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DTSTART;TZID=Australia/Adelaide:20260613T130000
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UID:10025268-1781355600-1781361000@tasaonline.org.au
SUMMARY:Alice in Wonderland Jr
DESCRIPTION:NOW Productions presents ‘Alice in Wonderland JR’ at the Shedley Theatre.\nStep into the wacky world of Wonderland in this vibrant new retelling of a Disney classic! \nFall down the rabbit hole with Alice as she navigates the curious world of Wonderland on a journey of self-discovery. When young Alice finds herself in a strange world where everything seems upside down\, she must find her way home…and find herself along the way. As she travels through Wonderland\, she encounters all of the iconic characters that audiences have come to love: including the ever-tardy White Rabbit\, the grinning Cheshire Cat\, a cool Caterpillar\, the wacky Mad Hatter\, and the hot-tempered Queen of Hearts. \nAlice in Wonderland JR. features Disney favourites such as “The Golden Afternoon\,” “The Unbirthday Song\,” and “Painting the Roses Red” along with brand-new songs\, including music from the 2010 live-action film. Whether this is your first experience with Alice or your hundredth\, you’ll fall in love all over again with this timeless story of adventure\, imagination\, and pure fun!
URL:https://tasaonline.org.au/events/alice-in-wonderland-jr/2026-06-13/1/
LOCATION:The Shedley Theatre\, 10 Playford Boulevard\, Elizabeth\, South Australia\, 5112\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/png:https://tasaonline.org.au/wp-content/uploads/2026/04/ALice.avif
ORGANIZER;CN="Now Productions":MAILTO:Info@NowProductionsSA.com.au
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DTSTART;TZID=Australia/Adelaide:20260613T130000
DTEND;TZID=Australia/Adelaide:20260613T180000
DTSTAMP:20260613T123205
CREATED:20260610T083618Z
LAST-MODIFIED:20260610T083810Z
UID:10025990-1781355600-1781373600@tasaonline.org.au
SUMMARY:MARY SHELLEY'S ~ FRANKENSTEIN ~
DESCRIPTION:Written By: Nick Dear \nCreative Team: Directed By Justine C. Lewis \n\nMade famous by The National Theatre in 2011\nStarring Benedict Cumberbatch and Johnny Lee Miller as\nVictor Frankenstein and The Creature respectively. \nNick Dear’s adaptation of Mary Shelley’s Gothic novel retells the well-known story from the point of view of The\nCreature.\nThe Creature is created by Victor Frankenstein\, a troubled\, young scientist who has grown frustrated by traditional\nscientific methods. His ego and dark ambition drive him to play with life itself and he succeeds in bringing The\nCreature to life.\nChildlike in his innocence but grotesque in his form\, the bewildered Creature is abandoned in a hostile world by his\nhorror-struck maker. Due to his terrifying appearance\, The Creature experiences cruelty\, prejudice\, and fear wherever\nhe goes.\nHe slowly learns the ways of the world and is educated by Old Man De Lacey\, a blind man who provides The\nCreature with the kindness\, empathy\, and friendship he desperately craves; However\, when Old Man De Lacey’s\nfamily turn on the Creature\, his hope of finding a kinder place in the world is dashed. The Creature embarks upon a\nviolent killing spree\, determined to track down his maker Victor Frankenstein and force him to provide The Creature\nwith the companion he desperately craves. Frankenstein’s abandonment of The Creature sets into motion a downward\nspiral of catastrophic events that destroy Frankenstein’s loved ones and\, ultimately\, binds him to his Creature…\nForever!\nNick Dear’s 2011 retelling of Mary Shelley’s 1816 intriguing\, Gothic\, cautionary tale proves that actions have\nconsequences and no matter how hard we try\, there is a monster within us all! \n\nInformation Session:\n47 BARTON DR \n\nAudition Information: https://www.trybooking.com/DMPLA \n\n\n\nAudition Information #:1\n\n\nDate:\n13/06/2026\n\n\nTime From – Time to:\n13:00 – 18:00\n\n\nAudition Information #:2\n\n\nDate:\n14/06/2026\n\n\nTime From – Time to:\n13:00 – 18:00\n\n\n\n  \n\n\n\nCharacter Descriptions #:1\n\n\nRole Name:\nTHE CREATURE\n\n\nGender:\nMale\n\n\nStage Age:\n30s\n\n\nRole Information:\nThe shows duel protagonist and antagonist alongside Victor Frankenstein\nThe character of The Creature will require a vast grip of physicality and facial expressions thus having a wide range of movement will be beneficial if considering auditioning for this role.\nThe Creature is born from Victor’s ego to process power\, knowledge and to prove a point.\nSewn together from deceased corpses and born again essentially as a newborn in a fully grown body needing to learn the ways of the world again. He is shunned by society because of his looks.\nAfter finding a temporary fatherly figure in Old Man De Lacy his is shown love\, kindness and is given education. However this is short lived after being discovered by Old Man De Lacy’s son and daughter-in-law. Taking his lessons taught to him this starts a domino effect of his own interpretation of justification and morality\, resulting in anger and violence. He ultimately is trying to seek love and he attempts to solicit it from his creator as well as a companion. It is only when this is denied by Victor that The Creature sets into motion the final sequence of catastrophic events that destroy Frankenstein’s loved ones ultimately bonding himself permanently to his creator; which he deems his true ‘father’ and in his own twisted interpretation is the only of love he knows and will ever know.\nInitially Innocent\, Intelligent\, Curious\, Strong\, Self preserving\, Lonely\, Loving\, Cunning and A Retributionist.(Please Note: Role requires (possibly) two featured interpretive dance/movement scenes that is performed with the actress playing The Female Creature to Alex Warren’s- Ordinary; the other being with the actor playing Victor Frankenstein to Sia’s-Alive. Dance experience is not essential but must be able to move to music.\nAlso please further note this character is required to portray an illusion of nudity through the use of theatrical means i.e. Costume and make-up.\nFurthermore in this adaptation of Frankenstein this character is to partake in a scene involving a non consensual sexual encounter with the actress playing Elizabeth and will be required to portray a simulation of sexual assault (SA) on stage. Discretion is advised if considering auditioning for this role.)\n\n\nCharacter Descriptions #:2\n\n\nRole Name:\nVICTOR FRANKENSTEIN\n\n\nGender:\nMale\n\n\nStage Age:\n20s\n\n\nRole Information:\nThe show’s duel protagonist and antagonist alongside The Creature.\nVictor is a university chemistry and biology student.\nHe believes in pushing the boundaries of science and is ever in pursuit of knowledge\, consequences be dammed. He is very tunnel minded\, hot headed and headstrong he doesn’t think things through. He created his Creature just to prove that he could then abandons him out of fear. Constantly thinks he is doing the right thing but pushes away those he loves and who love him thus creating his own isolation and downfall as he loses everything except his creation.\nSelf-Assured\, Head Strong\, Cocky\, Closed-off \, Constantly Denying and Self-Righteous(Please Note: This Character may be required to partake in an interpretive dance/movement scene that is performed with the actor playing The Creature to Sia’s -Alive. Dance experience is not essential but must be able to have the ability to move to music.)\n\n\nCharacter Descriptions #:3\n\n\nRole Name:\nELIZABETH LAVENZA\n\n\nGender:\nFemale\n\n\nStage Age:\n20s\n\n\nRole Information:\nVictor’s Cousin (Adopted) and Fiancée. She is the tragic Heroine of the show. Kind hearted\, sweet and fair\, she doesn’t understand her Fiancé’s distance from her. She tries to do her best to understand Victor and his work but feels constantly pushed away (unbeknownst to her his distance is for her safety). She is the only female character in the show to show The Creature genuine Love and understand even offering to be a ‘friend’. She is ultimately defiled and killed by The Creature as a cruel jab at his creator Victor.\nLoving\, Strong\, Kind-Hearted\, Understanding and Passionate.(Please Note: In this adaptation of Frankenstein this character is to partake in a scene involving a non consensual sexual encounter with the actor playing The Creature and will be required to portray a simulation of sexual assault (SA) on stage. Discretion is advised if considering auditioning for this role.)\n\n\nCharacter Descriptions #:4\n\n\nRole Name:\nOLD MAN DE LACEY\n\n\nGender:\nMale\n\n\nStage Age:\n50s\n\n\nRole Information:\nAn old man and former university professor who has been rendered blind. He is The Creatures surrogate father and is the first person The Creature encounters to show him any sort of kindness. He teaches The Creature how to speak\, read and write and attempts to teach him morality and about the world.\nKind\, Fatherly\, Well to-do and Knowledgeable.\n\n\nCharacter Descriptions #:5\n\n\nRole Name:\nFELIX DE LACEY\n\n\nGender:\nMale\n\n\nStage Age:\n30s\n\n\nRole Information:\nOld Man De Lacy’s son and Agatha’s husband. Initially he is open-minded to the help The Creature brings until actually seeing The Creature. He believes he will harm his father and believes his father is crazy. He attempts to kill The Creature merely for the way he looks despite presenting no initial harm.\nDevoted to his wife and father and does his best to make the most of their new situation as farmers.\nOpen Minded and loving to a point\, hard working and strong.\n\n\nCharacter Descriptions #:6\n\n\nRole Name:\nAGATHA DE LACEY\n\n\nGender:\nFemale\n\n\nStage Age:\n25\n\n\nRole Information:\nOld Man De Lacy’s daughter- in-law and Felix’s wife. She is less open-minded to the mysterious help that unknowingly to them both is being provided by The Creature. She is caring and kind towards her husband and father-in-law doing what she can for them in their situation. However she too is driven by fear upon seeing The Creature urging her husband to ‘kill’ and ‘thrash’ it.\nLoving\, Devoted\, Hard Working and Motherly.\n\n\nCharacter Descriptions #:7\n\n\nRole Name:\nMONSIEUR FRANKENSTEIN\n\n\nGender:\nMale\n\n\nStage Age:\n50s\n\n\nRole Information:\nVictor and William’s father. Lost his wife in childbirth\, therefore he tries to love and be encouraging of both his sons .Essentially he would do anything for them. He supports Victor’s wish to go to University as well as supporting the relationship between Elizabeth (Victor & William’s adopted cousin) and Victor. After losing William he desperately tries to support Victor but ultimately realises he can only do so much and blames himself for the path Victor ultimately takes.\nLoving\, Supportive\, Encouraging\, Down to Earth and Well to do.\n\n\nCharacter Descriptions #:8\n\n\nRole Name:\nWILLIAM FRANKENSTEIN\n\n\nGender:\nMale\n\n\nStage Age:\n13\n\n\nRole Information:\nVictor’s little brother\, Monsieur Frankenstein’s youngest son and Elizabeth’s cousin.\nInitially befriends The Creature until he sees it and tries to run. William is killed by The Creature in order to bait Victor into seeking him out. He later appears as a hallucination by a weary\, malnourished Victor whist creating ‘The Female Creature’.\nYoung\, innocent\, fearful\, weary of The Creature.\n\n\nCharacter Descriptions #:9\n\n\nRole Name:\nGUSTAV/EWAN\n\n\nGender:\nMale\n\n\nStage Age:\n30s\n\n\nRole Information:\nEwan- Rab’s uncle also an Orkney Islander Dock Worker hired by Victor to help him procure body parts for what he tells them is for medical research\, but in reality is for the creation of The Female Creature. Unlike his nephew\, Ewan is content to not ask questions and do the work they have been commissioned to do no matter how unethical it may be. Tells his nephew to keep his head down and gets on with it.\nDown-to-earth\, Content\, Hardworking\, Salt-of-the-earth\, Gruff\, Unwilling to disturb.(Role only requires a small amount of stage time and hence this role may be merged with that of Travelling Beggar Gustav.)Gustav- A travelling beggar who along with his fellow travelling companion Klaus encounters the creature out in the rural countryside. Gustav & Klaus are the first characters the treat The Creature with violence and are the first characters that initially shape his impression of Mankind. Although they do not intend to act with such cruelty they believe they are acting within their best interest trying to protect each other and their property. It is only when they see The Creatures appearance that they grow violent.\nBrash\, Protective\, Territorial\, Gruff\, Country man. \n(Role only requires a small amount of stage time and hence this role may be merged with that of The Orkney Island Dock Worker Ewan. Actor must have a wide range to portray both characters.)\n\n\nCharacter Descriptions #:10\n\n\nRole Name:\nRAB/KLAUS\n\n\nGender:\nMale\n\n\nStage Age:\n30s\n\n\nRole Information:\nRab- Ewan’s nephew and an Orkney Islander Dock Worker hired by Victor to help him procure body parts for what he tells them is for medical research\, but in reality is for the creation of The Female Creature. He is distrusting and fearful but goes along with the work at the behest of his uncle and the money offered by Victor.\nDown-to-earth\, Distrusting but Hardworking\, gruff\, salt-of-the-earth.(Role only requires a small amount of stage time and hence this role may be merged with that of Travelling Beggar Klaus.)Klaus- A travelling beggar who along with his fellow travelling companion Gustav encounters the creature out in the rural countryside. Gustav & Klaus are the first characters that treat The Creature with violence and are the first characters that initially shape his impression of Mankind. Although they do not intend to act with such cruelty they believe they are acting within their best interest trying to protect each other and their property. It is only when they see The Creatures appearance that they grow violent.\nBrash\, Protective\, Territorial\, Gruff\, Country man. \n(Role only requires a small amount of stage time and hence this role may be merged with that of The Orkney Island Dock Worker’s Nephew Rab. Actor must have a wide range to portray both characters.)\n\n\nCharacter Descriptions #:11\n\n\nRole Name:\nGRETEL/CLARICE\n\n\nGender:\nFemale\n\n\nStage Age:\n20s\n\n\nRole Information:\nGretel- A sex worker/prostitute and The Creature’s first interaction with a human being other than Victor. Initially she treats him with kindness as he inadvertently saves her from a violent client. While at first being grateful and receptive to his advances upon seeing his face she is fearful and flees.\nAlluring\, Sweet\, Down-to-earth and Flirtatious.(Role only requires a small amount of stage time and hence this role may be merged with that of Elizabeth’s Lady In Waiting Clarice.)Clarice- Elizabeth’s Lady in Waiting and one of Mousier Frankenstein’s closest confidants. She is loyal to the Frankenstein Household\, Clarice offers Elizabeth advice over her relationship with Victor. She is also deeply supportive of Mousier Frankenstein at William’s death and is a shoulder to cry on when he believes he is a failure of a father over Victor’s fate.\nMotherly\, Mature\, Supportive and Loyal. \n(Role only requires a small amount of stage time and hence this role may be merged with that of Sex Worker/ Prostitute Gretel. Actress must have a wide range to portray both characters.)\n\n\nCharacter Descriptions #:12\n\n\nRole Name:\nTHE FEMALE CREATURE\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nRequested in desperation by The Creature as a plea to Victor’s grandiose ego. The Female Creature is designed to be The Creature’s polar opposite in every way; The Beauty to this Beast\, the goddess to his demon. She is The Creature’s only wish from his ‘father ‘so as not to be forced to spend eternity alone and not to finally know love. Upon being created before she can be fully reanimated she is destroyed by Victor as he fears unleashing another blight upon humanity and does not want to risk The Creature’s having children. \n(Please Note: Role only requires a small amount of stage time and has no spoken dialogue. However she does have a featured interpretive dance/movement scene that is performed with the actor playing The Creature to Alex Warren’s- Ordinary. Dance experience is not essential but must be able to move to music.\nAlso please further note this character is required to portray an illusion of nudity through the use of theatrical means i.e. Costume and make-up. Discretion is advised if considering auditioning for this role.)\n\n\n\n\nMore Information at: phoenixvareity.musicgroup@gmail.com\nContent Warning:\nPhoenix Variety and Music Group wish to advise those who audition for the roles of ‘The Creature’\, ‘The Female Creature’ and ‘Elizabeth’ that this version by Nick Dear contains material that is of a sensitive nature. This includes nudity being alluded too\, simulated non-consensual encounters and sexual assault. The intention is to imply these things through costuming\, staging\, lighting and the power of suggestion. \nAudition Venue:\nNoarlunga Uniting Church Hall\n23 William Road\, Christies Beach \nGeneral Audition Information:\nAuditions will be allotted to a time slot of approximately 10 minutes each.\nIf you wish to audition for more than one character then it may be prudent to book a double timeslot.\nWe advise that you arrive at least 15 to 20 minutes before your audition in order to settle and get yourself in your performance headspace. Also in this time you’ll be asked to fill out the required paperwork for your audition.\nPlease book your audition timeslot(s) via the link below\nhttps://www.trybooking.com/DMPLA\nOnce booked please email the PVMG secretary Tania Corr with the character(s) you have selected to receive your script excerpts to prepare for your audition. Tania can be contacted at the email below\nphoenixvariety.musicgroup@gmail.com \nIn your timeslot you will be asked to read the script excerpts in character with Dennis then you’ll be asked to perform the piece acting alongside him on the floor.\nYou may be asked to perform the piece again taking direction from the director.\nWe ask that you please dress comfortably and bring a drink bottle as well as a headshot.\n(If you don’t have a ‘professional’ headshot we will accept your best selfie ^_^)\nIf you wish to bring an item that you believe will help you get into character.\nE.g. Glasses\, a scarf\, a cane etc. Please feel free to do so as we do admire passion and excitement.\nHowever this is not at all necessary.\nFinally I please ask that you bring your best can-do/ enthusiastic attitude as I’d like this to be a fun show\n-well as fun a show about death\, murder and reanimation can be -which I endeavour to portray from the word go.\nWe want you to feel relaxed and comfortable.\nAbove all we want you to have fun and absolutely go for it!\nPlease note all successful auditionees will be required to become financial member of\nPhoenix Variety and Music Group. Details to be confirmed at a later date. \nDetailed Accent Information:\nAll characters are required to sport a European accent or at least a British one. However\, for some characters I am looking for more specific dialects as indicted below \nTHE CREATURE:\nFor the Creature I am looking for him to sport two accents. Firstly\, a parroting of Klaus/Gustav accents as these are the first words spoken to him that he repeats later in the show. Later switching to a Received Pronunciation (RP) accent to reflect the lessons and patterns learnt from Old Man De Lacy. Thus creating another example of juxtaposition between his ‘monstrous’ appearance to the eloquence of his vocal abilities. \nVICTOR FRANKENSTEIN\, ELIZABETH LAVENZA\, WILLIAM FRANKENSTEIN\, MONSUIER FRANKENSTEIN & OLD MAN DE LACY:\nI am looking for Received Pronunciation (RP)\, commonly referred to as the Queen’s or the King’s English. Typical\, upmarket and the go-to accent\, very prim and proper. \nGUSTAV\, KLAUS\, GRETEL\, CLARICE\, AGATHA DE LACY & FELIX DE LACY:\nFor these characters I am looking for a plethora of working class/ lower class accents. A few examples are as follows; Yorkshire\, Gordie\, Cockney\, Irish\, Essex\, German\, Swiss or Estuary. These are to accentuate that the characters are in working class positions. Thus providing a distinct juxtaposition from the Upper-Class characters. By invoking the vast dialects drawn from across Europe this fleshes out the world and allows the audience to acknowledge the different countries that the show takes place in as well as how vast this story stretches. \nRAB & EWAN:\nAs these characters hail from Orkney archipelago off the north coast of Scotland. I am looking for a Scottish Orkney or Scottish Glasgow accent as these dialects are very country\, rural\, rough and harsh as well as of course being native to the region. This will also reflect the working-class nature as well as further differentiate these characters from the other roles these actors may play i.e. Gustav and Klaus. \n\nContact: Justine Lewis\nphoenixvariety.musicgroup@gmail.com\n0431987988
URL:https://tasaonline.org.au/events/mary-shelleys-frankenstein/2026-06-13/
LOCATION:Noarlunga Uniting Church Hall\, 23 William Road\, Christies Beach\, SA\, 5165\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Phoenix Variety and Music Group":MAILTO:phoenixttheatregroup2018@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20260613T130000
DTEND;TZID=Australia/Adelaide:20260613T180000
DTSTAMP:20260613T123205
CREATED:20260612T011248Z
LAST-MODIFIED:20260612T011328Z
UID:10025992-1781355600-1781373600@tasaonline.org.au
SUMMARY:FRANKENSTEIN
DESCRIPTION:Written By: Written by Nick Dear. Based on the novel by Mary Shelley. \nCreative Team: Directed By: Justine C. Lewis \n\nNick Dear’s adaptation of Mary Shelley’s Gothic novel retells the well-known story from the point of view of The Creature.\nThe Creature is created by Victor Frankenstein\, a troubled\, young scientist who has grown frustrated by traditional scientific methods. His ego and dark ambition drive him to play with life itself and he succeeds in bringing The Creature to life.\nChildlike in his innocence but grotesque in his form\, the bewildered Creature is abandoned in a hostile world by his horror-struck maker. Due to his terrifying appearance\, The Creature experiences cruelty\, prejudice\, and fear wherever\nhe goes. He slowly learns the ways of the world and is educated by Old Man De Lacey\, a blind man who provides The Creature with the kindness\, empathy\, and friendship he desperately craves; However\, when Old Man De Lacey’s family turn on the Creature\, his hope of finding a kinder place in the world is dashed. The Creature embarks upon a\nviolent killing spree\, determined to track down his maker Victor Frankenstein and force him to provide The Creature with the companion he desperately craves.\nFrankenstein’s abandonment of The Creature sets into motion a downward spiral of catastrophic events that destroy Frankenstein’s loved ones and\, ultimately\, binds him to his Creature…Forever!\nNick Dear’s 2011 retelling of Mary Shelley’s 1818 intriguing\, gothic\, cautionary tale proves that actions have consequences and no matter how hard we try\, there is a monster within us all! \n\nInformation Session: \n\nAudition Information: https://www.trybooking.com/events/landing/1592266 \n\n\n\nAudition Information #:1\n\n\nDate:\n13/06/2026\n\n\nTime From – Time to:\n13:00 – 18:00\n\n\nAudition Information #:2\n\n\nDate:\n14/06/2026\n\n\nTime From – Time to:\n13:00 – 18:00\n\n\n\n  \n\n\n\nCharacter Descriptions #:1\n\n\nRole Name:\nThe Creature\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\nStage Age: 20’s – 40’s\nPart Size: Lead\nThe shows duel protagonist and antagonist alongside Victor Frankenstein.\nThe Creature is born from Victor’s ego to process power\, knowledge and to prove a point.\nSewn together from deceased corpses and born again essentially as a newborn in a fully grown body needing to learn the ways of the world again. He is shunned by society because of his looks.\nAfter finding a temporary fatherly figure in Old Man De Lacy his is shown love\, kindness and is given education. However\, this is short lived after being discovered by Old Man De Lacy’s son and daughter-in-law. Taking his lessons taught to him this starts a domino effect of his own interpretation of justification and morality\, resulting in anger and violence. He ultimately is trying to seek love and he attempts to solicit it from his creator as well as a companion. It is only when this is denied by Victor that The Creature sets into motion the final sequence of catastrophic events that destroy Frankenstein’s loved ones ultimately bonding himself permanently to his creator; which he deems his true ‘father’ and in his own twisted interpretation is the only of love he knows and will ever know.\n(Please Note: Role requires (possibly) two featured interpretive dance/movement scenes that is performed with the actress playing The Female Creature to Alex Warren’s- Ordinary; the other being with the actor playing Victor Frankenstein to Sia’s-Alive. Dance experience is not essential but must be able to move to music.\nAlso\, this character is required to portray an illusion of nudity using theatrical means.\nFurthermore in this adaptation\, the character is to partake in a scene involving a non-consensual sexual encounter with the actress playing Elizabeth and will be required to portray a simulation of sexual assault on stage. Discretion is advised if considering auditioning for this role.\n\n\nCharacter Descriptions #:2\n\n\nRole Name:\nVictor Frankenstein\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\nStage Age: Late 20’s- Early 30’s\nPart Size: Lead\nThe show’s dual protagonist and antagonist alongside The Creature.\nVictor is a university chemistry and biology student.\nHe believes in pushing the boundaries of science and is ever in pursuit of knowledge\, consequences be dammed. He is very single minded\, hot headed and headstrong he doesn’t think things through. He created his Creature just to prove that he could then abandons him out of fear. Constantly thinks he is doing right but pushes away those he loves and who love him thus creating his own isolation and downfall as he loses everything except his creation.\nSelf-Assured\, Head Strong\, Cocky\, Closed off and Constantly Denying.\nPlease Note: This Character may be required to partake in an interpretive dance/movement scene that is performed with the actor playing The Creature to Sia’s -Alive. Dance experience is not essential but must be able to have the ability to move to music.\n\n\nCharacter Descriptions #:3\n\n\nRole Name:\nElizabeth Lavenza\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nStage Age: 20’s/30’s\nPart Size: Lead\nVictor’s Cousin (Adopted) and Fiancée. She is the tragic Heroine of the show. Kind hearted\, sweet and fair\, she doesn’t understand her Fiancé’s distance from her. She tries to do her best to understand Victor and his work but feels constantly pushed away (unbeknownst to her his distance is for her safety). She is the only female character in the show to show The Creature genuine Love and understand even offering to be a ‘friend’. She is ultimately defiled and killed by The Creature as a cruel jab at his creator Victor.\nLoving\, Strong\, Kind-Hearted\, Understanding and Passionate.\n(Please Note: In this adaptation of Frankenstein this character is to partake in a scene involving a non consensual sexual encounter with the actor playing The Creature and will be required to portray a simulation of sexual assault (SA) on stage. Discretion is advised if considering auditioning for this role.)\n\n\nCharacter Descriptions #:4\n\n\nRole Name:\nOld Man De Lacy\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\nStage Age: 40’s – 60’s\nPart Size: Large Supporting\nAn old man and former university professor who has been rendered blind. He is The Creatures surrogate father and is the first person The Creature encounters to show him any sort of kindness. He teaches The Creature how to speak\, read and write and attempts to teach him morality and about the world.\nKind\, Fatherly\, Well to-do and Knowledgeable.\n\n\nCharacter Descriptions #:5\n\n\nRole Name:\nFelix De Lacy\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\nStage Age: 20’s/30’s\nPart Size: Supporting\nOld Man De Lacy’s son and Agatha’s husband. Initially he is open-minded to the help The Creature\, until seeing The Creature. He believes he will harm his father and that he is crazy. He attempts to kill The Creature merely for the way he looks despite presenting no initial harm.\nDevoted to his wife and father and does his best to make the most of their new situation as farmers.\nOpen Minded and loving to a point\, hard working and strong.\n\n\nCharacter Descriptions #:6\n\n\nRole Name:\nAgatha De Lacy\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nStage Age: 20’s/30’s\nPart Size: Supporting\nOld Man De Lacy’s daughter- in-law and Felix’s wife. She is less open-minded to the mysterious help that unknowingly to them both is being provided by The Creature. She is caring and kind towards her husband and father-in-law doing what she can for them in their situation. However she too is driven by fear seeing The Creature urging her husband to ‘kill’ and ‘thrash’ it.\nLoving\, Devoted\, Hard Working and Motherly.\n\n\nCharacter Descriptions #:7\n\n\nRole Name:\nMonsieur Frankenstein\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\nStage Age: 40’s/50’s\nPart Size: Supporting\nVictor and William’s father. Lost his wife in childbirth\, therefore he tries to love and be encouraging of both sons. He would do anything for them. Supports Victor’s wish to go to university\, supporting the relationship between Elizabeth (Victor & William’s adopted cousin) and Victor. After losing William he desperately tries to support Victor but ultimately realises he can only do so much and blames himself for the path Victor takes.\nLoving\, Supportive\, Encouraging\, Down to Earth and Well to do.\n\n\nCharacter Descriptions #:8\n\n\nRole Name:\nWilliam Frankenstein\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\nStage Age: 12 to13\nPart Size: Featured Supporting\nVictor’s little brother\, Monsieur Frankenstein’s youngest son and Elizabeth’s cousin.\nInitially befriends The Creature until he sees it and tries to run. William is killed by The Creature to bait Victor into seeking him out. He later appears as a hallucination by a weary\, malnourished Victor whist creating ‘The Female Creature’.\nYoung\, innocent\, fearful\, weary of The Creature.\n\n\nCharacter Descriptions #:9\n\n\nRole Name:\nRab/Klaus\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\n(Possibly played by the same actor)\nStage Age(s): 20’s- 30’s\nPart Size: Featured Supporting\nRab- Ewan’s nephew and an Orkney Islander Dock Worker hired by Victor to help him procure body parts for what he tells them is medical research\, but is really for the creation of a Female Creature. He is distrusting and fearful but goes along with it at the behest of his uncle and the money from Victor.\nDown-to-earth\, Distrusting but Hardworking\, gruff\, salt-of-the-earth.\n(A small role so it may be merged with Klaus)\nKlaus- A travelling beggar who with his fellow travelling companion Gustav encounters the creature in the rural countryside. Gustav & Klaus are the first that treat The Creature with violence and shape his impression of Mankind. Although they do not intend to act with such cruelty they believe they are acting within their best interests to protect each other and property. Only when they see The Creatures appearance that they grow violent.\nBrash\, Protective\, Territorial\, Gruff\, Country man.\n(A small role so it may be merged with Rab. Actor must have a wide range to portray both characters.)\n\n\nCharacter Descriptions #:10\n\n\nRole Name:\nEwan/Gustav\n\n\nGender:\nMale\n\n\nStage Age:\n\n\n\nRole Information:\n(Possibly played by the same actor)\nStage Age(s): 40’s- 50’s\nGender: Male\nPart Size: Featured Supporting\nEwan- Rab’s uncle also an Orkney Islander Dock Worker hired by Victor to help him procure body parts for what he tells them is for medical research\, but really is for the creation of a Female Creature. Unlike his nephew\, Ewan is content to not ask questions and do the work they have been hired to do no matter how unethical it is. Tells his nephew to keep his head down and get on with it.\nDown-to-earth\, Content\, Hardworking\, Salt-of-the-earth\, Gruff\, unwilling to disturb.\n(A small role so it may be merged with Gustav.)\nGustav- A travelling beggar who with his fellow travelling companion Klaus encounters the creature out in the rural countryside. Gustav & Klaus are the first that treat The Creature with violence and his impression of Mankind. Although they do not intend to act with such cruelty they believe they are acting within their best interest trying to protect each other and property. It is only when they see The Creatures appearance that they grow violent.\nBrash\, Protective\, Territorial\, Gruff\, Country man.\n(A small role so it may be merged with Ewan. Actor must have a wide range to portray both characters.)\n\n\nCharacter Descriptions #:11\n\n\nRole Name:\nGretel/ Clarice\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\n(These Roles may be played by the same actress)\nStage Age(s): 20’s – 40’s\nGender: Female\nPart Size: Featured Supporting\nGretel- A sex worker and The Creature’s first interaction with a human being other than Victor. Initially she treats him with kindness as he inadvertently saves her from a violent client. While at first being grateful and receptive to his advances upon seeing his face she is fearful and flees.\nAlluring\, Sweet\, Down-to-earth and Flirtatious.\n(A small role so it may be merged with Clarice.)\nClarice- Elizabeth’s Lady in Waiting and one of Mousier Frankenstein’s closest confidants. She is loyal to the Frankenstein Household\, Clarice offers Elizabeth advice over her relationship with Victor. She is also deeply supportive of Mousier Frankenstein at William’s death and is a shoulder to cry on when he believes he is a failure of a father over Victor’s fate.\nMotherly\, Mature\, Supportive and Loyal.\n(A small role so it may be merged with Gretel. Actor must have a wide range to portray both characters.)\n\n\nCharacter Descriptions #:12\n\n\nRole Name:\nThe Female Creature\n\n\nGender:\nFemale\n\n\nStage Age:\n\n\n\nRole Information:\nStage Age: 20’s – 40’s\nGender: Female\nPart Size: Featured\nRequested in desperation by The Creature as a plea to Victor’s grandiose ego. This role is The Creature’s polar opposite; The Beauty to this Beast\, the goddess to his demon. She is The Creature’s only wish from his ‘father ‘so as not to spend eternity alone and not to know love. Upon being created before she can be fully reanimated\, she is destroyed by Victor as he fears unleashing another blight upon humanity and does not want to risk The Creature’s having children.\n(Please Note: Role only requires a small amount of stage time and has no spoken dialogue. However\, she does have a featured interpretive dance/movement scene that is performed with the actor playing The Creature to Alex Warren’s- Ordinary. Dance experience is not essential but must be able to move to music.\nAlso this character is required to portray an illusion of nudity through the use of theatrical means. Discretion is advised if considering auditioning for this role.)\n\n\n\n\nMore Information at: https://www.trybooking.com/events/landing/1592266\nDetailed Accent Information:\nAll characters are required to sport a European accent or at least a British one. However\, for some characters I am looking for more specific dialects as indicted below \nTHE CREATURE:\nFor the Creature I am looking for him to sport two accents. Firstly\, a parroting of Klaus/Gustav accents as these are the first words spoken to him that he repeats later in the show. Later switching to a Received Pronunciation (RP) accent to reflect the lessons and patterns learnt from Old Man De Lacy. Thus creating another example of juxtaposition between his ‘monstrous’ appearance to the eloquence of his vocal abilities. \nVICTOR FRANKENSTEIN\, ELIZABETH LAVENZA\, WILLIAM FRANKENSTEIN\, MONSUIER FRANKENSTEIN & OLD MAN DE LACY:\nI am looking for Received Pronunciation (RP)\, commonly referred to as the Queen’s or the King’s English. Typical\, upmarket and the go-to accent\, very prim and proper. \nGUSTAV\, KLAUS\, GRETEL\, CLARICE\, AGATHA DE LACY & FELIX DE LACY:\nFor these characters I am looking for a plethora of working class/ lower class accents. A few examples are as follows; Yorkshire\, Gordie\, Cockney\, Irish\, Essex\, German\, Swiss or Estuary. These are to accentuate that the characters are in working class positions. Thus providing a distinct juxtaposition from the Upper-Class characters. By invoking the vast dialects drawn from across Europe this fleshes out the world and allows the audience to acknowledge the different countries that the show takes place in as well as how vast this story stretches. \nRAB & EWAN:\nAs these characters hail from Orkney archipelago off the north coast of Scotland. I am looking for a Scottish Orkney or Scottish Glasgow accent as these dialects are very country\, rural\, rough and harsh as well as of course being native to the region. This will also reflect the working-class nature as well as further differentiate these characters from the other roles these actors may play i.e. Gustav and Klaus. \nRehearsals:\nRehearsals Commence:\nTuesday July 1 st \, 7:00pm\nTuesday Nights: 7:00pm – 9:30pm\nThursday Nights: 7:00pm – 9:30pm\n(Cast to arrive between 6:30pm to 6:45pm for a 7:00pm start) \nSunday Rehearsals\nCommence: Sunday 3rd\, 1:00pm\nSunday Afternoon’s: 1pm – 5pm\n(Cast to arrive between 12:30pm to 12:45pm for a 1pm start) \nIn-between Rehearsals –\nMonday\, November\, 16 th – Full Dress (Hair & Make-up)\nTuesday\, November\, 17 th – Full Dress (Optional Filming) \nPerformances:\nFriday\, November\, 13th (Opening Night) -7:30pm\nSaturday\, November 14th – 2:00pm & 7:30pm\nSunday\, November 15th – 2:00pm\nThursday\, November 19th – 7:30pm\nFriday\, November 20th – 7:30pm\nSaturday\, November 21 st (Closing Night) – 7:30pm \nProduction Week –\nSunday\, November\, 8th – Bump In\nMonday\, November 9th – Tech Run\nTuesday\, November 10th – Dress Run (No Hair & Make-Up)\nWednesday\, November 11th – Final Dress Run\nThursday\, November 12th – Day Off!! \nVenue:\nNoarlunga Uniting Church Hall\n23 William Road\, Chrisites Beach \nAuditions:\nSaturday\, 13th June\n1:00PM – 6:00PM \nSunday\, 14th June\n1:00PM – 6:00PM \nPlease book your audition time slot via the below link and email\nhttps://www.trybooking.com/events/landing/1592266 \nPhoenix Variety and Music Group via email to receive your audition except pieces.\nphoenixvareity.musicgroup@gmail.com \nVenue:\nNoarlunga Uniting Church Hall\n23 William Road\, Christies Beach \n\nContact: Justine Lewis\nphoenixvariety.musicgroup@gmail.com\n0431987988
URL:https://tasaonline.org.au/events/frankenstein/2026-06-13/
LOCATION:Noarlunga Uniting Church Hall\, 23 William Road\, Christies Beach\, SA\, 5165\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Phoenix Variety and Music Group":MAILTO:phoenixttheatregroup2018@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20260613T133000
DTEND;TZID=Australia/Adelaide:20260613T163000
DTSTAMP:20260613T123205
CREATED:20260520T225605Z
LAST-MODIFIED:20260520T225605Z
UID:10025868-1781357400-1781368200@tasaonline.org.au
SUMMARY:Jane Eyre: A Musical Drama
DESCRIPTION:Written By: John Caird and Paul Gordon \nCreative Team: Director Andrew Hawkins\, Musical Director Rebecca Mason \n\nFifth Business Theatre Company are excited to announce our 2027 Adelaide Fringe production of Jane Eyre\, the musical adaptation of Charlotte Brontë’s classic by John Caird and Paul Gordon. The FBTC team heading up this project are Director Andrew Hawkins and Musical Director Bec Mason. \nCharlotte Brontë’s timeless love story comes to life in a sweeping musical full of heart\, mystery\, and moral courage. Nominated for five Tony Awards\, Jane Eyre is a haunting\, hopeful tale of love\, loss\, and the lies that secrets create. \nThis powerful adaptation begins in Jane’s traumatic childhood and follows her path to Thornfield Hall\, where she meets the brooding Rochester and confronts the fire and darkness of his past. Jane’s spiritual conviction and inner strength anchor her through every trial\, making this not just a romance\, but a profound exploration of faith\, redemption and the power of forgiveness. \nTold through ensemble storytelling\, the production flows seamlessly through time and memory\, using a dynamic chorus of voices to shape Jane’s world. Performers will have the opportunity to inhabit multiple roles\, and\, therefore\, the creative team are seeking a cast of dedicated\, team focussed actors who are willing to collaborate and experiment in this space. \nAs our first-ever musical at the Adelaide Fringe\, this is a landmark production for Fifth Business Theatre Company and an exciting opportunity for performers and creatives alike. With lush music and emotionally rich roles\, Jane Eyre promises to be a thrilling and deeply moving theatrical experience. \nWe’re also casting key roles for younger performers\, including Young Jane\, Young John Reed\, Helen Burns\, and the girls at Lowood School. This is a wonderful opportunity for young actors to be part of a major festival production and gain valuable experience in a supportive and creative environment. Auditions for the Youth Ensemble are open to young actors in Years 6 to 12 in 2026. \n\nInformation Session: \n\nAudition Information: https://bit.ly/FBTCJaneEyreAuditionForm \n\n\n\nAudition Information #:1\n\n\nDate:\n08/06/2026\n\n\nTime From – Time to:\n19:00 – 21:30\n\n\nAudition Information #:2\n\n\nDate:\n09/06/2026\n\n\nTime From – Time to:\n19:00 – 21:30\n\n\nAudition Information #:3\n\n\nDate:\n13/06/2026\n\n\nTime From – Time to:\n13:30 – 16:30\n\n\n\n  \n\n\n\nCharacter Descriptions #:1\n\n\nRole Name:\nJANE EYRE\n\n\nGender:\nFemale\n\n\nStage Age:\n20\n\n\nRole Information:\nOur story’s protagonist. A young\, strong-willed woman who is outwardly quiet\, watchful and shy. Her beauty does not come from her physical appearance but rather from her character\, humour\, and strength.\nVocal range top: E5\nVocal range bottom: F#3\nStage age: 18 to 21\n\n\nCharacter Descriptions #:2\n\n\nRole Name:\nEDWARD FAIRFAX ROCHESTER\n\n\nGender:\nMale\n\n\nStage Age:\n30s\n\n\nRole Information:\nAn intelligent and powerful male presence\, he has been greatly damaged by life and is therefore quite prickly and demanding but has a keen sense of humour and engaging personality.\nVocal range top: G4\nVocal range bottom: B2\nStage age: 30s to 40s\n\n\nCharacter Descriptions #:3\n\n\nRole Name:\nMrs Reed\n\n\nGender:\nFemale\n\n\nStage Age:\n40+\n\n\nRole Information:\nMrs Reed is Jane’s aunt and guardian who looks after Jane at Gateshead Hall. She is cruel towards Jane\, offering her little happiness and punishing her relentlessly.\n\n\nCharacter Descriptions #:4\n\n\nRole Name:\nMISS SCATCHERD\n\n\nGender:\nFemale\n\n\nStage Age:\n30+\n\n\nRole Information:\nA teacher at Lowood\, she is a hard-faced and embittered middle-aged woman whose nature has been warped by dogged obedience to Mr. Brocklehurst and a natural distrust of anything unusual or imaginative.\nVocal range top: D5\nVocal range bottom: D4\n\n\nCharacter Descriptions #:5\n\n\nRole Name:\nMRS. FAIRFAX\n\n\nGender:\nFemale\n\n\nStage Age:\n50+\n\n\nRole Information:\nRochester’s elderly relation and the housekeeper of Thornfield Hall who is fussy\, garrulous\, and kind-hearted.\nVocal range top: C5\nVocal range bottom: F3\n\n\nCharacter Descriptions #:6\n\n\nRole Name:\nGRACE POOLE\n\n\nGender:\nFemale\n\n\nStage Age:\n30+\n\n\nRole Information:\nBertha Mason’s minder and nurse who is caring and capable and has an occasional fondness for the liquor pot.\nVocal range top: D5\nVocal range bottom: A3\n\n\nCharacter Descriptions #:7\n\n\nRole Name:\nLADY INGRAM\n\n\nGender:\nFemale\n\n\nStage Age:\n50+\n\n\nRole Information:\nBlanche Ingram’s mother. An amply proportioned woman who wears an expression of almost insupportable haughtiness\, her eyes are fierce and her voice deep. She is pompous and dogmatic.\n\n\nCharacter Descriptions #:8\n\n\nRole Name:\nBLANCHE INGRAM\n\n\nGender:\nFemale\n\n\nStage Age:\n20s\n\n\nRole Information:\nThe clever\, sophisticated\, and stunningly beautiful woman who is to be married to Rochester. She is witty and graceful but also possesses a stunning voice.\nVocal range top: B5\nVocal range bottom: B3\nStage age: 20s to 30s\n\n\nCharacter Descriptions #:9\n\n\nRole Name:\nBERTHA MASON\n\n\nGender:\nFemale\n\n\nStage Age:\n30s\n\n\nRole Information:\nRochester’s mad wife\, kept in the attic of Thornfield Hall. She is strangely beautiful yet a criminally deranged bride stuck in the moment of her final happiness.\nVocal range top: C#5\nVocal range bottom: C#4\nStage age: 30s to 40s\n\n\nCharacter Descriptions #:10\n\n\nRole Name:\nAGNES & ABBOT\n\n\nGender:\nFemale\n\n\nStage Age:\n20+\n\n\nRole Information:\nServants at Gateshead Hall\nStage age: 20s to 30s\n\n\nCharacter Descriptions #:11\n\n\nRole Name:\nSOPHIE\, BESSIE & LEAH\n\n\nGender:\nFemale\n\n\nStage Age:\n20+\n\n\nRole Information:\nServants at Thornfield Hall.\nStage age: 20s to 30s\n\n\nCharacter Descriptions #:12\n\n\nRole Name:\nMR. BROCKLEHURST\n\n\nGender:\nMale\n\n\nStage Age:\n40+\n\n\nRole Information:\nThe owner of Lowood School. He must be an imposing and frightening figure to Young Jane; cold-eyed\, zealous and pontifical.\nVocal range top: G4\nVocal range bottom: D3\n\n\nCharacter Descriptions #:13\n\n\nRole Name:\nRICHARD MASON\n\n\nGender:\nMale\n\n\nStage Age:\n30+\n\n\nRole Information:\nBertha Mason’s brother. He is a well-educated gentleman\, but mentally and emotionally weak as he is haunted by the wrong he has done to Rochester and the need to care for his deranged\, unhappy sister.\nVocal range top: G4\nVocal range bottom: C3\n\n\nCharacter Descriptions #:14\n\n\nRole Name:\nST. JOHN RIVERS\n\n\nGender:\nMale\n\n\nStage Age:\n20s\n\n\nRole Information:\nThe appealing and handsome curate of the parish of Gateshead who is caring for Mrs Reed at her death. He is a complex young man\, passionately devoted to his Christian faith and duty.\nVocal range top: G4\nVocal range bottom: C3\nStage age: 20s to 30s\n\n\nCharacter Descriptions #:15\n\n\nRole Name:\nROBERT\n\n\nGender:\nMale\n\n\nStage Age:\n30+\n\n\nRole Information:\nThe Butler at Thornfield\, he is dry and intelligent\, and a martyr to Mrs. Fairfax’s whims. An understanding and reliable servant to Rochester.\nVocal range top: Bb3\nVocal range bottom: Bb2\n\n\nCharacter Descriptions #:16\n\n\nRole Name:\nLORD INGRAM\n\n\nGender:\nMale\n\n\nStage Age:\n20s\n\n\nRole Information:\nBlanche’s brother.\nStage age: 20s to 30s\n\n\nCharacter Descriptions #:17\n\n\nRole Name:\nMARY INGRAM\n\n\nGender:\nFemale\n\n\nStage Age:\n20s\n\n\nRole Information:\nBlanche’s sister.\nStage age: 20s to 30s\n\n\nCharacter Descriptions #:18\n\n\nRole Name:\nYOUNG JANE EYRE\n\n\nGender:\nFemale\n\n\nStage Age:\n10\n\n\nRole Information:\nFull of soul. Strong and wilful.\nVocal range top: D5\nVocal range bottom: D4\nStage age: 10 to 12\n\n\nCharacter Descriptions #:19\n\n\nRole Name:\nHELEN BURNS\n\n\nGender:\nFemale\n\n\nStage Age:\n14\n\n\nRole Information:\nA young woman of calm and spiritual demeanour whom Jane meets at Lowood School. She is intellectually and spiritually engaging. Teaches the young Jane her most important lesson in life.\nVocal range top: C#5\nVocal range bottom: A3\nStage age: 14 to 16\n\n\nCharacter Descriptions #:20\n\n\nRole Name:\nADELE\n\n\nGender:\nFemale\n\n\nStage Age:\n10\n\n\nRole Information:\nA lively\, curious\, and affectionate young French girl\, Adèle is Jane Eyre’s pupil at Thornfield Hall. Though often playful and dramatic\, she longs for attention and stability\, bringing charm and lightness to the darker corners of the story.\nStage age: 10 to 12\n\n\nCharacter Descriptions #:21\n\n\nRole Name:\nYOUNG JOHN REED\n\n\nGender:\nFemale\n\n\nStage Age:\n14\n\n\nRole Information:\nJane’s cousin and heir to Gateshead Hall. He is her primary tormentor for the first ten years of her life\, but he is never held accountable for his actions because his mother\, Jane’s aunt and benefactor\, is blind to her beloved son’s many faults.\nStage age: 14 to 16\n\n\nCharacter Descriptions #:22\n\n\nRole Name:\nLOWOOD SCHOOLGIRLS\n\n\nGender:\nFemale\n\n\nStage Age:\n10+\n\n\nRole Information:\nThe schoolgirls at Lowood School where Jane is sent by her aunt\, Mrs. Reed.\nStage age: 10 to 18\n\n\n\n\nMore Information at: https://bit.ly/FBTC2026SeasonInfo\nAll adult cast members will need a Working With Children Check. Fifth Business Theatre Company will work with you to obtain this if necessary. \n\nContact: Dani Potter\nfifthbusinesstheatrecompany@tyndale.sa.edu.au
URL:https://tasaonline.org.au/events/jane-eyre-a-musical-drama/2026-06-13/
LOCATION:Tyndale Theatre\, 50 Fern Grove Boulevarde\, Salisbury East\, SA\, 5109\, Australia
CATEGORIES:Auditions
ORGANIZER;CN="Fifth Business Theatre Company":MAILTO:fifthbusinesstheatrecompany@tyndale.sa.edu.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20260613T140000
DTEND;TZID=Australia/Adelaide:20260613T163000
DTSTAMP:20260613T123205
CREATED:20260514T020031Z
LAST-MODIFIED:20260526T124324Z
UID:10025689-1781359200-1781368200@tasaonline.org.au
SUMMARY:TILL THE STARS COME DOWN
DESCRIPTION:A wedding day. A heatwave. A family on the brink. SOUTH AUSTRALIAN PREMIERE\nTILL THE STARS COME DOWN by Beth Steel opens Holden Street Theatres’ 2026 season with a fierce\, funny\, and deeply moving portrait of family\, class\, and belonging. As the celebration begins to unravel\, sisters clash\, loyalties fracture\, and long-buried tensions rise to the surface. What unfolds is sharp\, intimate\, and uncomfortably recognisable—alive with humour\, heart\, and emotional punch. \nDirected by Nick Fagan and marking its South Australian premiere\, this explosive new work brings together a powerhouse ensemble in a production that will stay with you long after the lights go down. \nStart your year with theatre that hits where it matters. Book your tickets now.
URL:https://tasaonline.org.au/events/till-the-stars-come-down/2026-06-13/1/
LOCATION:Holden Street Theatres\, 34 Holden Street\, Hindmarsh\, South Australia\, 5007\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/png:https://tasaonline.org.au/wp-content/uploads/2026/05/STARS-Banner-.avif
ORGANIZER;CN="Holden Street Theatres Inc":MAILTO:manager@holdenstreettheatres.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20260613T180000
DTEND;TZID=Australia/Adelaide:20260613T193000
DTSTAMP:20260613T123205
CREATED:20260428T230147Z
LAST-MODIFIED:20260428T230147Z
UID:10025269-1781373600-1781379000@tasaonline.org.au
SUMMARY:Alice in Wonderland Jr
DESCRIPTION:NOW Productions presents ‘Alice in Wonderland JR’ at the Shedley Theatre.\nStep into the wacky world of Wonderland in this vibrant new retelling of a Disney classic! \nFall down the rabbit hole with Alice as she navigates the curious world of Wonderland on a journey of self-discovery. When young Alice finds herself in a strange world where everything seems upside down\, she must find her way home…and find herself along the way. As she travels through Wonderland\, she encounters all of the iconic characters that audiences have come to love: including the ever-tardy White Rabbit\, the grinning Cheshire Cat\, a cool Caterpillar\, the wacky Mad Hatter\, and the hot-tempered Queen of Hearts. \nAlice in Wonderland JR. features Disney favourites such as “The Golden Afternoon\,” “The Unbirthday Song\,” and “Painting the Roses Red” along with brand-new songs\, including music from the 2010 live-action film. Whether this is your first experience with Alice or your hundredth\, you’ll fall in love all over again with this timeless story of adventure\, imagination\, and pure fun!
URL:https://tasaonline.org.au/events/alice-in-wonderland-jr/2026-06-13/2/
LOCATION:The Shedley Theatre\, 10 Playford Boulevard\, Elizabeth\, South Australia\, 5112\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/png:https://tasaonline.org.au/wp-content/uploads/2026/04/ALice.avif
ORGANIZER;CN="Now Productions":MAILTO:Info@NowProductionsSA.com.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Adelaide:20260613T193000
DTEND;TZID=Australia/Adelaide:20260613T220000
DTSTAMP:20260613T123205
CREATED:20260514T020031Z
LAST-MODIFIED:20260526T124324Z
UID:10025319-1781379000-1781388000@tasaonline.org.au
SUMMARY:TILL THE STARS COME DOWN
DESCRIPTION:A wedding day. A heatwave. A family on the brink. SOUTH AUSTRALIAN PREMIERE\nTILL THE STARS COME DOWN by Beth Steel opens Holden Street Theatres’ 2026 season with a fierce\, funny\, and deeply moving portrait of family\, class\, and belonging. As the celebration begins to unravel\, sisters clash\, loyalties fracture\, and long-buried tensions rise to the surface. What unfolds is sharp\, intimate\, and uncomfortably recognisable—alive with humour\, heart\, and emotional punch. \nDirected by Nick Fagan and marking its South Australian premiere\, this explosive new work brings together a powerhouse ensemble in a production that will stay with you long after the lights go down. \nStart your year with theatre that hits where it matters. Book your tickets now.
URL:https://tasaonline.org.au/events/till-the-stars-come-down/2026-06-13/2/
LOCATION:Holden Street Theatres\, 34 Holden Street\, Hindmarsh\, South Australia\, 5007\, Australia
CATEGORIES:Productions
ATTACH;FMTTYPE=image/png:https://tasaonline.org.au/wp-content/uploads/2026/05/STARS-Banner-.avif
ORGANIZER;CN="Holden Street Theatres Inc":MAILTO:manager@holdenstreettheatres.com
END:VEVENT
END:VCALENDAR