-early 30s) legitimate son of Gloucester. Poses as Poor Tom.\nEDMOND – (Male presenting 20s-30s) illegitimate son of Gloucester. Schemes against his brother and father.\nCORDELIA – (Female presenting\, 20s) Lear’s youngest daughter\, makes the mistake of honesty.\nREGAN – (Female presenting 30s-40s) Lear’s second daughter. Married to Cornwall.\nGONERIL – (Female presenting 30s-40s) Lear’s first daughter\, married to Albany (note: this is a same sex marriage).\nALBANY – (Female presenting 30s-50s) Married to Goneril (note: this is a same sex marriage).\nCORNWALL – (Male presenting 30s-50s) Married to Regan. \nThere will be a cast of at least 14 actors of whom most will play multiple roles.\nPlease note: the role of Lear has already been cast. \nTo book an audition:  http://www.trybooking.com/CJHWR \n\n\n\nAudition Contact Name:\nAnnabel Whitford\n\n\nAudition Contact Email:\ntheatreguild@adelaide.edu.au
URL:https://tasaonline.org.au/events/king-lear/2023-07-15/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230716T110000
DTEND;TZID=Australia/Adelaide:20230716T170000
DTSTAMP:20260426T113727
CREATED:20230626T213736Z
LAST-MODIFIED:20230626T215309Z
UID:10019383-1689505200-1689526800@tasaonline.org.au
SUMMARY:King Lear
DESCRIPTION:directed by Brant Eustice \nKing Lear explores themes of power\, betrayal and excessive pride.\nAgeing ruler\, Lear\, decides to divide his realm into three parts to be shared between his daughters\, and then go into retirement. All the daughters need do is declare their love. Unfortunately\, Cordelia does not play along and is banished. His other two daughters do not enjoy his extended stays and he finds himself betrayed and cast aside.\nLear descends into madness and tragedy ensues. \nAge and gender are to be used as a guide only. Due to the intended setting of this production of King Lear\, characters can be of any ethnicity. \nThe Guild encourages actors of all backgrounds and genders to audition. \nGLOUCESTER – (Male presenting\, 40s-60s) Lear’s friend and father to Edgar and Edmond. Is blinded by Regan and Cornwall.\nEDGAR – (Male presenting 20s-early 30s) legitimate son of Gloucester. Poses as Poor Tom.\nEDMOND – (Male presenting 20s-30s) illegitimate son of Gloucester. Schemes against his brother and father.\nCORDELIA – (Female presenting\, 20s) Lear’s youngest daughter\, makes the mistake of honesty.\nREGAN – (Female presenting 30s-40s) Lear’s second daughter. Married to Cornwall.\nGONERIL – (Female presenting 30s-40s) Lear’s first daughter\, married to Albany (note: this is a same sex marriage).\nALBANY – (Female presenting 30s-50s) Married to Goneril (note: this is a same sex marriage).\nCORNWALL – (Male presenting 30s-50s) Married to Regan. \nThere will be a cast of at least 14 actors of whom most will play multiple roles.\nPlease note: the role of Lear has already been cast. \nTo book an audition:  http://www.trybooking.com/CJHWR \n\n\n\nAudition Contact Name:\nAnnabel Whitford\n\n\nAudition Contact Email:\ntheatreguild@adelaide.edu.au
URL:https://tasaonline.org.au/events/king-lear/2023-07-16/
LOCATION:University of Adelaide – Little Theatre\, The Cloisters\, Victoria Drive\, Adelaide\, South Australia\, 5000\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="The University of Adelaide Theatre Guild":MAILTO:theatreguild@adelaide.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230723T133000
DTEND;TZID=Australia/Adelaide:20230723T153000
DTSTAMP:20260426T113727
CREATED:20230626T212930Z
LAST-MODIFIED:20230626T212930Z
UID:10019381-1690119000-1690126200@tasaonline.org.au
SUMMARY:Of Good Stock
DESCRIPTION:Directed by Kym Clayton \n\n\n\nThe three Stockton sisters (Jess\, Amy and Celia) are witty\, brilliant\, beautiful\, and dysfunctional. When their father\, legendary novelist Mick Stockton died\, he left his three daughters a house in Cape Cod\, control over his books\, and a whole lot of issues. He was a Pulitzer Prize-winning novelist who had many affairs\, and their mother died young\, and it’s left them all pretty messed up. It’s Jess’s 41st birthday and she and her husband Fred have invited her younger sisters to their house on Cape Cod to celebrate. It’s an important milestone for Jess: she’s surpassing the age of her mother\, who died from cancer years ago. Amy is joined by her fiancé\, Josh. Celia\, the youngest\, brings Hunter\, her boyfriend. Their reunion ignites passions\, humour\, and wildly unanticipated upheavals. The men struggle to be a part of this elusive family’s legacy. Of Good Stock is a raw\, poignant\, and hilarious look at the fun and dysfunction of that thing we call family. \nReviews\n“Smoothly paced\, occasionally touching\, and … as comforting as a quart of mint chocolate chip ice cream\, eaten straight from the container.”—The New York Times\n“The reunion\, oiled with scotch\, leads to upsetting revelations\, the airing of grievances\, clumsy tendernesses\, profane screams and forgiving ruminations that volley across the stage in a zany\, often very funny cacophony … Ross’s characters are drawn with assurance\, wit and gentle mockery — we definitely have met these people …”—Los Angeles Times\n“Laugh-out-loud funny…relatable and thoroughly entertaining.”—Entertainment Weekly\n“Ross displays a flair for writing sharp\, funny dialogue.” —Hollywood Reporter\n“An engrossing mix of humour and heart. Ross’s three sisters strike a fine balance between the comfortingly recognizable and enchantingly fresh.” —TheaterMania.com. \nRoles: \nAmy – female\, stage age mid-30s – middle sister (271 cues) \nCelia – female\, stage age late-20s\, early 30s – younger sister (370 cues) \nFred – male\, stage age early to mid-40s – Jess’ husband – (363 cues) \nJosh – male\, stage age mid-30s – Amy’s fiancé – (108 cues\, appears in Act 1 only) \nHunter – male\, stage age lat 20s\, early 30s – Celia’s boyfriend (184 cues) \nAudition contact :\nPlease email Director Kym Clayton ackc1@optusnet.com.au to register for the audition. The audition will include reading/moving excerpts from the play\, with relevant pages emailed to you several days prior to the audition once you have registered. \nRehearsal day/times/ venue :\n* Tuesdays & Thursdays 7.00-9.30pm\, Sundays 1.00-5.00pm\, although there may be some variation to dates and times.\n* First rehearsal Sunday 18 February 2024\, or thereabouts. (Please note the rehearsal period will overlap the Fringe Festival/ Festival of Arts.)
URL:https://tasaonline.org.au/events/of-good-stock/
LOCATION:Park Holme Community Hall\, 638 Marion Road\, Park Holme\, SA\, 5043\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Galleon Theatre Group":MAILTO:info@galleon.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230728T160000
DTEND;TZID=Australia/Adelaide:20230728T213000
DTSTAMP:20260426T113727
CREATED:20230713T225204Z
LAST-MODIFIED:20230713T225204Z
UID:10020140-1690560000-1690579800@tasaonline.org.au
SUMMARY:The Wizard of Oz
DESCRIPTION:Written By: \nCreative Team: Director – Georgia Brass\nMusical Director – Nicole Willis\nChoreography – Jacinta Vistoli \n\n“The Wizard of Oz” follows the magical journey of Dorothy\, a young girl from Kansas\, who finds herself transported to the enchanting land of Oz after a tornado sweeps her away. Desperate to return home\, Dorothy embarks on a quest to meet the fabled Wizard\, who she believes can help her. Along the way\, she befriends a lovable scarecrow\, a rusty tin man\, and a cowardly lion\, who join her in her quest. Together\, they face numerous obstacles\, including the Wicked Witch of the West\, as they strive to reach the Emerald City and discover the true power of friendship\, courage\, and the importance of believing in oneself. \n  \nAudition Information: https://news.theatrebugs.com.au/auditions-for-the-wizard-of-oz/ \nRehearsals: First read-through/rehearsal on 3rd December\, 2023\, a rehearsal week from 2nd – 6th January 2024\, continuing through January and February for performances on 1st\, 2nd and 3rd March\, 2024. \n\n\n\nCharacter Descriptions\n\n\nRole Name:\nLead Roles\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nDorothy Gale\nAunt Em / Glinda\, the Good Witch of the North\nUncle Henry / Emerald City Guard)\nZeke the Farmhand / The Cowardly Lion\nHickory the Farmhand / The Tinman\nHunk the Farmhand / The Scarecrow\nMiss Almira Gulch / The Wicked Witch of the West\nProfessor Chester Marvel / The Wizard of Oz)\n\n\nCharacter Descriptions\n\n\nRole Name:\nMultiple Character & Ensemble Roles\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nMayor Fiddler\nCoroner Braggart\nBarristers\nSchool Teachers\nCity Fathers\nTots\nTough Guys\nBeauticians\nPolishers\nManicurists\nOz Men & Women\nWinkie General\nNikko (Commander of the Monkeys)\nJitterbug (Lead Dancer)\nMunchkins (The Citizens of Munchkinland)\nPoppies & Snowmen\nOzians\nJitterbugs & Ghosts\nOz Men & Women\n\n\n\n\nMore Information at: https://news.theatrebugs.com.au/auditions-for-the-wizard-of-oz/ \n\nContact: Admin Team\nadmin@theatrebugs.com.au\n08 8332 1228
URL:https://tasaonline.org.au/events/the-wizard-of-oz/2023-07-28/
LOCATION:Theatre Bugs Hall\, 79 Beulah Road\, Norwood\, SA\, 5067\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Theatre Bugs":MAILTO:admin@theatrebugs.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230729T140000
DTEND;TZID=Australia/Adelaide:20230729T190000
DTSTAMP:20260426T113727
CREATED:20230713T225204Z
LAST-MODIFIED:20230713T225204Z
UID:10020141-1690639200-1690657200@tasaonline.org.au
SUMMARY:The Wizard of Oz
DESCRIPTION:Written By: \nCreative Team: Director – Georgia Brass\nMusical Director – Nicole Willis\nChoreography – Jacinta Vistoli \n\n“The Wizard of Oz” follows the magical journey of Dorothy\, a young girl from Kansas\, who finds herself transported to the enchanting land of Oz after a tornado sweeps her away. Desperate to return home\, Dorothy embarks on a quest to meet the fabled Wizard\, who she believes can help her. Along the way\, she befriends a lovable scarecrow\, a rusty tin man\, and a cowardly lion\, who join her in her quest. Together\, they face numerous obstacles\, including the Wicked Witch of the West\, as they strive to reach the Emerald City and discover the true power of friendship\, courage\, and the importance of believing in oneself. \n  \nAudition Information: https://news.theatrebugs.com.au/auditions-for-the-wizard-of-oz/ \nRehearsals: First read-through/rehearsal on 3rd December\, 2023\, a rehearsal week from 2nd – 6th January 2024\, continuing through January and February for performances on 1st\, 2nd and 3rd March\, 2024. \n\n\n\nCharacter Descriptions\n\n\nRole Name:\nLead Roles\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nDorothy Gale\nAunt Em / Glinda\, the Good Witch of the North\nUncle Henry / Emerald City Guard)\nZeke the Farmhand / The Cowardly Lion\nHickory the Farmhand / The Tinman\nHunk the Farmhand / The Scarecrow\nMiss Almira Gulch / The Wicked Witch of the West\nProfessor Chester Marvel / The Wizard of Oz)\n\n\nCharacter Descriptions\n\n\nRole Name:\nMultiple Character & Ensemble Roles\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nMayor Fiddler\nCoroner Braggart\nBarristers\nSchool Teachers\nCity Fathers\nTots\nTough Guys\nBeauticians\nPolishers\nManicurists\nOz Men & Women\nWinkie General\nNikko (Commander of the Monkeys)\nJitterbug (Lead Dancer)\nMunchkins (The Citizens of Munchkinland)\nPoppies & Snowmen\nOzians\nJitterbugs & Ghosts\nOz Men & Women\n\n\n\n\nMore Information at: https://news.theatrebugs.com.au/auditions-for-the-wizard-of-oz/ \n\nContact: Admin Team\nadmin@theatrebugs.com.au\n08 8332 1228
URL:https://tasaonline.org.au/events/the-wizard-of-oz/2023-07-29/
LOCATION:Theatre Bugs Hall\, 79 Beulah Road\, Norwood\, SA\, 5067\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Theatre Bugs":MAILTO:admin@theatrebugs.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230730T090000
DTEND;TZID=Australia/Adelaide:20230730T180000
DTSTAMP:20260426T113727
CREATED:20230713T225204Z
LAST-MODIFIED:20230713T225204Z
UID:10020142-1690707600-1690740000@tasaonline.org.au
SUMMARY:The Wizard of Oz
DESCRIPTION:Written By: \nCreative Team: Director – Georgia Brass\nMusical Director – Nicole Willis\nChoreography – Jacinta Vistoli \n\n“The Wizard of Oz” follows the magical journey of Dorothy\, a young girl from Kansas\, who finds herself transported to the enchanting land of Oz after a tornado sweeps her away. Desperate to return home\, Dorothy embarks on a quest to meet the fabled Wizard\, who she believes can help her. Along the way\, she befriends a lovable scarecrow\, a rusty tin man\, and a cowardly lion\, who join her in her quest. Together\, they face numerous obstacles\, including the Wicked Witch of the West\, as they strive to reach the Emerald City and discover the true power of friendship\, courage\, and the importance of believing in oneself. \n  \nAudition Information: https://news.theatrebugs.com.au/auditions-for-the-wizard-of-oz/ \nRehearsals: First read-through/rehearsal on 3rd December\, 2023\, a rehearsal week from 2nd – 6th January 2024\, continuing through January and February for performances on 1st\, 2nd and 3rd March\, 2024. \n\n\n\nCharacter Descriptions\n\n\nRole Name:\nLead Roles\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nDorothy Gale\nAunt Em / Glinda\, the Good Witch of the North\nUncle Henry / Emerald City Guard)\nZeke the Farmhand / The Cowardly Lion\nHickory the Farmhand / The Tinman\nHunk the Farmhand / The Scarecrow\nMiss Almira Gulch / The Wicked Witch of the West\nProfessor Chester Marvel / The Wizard of Oz)\n\n\nCharacter Descriptions\n\n\nRole Name:\nMultiple Character & Ensemble Roles\n\n\nGender:\nUndefined\n\n\nStage Age:\n\n\n\nRole Information:\nMayor Fiddler\nCoroner Braggart\nBarristers\nSchool Teachers\nCity Fathers\nTots\nTough Guys\nBeauticians\nPolishers\nManicurists\nOz Men & Women\nWinkie General\nNikko (Commander of the Monkeys)\nJitterbug (Lead Dancer)\nMunchkins (The Citizens of Munchkinland)\nPoppies & Snowmen\nOzians\nJitterbugs & Ghosts\nOz Men & Women\n\n\n\n\nMore Information at: https://news.theatrebugs.com.au/auditions-for-the-wizard-of-oz/ \n\nContact: Admin Team\nadmin@theatrebugs.com.au\n08 8332 1228
URL:https://tasaonline.org.au/events/the-wizard-of-oz/2023-07-30/
LOCATION:Theatre Bugs Hall\, 79 Beulah Road\, Norwood\, SA\, 5067\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Theatre Bugs":MAILTO:admin@theatrebugs.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230730T110000
DTEND;TZID=Australia/Adelaide:20230730T180000
DTSTAMP:20260426T113727
CREATED:20230628T211302Z
LAST-MODIFIED:20230628T212642Z
UID:10019389-1690714800-1690740000@tasaonline.org.au
SUMMARY:Peter Pan
DESCRIPTION:directed by Myles Leon \nAn Awfully Big Pantomine Adventure based on the novel by J.M. Barrie\, with songs and dances\, written by Tom Whalley \nAll children\, except one\, grow up… except Peter Pan\, who is on the hunt for his pesky shadow\, Peter Pan meets the Darling children in their Nursery. With a sprinkling of fairy dust\, Wendy\, John and Michael leave Nana the Dog behind on a flight to Neverland – a magical place home to the Lost boys\, Mermaids\, Indians and the most villainous pirate of them all; Captain Hook! With Mrs Starkey and her bumbling son Smee by his side\, Hook seeks revenge against Peter Pan who fed his left hand to a tick-tocking crocodile hungry for the rest of him. Will the boy who never grew-up rid Neverland of Captain Hook forever? Will the Darlings find their way home to London? \nFind out in this swashbuckling pantomime that will have you ‘hooked’! \nPeter Pan – Peter is a clever\, adventurous and confident leader of the Lost Boys. Rather\, boastful but caring and filled with joy. He doesn’t want to grow up and not to be around those who want him to grow up. The person who does this role must have some ability to interact with the audience. Able to sing and dance. (Male or Female 15 – 18yrs) \nWendy Darling – Wendy is the eldest child in the family\, who believes in Peter Pan. While growing up\, she was also afraid of leaving her childhood. She is charming\, kind\, a “mother type” to all. Able to sing and dance. (Female 15 – 18yrs) \nJohn Darling – John is the second child. John always dreamed of being on a big adventure\, particularly as a pirate. Able to sing and dance. (Male 15 – 18yrs) \nMichael Darling – Michael is the sweet\, adorable youngest child. Can be stubborn at times. Able to sing and dance. (Male 15yrs) \nMr Darling/Captain Hook – Mr Darling is a stern loving father\, concerned about keeping the household in order. Doubled up as Captain Hook\, the classic pirate villain\, but on the inside a cowardly man. Comedian role that can interact with the audience. Able to sing and dance. (Male 40+) \nDame Darling/Lady Starkey – Both roles are doubled up and done by a male (Traditional Pantomime) Dame Darling is sweet and loving but slightly over the top in the acting. Lady Starkey is one of the pirates and mother of Smee. Both roles need to be comical. Able to sing and dance. (Male 40+) \nNana – Nana is the nursemaid dog\, a non-speaking role\, just WOOF! Must be comfortable using their body movements to represent the animal. Will be doubled up into other characters. (Age 15+) \nTinkerbell – Peter Pan’s fairy friend who sometimes has a bit of an attitude\, who saves the day with Peter. Able to sing and dance. (Female 15 – 18yrs) \nSmee – Smee is the bumbling\, comical pirate\, who is Captain Hook’s right-hand man\, son of Lady Starkey. Able to sing and dance and interact with the audience. (Male or Female 30+) \nTiger Lily – The beautiful princess of the “Whatsittoya” tribe. She is brave and loyal. Able to sing and dance. (Female 16 – 25yrs) \nChief Big Willie – Chief of “Whatsittoya” Trible. Good presence and loud. Tall and slightly overweight preferably. Able to sing. (Male 30+) \nThe Lost Boys – The lost boys are a group of lads who live in Neverland without a care in the world! Tootles is the leader\, but they are loyal to Peter Pan. The boy’s names are Nibs\, Slightly\, Curly\, Tootles and the Twins. There is no need for the actors playing The Twins to be identical. Able to sing and dance. (Males or females 16+) \nCrocodile – A non-speaking role. Can be doubled up as Nana. (Male or Female 16+) \nIndians\, Pirates\, Mermaids – These parts will be doubled up. Able to sing and dance. (Male or Females 16+) \nFor those who are interested please submit an email to blackwood.players@gmail.com\, stating what role/s you are keen to audition for and where we can send you a copy of the script and an audition information pack. \nWe recommend that children audition to learn the crafts of theatre. \nThe production will be to be held at Blackwood Memorial in the last weekend in November – 4 shows only. \nFor more information please contact Myles Leon 0421 002 802
URL:https://tasaonline.org.au/events/peter-pan-2/
LOCATION:Blackwood Memorial Hall\, 21 Coromandel Parade\, Blackwood\, SA\, 5051\, Australia
CATEGORIES:Auditions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/06/Peter-Pan.jpg
ORGANIZER;CN="Blackwood Players Inc.":MAILTO:blackwood.players@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230731T193000
DTEND;TZID=Australia/Adelaide:20230731T203000
DTSTAMP:20260426T113727
CREATED:20230715T010800Z
LAST-MODIFIED:20230715T010800Z
UID:10020161-1690831800-1690835400@tasaonline.org.au
SUMMARY:White Horse Inn
DESCRIPTION:SYNOPSIS\nHead waiters of the White Horse Inn have found that to fall in love with the attractive young widow who owns the establishment is a swift and certain route to dismissal. Yet none have been able to resist Josepha; least of all Leopold\, the present incumbent. She\, however\, pines for Valentine Sutton\, a regular visitor from England\, and is resolutely blind to all the evidence that his thoughts for her are no more than warm friendship. Valentine’s annual visit is at hand\, and by the same steamer arrive Ebenezer Grinkle\, a self-made lad from Lancashire with plenty of brass\, his sweet young daughter Ottoline\, an impoverished Professor Hinzel and his/her gawky\, lisping\, but appealing daughter Gretel\, and a dapper young man\, Sigismund Smith (of Hammersmith). Sub-plots abound as Smith and Grinkle discover they are hated business rivals\, Sutton (who is Smith’s solicitor) falls in love with Ottoline\, and Smith with Gretel\, while Leopold repeatedly threatens to resign and wish them all a last “Good-bye!”. The subsequent arrival of His Imperial Majesty the Emperor serves at first only to add to the acrimonious chaos\, but finally his kindly understanding and wisdom do much to bring about the statutory happy ending.\n\nCast required:\nJosepha Vogelhuber – Proprietress of “The White Horse Inn” \, Mezzo-soprano. Lead. Ability/willingness to play the tuba will be highly regarded.\nLeopold Brandmeyer – Staff Waiter\, High Baritone. Lead.\nEbenezer Grinkle – Lancashire Underwear Manufacturer\, Spoken\, Supporting.\nOttoline Grinkle – his daughter\, Soprano\, Supporting.\nValentine Sutton – Solicitor of Lincoln’s Inn Fields\, London\, Tenor\, Supporting.\nSigismund Smith – Son of a London underwear manufacturer\, Baritone/Bass\, Supporting\, Sigismund is bald.\nProfessor Dr. Hinzel – Train enthusiast\, Baritone/Mezzo\, Featured.\nGretel Hinzel – The professor’s unworldly daughter\, has a lisp\, Soprano/Mezzo\, Featured.\nEmperor Franz Joseph II / Forester – Emperor\, Spoken\, Featured/Ensemble.\nKathi Weghalter – Postmistress and President of the Young Ladies’ Friendly Hiking Association\, Coloratura soprano\, Featured/Ensemble\nKarl\, the Piccolo – Upstart Junior waiter\, Tenor\, Spoken\, Featured/Ensemble.\nHOTEL STAFF and ENSEMBLE OF TRAVEL SLAVES\, SATB Ensemble. (The busiest people in the show!)\nZENZI\, a chambermaid (soprano)\nHEIDI\, a waitress (mezzo\, good mover)\nTRUDI\, a chambermaid (alto)\nHERBIE\, a waiter (baritone\, good mover)\nFRANZ\, a waiter (bass) is also the MAYOR (featured speaking role)\nALL ACTORS\, except for Leopold and Josepha\, WILL BE DOUBLE-CAST (some triple).\nThe original English version of White Horse Inn had a cast of 200 people. In keeping with the modern European tradition\, this production will have a cast of 15 people.\nAUDITIONS\nWhen making your audition booking\, you will be asked to nominate the primary role that you wish to be considered for. On the day of the audition\, you will be able to nominate a second preference of role should you wish to.\nSingers will be asked to perform\, ideally from memory\, a song of their choice that best indicates their suitability for the part for which they wish to be considered. PLEASE EMAIL A PDF OF THE SHEET MUSIC (if you are unable to\, please bring 2 photocopies). You may also be asked to try something from the show if the panel wants to see/hear something specific. Candidates will also be asked to perform passages of dialogue from The White Horse Inn.\nImportantly\, please research the Schuhplattler dance on YouTube. We will be learning an easy one at the Information Night. You do not have to be in any way perfect at your audition.\nIf you can play a European instrument (eg accordion\, clarinet)\, please bring it with you.\n\nTo book your audition time use the online form and/or come to the information night July 31.\nOnline audition form https://www.signupgenius.com/go/10C084FAFAE28A2FFC70-white
URL:https://tasaonline.org.au/events/white-horse-inn-2/
LOCATION:St Elizabeth of Hungary Anglican Church\, 12 Dwyer Rd\, Oaklands Park\, SA\, 5046\, Australia
CATEGORIES:Information Session
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/07/White-Horse.jpg
ORGANIZER;CN="South Australia Light Opera Society":MAILTO:salospublicity@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230807T180000
DTEND;TZID=Australia/Adelaide:20230807T223000
DTSTAMP:20260426T113727
CREATED:20230715T011134Z
LAST-MODIFIED:20230715T011134Z
UID:10020162-1691431200-1691447400@tasaonline.org.au
SUMMARY:White Horse Inn
DESCRIPTION:SYNOPSIS\nHead waiters of the White Horse Inn have found that to fall in love with the attractive young widow who owns the establishment is a swift and certain route to dismissal. Yet none have been able to resist Josepha; least of all Leopold\, the present incumbent. She\, however\, pines for Valentine Sutton\, a regular visitor from England\, and is resolutely blind to all the evidence that his thoughts for her are no more than warm friendship. Valentine’s annual visit is at hand\, and by the same steamer arrive Ebenezer Grinkle\, a self-made lad from Lancashire with plenty of brass\, his sweet young daughter Ottoline\, an impoverished Professor Hinzel and his/her gawky\, lisping\, but appealing daughter Gretel\, and a dapper young man\, Sigismund Smith (of Hammersmith). Sub-plots abound as Smith and Grinkle discover they are hated business rivals\, Sutton (who is Smith’s solicitor) falls in love with Ottoline\, and Smith with Gretel\, while Leopold repeatedly threatens to resign and wish them all a last “Good-bye!”. The subsequent arrival of His Imperial Majesty the Emperor serves at first only to add to the acrimonious chaos\, but finally his kindly understanding and wisdom do much to bring about the statutory happy ending.\n\nCast required:\nJosepha Vogelhuber – Proprietress of “The White Horse Inn” \, Mezzo-soprano. Lead. Ability/willingness to play the tuba will be highly regarded.\nLeopold Brandmeyer – Staff Waiter\, High Baritone. Lead.\nEbenezer Grinkle – Lancashire Underwear Manufacturer\, Spoken\, Supporting.\nOttoline Grinkle – his daughter\, Soprano\, Supporting.\nValentine Sutton – Solicitor of Lincoln’s Inn Fields\, London\, Tenor\, Supporting.\nSigismund Smith – Son of a London underwear manufacturer\, Baritone/Bass\, Supporting\, Sigismund is bald.\nProfessor Dr. Hinzel – Train enthusiast\, Baritone/Mezzo\, Featured.\nGretel Hinzel – The professor’s unworldly daughter\, has a lisp\, Soprano/Mezzo\, Featured.\nEmperor Franz Joseph II / Forester – Emperor\, Spoken\, Featured/Ensemble.\nKathi Weghalter – Postmistress and President of the Young Ladies’ Friendly Hiking Association\, Coloratura soprano\, Featured/Ensemble\nKarl\, the Piccolo – Upstart Junior waiter\, Tenor\, Spoken\, Featured/Ensemble.\nHOTEL STAFF and ENSEMBLE OF TRAVEL SLAVES\, SATB Ensemble. (The busiest people in the show!)\nZENZI\, a chambermaid (soprano)\nHEIDI\, a waitress (mezzo\, good mover)\nTRUDI\, a chambermaid (alto)\nHERBIE\, a waiter (baritone\, good mover)\nFRANZ\, a waiter (bass) is also the MAYOR (featured speaking role)\nALL ACTORS\, except for Leopold and Josepha\, WILL BE DOUBLE-CAST (some triple).\nThe original English version of White Horse Inn had a cast of 200 people. In keeping with the modern European tradition\, this production will have a cast of 15 people.\nAUDITIONS\nWhen making your audition booking\, you will be asked to nominate the primary role that you wish to be considered for. On the day of the audition\, you will be able to nominate a second preference of role should you wish to.\nSingers will be asked to perform\, ideally from memory\, a song of their choice that best indicates their suitability for the part for which they wish to be considered. PLEASE EMAIL A PDF OF THE SHEET MUSIC (if you are unable to\, please bring 2 photocopies). You may also be asked to try something from the show if the panel wants to see/hear something specific. Candidates will also be asked to perform passages of dialogue from The White Horse Inn.\nImportantly\, please research the Schuhplattler dance on YouTube. We will be learning an easy one at the Information Night. You do not have to be in any way perfect at your audition.\nIf you can play a European instrument (eg accordion\, clarinet)\, please bring it with you.\n\nTo book your audition time use the online form and/or come to the information night July 31.\nOnline audition form https://www.signupgenius.com/go/10C084FAFAE28A2FFC70-white
URL:https://tasaonline.org.au/events/white-horse-inn-3/
LOCATION:St Elizabeth of Hungary Anglican Church\, 12 Dwyer Rd\, Oaklands Park\, SA\, 5046\, Australia
CATEGORIES:Auditions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/07/White-Horse.jpg
ORGANIZER;CN="South Australia Light Opera Society":MAILTO:salospublicity@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230819T100000
DTEND;TZID=Australia/Adelaide:20230819T170000
DTSTAMP:20260426T113727
CREATED:20230628T211757Z
LAST-MODIFIED:20230706T064730Z
UID:10019388-1692439200-1692464400@tasaonline.org.au
SUMMARY:Living Together
DESCRIPTION:AUDITIONS for LIVING TOGETHER \, Directed by Les Zetlein \nLiving Together by Alan Ayckbourn is the second play in Ackybourn’s comedy trilogy The Norman Conquests\, each about the same traumatic family weekend in a Victorian house and garden. Living Together covers the action in the living room. \nThree female and three male Characters. Note: Character ages are approximate only. \nANNIE: The Cinderella of the family. Stage age mid-20’s to mid-30’s. Careworn\, generally acquiescent\, can get angry if pressed. Impish sense of humour. \nREG: Stage age late 30’s to mid-40’s. Annoyingly upbeat\, makes ‘Dad’ jokes. Under his wife Sarah’s thumb. Very serious about the board games he invents and makes. \nSARAH: Stage age late 30’s to mid-40’s. Likes to be in command. Fussy and bossy. Mother to several small children. \nNORMAN: Stage age mid-30’s to mid-40’s. Intelligent\, lazy\, sarcastic\, self-centred. Womaniser\, and stirs up trouble at other’s expense. \nRUTH: Stage age mid-30’s to mid-40’s. Hard-working\, long-suffering wife of Norman. Awake to him\, but is prepared to forgive up to a point. Short-sighted but usually too vain to wear her glasses. No children. \nTOM: Stage age around 40. Local vet\, looks after Annie’s cat. Well-built and solid\, slow in movement and thought. Diffident and earnest. Thinks he loves Annie but can’t get round to telling her. The last to catch on to things. \nAUDITION REQUIREMENTS:\nAuditionees will be seen individually BY APPOINTMENT ONLY. \nThere is no need to memorise anything as script extracts will be provided at the audition. \nTo book an audition go to\nhttps://www.trybooking.com/events/landing/1076721 \nFor further information please contact the Director\, Les Zetlein\, on 0401 125 999 or email les@pippick.com \nDATES OF PRODUCTION\n2nd – 4th May – then 9th – 11th May 2024\, St Jude’s Hall\, Brighton.
URL:https://tasaonline.org.au/events/living-together/
LOCATION:St. Jude’s Players\, 444 Brighton Rd\, Brighton\, South Australia\, 5048\, Australia
CATEGORIES:Auditions
ATTACH;FMTTYPE=image/png:https://tasaonline.org.au/wp-content/uploads/2023/06/St-Judes-logo.png
ORGANIZER;CN="St. Jude's Players":MAILTO:info@stjudesplayers.asn.au
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BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20230930T130000
DTEND;TZID=Australia/Adelaide:20230930T160000
DTSTAMP:20260426T113727
CREATED:20230818T003658Z
LAST-MODIFIED:20230818T003658Z
UID:10020580-1696078800-1696089600@tasaonline.org.au
SUMMARY:The Explorers Club
DESCRIPTION:Written By: Nell Benjamin \nCreative Team: Director: Emily Currie \n\nLondon\, 1879. The prestigious Explorers Club is in crisis: their acting president wants to admit a woman\, and their bartender is terrible. True\, this woman is brilliant\, beautiful\, and has discovered a legendary Lost City\, but the decision to let in a woman could shake the very foundations of the British Empire\, and how do you make such a decision without a decent drink? \nThe play\, written in 2013\, paints a satirical picture of 1880s science and exploration in a farcical setting. Emily’s ‘vision’ for the play is in the tradition of a farce. Extraordinary statements and actions that come thick and fast\, played straight for comedy. \nThe play contains basic choreographed physical movement (not dance) for most characters. \nAudience: Aimed at adults\, the play is suitable for over 12 yrs and families to attend (PG minimal foul language)\, comical violence\, and alcohol consumption used for slapstick. \n  \nAudition Information: www.stirlingplayers@sct.org.au \n\n\n\nAudition Information #:0\n\n\nDate:\n30/09/2023\n\n\nTime From – Time to:\n1.00 – 4.00pm\n\n\n\n  \n\n\n\nCharacter Descriptions #:0\n\n\nRole Name:\nLucius Fretway (age 40-60)\n\n\nGender:\nMale\n\n\nStage Age:\n40+\n\n\nRole Information:\nBotanist – gentle and thoughtful\, a romantic at heart (44 pages)\n\n\nCharacter Descriptions #:1\n\n\nRole Name:\nPhyllida Spotte-Hume (age 40-60) / Countess Glamorgan (double with Phyllida)\n\n\nGender:\nFemale\n\n\nStage Age:\n40+\n\n\nRole Information:\nPhyllida: Anthropologist – spry\, quick witted\, open and flexible (25 Pages)\nCountess: Twin of Phyllida – Entitled\, Posh\n\n\nCharacter Descriptions #:2\n\n\nRole Name:\nHarry Percy\n\n\nGender:\nMale\n\n\nStage Age:\n30s\n\n\nRole Information:\nExplorer – cad and not a thinker (39 pages)\n\n\nCharacter Descriptions #:3\n\n\nRole Name:\nProfessor Cope (age 30-60)\n\n\nGender:\nMale\n\n\nStage Age:\n30+\n\n\nRole Information:\nHerpetologist – Sincere\, happy to be invited\, loyal (33 pages)\n\n\nCharacter Descriptions #:4\n\n\nRole Name:\nProfessor Walling (age 30-60)\n\n\nGender:\nMale\n\n\nStage Age:\n30+\n\n\nRole Information:\nZoologist – Sensitive\, cheerful\, loyal and sweet (34 pages)\n\n\nCharacter Descriptions #:5\n\n\nRole Name:\nLuigi (any age over 18)\n\n\nGender:\nMale\n\n\nStage Age:\n18+\n\n\nRole Information:\nNaKong Tribesman – inquisitive\, optimistic\, agile (33 pages)\n\n\nCharacter Descriptions #:6\n\n\nRole Name:\nProfessor Slone (age 40-70)\n\n\nGender:\nMale\n\n\nStage Age:\n40+\n\n\nRole Information:\nArcheo-theologist – Serious\, straight-laced (39 pages)\n\n\nCharacter Descriptions #:7\n\n\nRole Name:\nSir Humphries (any age over 18)\n\n\nGender:\nMale\n\n\nStage Age:\n18+\n\n\nRole Information:\nPrivate Secretary to Queen – Austere\, intimidating (18 pages)\n\n\nCharacter Descriptions #:8\n\n\nRole Name:\nBeebe & Irish Assassin (double with Beebe) (any age over 18)\n\n\nGender:\nMale\n\n\nStage Age:\n18+\n\n\nRole Information:\nBeebe: Explorer – Intense\, quick (7 pages)\n\n\n\n\nMore Information at: www.stirlingplayers.sct.org.au\nFurther information can be obtained from the Director\, Emily Currie at Emily.M.Currie@gmail.com. \n\nContact: John Graham\ncontactstirlingplayers@gmail.com\n0404 555 808
URL:https://tasaonline.org.au/events/the-explorers-club/
LOCATION:Stirling Community Theatre\, 5 Avenue Road\, Stirling\, SA\, 5152\, Australia
CATEGORIES:Auditions
ATTACH;FMTTYPE=image/jpeg:https://tasaonline.org.au/wp-content/uploads/2023/08/THE-EXPLORERS-CLUB.jpg
ORGANIZER;CN="Stirling Players":MAILTO:contact@stirlingplayers.org.au
GEO:-35.0042671;138.7150941
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Stirling Community Theatre 5 Avenue Road Stirling SA 5152 Australia;X-APPLE-RADIUS=500;X-TITLE=5 Avenue Road:geo:138.7150941,-35.0042671
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END:VCALENDAR